Related categories

256 found
Order:
1 — 50 / 256
  1. Trascendencia del contenido emotivo de Escalas melografiadas (1922) de César Vallejo.Jesús Miguel Delgado Del Aguila - forthcoming - Cuadernos Fronterizos.
  2. Influencias multiliterarias de Trilce (1922) del poeta peruano César Vallejo.Jesús Miguel Delgado Del Aguila - forthcoming - Todas as Artes.
  3. «Entrevista al Dr. Darío Villanueva, académico de número de la Real Academia Española. "Sin la creación, no existe literatura, pero solo con la creación de textos tampoco hay literatura"».Jesús Miguel Delgado Del Aguila - 2022 - Aularia. Revista Digital de Educomunicación 11 (2):147-158.
    La entrevista al doctor Darío Villanueva es sobre el panorama literario del siglo XXI. A partir de cuatro tópicos fundamentales y reincidentes: los libros, los escritores, las editoriales y la realidad. Estos han sido incorporados en las preguntas para desentrañar el sistema literario que se ha originado en los últimos años. Frente a estas interrogantes, se notará que existen algunos obstáculos que han tergiversado y entorpecido la labor de la escritura, así como el canon literario, tal como la cultura de (...)
    Remove from this list   Direct download (4 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  4. Función social de la ironía en Decamerón, de Giovanni Boccaccio.Jesús Miguel Delgado Del Aguila - 2022 - Letras 1 (71):153-178.
    Decamerón ha causado una reacción convulsa por su contenido social y la burla a patrones adscritos a la religión y la moral medievales en Italia. Por ello, se propone fundamentar esas razones que acarrearon el asombro de la obra literaria de Giovanni Boccaccio. Se retoma el concepto de la función social de la ironía, que a la vez parte de tres principios básicos desarrollados por Bergson. Una situación cómica requiere inteligencia, insensibilidad y crítica social. Con ello es posible explicar que (...)
    Remove from this list   Direct download (6 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  5. Entrevista a José Manuel Sánchez Ron, vicedirector de la Real Academia Española. Búsqueda de métodos de investigación de la Literatura en conjunción con la Física.Jesús Miguel Delgado Del Aguila - 2022 - World Literature and Linguistics 1 (1):80-84.
    Esta entrevista realizada al vicedirector de la Real Academia Española, José Manuel Sánchez Ron, busca resolver las inquietudes que se formulan a partir de las posibilidades de hallar una conjunción metodológica entre la Literatura y la Física. Para ello, se toma en cuenta la organización especializada de la RAE, que se encarga de la difusión y la preservación del buen uso del lenguaje y la creación literaria. El discurso, junto con las personalidades que se dedican a desarrollarlo, cumplen también un (...)
    Remove from this list   Direct download (3 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  6. La ironía en La ciudad y los perros (1963) como canalizadora de la violencia.Jesús Miguel Delgado Del Aguila - 2022 - Argos. Revista Electrónica Semestral de Estudios y Creación Literaria 9 (23):39-62.
    En este artículo, reviso el concepto y la tipología de violencia condensados por autores como Galtung, Bourdieu, Lacan, entre otros, para fundamentar su existencia en los personajes de La ciudad y los perros y el contexto donde se desenvuelven. La apropiación de ese paradigma de agresión será factible para evidenciar su evolución y su desarrollo humano, porque transitan por un estado de la adolescencia a la madurez. Sin embargo, en ese proceso ontológico, se revela la predominancia de rasgos concomitantes de (...)
    Remove from this list   Direct download (3 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  7. La sociedad cotidiana por medio de los campos figurativos de La estación violenta (1958) de Octavio Paz.Jesús Miguel Delgado Del Aguila - 2022 - Pucara. Revista de Humanidades 1 (32):20-28.
    Este artículo tiene como propósito corroborar la cosmovisión de Octavio Paz, a partir de la inacción de la sociedad cotidiana, que es notoria en un fragmento del poema “Máscaras del alba” de La estación violenta (1958). Su crítica contra el sistema por la ausencia de compromiso social y político revela dos conceptos que fundamenta Mijaíl Bajtín en Estética de la creación verbal: su intencionalidad como autor y la expresión concomitante en función del género discursivo empleado. Para comprobar estas dos premisas, (...)
    Remove from this list   Direct download (4 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  8. Enseñanza de la Literatura española en contextos universitarios peruanos. Entrevista a María Luisa Roel Mendizabal.Jesús Miguel Delgado Del Aguila - 2022 - Estudios Λambda. Teoría y Práctica de la Didáctica En Lengua y Literatura 7 (1):1-5.
    Esta entrevista retoma la experiencia de enseñanza de la profesora María Luisa Roel en función de la producción literaria de España. El objetivo es interiorizar sobre cómo esta se ha transferido en el ámbito de educación universitaria. A partir de la trayectoria de la docente, se brinda un panorama de cómo los estudiantes de la carrera profesional de Literatura acatan el conocimiento y la lectura de autores españoles, como Miguel de Cervantes. De igual forma, se mencionan dos momentos históricos en (...)
    Remove from this list   Direct download (3 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  9. Construcción viril con la experiencia femenina en La ciudad y los perros.Jesús Miguel Delgado Del Aguila - 2022 - Revista Científica Del Sistema de Estudios de Postgrado (SEP) 5 (1):25-32.
    OBJETIVO: establecer una taxonomía a partir de las mujeres que se plasman en La ciudad y los perros. Asimismo, se explicará cuál es el rol de cada tipología hallada que se involucra en el desarrollo de los cadetes. MÉTODO: se confrontará con la teoría sociológica y los estudios críticos que se han hecho sobre la obra literaria para determinar en qué medida los personajes aludidos están en una correspondencia ineludible con las mujeres. RESULTADOS: se consiguió clasificar el propósito de los (...)
    Remove from this list   Direct download (4 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  10. La transgresión de lo tradicional y el código ético en Un perro andaluz (filme 1929).Jesús Miguel Delgado Del Aguila - 2021 - Ciencia y Desarrollo 25 (1):27-35.
    Este artículo reconstruye el contexto histórico y cinematográfico que permitió que la película de Luis Buñuel y Salvador Dalí tuviera una intencionalidad distinguible. Para demostrar ese acápite, retomo los estudios críticos que se han hecho en torno a este cortometraje, así como las categorías pertinentes de las vanguardias del dadaísmo y el surrealismo, junto con el psicoanálisis de Sigmund Freud y Jacques Lacan. Con todo ello, propongo que el objetivo de este trabajo es fundamentar las razones que generaron que esta (...)
    Remove from this list   Direct download (4 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  11. Estratificación violenta en los personajes de La ciudad y los perros.Jesús Miguel Delgado Del Aguila - 2021 - Ciencias Sociales y Humanidades 8 (2):1-13.
    Este artículo examina La ciudad y los perros (1963) de Mario Vargas Llosa para fundamentar cómo se logra la estratificación teórica de estilos y técnicas que se emplean para abordar la violencia en el texto. Sobre la epistemología, recurre principalmente a Todorov, Hamburger, Lotman y Genette. Y, para argumentar la manifestación de la violencia, considera las eventualidades que padecen los personajes del Colegio Militar Leoncio Prado; en especial, el Jaguar, el Poeta y el Esclavo. Esas acciones serán justificadas por la (...)
    Remove from this list   Direct download (4 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  12. Volición conservadora en las acciones violentas de La ciudad y los perros.Jesús Miguel Delgado Del Aguila - 2021 - Álabe 24 (24):1-24.
    Este artículo se adscribe a la percepción conservadora que trabaja Mario Vargas Llosa para la construcción discursiva de La ciudad y los perros. Esa ideología política caracterizada por su autonomía e imparcialidad permitirá reconocer el propósito del autor al abordar el talante de la violencia en el desempeño de los personajes. Para su fluctuación efectiva, este estudio comprenderá tres tratamientos neurálgicos y conexos en torno a esta obra literaria: la contextualización extratextual, la epistemología de la violencia y el análisis narratológico (...)
    Remove from this list   Direct download (4 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  13. Formación en Escritura Creativa para un desenvolvimiento como crítico, narrador y educador. Entrevista a Ángel Misari.Jesús Miguel Delgado Del Aguila - 2021 - Plurentes. Artes y Letras 12 (12):1-4.
    En este trabajo, se realizó una entrevista al docente Ángel Misari, quien explica cómo aplica sus conocimientos adquiridos en la Maestría en Escritura Creativa que hizo en la Universidad Nacional Mayor de San Marcos. Su intervención es de utilidad, ya que profundizará en la transferencia oportuna de ese saber en tres ámbitos: en su función como crítico de la producción artística, en su interés ficcional en la parte creativa y en la educación con estudiantes. En suma, la experiencia que manifiesta (...)
    Remove from this list   Direct download (2 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  14. Entrevista al doctor Camilo Fernández Cozman, miembro de la Academia Peruana de la Lengua.Jesús Miguel Delgado Del Aguila - 2021 - Revista Crítica Cultural 16 (2):235-245.
    La entrevista al doctor Camilo Fernández Cozman se realizó el 19 de julio de 2021, a 9 días del 28 de julio, fecha en la que se conmemora la Independencia del Perú.
    Remove from this list   Direct download (3 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  15. Análisis de la realidad textual en Niebla (1914) de Miguel de Unamuno.Jesús Miguel Delgado Del Aguila - 2021 - Sincronía 25 (80):293-313.
    Considerando el contexto bélico y el surgimiento de las vanguardias a inicios del siglo XX, fundamento en este trabajo las razones por las cuales la presencia del concepto de nivola, atribuida por Miguel de Unamuno para hacer referencia a la técnica literaria que emplea en su novela Niebla (1914), suscita una confrontación posible entre universos compuestos por elementos de la realidad y lo virtual. En ese sentido, será propicio explicar el procedimiento que origina esa colisión de planos establecidos. Para ello, (...)
    Remove from this list   Direct download (3 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  16. Estudios críticos sobre la instrucción militar en La ciudad y los perros.Jesús Miguel Delgado Del Aguila - 2021 - Plurentes. Artes y Letras 12 (12):1-9.
    El propósito de este artículo es sistematizar los estudios críticos acerca del adiestramiento castrense en los personajes de La ciudad y los perros (1963). Para conseguirlo, se confrontará con la hermenéutica de Gadamer, orientada a la propalación de estrategias heurísticas y taxonomías que consoliden el corpus de la novela cotejada. Así, se reconocerá el efecto que cumplen las variantes extrínsecas de la lectura, tales como las jerarquías y las percepciones idóneas y erróneas de la educación del Colegio Militar Leoncio Prado. (...)
    Remove from this list   Direct download (4 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  17. Correspondencia humanista en el discurso ensayístico vargasllosiano con La ciudad y los perros.Jesús Miguel Delgado Del Aguila - 2021 - Revista de Letras 61 (1):91-101.
    Este artículo toma como referentes la ideología sociológica que se infiere de los ensayos de Mario Vargas Llosa. A la vez, esa cosmovisión que se identificará del autor será explicada y vinculada con La ciudad y los perros. El objetivo de este trabajo de confrontación es proponer una organización epistemológica a partir de la percepción del escritor peruano y apreciar cómo se corrobora en una de sus novelas. Para ello, he sistematizado las temáticas que el narrador reincide en extrapolar en (...)
    Remove from this list   Direct download (3 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  18. A New Theory of Tragic Catharsis.Roy Glassberg - 2021 - Philosophy and Literature 45 (1):249-252.
    Aristotle's Poetics has come down to us in a form that is fragmented and incomplete. For example, its famous definition of tragedy begins by stating that it is a summation of what has come before:Let us now discuss Tragedy, resuming its formal definition, as resulting from what has been already said. Tragedy, then, is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  19. Naming the Lyric: Literature Versus Philosophy in Plato's Symposium.Katherine Elkins - 2020 - Philosophy and Literature 44 (2):402-417.
  20. "The Politics of the Classroom Are Not the Politics of the World": An Unpublished Speech by Edward W. Said.Daniel Gordon - 2020 - Philosophy and Literature 44 (2):380-394.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  21. Beauty.Jennifer A. McMahon - 2020 - Oxford Encyclopedia of Literature.
    Literary beauty was once understood as intertwining sensations and ideas, and thus as providing subjective and objective reasons for literary appreciation. However, as theory and philosophy developed, the inevitable claims and counterclaims led to the view that subjective experience was not a reliable guide to literary merit. Literary theory then replaced aesthetics as did philosophy’s focus on literary truth. Along with the demise of the relevance of sensations, literary form also took a back seat. This suggested to some that either (...)
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark   3 citations  
  22. Introduction.Wang Ning - 2020 - Philosophy and Literature 44 (1):80-87.
    As literary scholars, we are often puzzled by these questions raised from among the reading public: What is the meaning of this literary work? How does the author express his/her intention to portray the characters or narrate the story? How shall we as literary critics interpret the meaning of the literary work? Can a certain literary work have only one meaning? Obviously this is not the case. In order to answer the above questions, we present this special cluster of articles (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  23. Textual Meaning in the Complex System of Literature.Zhou Xian - 2020 - Philosophy and Literature 44 (1):105-123.
    One of the most disputed issues in twentieth-century literary theories and critical studies is what literary textual meaning rests upon. A further question is whether textual meaning is ascertainable or not. The two questions are interrelated. The first one looks into the origin of textual meaning in literary texts: is it derived from authorial intent, or from sentences and rhetorical devices, or actualized in the process of readerly activities and critical interpretation? As John Searle sees it, three theories focused on (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  24. Peirce as a Writer.Vincent M. Colapietro - 2019 - Philosophy and Literature 43 (2):384-410.
    C. S. Peirce’s writings are instructive in a number of ways, not least of all for how they, in part despite themselves, assist us in conceiving what he was so strongly disposed to disparage, literary discourse. He possessed greater linguistic facility and deeper literary sensibility than he appreciated, though a militantly polemical identity helped to insure he left this facility undeveloped and this sensibility unacknowledged.2 For this and other reasons, a study of Peirce as a writer is worthwhile. It is (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  25. The "Analytic"/"Continental" Divide and the Question of Philosophy's Relation to Literature.Andreas Vrahimis - 2019 - Philosophy and Literature 43 (1):253-269.
    The history of the writing of philosophy could be seen as divided between two tendencies. One tendency involves a constant reconfiguration of the literary and stylistic elements involved in the way philosophy is written. Examples include most texts in the philosophical canon, from Plato's dialogues, or Aristotle's lecture notes, to Marcus Aurelius's diary, Augustine's confessions, the pseudepigrapha of the Areopagite, Anselm's prayer, Montaigne's essays, Descartes's meditations, Kierkegaard's play with pseudonymy, or Wittgenstein's "remarks."1 In such texts, we find a self-reflective attitude (...)
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  26. When Nothing Follows: Rousseau's Literary Works as Science and Consolation.Joel From - 2018 - Philosophy and Literature 42 (2):361-375.
    In a letter drafted at age forty-eight, Jean-Jacques Rousseau confessed that he passed his days "vainly looking for solid attachments."1 Two years later, he again lamented that he had wasted much time pursuing attachments that "did not exist."2 At age fifty-eight, he confessed that he had "always felt some void."3 And, at the very end of his life, he still bemoaned that he had been cast "into the whirlwind of the world" only to discover that he "was not made to (...)
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  27. "Poetry" Versus "History" in Aristotle's Poetics.David Gallop - 2018 - Philosophy and Literature 42 (2):420-433.
    History, according to Aristotle, relates "things that happen ; whereas poetry's function is to relate the kinds of things that happen—that is, are possible in terms of probability or necessity."1 A generic clause, expressing "the kinds of things that happen" to certain kinds of agents, distinguishes the task of the poet from that of the historian.2 History speaks of "particulars," whereas poetry speaks more of "universals." A historian might assert, for example, that Alcibiades urged the Athenians to invade Sicily, or (...)
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  28. Wittgenstein and the Creativity of Language Ed. By Sebastian Sunday Grève and Jakub Mácha.Elinor Hållén - 2018 - Philosophy and Literature 42 (1):257-259.
    What is creativity? It is clearly something we know by seeing it manifested in a multitude of different ways and contexts. It could perhaps stand as an emblematic example of the limitations of a general explanative account. In this anthology the editors have orchestrated an exceptionally inspiring collection of essays that explore the vast examples of creative language used in Wittgenstein's philosophical practice and the creative potentiality of language overall. The anthology consists of eleven essays divided into introduction, overture, and (...)
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  29. What Novels Speak About.Thomas Pavel - 2018 - Philosophy and Literature 42 (2):279-291.
    The first, easiest answer to the question "What do novels speak about?" is D. H. Lawrence's conviction that novels are about "man alive," as quoted at the beginning of Guido Mazzoni's recent book on the theory of the novel.1 In a slightly more explicit accounting, one could say that novels speak about human actions and passions. These answers are the first, because they are plausible and general. They are the easiest, because they state the obvious. And yet, precisely because they (...)
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  30. Mapping the Literary Text: Spatio-Cultural Theory and Practice.Bill Richardson - 2018 - Philosophy and Literature 42 (1):67-80.
    What is the relationship between place and cultural production? How do we account for the interaction between the domain of spatiality and that of artistic expression? In particular, how might we conceptualize the connections between space and literature? Here, I attempt to map the principal ways in which the central thematic issues we associate with literary expression are related to questions about space and place. By elucidating these matters, I hope to arrive at a rationale for an approach to setting (...)
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  31. Neuroscience, Narrative, and Emotion Regulation.William Seeley - 2018 - In Roger Kurtz (ed.), Trauma and Literature. New York, NY, USA: pp. 153-166.
    Recent findings in affective and cognitive neuroscience underscore the fact that traumatic memories are embodied and inextricably integrated with the affective dimensions of associated emotional responses. These findings can be used to clarify, and in some cases challenge, traditional claims about the unrepresentability of traumatic experience that have been central to trauma literary studies. The cognitive and affective dimensions experience and memory are closely integrated. Recollection is always an attenuated form of embodied reenactment. Further, situation models for narrative comprehension show (...)
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  32. Antonin Artaud e la scrittura del reale. Glossolalie e disegni per un linguaggio analfabetico.Fabio Vergine - 2018 - Elephant and Castle. Laboratorio Dell'immaginario 1 (18).
    During the last ten years of his life, Antonin Artaud shows more and more intensively a multi-faceted and caustic refusal for traditional literature and the ordinary practice of writing. But above all, he shows a stylistic impatience for the alphabetic use of the word and the language. By the intention of creating an inhuman language, which could be understood also by the illiterate people, Artaud wants to undermine the significant use of the word, so that he can achieve a non-representative (...)
    Remove from this list   Direct download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  33. The Consequences of Particularity.Brett Bourbon - 2017 - Philosophy and Literature 41 (2):416-430.
    A poem is not particular in the way a painting is particular. A copy of a poem is still the poem, while a copy of a painting is not the painting. But a poem is still particular, since it seems to be constituted by a specific set of words in a specific order such that to alter that order or any of those words is to make a new poem. Marianne Moore begins her poem “An Egyptian Pulled Glass Bottle in (...)
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  34. Conversations on Art and Aesthetics.Hans Maes - 2017 - Oxford, UK: Oxford University Press.
    What is art? What counts as an aesthetic experience? Does art have to beautiful? Can one reasonably dispute about taste? What is the relation between aesthetic and moral evaluations? How to interpret a work of art? Can we learn anything from literature, film or opera? What is sentimentality? What is irony? How to think philosophically about architecture, dance, or sculpture? What makes something a great portrait? Is music representational or abstract? Why do we feel terrified when we watch a horror (...)
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  35. The Fear of Aesthetics in Art and Literary Theory.Sam Rose - 2017 - New Literary History 48 (2):223-244.
    Is aesthetics, as has recently been claimed, now able to meet the accusations often levelled against it? This essay examines counters to three of the most common: that aesthetics is based around overly narrow conceptions of "art" and "the aesthetic"; that aesthetics is politically disengaged; and that aesthetics fails to engage with actual art objects and their histories.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  36. Multilevel Poetry Translation as a Problem-Solving Task.Pedro Ata & Joao Queiroz - 2016 - Cognitive Semiotics 9 (2):139-147.
    Poems are treated by translators as hierarchical multilevel systems. Here we propose the notion of “multilevel poetry translation” to characterize such cases of poetry translation in terms of selection and rebuilding of a multilevel system of constraints across languages. Different levels of a poem correspond to different sets of components that asymmetrically constrain each other (e. g., grammar, lexicon, syntactic construction, prosody, rhythm, typography, etc.). This perspective allows a poem to be approached as a thinking-tool: an “experimental lab” which submits (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  37. Thinking with Literature: Towards a Cognitive Criticism.Terence Cave - 2016 - Oxford University Press UK.
    Thinking with Literature offers a succinct introduction to a cognitive literary criticsm, broad in scope but focusing on a particular cluster of approaches, some of which have so far been little used. Explanatory chapters and sections alternate with close readings of literary texts from a wide range of different periods and genres. The literary readings are not mere 'examples' of cognitive topics, still less of hypotheses in cognitive science: the central argument is that cognitive criticism must draw its primary energies (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark   2 citations  
  38. Philosophy's Tragedy.Andrew Cooper - 2016 - Metaphilosophy 47 (1):59-74.
    Is tragedy, as Nietzsche declared, dead? In recent years many philosophers have reconsidered tragedy's relation to philosophy. While tragedy is deemed to contain important lessons for philosophy, there is a consensus that it remains a thing of the past. This article calls this consensus into question, arguing that it reifies tragedy, keeping tragedy at arm's length. With the interest of identifying the necessity of tragedy to philosophy, it draws from Quentin Skinner to put forward an alternative approach to genre as (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  39. HARRISON, BERNARD What Is Fiction For? Literary Humanism Restored. Indiana University Press, 2015, Xxvi + 593 Pp., $85.00 Cloth, $35.00 Paper. [REVIEW]David Egan - 2016 - Journal of Aesthetics and Art Criticism 74 (2):212-215.
  40. ALTIERI, CHARLES. Reckoning with the Imagination: Wittgenstein and the Aesthetics of Literary Experience. Cornell University Press, 2015, Xii + 262 Pp., $79.95 Cloth, $28.95 Paper. [REVIEW]Richard Eldridge - 2016 - Journal of Aesthetics and Art Criticism 74 (3):306-307.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  41. Literary Style.Wolfgang Huemer - 2016 - In Noël Carroll & John Gibson (eds.), Routledge companion to philosophy of literature. Routledge.
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  42. The Problem of Modernism and Critical Refusal: Bradley and Lamarque on Form/Content Unity.Owen Hulatt - 2016 - Journal of Aesthetics and Art Criticism 74 (1):47-59.
    In this article I revisit A. C. Bradley's account of form/content unity through the lens of both Peter Kivy's and Peter Lamarque's recent work on Bradley's lecture “Poetry for Poetry's Sake.” I argue that Lamarque gives a superior account of Bradley's argument. However, Lamarque claims that form/content unity should be understood as an imposition applied by the reader to poetry. Working with the counterexample of modernist poetry, I throw doubt on both this claim and some associated presuppositions found in Lamarque's (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  43. Levinas and the Plot Against Literature.Joseph G. Kronick - 2016 - Philosophy and Literature 40 (1):265-272.
    The remarkable interest in ethical theory shown over the last decade may simply be a return to the norms of literary scholarship. After all, ethics has dominated criticism of literature since Plato and Aristotle, and even with the emergence of formalism, in both its Russian and American varieties, ethical justifications of literature remained in place.However, the increasing influence of Emmanuel Levinas upon literary theory raises questions about the relation of ethical philosophy to literature.1 As his 1948 essay “Reality and Its (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  44. Neuroscience and Literature.William Seeley - 2016 - In John Gibson and Noel Carroll (ed.), The Routledge Companion to Philosophy of Literature. New York, NY, USA: pp. 267-278.
    The growing general interest in understanding how neuroscience can contribute to explanations of our understanding and appreciation of art has been slow to find its way to philosophy of literature. Of course this is not to say that neuroscience has not had any influence on current theories about our engagement, understanding, and appreciation of literary works. Colin Martindale developed a scientific approach to literature in his book The Clockwork Muse (1990). His prototype-preference theory drew heavily on early artificial neural network (...)
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  45. How Daring Is the Reading: Emerson's Aesthetic Reading. Boatright & Faust - 2015 - Journal of Aesthetic Education 49 (4):39-54.
    A true announcement of the law of creation, if a man were found worthy to declare it, would carry art up into the kingdom of nature, and destroy its separate and contrasted existence. The Common Core State Standards for the teaching of literature are now in effect in forty-four states and the District of Columbia. As is the case with previous standards developed at the state level since the 1990s, the Common Core State Standards are framed within a familiar formalist (...)
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  46. Investigations Into the Phenomenology and the Ontology of the Work of Art: What Are Artworks and How Do We Experience Them?Peer F. Bundgaard & Frederik Stjernfelt (eds.) - 2015 - Springer Verlag.
    ​This book investigates the nature of aesthetic experience and aesthetic objects. Written by leading philosophers, psychologists, literary scholars and semioticians, the book addresses two intertwined issues. The first is related to the phenomenology of aesthetic experience: The understanding of how human beings respond to artworks, how we process linguistic or visual information, and what properties in artworks trigger aesthetic experiences. The examination of the properties of aesthetic experience reveals essential aspects of our perceptual, cognitive, and semiotic capacities. The second issue (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  47. Postcolonial Singularity and a World Literature Yet-to-Come.Lorna Burns - 2015 - Angelaki 20 (4):243-259.
    This article considers the challenge posed by Gayatri Spivak to rethink world literature along postcolonial lines as an ethical encounter with alterity. Read in this way, Spivak participates in a reframing of world literature that retains the critical gains made by postcolonial theory and suggests that the work of world literary analysis ought not necessarily be de/prescriptive but might involve a contestation of the power relations that structure the world. In developing this argument, I draw on four further perspectives: Pascale (...)
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  48. Danto's Comic Vision: Philosophical Method and Literary Style.Noel Carroll - 2015 - Philosophy and Literature 39 (2):554-563.
    Arthur Danto numbers among the few contemporary philosophers whose writing is really a pleasure to read. Although rarely recognized, the source of that pleasure is Danto’s humor. His philosophical writing is consistently comic. Of course, the humor is obviously not of the knee-slapping variety. Yet it is pervasively playful.Danto will introduce a thought experiment and then explore it in several directions. Unlike many other contemporary philosophers, he is not stingy in laying out his examples. Whereas it is customary for most (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  49. The Routledge Companion to Philosophy of Literature.Noël Carroll & John Gibson (eds.) - 2015 - Routledge.
    _The Routledge Companion to Philosophy of Literature_ is an in-depth examination of literature through a philosophical lens, written by distinguished figures across the major divisions of philosophy. Its 40 newly-commissioned essays are divided into six sections: historical foundations what is literature? aesthetics & appreciation meaning & interpretation metaphysics & epistemology ethics & political theory _The Companion_ opens with a comprehensive historical overview of the philosophy of literature, including chapters on the study’s ancient origins up to the 18 th -20 th (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark   5 citations  
  50. The Generalization of Holocaust Denial: Meyer Levin, William James, and the Broadway Production of The Diary of Anne Frank.James Duban - 2015 - Philosophy and Literature 39 (1A):234-248.
    In his essay “Pragmatism and Humanism,” William James recalls a friend’s disappointment that the “prodigious star-group” known as the Big Dipper “should remind us Americans of nothing but a culinary utensil.”1 Such, presumably, is the fault of generalization, though James himself is less than specific in illustrating the occasional parity of varied perspectives. For example, he posits two identical equilateral triangles, one inverted and overlapping the other, and notes, “You can treat the adjoined figure as a star, as two big (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
1 — 50 / 256