- Interactivity, Fictionality, and Incompleteness.Nathan Wildman & Richard Woodward - forthcoming - In Grant Tavinor & Jon Robson (eds.), The Aesthetics of Videogames. Routledge.details
- The Specter of the Electronic Screen: Bruno Varela's Reception of Stanley Cavell.Byron Davies - 2021 - In David LaRocca (ed.), Movies with Stanley Cavell in Mind. London, UK: pp. 72-90.details
- Accidents Made Permanent: Theater and Automatism in Stanley Cavell, Michael Fried, and Matías Piñeiro.Byron Davies - 2020 - Modern Language Notes 135 (5):1283-1314.details
- The Post-Human Media Semblance: Predictive Catastrophism.Ekin Erkan - 2020 - Rhizomes: Cultural Studies in Emerging Knowledge 36.details
- Machine.Thomas Patrick Pringle, Bernard Stiegler & Gertrud Koch - 2019 - Minnesota University Press and Meson Press.details
- Through a Telescreen Darkly.Lavinia Marin - 2018 - In Ezio Di Nucci & Stefan Storrie (eds.), 1984 and philosophy, is resistance futile? Open Court. pp. 187-198.details
- Os vlogs e a identificação paradoxal dos criadores do discurso.Guilherme Adorno - 2016 - Línguas E Instrumentos Linguísticos 37:257-292.details
- The Camera Movement in Relation to Narration in Animated Films: A Practice-Oriented Study.Hadis Malekie & Mohammad Reza Hosnaee - 2016 - Journal of Dramatic Arts and Music 6 (11):81-95.details
- Towards a Science of Emerging Media.Barry Smith - 2015 - In J. E. Katz & J. Floyd (eds.), Philosophy of Emerging Media: Understanding, Appreciation and Application. Oxford University Press. pp. 29-48.details
- The Fictional Character of Pornography.Shen-yi Liao & Sara Protasi - 2013 - In Hans Maes (ed.), Pornographic Art and the Aesthetics of Pornography. Palgrave-Macmillan. pp. 100-118.details
- From Light to Byte: Toward an Ethics of Digital Cinema.Markos Hadjioannou - 2012 - University of Minnesota Press.details
- La Caméra-Stylo: Notes on Video Criticism and Cinephilia.Christian Keathley - 2012 - In Alex Clayton & Andrew Klevan (eds.), The Language and Style of Film Criticism. Routledge.details
- The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture.Patricia Pisters - 2012 - Stanford University Press.details
- Into the "Imaginary" and "Real" Place : Stan Douglas's Site-Specific Film and Video Projection.Ji-Hoon Kim - 2011 - In John David Rhodes & Elena Gorfinkel (eds.), Taking Place: Location and the Moving Image. University of Minnesota Press.details
- Digital Cinema : A False Revolution.John Belton - 2010 - In Marc Furstenau (ed.), The Film Theory Reader: Debates and Arguments. Routledge.details
- Recent Arguments. Digital Dinema and the History of a Moving Image.Lev Manovich - 2010 - In Marc Furstenau (ed.), The Film Theory Reader: Debates and Arguments. Routledge.details
- Aesthetics And Popular Art: An Interview With Aaron Meskin.Aaron Meskin - 2010 - Postgraduate Journal of Aesthetics 7 (2):1-9.details
- Tales of Epiphany and Entropy: Paranarrative Worlds on YouTube.Thomas Elsaesser - 2009 - In Warren Buckland (ed.), Film Theory and Contemporary Hollywood Movies. Routledge.details
- Boys, Boyz, Bois: An Ethics of Black Masculinity in Film and Popular Media.Keith M. Harris - 2006 - Routledge.details
- Helpless Spectators: Suspense in Videogames and Film.Aaron Smuts & Jonathan Frome - 2004 - Text Technology 1 (1):13-34.details
- Home, Exile, Homeland: Film, Media, and the Politics of Place.Hamid Naficy (ed.) - 1999 - Routledge.details
- Living Cinema: New Directions in Contemporary Film-Making.Louis Marcorelles - 1973 - New York: Praeger.details
|
Off-campus access
Using PhilPapers from home?
Create an account to enable off-campus access through your institution's proxy server.
Monitor this page
Be alerted of all new items appearing on this page. Choose how you want to monitor it:
Email
|
RSS feed
|
|