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  1. An Argument for Shape Internalism.Jan Almäng - 2017 - Erkenntnis 82 (4):819-836.
    This paper is a defense of an internalist view of the perception of shapes. A basic assumption of the paper is that perceptual experiences have certain parts which account both for the phenomenal character associated with perceiving shapes—phenomenal shapes—and for the intentional content presenting shapes—intentional shapes. Internalism about perceptions of shapes is defined as the claim that phenomenal shapes determine the intentional shapes. Externalism is defined as the claim that perceptual experiences represent whatever shape the phenomenal shape reliably tracks. The (...)
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  2. Is Consciousnes Multisensory?Tim Bayne & Charles Spence - 2014 - In Dustin Stokes, Stephen Biggs & Mohan Matthen (eds.), Perception and Its Modalities. New York, USA: Oxford University Press. pp. 95-132.
    Is consciousness multisensory? Obviously it is multisensory in certain ways. Human beings typically possess the capacity to have experiences in at least the five familiar sensory modalities, and quite possibly in a number of other less commonly recognised modalities as well. But there are other respects in which it is far from obvious that consciousness is multisensory. This chapter is concerned with one such respect. Οur concern here is with whether consciousness contains experiences associated with distinct modalities at the same (...)
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  3. Sensory Integration and the Unity of Consciousness.David Bennett & Chris Hill (eds.) - forthcoming - MIT Press.
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  4. Hearing and Seeing Musical Expression.Vincent Bergeron & Dominic Mciver Lopes - 2009 - Philosophy and Phenomenological Research 78 (1):1-16.
    Everybody assumes (1) that musical performances are sonic events and (2) that their expressive properties are sonic properties. This paper discusses recent findings in the psychology of music perception that show that visual information combines with auditory information in the perception of musical expression. The findings show at the very least that arguments are needed for (1) and (2). If music expresses what we think it does, then its expressive properties may be visual as well as sonic; and if its (...)
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  5. Sorting the Senses.Stephen Biggs, Mohan Matthen & Dustin Stokes - 2014 - In Dustin Stokes, Mohan Matthen & Stephen Biggs (eds.), Perception and its Modalities. Oxford University Press. pp. 1-19.
    We perceive in many ways. But several dubious presuppositions about the senses mask this diversity of perception. Philosophers, scientists, and engineers alike too often presuppose that the senses (vision, audition, etc.) are independent sources of information, perception being a sum of these independent contributions. We too often presuppose that we can generalize from vision to other senses. We too often presuppose that vision itself is best understood as a passive receptacle for an image thrown by a lens. In this essay (...)
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  6. Representationalism and Sensory Modalities: An Argument for Intermodal Representationalism.David Bourget - 2017 - American Philosophical Quarterly 54 (3):251-268.
    Intermodal representationalists hold that the phenomenal characters of experiences are fully determined by their contents. In contrast, intramodal representationalists hold that the phenomenal characters of experiences are determined by their contents together with their intentional modes or manners of representation, which are nonrepresentational features corresponding roughly to the sensory modalities. This paper discusses a kind of experience that provides evidence for an intermodal representationalist view: intermodal experiences, experiences that unify experiences in different modalities. I argue that such experiences are much (...)
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  7. Bodily Awareness and Novel Multisensory Features.Robert Briscoe - forthcoming - Synthese.
    According to the decomposition thesis, a subject’s total perceptual experience at a time is an aggregate of discrete, modality‐specific experiences. Contrary to this view, I argue that certain cases of multisensory integration give rise to experiences that represent features of a novel type. Through the coordinated use of bodily awareness – understood here as encompassing both proprioception and kinaesthesis – and the exteroceptive sensory modalities, one becomes perceptually responsive to spatial features whose instances couldn’t be represented by any of the (...)
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  8. Multisensory Processing and Perceptual Consciousness: Part II.Robert Briscoe - 2017 - Philosophy Compass 12 (12):1-13.
    The first part of this survey article presented a cartography of some of the more extensively studied forms of multisensory processing. In this second part, I turn to examining some of the different possible ways in which the structure of conscious perceptual experience might also be characterized as multisensory. In addition, I discuss the significance of research on multisensory processing and multisensory consciousness for philosophical debates concerning the modularity of perception, cognitive penetration, and the individuation of the senses.
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  9. Multisensory Processing and Perceptual Consciousness: Part I.Robert Eamon Briscoe - 2016 - Philosophy Compass 11 (2):121-133.
    Multisensory processing encompasses all of the various ways in which the presence of information in one sensory modality can adaptively influence the processing of information in a different modality. In Part I of this survey article, I begin by presenting a cartography of some of the more extensively investigated forms of multisensory processing, with a special focus on two distinct types of multisensory integration. I briefly discuss the conditions under which these different forms of multisensory processing occur as well as (...)
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  10. Synesthetic Binding and the Reactivation Model of Memory.Berit Brogaard - forthcoming - In Ophelia Deroy (ed.), Sensory Blendings: New essays on synaesthesia. Oxford University Press.
    Despite the recent surge in research on, and interest in, synesthesia, the mechanism underlying this condition is still unknown. Feedforward mechanisms involving overlapping receptive fields of sensory neurons as well as feedback mechanisms involving a lack of signal disinhibition have been proposed. Here I show that a broad range of studies of developmental synesthesia indicate that the mechanism underlying the phenomenon may involve reinstatement of brain activity in different sensory or cognitive streams in a way that is similar to what (...)
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  11. Multisensory Consciousness and Synesthesia.Berit Brogaard & Elijah Chudnoff - forthcoming - In Routledge Handbook of Consciousness. Oxford: Routledge.
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  12. Investigating What Felt Shapes Look Like.Sam Clarke - 2016 - I-Perception 7 (1).
    A recent empirical study claims to show that the answer to Molyneux’s question is negative, but, as John Schwenkler points out, its findings are inconclusive: Subjects tested in this study probably lacked the visual acuity required for a fair assessment of the question. Schwenkler is undeterred. He argues that the study could be improved by lowering the visual demands placed on subjects, a suggestion later endorsed and developed by Kevin Connolly. I suggest that Connolly and Schwenkler both underestimate the difficulties (...)
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  13. Making Sense of Multiple Senses.Kevin Connolly - 2014 - In Richard Brown (ed.), Consciousness Inside and Out: Phenomenology, Neuroscience, and the Nature of Experience. Springer.
    In the case of ventriloquism, seeing the movement of the ventriloquist dummy’s mouth changes your experience of the auditory location of the vocals. Some have argued that cases like ventriloquism provide evidence for the view that at least some of the content of perception is fundamentally multimodal. In the ventriloquism case, this would mean your experience has constitutively audio-visual content (not just a conjunction of an audio content and visual content). In this paper, I argue that cases like ventriloquism do (...)
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  14. Sensory Substitution Conference Question Five.Kevin Connolly, Diana Acosta Navas, Umut Baysan, Janiv Paulsberg & David Suarez - manuscript
    This is an excerpt from a report on the Sensory Substitution and Augmentation Conference at the British Academy in March of 2013. This portion of the report explores the question: What are the limitations of sensory substitution.
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  15. Sensory Substitution Conference Question Three.Kevin Connolly, Diana Acosta Navas, Umut Baysan, Janiv Paulsberg & David Suarez - manuscript
    This is an excerpt from a report on the Sensory Substitution and Augmentation Conference at the British Academy in March of 2013. This portion of the report explores the question: How does sensory substitution interact with the brain’s architecture?
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  16. Sensory Substitution Conference Full Report.Kevin Connolly, Diana Acosta Navas, Umut Baysan, Janiv Paulsberg & David Suarez - manuscript
    This report highlights and explores five questions that arose from the workshop on sensory substitution and augmentation at the British Academy, March 26th through 28th, 2013.
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  17. Sensory Substitution Conference Report Question One.Kevin Connolly, Diana Acosta Navas, Umut Baysan, Janiv Paulsberg & David Suarez - manuscript
    This is an excerpt from a report on the Sensory Substitution and Augmentation Conference at the British Academy in March of 2013. This portion of the report explores the question: Does sensory substitution generate perceptual or cognitive states?
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  18. Sensory Substitution Conference Question Two.Kevin Connolly, Diana Acosta Navas, Umut Baysan, Janiv Paulsberg & David Suarez - manuscript
    This is an excerpt from a report on the Sensory Substitution and Augmentation Conference at the British Academy in March of 2013. This portion of the report explores the question: What can sensory substitution tell us about perceptual learning?
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  19. Multisensory Integration Workshop: Question Three.Kevin Connolly, Aaron Henry, Zoe Jenkin & Andrew MacGregor - manuscript
    This is an excerpt from a report on the workshop on multisensory integration at the University of Toronto, on May 9th and 10th, 2014, written by Kevin Connolly, Aaron Henry, Zoe Jenkin, and Andrew MacGregor, and available at: http://networksensoryresearch.utoronto.ca/Events_%26_Discussion.html This excerpt explores the question: What can multisensory processing tell us about multisensory awareness?
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  20. Multisensory Integration Workshop: Question Four.Kevin Connolly, Aaron Henry, Zoe Jenkin & Andrew MacGregor - manuscript
    This is an excerpt from a report on the workshop on multisensory integration at the University of Toronto, on May 9th and 10th, 2014, written by Kevin Connolly, Aaron Henry, Zoe Jenkin, and Andrew MacGregor, and available at: http://networksensoryresearch.utoronto.ca/Events_%26_Discussion.html This excerpt explores the question: Is language processing a special kind of multisensory integration?
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  21. Multisensory Integration Workshop: Question Five.Kevin Connolly, Aaron Henry, Zoe Jenkin & Andrew MacGregor - manuscript
    This is an excerpt from a report on the workshop on multisensory integration at the University of Toronto, on May 9th and 10th, 2014, written by Kevin Connolly, Aaron Henry, Zoe Jenkin, and Andrew MacGregor, and available at: http://networksensoryresearch.utoronto.ca/Events_%26_Discussion.html This excerpt explores the question: What is the purpose of multisensory integration?
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  22. Multisensory Integration Workshop Full Report.Kevin Connolly, Aaron Henry, Zoe Jenkin & Andrew MacGregor - manuscript
    This report highlights and explores five questions that arose from the multisensory integration workshop at the University of Toronto on May 9th and 10th, 2014: 1. What Is Multisensory Integration? 2. Do Multisensory Percepts Involve Emergent Features? 3. What Can Multisensory Processing Tell Us about Multisensory Awareness? 4. Is Language Processing a Special Kind of Multisensory Integration? 5. What Is the Purpose of Multisensory Integration?
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  23. Multisensory Integration Workshop: Question One.Kevin Connolly, Aaron Henry, Zoe Jenkin & Andrew MacGregor - manuscript
    This is an excerpt from a report on the workshop on multisensory integration at the University of Toronto, on May 9th and 10th, 2014, written by Kevin Connolly, Aaron Henry, Zoe Jenkin, and Andrew MacGregor, and available at: http://networksensoryresearch.utoronto.ca/Events_%26_Discussion.html This excerpt explores the question: What is multisensory integration?
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  24. Multisensory Integration Workshop: Question Two.Kevin Connolly, Aaron Henry, Zoe Jenkin & Andrew MacGregor - manuscript
    This is an excerpt from a report on the workshop on multisensory integration at the University of Toronto, on May 9th and 10th, 2014, written by Kevin Connolly, Aaron Henry, Zoe Jenkin, and Andrew MacGregor, and available at: http://networksensoryresearch.utoronto.ca/Events_%26_Discussion.html This excerpt explores the question: Do multisensory percepts involve emergent features?
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  25. Synesthesia, Experiential Parts, and Conscious Unity.Rocco J. Gennaro - 2012 - Philosophy Study 2 (2):73-80.
    Synesthesia is the “union of the senses” whereby two or more of the five senses that are normally experienced separately are involuntarily and automatically joined together in experience. For example, some synesthetes experience a color when they hear a sound or see a letter. In this paper, I examine two cases of synesthesia in light of the notions of “experiential parts” and “conscious unity.” I first provide some background on the unity of consciousness and the question of experiential parts. I (...)
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  26. What Is It Like to See with Your Ears? The Representational Theory of Mind.Dominic M. McIver Lopes - 2000 - Philosophy and Phenomenological Research 60 (2):439-453.
    Representational theories of mind cannot individuate the sense modalities in a principled manner. According to representationalism, the phenomenal character of experiences is determined by their contents. The usual objection is that inverted qualia are possible, so the phenomenal character of experiences may vary independently of their contents. But the objection is inconclusive. It raises difficult questions about the metaphysics of secondary qualities and it is difficult to see whether or not inverted qualia are possible. This paper proposes an alternative test (...)
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  27. XV—Cross‐Modal Experiences.Fiona Macpherson - 2011 - Proceedings of the Aristotelian Society 111 (3pt3):429-468.
    This paper provides a categorization of cross-modal experiences. There are myriad forms. Doing so allows us to think clearly about the nature of different cross-modal experiences and allows us to clearly formulate competing hypotheses about the kind of experiences involved in different cross-modal phenomena.
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  28. Active Perception and the Representation of Space.Mohan Matthen - 2014 - In Dustin Stokes, Mohan Matthen & Stephen Biggs (eds.), Perception and Its Modalities. Oxford University Press. pp. 44-72.
    Kant argued that the perceptual representations of space and time were templates for the perceived spatiotemporal ordering of objects, and common to all modalities. His idea is that these perceptual representations were specific to no modality, but prior to all—they are pre-modal, so to speak. In this paper, it is argued that active perception—purposeful interactive exploration of the environment by the senses—demands premodal representations of time and space.
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  29. Many Molyneux Questions.Mohan Matthen & Jonathan Cohen - manuscript
    Molyneux's Question (MQ) concerns whether a newly sighted man would recognize/distinguish a sphere and a cube by vision, assuming he could previously do this by touch. We argue that (MQ) splits into questions about (a) shared representations of space in different perceptual systems, and about (b) shared ways of constructing higher dimensional spatiotemporal features from information about lower dimensional ones, most of the technical difficulty centring on (b). So understood, MQ resists any monolithic answer: everything depends on the constraints faced (...)
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  30. The Qualitative Character of Spatial Perception.Douglas B. Meehan - 2007 - Dissertation, Graduate Center, City University of New York
    Ordinary perceiving relies heavily on our sensing the spatial properties of objects, e.g., their shapes, sizes, and locations. Such spatial perception is central in everyday life. We safely cross a street by seeing and hearing the locations of oncoming vehicles. And we often identify objects by seeing and feeling their distinctive shapes. -/- To understand how we perceive spatial properties, we must explain the nature of the mental states figuring in spatial perception. The experience one has when seeing a cube, (...)
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  31. Philosophy of Perception: A Road-Map with Many Bypass Roads.Bence Nanay - forthcoming - In Current Controversies in Philosophy of Perception. Routlegde.
    An introduction to contemporary debates in philosophy of perception.
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  32. Is Audio-Visual Perception 'Amodal' or 'Crossmodal'?Matthew Nudds - unknown
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  33. Beyond Vision: Philosophical Essays.Casey O'Callaghan - 2017 - Oxford University Press.
    Beyond Vision brings together eight essays by Casey O'Callaghan which draw theoretical and philosophical lessons about perception, the nature of its objects, and sensory awareness. O'Callaghan focuses on auditory perception, perception of spoken language, and multisensory perception.
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  34. Grades of Multisensory Awareness.Casey O'Callaghan - 2017 - Mind and Language 32 (2):155-181.
    Psychophysics and neuroscience demonstrate that different sensory systems interact and influence each other. Perceiving involves extensive cooperation and coordination among systems associated with sight, hearing, touch, smell, and taste. Nonetheless, it remains unclear in what respects conscious perceptual awareness is multisensory. This paper distinguishes six differing varieties of multisensory awareness, explicates their consequences, and thereby elucidates the multisensory nature of perception. It argues on these grounds that perceptual awareness need not be exhausted by that which is associated with each of (...)
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  35. Objects for Multisensory Perception.Casey O'Callaghan - 2016 - Philosophical Studies 173 (5):1269-1289.
    Object perception deploys a suite of perceptual capacities that constrains attention, guides reidentification, subserves recognition, and anchors demonstrative thought. Objects for perception—perceptual objects—are the targets of such capacities. Characterizing perceptual objects for multisensory perception faces two puzzles. First is the diversity of objects across sensory modalities. Second is the unity of multisensory perceptual objects. This paper resolves the puzzles. Objects for perception are structured mereologically complex individuals. Perceptual objects are items that bear perceptible features and have perceptible parts arranged to (...)
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  36. The Multisensory Character of Perception.Casey O'Callaghan - 2015 - Journal of Philosophy 112 (10):551-569.
    My thesis is that perceptual awareness is richly multisensory. I argue for this conclusion on the grounds that certain forms of multisensory perceptual experience are incompatible with the claim that each aspect of a perceptual experience is associated with some specific sensory modality or another. First, I explicate what it is for some feature of a conscious perceptual episode to be modality specific. Then, I argue based on philosophical and experimental evidence that some novel intermodal features are perceptible only through (...)
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  37. Not All Perceptual Experience is Modality Specific.Casey O'Callaghan - 2015 - In Dustin Stokes, Mohan Matthen & Stephen Biggs (eds.), Perception and Its Modalities. Oxford University Press. pp. 133-165.
    This paper presents forms of multimodal perceptual experience that undermine the claim that each aspect of perceptual experience is modality specific. In particular, it argues against the thesis that all phenomenal character is modality specific (even making an allowance for co-conscious unity). It concludes that a multimodal perceptual episode may have phenomenal features beyond those that are associated with the specific modalities.
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  38. Speech Perception.Casey O'Callaghan - 2015 - In Mohan Matthen (ed.), Oxford Handbook of the Philosophy of Perception. Oxford University Press.
    Is speech special? This paper evaluates the evidence that speech perception is distinctive when compared with non-linguistic auditory perception. It addresses the phenomenology, contents, objects, and mechanisms involved in the perception of spoken language. According to the account it proposes, the capacity to perceive speech in a manner that enables understanding is an acquired perceptual skill. It involves learning to hear language-specific types of ethologically significant sounds. According to this account, the contents of perceptual experience when listening to familiar speech (...)
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  39. Intermodal Binding Awareness.Casey O'Callaghan - 2014 - In David J. Bennett & Christopher S. Hill (eds.), Sensory Integration and the Unity of Consciousness. MIT Press. pp. 73-103.
    It is tempting to hold that perceptual experience amounts to a co-conscious collection of visual, auditory, tactual, gustatory, and olfactory episodes. If so, each aspect of perceptual experience on each occasion is associated with a specific modality. This paper, however, concerns a core variety of multimodal perceptual experience. It argues that there is perceptually apparent intermodal feature binding. I present the case for this claim, explain its consequences for theorizing about perceptual experience, and defend it against objections. I maintain that (...)
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  40. Perception and Multimodality.Casey O'Callaghan - 2012 - In Eric Margolis, Richard Samuels & Stephen Stich (eds.), The Oxford Handbook of Philosophy of Cognitive Science. Oxford University Press.
    Philosophers and cognitive scientists of perception by custom have investigated individual sense modalities in relative isolation from each other. However, perceiving is, in a number of respects, multimodal. The traditional sense modalities should not be treated as explanatorily independent. Attention to the multimodal aspects of perception challenges common assumptions about the content and phenomenology of perception, and about the individuation and psychological nature of sense modalities. Multimodal perception thus presents a valuable opportunity for a case study in mature interdisciplinary cognitive (...)
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  41. Seeing What You Hear: Cross-Modal Illusions and Perception.Casey O'Callaghan - 2008 - Philosophical Issues 18 (1):316-338.
    Cross-modal perceptual illusions occur when a stimulus to one modality impacts perceptual experience associated with another modality. Unlike synaesthesia, cross-modal illusions are intelligible as results of perceptual strategies for dealing with sensory stimulation to multiple modalities, rather than as mere quirks. I argue that understanding cross-modal illusions reveals an important flaw in a widespread conception of the senses, and of their role in perceptual experience, according to which understanding perception and perceptual experience is a matter of assembling independently viable stories (...)
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  42. Detecting Temporalities.Gilbert Plumer - 1987 - Philosophy and Phenomenological Research 47 (3):451-460.
    This paper argues that A-determinations (past, present, and future) and B-relations (simultaneity and succession) have the same empirical status in that they are all neither historically discoverable nor sensible, but are detectable and are detectable in the same way. This constitutes a reason for thinking they are in the same class with respect to objectivity, contrary to the Russellian view that “in a world in which there was no experience there would be no past, present, or future, but there might (...)
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  43. Non Sense-Specific Perception and the Distinction Between the Senses.Louise Richardson - 2014 - Res Philosophica 91 (2):215-239.
    How should interaction between the senses affect thought about them? I try to capture some ways in which non sense-specific perception might be thought to make it impossible or pointless or explanatorily idle to distinguish between senses. This task is complicated by there being more than one view of the nature of the senses, and more than one kind of non sense-specific perception. I argue, in particular, that provided we are willing to forgo certain assumptions about, for instance, the relationship (...)
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  44. Commentary: “Multimodal Theories of Recognition and Their Relation to Molyneux's Question”.John Schwenkler - 2015 - Frontiers in Psychology 6.
  45. The First Sense, by Matthew Fulkerson. [REVIEW]John Schwenkler - 2014 - Notre Dame Philosophical Reviews 7.
  46. Representationalism and Tactile Vision.Michael Sollberger - 2004 - In Michael Esfeld (ed.), John Heil: Symposium on His Ontological Point of View. Ontos-Verlag.
  47. Perception and Its Modalities.Dustin Stokes, Mohan Matthen & Stephen Biggs (eds.) - 2014 - Oxford University Press.
    This volume is about the many ways we perceive. Contributors explore the nature of the individual senses, how and what they tell us about the world, and how they interrelate. They consider how the senses extract perceptual content from receptoral information. They consider what kinds of objects we perceive and whether multiple senses ever perceive a single event. They consider how many senses we have, what makes one sense distinct from another, and whether and why distinguishing senses may be useful. (...)
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  48. A New Method for Establishing High-Level Visual Content: The Conflict Cross-Modal Approach.Daniel Tippens - forthcoming - Erkenntnis:1-23.
    Restrictivists hold that visual experience only represents low-level properties such as shape, spatial location, motion, color, etc. Expansionists contend that visual experience also represents high-level properties such as being a pine tree. I outline a new approach to support expansionism called the conflict cross-modal argument. What I call the conflict cross-modal effects occur when at least two perceptual systems disagree about some property belonging to a common stimulus, and this disagreement causes a change in the representational and phenomenal content of (...)
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  49. Switching to the Rubber Hand.S. L. Yeh & Timothy Joseph Lane - 2017 - Frontiers in Psychology 8.
    Inducing the rubber hand illusion (RHI) requires that participants look at an imitation hand while it is stroked in synchrony with their occluded biological hand. Previous explanations of the RHI have emphasized multisensory integration, and excluded higher cognitive functions. We investigated the relationship between the RHI and higher cognitive functions by experimentally testing task switch (as measured by switch cost) and mind wandering (as measured by SART score); we also included a questionnaire for attentional control that comprises two subscales, attention-shift (...)
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