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  1. Wayfinding: ‘Public’ as Interactive/ Information Display and the New Sciences of Mind.Patrick Maynard - forthcoming - Review of Philosophy and Psychology.
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  2. The Ecological Turn in Design: Adopting A Posthumanist Ethics to Inform Value Sensitive Design.Steven Umbrello - 2021 - Philosophies 6 (2):29.
    Design for Values (DfV) philosophies are a series of design approaches that aim to incorporate human values into the early phases of technological design to direct innovation into beneficial outcomes. The difficulty and necessity of directing advantageous futures for transformative technologies through the application and adoption of value-based design approaches are apparent. However, questions of whose values to design are of critical importance. DfV philosophies typically aim to enrol the stakeholders who may be affected by the emergence of such a (...)
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  3. Conceptualizing Policy in Value Sensitive Design: A Machine Ethics Approach.Steven Umbrello - 2021 - In Steven John Thompson (ed.), Machine Law, Ethics, and Morality in the Age of Artificial Intelligence. Hershey, PA, USA: pp. 108-125.
    The value sensitive design (VSD) approach to designing transformative technologies for human values is taken as the object of study in this chapter. VSD has traditionally been conceptualized as another type of technology or instrumentally as a tool. The various parts of VSD’s principled approach would then aim to discern the various policy requirements that any given technological artifact under consideration would implicate. Yet, little to no consideration has been given to how laws, regulations, policies and social norms engage within (...)
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  4. Mapping Value Sensitive Design Onto AI for Social Good Principles.Steven Umbrello & Ibo van de Poel - 2021 - AI and Ethics 1 (3):283–296.
    Value Sensitive Design (VSD) is an established method for integrating values into technical design. It has been applied to different technologies and, more recently, to artificial intelligence (AI). We argue that AI poses a number of challenges specific to VSD that require a somewhat modified VSD approach. Machine learning (ML), in particular, poses two challenges. First, humans may not understand how an AI system learns certain things. This requires paying attention to values such as transparency, explicability, and accountability. Second, ML (...)
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  5. Wittgenstein, Loos, and the Critique of Ornament.Andreas Vrahimis - 2021 - Estetika: The Central European Journal of Aestetics 58 (2):144–159.
    Adolf Loos is one of the few figures that Wittgenstein explicitly named as an influence on his thought. Loos’s influence has been debated in the context of determining Wittgenstein’s relation to modernism, as well as in attempts to come to terms with his work as an architect. This paper looks in a different direction, examining a remark in which Wittgenstein responded to Heidegger’s notorious pronouncement that ‘the Nothing noths’ by reference to Loos’s critique of ornamentation. Wittgenstein draws a parallel between (...)
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  6. The Future of Value Sensitive Design.Batya Friedman, David Hendry, Steven Umbrello, Jeroen Van Den Hoven & Daisy Yoo - 2020 - Paradigm Shifts in ICT Ethics: Proceedings of the 18th International Conference ETHICOMP 2020.
    In this panel, we explore the future of value sensitive design (VSD). The stakes are high. Many in public and private sectors and in civil society are gradually realizing that taking our values seriously implies that we have to ensure that values effectively inform the design of technology which, in turn, shapes people’s lives. Value sensitive design offers a highly developed set of theory, tools, and methods to systematically do so.
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  7. Values, Imagination, and Praxis : Towards a Value Sensitive Future with Technology. [REVIEW]Steven Umbrello - 2020 - Science and Engineering Ethics 26 (1):495-499.
    A new book by Batya Friedman and David G. Hendry, Value Sensitive Design: Shaping Technology with Moral Imagination, is reviewed. Value Sensitive Design is a project into the ethical and design issues that emerge during the engineering programs of new technologies. This book is intended to build on the over two decades of value sensitive design research, however with a greater emphasis on the developments of the theoretical underpinnings of the approach as well as initial steps that designers can employ (...)
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  8. Imaginative Value Sensitive Design: Using Moral Imagination Theory to Inform Responsible Technology Design.Steven Umbrello - 2020 - Science and Engineering Ethics 26 (2):575-595.
    Safe-by-Design (SBD) frameworks for the development of emerging technologies have become an ever more popular means by which scholars argue that transformative emerging technologies can safely incorporate human values. One such popular SBD methodology is called Value Sensitive Design (VSD). A central tenet of this design methodology is to investigate stakeholder values and design those values into technologies during early stage research and development (R&D). To accomplish this, the VSD framework mandates that designers consult the philosophical and ethical literature to (...)
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  9. Combinatory and Complementary Practices of Values and Virtues in Design: A Reply to Reijers and Gordijn.Steven Umbrello - 2020 - Filosofia 2020 (65):107-121.
    The purpose of this paper is to review and critique Wessel Reijers and Bert Gordijn’s paper Moving from value sensitive design to virtuous practice design. In doing so, it draws on recent literature on developing value sensitive design (VSD) to show how the authors’ virtuous practice design (VPD), at minimum, is not mutually exclusive to VSD. This paper argues that virtuous practice is not exclusive to the basic methodological underpinnings of VSD. This can therefore strengthen, rather than exclude the VSD (...)
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  10. Designing the Smart Operator 4.0 for Human Values: A Value Sensitive Design Approach.Steven Umbrello, Antonio Padovano & Lucia Gazzaneo - 2020 - Procedia Manufacturing 42:219-226.
    Emerging technologies such as cloud computing, augmented and virtual reality, artificial intelligence and robotics, among others, are transforming the field of manufacturing and industry as a whole in unprecedent ways. This fourth industrial revolution is consequentially changing how operators that have been crucial to industry success go about their practices in industrial environments. This short paper briefly introduces the notion of the Operator 4.0 as well as how this novel way of conceptualizing the human operator necessarily implicates human values in (...)
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  11. Design as Aesthetic Education: On the Politics and Aesthetics of Learning Environments.Christina Vagt - 2020 - History of the Human Sciences 33 (1):175-187.
    The article, speaking from the double perspective of media history and political aesthetics, discusses the impact of behaviourism and early computer technology on the design of learning environments in the United States after the Second World War. By revisiting B. F. Skinner’s approaches to behavioural techniques and cultural engineering, and by showing how these principles were applied first at US design departments, and later to prison education, it argues that cybernetic and behavioural techniques merged in the common field of design (...)
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  12. When is Architecture Not Design?Saul Fisher - 2019 - Laocoonte: Revista de Estética y Teoría de Las Artes 1 (6):183-198.
    If there is nothing more to architecture than design –and to its attendant thinking processes–than design thinking, then core dimensions of the architectural enterprise from the perspective of (a) production and (b) use have no special character, over and above their counterparts in general design. Yet that does not appear to be true by the lights of architects or design specialists or the public at large. So what is it, at the core or periphery of the discipline or its objects, (...)
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  13. Interoperability of Disparate Engineering Domain Ontologies Using Basic Formal Ontology.Thomas J. Hagedorn, Barry Smith, Sundar Krishnamurty & Ian R. Grosse - 2019 - Journal of Engineering Design 31.
    As engineering applications require management of ever larger volumes of data, ontologies offer the potential to capture, manage, and augment data with the capability for automated reasoning and semantic querying. Unfortunately, considerable barriers hinder wider deployment of ontologies in engineering. Key among these is lack of a shared top-level ontology to unify and organise disparate aspects of the field and coordinate co-development of orthogonal ontologies. As a result, many engineering ontologies are limited to their scope, and functionally difficult to extend (...)
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  14. Explorative Nanophilosophy as Tecnoscienza: An Italian Perspective on the Role of Speculation in Nanoindustry.Steven Umbrello - 2019 - TECNOSCIENZA: Italian Journal of Science and Technology Studies 10 (1):71-88.
    There are two primary camps in which nanotechnology today can be categorized normal nanotechnology and speculative nanotechnology. The birth of nanotechnology proper was conceived through discourses of speculative nanotechnology. However, current nanotech-nology research has detracted from its speculative promises in favour of more attainable material products. Nonetheless, normal nanotechnology has leveraged the popular support and consequential funding it needs to conduct research and development (R&D) as a result of popular conceptions of speculative nanotechnology and its promises. Similarly, the scholarly literature (...)
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  15. Atomically Precise Manufacturing and Responsible Innovation: A Value Sensitive Design Approach to Explorative Nanophilosophy.Steven Umbrello - 2019 - International Journal of Technoethics 10 (2):1-21.
    Although continued investments in nanotechnology are made, atomically precise manufacturing (APM) to date is still regarded as speculative technology. APM, also known as molecular manufacturing, is a token example of a converging technology, has great potential to impact and be affected by other emerging technologies, such as artificial intelligence, biotechnology, and ICT. The development of APM thus can have drastic global impacts depending on how it is designed and used. This paper argues that the ethical issues that arise from APM (...)
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  16. Beneficial Artificial Intelligence Coordination by Means of a Value Sensitive Design Approach.Steven Umbrello - 2019 - Big Data and Cognitive Computing 3 (1):5.
    This paper argues that the Value Sensitive Design (VSD) methodology provides a principled approach to embedding common values in to AI systems both early and throughout the design process. To do so, it draws on an important case study: the evidence and final report of the UK Select Committee on Artificial Intelligence. This empirical investigation shows that the different and often disparate stakeholder groups that are implicated in AI design and use share some common values that can be used to (...)
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  17. Steps to Designing AI-Empowered Nanotechnology: A Value Sensitive Design Approach.Steven Umbrello - 2019 - Delphi - Interdisciplinary Review of Emerging Technologies 2 (2):79-83.
    Advanced nanotechnology promises to be one of the fundamental transformational emerging technologies alongside others such as artificial intelligence, biotechnology, and other informational and cognitive technologies. Although scholarship on nanotechnology, particularly advanced nanotechnology such as molecular manufacturing has nearly ceased in the last decade, normal nanotechnology that is building the foundations for more advanced versions has permeated many industries and commercial products and has become a billion dollar industry. This paper acknowledges the socialtechnicity of advanced nanotechnology and proposes how its convergence (...)
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  18. A Poetics of Designing.Claudia Westermann - 2019 - In Thomas Fischer & Christiane M. Herr (eds.), Design Cybernetics: Navigating the New. Basel, Switzerland: Springer. pp. 233-245.
    The chapter provides an overview on what it means to be in a world that is uncertain, e.g., how under conditions of limited understanding any activity is an activity that designs and constructs, and how designing objects, spaces, and situations relates to the (designed) meta-world of second-order cybernetics. Designers require a framework that is open, but one that supplies ethical guidance when ‘constructing’ something new. Relating second-order design thinking to insights in philosophy and aesthetics, the chapter argues that second-order cybernetics (...)
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  19. The Technological Fix as Social Cure-All: Origins and Implications.Sean F. Johnston - 2018 - IEEE Technology and Society 37 (1):47-54.
    On the historical origins of technological fixes and their wider social and political implications.
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  20. Stamp Ornamented Pottery From the Kniazha Hora Site (Based on Excavations 1958–1965).Andrij Moskalenko - 2018 - NaUKMA Research Papers. History and Theory of Culture 1:76-78.
    The article is devoted to the publication of the pottery with a stamp design from the Kniazha Hora Old Rus fortress. During field seasons of 1958–1965, a representative collection of ceramic products was found on the settlement by a detachment of the Slavic-Rus archaeology of the Kaniv complex expedition under the direction of Halyna Mezentseva. Pots that are decorated with geometric figures-stamps are noteworthy because they are rare for the Kniazha Hora area. Studying ornamentation is very important because the décor (...)
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  21. El símbolo vacío.Fabián Podrabinek - 2018 - Revista Lindes 16:5.
    El diseño gráfico basa su esencia en la creación de símbolos que definen identidades (mal que les pese y que no quieran hacerlo tanto los diseñadores como los destinatarios del diseño, porque es un proceso ideológico, es decir no voluntario ni consciente). Este podríamos definirlo como el primer intercambio simbólico que se da entre el diseño a través de los diseñadores y la sociedad.
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  22. The Moral Psychology of Value Sensitive Design: The Methodological Issues of Moral Intuitions for Responsible Innovation.Steven Umbrello - 2018 - Journal of Responsible Innovation 5 (2):186-200.
    This paper argues that although moral intuitions are insufficient for making judgments on new technological innovations, they maintain great utility for informing responsible innovation. To do this, this paper employs the Value Sensitive Design (VSD) methodology as an illustrative example of how stakeholder values can be better distilled to inform responsible innovation. Further, it is argued that moral intuitions are necessary for determining stakeholder values required for the design of responsible technologies. This argument is supported by the claim that the (...)
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  23. Imaginative Value Sensitive Design: How Moral Imagination Exceeds Moral Law Theories in Informing Responsible Innovation.Steven Umbrello - 2018 - Dissertation, University of Edinburgh
    Safe-by-Design (SBD) frameworks for the development of emerging technologies have become an ever more popular means by which scholars argue that transformative emerging technologies can safely incorporate human values. One such popular SBD methodology is called Value Sensitive Design (VSD). A central tenet of this design methodology is to investigate stakeholder values and design those values into technologies during early stage research and development (R&D). To accomplish this, the VSD framework mandates that designers consult the philosophical and ethical literature to (...)
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  24. Designing a Nano-Safe Future.Steven Umbrello - 2018 - Solutions Journal 9 (4):1-3.
    A short position paper on how we can preemptively anticipate and design nanotechnology-safe futures.
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  25. Visualizando Signos.Priscila Farias & Joao Queiroz - 2017 - Sao Paulo: Blucher.
    Os signos e as classes dos signos estão entre os tópicos mais importantes do sistema filosófico de Charles S. Peirce. As 10, 28, e 66 classes de signos são classificações desenvolvidas especialmente a partir de 1903 e representam um grande refinamento da divisão fundamental de signos – ícone, índice, símbolo. Nossa abordagem aqui define uma estratégia de visualização das classificações dos signos, com especial atenção para as 10 e 66 classes de signos. O livro está dividido em duas partes: (i) (...)
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  26. PARSONS, GLENN. The Philosophy of Design. Polity Press, 2016, 192 Pp., $22.95 Paper. [REVIEW]G. A. L. Michalle - 2017 - Journal of Aesthetics and Art Criticism 75 (2):214-217.
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  27. The Aesthetics of Design, by Jane Forsey. [REVIEW]R. De Clercq - 2015 - Mind 124 (494):627-630.
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  28. Composing Conferences.Michael Hohl & Ben Sweeting - 2015 - Constructivist Foundations 11 (1).
    The design of academic conferences, in which settings ideas are shared and created, is, we suggest, of more than passing interest in constructivism, where epistemology is considered in terms of knowing rather than knowledge. The passivity and predominantly one-way structure of the typical paper presentation format of academic conferences has a number of serious limitations from a constructivist perspective, which are both practical and epistemological. While alternative formats abound, there is nevertheless increasing pressure reinforcing this format due to delegates’ funding (...)
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  29. Biomorphism and Models in Design.Cameron Shelley - 2015 - In Woosuk Park, Ping Li & Lorenzo Magnani (eds.), Philosophy and Cognitive Science Ii. Springer Verlag.
  30. La estética y el arte de regreso a la Academia.Bertha Laura Álvarez Sánchez & José Ramón Fabelo Corzo (eds.) - 2014 - Puebla, Pue., México: Colección La Fuente, BUAP.
    Los materiales que integran este libro provienen del II Encuentro de Egresados realizado en el verano de 2012 por la Maestría en Estética y Arte de la BUAP. Regresaban a su academia los que alguna vez fueron sus estudiantes. Venían con el propósito de reencontrarse con los avances investigativos de sus profesores y a traer ellos mismos los resultados de la continuidad de su trabajo de investigación. Algunos dejaron también en el encuentro una muestra de su arte. El ciclo de (...)
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  31. Icons without turn: Über Bilder und Worte.Andreas Dorschel - 2014 - In Wilhelm Vossenkuhl (ed.), Quo vadis Design? 4 Thesen. pp. 17-37.
    Images, or icons, have been made the subject of a ‘turn’. But no new epoch under its sign is looming. The image is just one medium among others. The best we can do is to face what it may and what it may not achieve. Its main competitor is the word – though there is a field of transition between both. Words and numbers surpass the image when one needs to refer to something that cannot be seen – this holds (...)
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  32. There Is No Alibi in Designing: Responsibility and Dialogue in the Design Process.Thomas-Bernard Kenniff & Ben Sweeting - 2014 - Opticon1826 16.
    This paper explores a potential relation between architecture and ethics intrinsic to design processes when understood in terms of dialogue or conversation. We draw on separate but related research interests: one focused on the design process, especially the significance of drawing, and the other on the ethics of designing for the public realm, with reference to Bakhtinian dialogism. Our investigation concentrates on two aspects of the design process both of which can be thought of in terms of conversation – first, (...)
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  33. ANALISIS KUALITAS DESAIN SAMPUL BUKU SEKOLAH ELEKTRONIK (BSE) MATA PELAJARAN SENI BUDAYA.Mahendra Wibawa - 2014 - Dissertation, Universitas Negeri Surabaya (UNESA)
    Twenty-one units of school E-books subjecting in Arts and Culture in total has been released nationwide, which must be consented by Indonesia’s Body of National Standard of Education (Badan Standar Nasional Pendidikan) – the appointed organization to certify Indonesia’s educational features. The graphic instruments applied on cover designs, of which emphasis is merely on technical aspects, requires further examination. Such condition becomes the basis of this study in order to identify, describe and illustrate the implementation of cover designing school E-books (...)
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  34. Reflections on a Sofa Bed: Functional Beauty and Looking Fit. De Clercq - 2013 - Journal of Aesthetic Education 47 (2):35-48.
    This essay argues for two conclusions about functional beauty, as this notion has been understood by Parsons and Carlson in a recent book by the same name. First of all, it is argued that functional beauty either is not a distinct kind of beauty or that the members of this kind are not all and only instances of the property of looking fit. Second, it is argued that functional beauty is relative only to categories corresponding to essential functions. The second (...)
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  35. The Relation Between Interaction Aesthetics and Affordances.Ioannis Xenakis & Argyris Arnellos - 2013 - Design Studies 34 (1).
    Even though aesthetics and affordances are two important factors based on which designers provide effective ways of interaction through their artifacts, there is no study or theoretical model that relates these two aspects of design. We suggest a theoretical explanation that relates the underlying functionality of aesthetics, in particular, of interaction aesthetics and of affordances in the design process. Our claim is that interaction aesthetics are one among other factors that allow users to enhance the detection of action possibilities and (...)
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  36. The Sympathy of Things: Ruskin and the Ecology of Design.Lars Spuybroek - 2011/2016 - V2_NAI Publishers/Bloomsbury.
    The revised and expanded edition of The Sympathy of Things with Bloomsbury Academic, which appeared in 2016. The pdf sample contains the new preface to the second edition and the foreword by Brian Massumi.
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  37. La Imagen Vestida. El Estampado Textil Vestimentario Como Hecho Visual de Interés Disciplinar.María Candela Caudana - 2011 - Polis 13:108-111.
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  38. Diseñar Tipografías Para Nuevos Soportes. Fuentes Libres, Colaborativas y Para la Web.Sebastián Malizia - 2011 - Polis 13:84-89.
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  39. Poéticas Del Diseño En Las Agendas de Cultura de la UNL.Isabel Molinas - 2011 - Polis 13:78-83.
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  40. The Digital Nature of Gothic.Lars Spuybroek - 2011 - In L. Spuybroek (ed.), Research & Design: Textile Tectonics. pp. 8-41.
    The first chapter of The Sympathy of Things published in Research & Design: Textile Tectonics (2011). It develops the notion of a “gothic ontology” which inverts Deleuze’s baroque ontology of the fold. Where in the universe of the fold continuity precedes singularity, in the gothic singularity precedes continuity. The reversal is based on the Ruskinian notion of the rib, which is the source of “changefulness”, expressed through “millions of variations” of figures. Figures move and change only to interact with or (...)
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  41. La Licenciatura en Comunicación Visual: Espacio Propicio para el Debate.María Del Valle Ledesma - 2010 - Polis 12:70-71.
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  42. Problemas Con El Destino, Manifiesto.Gabriela Macagno - 2010 - Polis 12:64-65.
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  43. The Matter of Ornament.Lars Spuybroek - 2010 - In J. Brouwer A. Mulder (ed.), The Politics of the Impure. pp. 232-267.
    A shortened version of the second chapter of The Sympathy of Things as it was published in The Politics of the Impure (V2_NAI Publishers, 2010). It relates John Ruskin’s “Wall-Veil” to the better-known “Wall-Dress” (Gewand) of Gottfried Semper by understanding both as occurring at the intersection of matter and force. Matter tends to generate patterns in two ways, either downward or upward in dimensions. The first relates to tessellated ornament (cf. Owen Jones); the second to the ribboned ornamentation as we (...)
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  44. Architecture of Consequence: Dutch Designs on the Future.Ole Bouman, Anneke Abhelakh, Mieke Dings & Martine Zoeteman (eds.) - 2009 - NAI Publishers.
    Architecture of Consequence began life as the Dutch presentation at the Sao Paolo Architecture Biennale in 2009. "Shape our country!" was the call that the Netherlands Architecture Institute (NAi) made to its public over a six-month period. The result was a deluge of proposals, as the people of the Netherlands rose to the challenge of naming their needs: new guidelines for food production, alternative energy sources, solutions for space shortage, social cohesion, a healthy living environment and the recalibration of economic (...)
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  45. The Engineering Method and its Implications for Scientific, Philosophical, and Universal Methods.Billy Vaughn Koen - 2009 - The Monist 92 (3):357-386.
  46. Emergent Design.Kent Palmer - 2009 - Dissertation, University of South Australia
    Explorations in Systems Phenomenology in Relation to Ontology, Hermeneutics and the Meta-dialectics of Design -/- SYNOPSIS A Phenomenological Analysis of Emergent Design is performed based on the foundations of General Schemas Theory. The concept of Sign Engineering is explored in terms of Hermeneutics, Dialectics, and Ontology in order to define Emergent Systems and Metasystems Engineering based on the concept of Meta-dialectics. -/- ABSTRACT Phenomenology, Ontology, Hermeneutics, and Dialectics will dominate our inquiry into the nature of the Emergent Design of the (...)
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  47. A Call for Strategic Interventions.Ronald Rietveld & Erik Rietveld - 2009 - In Ole Bouman, Anneke Abhelakh, Mieke Dings & Martine Zoeteman (eds.), Architecture of Consequence: Dutch Designs on the Future. NAI Publishers.
    Given the contemporary complexity of cities, landscape and society, urgent social tasks call for an integral, multidisciplinary approach. Rietveld Landscape’s strategic interventions focus and use the forces of existing developments and processes. This design method creates new opportunities for landscape, architecture, the public domain, ecology, recreation and economic activity.
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  48. The Architecture of Continuity.Lars Spuybroek - 2009 - Rotterdam: V2_NAI Publishers.
    A number of essays and interviews published between 1997 and 2008, revised for this publication with V2_.
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  49. Marca y marca gráfica.Luciano Cassisi - 2006 - FOROALFA.
    Si bien el posicionamiento de marca y el diseño de signos identificadores son cuestiones íntimamente relacionadas, no son la misma cosa. Sin embargo es común que se las confunda y se las combine en un único concepto.
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  50. El diseño y los géneros discursivos.Luciano Cassisi - 2005 - FOROALFA.
    Hay quienes sostienen que las producciones diseñadas conforman un género discursivo. Pero, ¿es realmente así? ¿Reamente todas las producciones diseñadas conforman un género discursivo o más bien se adaptan a diversos géneros pre-existentes, y en constante modificación?
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