Eliminativism

Traditional monist theories of art fail to account for the diversity of objects that intuitively strike many as belonging to the category art. Some today argue that the solution to this problem requires the adoption of some version of pluralism to account for the diversity of art. We examine one recent attempt, which holds that the correct account of art must recognize the plurality of concepts of art. However, we criticize this account of concept pluralism as being unable to offer (...) an explanation of why some concept is an art concept. Instead, many of the disagreements over the definition of art could be reconciled by recognizing that works of art can be valued in a plurality of ways. By recognizing a plurality of values for art, we claim further that the definition of art becomes a non-issue. (shrink)

In this article, I analyze Charles Crittenden’s account of fictional objects in his Unreality: The Metaphysics of Fictional Objects (1991). I argue that Crittenden’s sketchy ontology of fictional objects does not support his weak eliminativism. Going along the lines of Amie Thomasson (1999), I stress that the problem of fictional objects is a strictly ontological problem, which requires an ontological solution. A solution to the problem of fictional objects (or ficta) that accommodates “practice” (ordinary language and literary practices) is of (...) course to be praised, but not when it is foregrounded at the expense of “ontology.” I argue for Roman Ingarden as a champion of ontology and practice, whose way of dealing with ficta fares better than Crittenden’s on both the ontological and practical sides. In short, ficta should be approached as something over and above mere grammaticalia (grammatical objects) namely as “purely intentional” objects that are formally incomplete, and which readers complete by resorting to practices of language and literary criticism. (shrink)

In this paper, part of the ideas developed in Lewowicz (2000) will be reconsidered in the light of Pandora's Hope (1999a) - one of the latest publications of Bruno Latour. We will ponder the significance of these ideas and some of the incidental advances or retreats of the views of this author in the last 20 years. Although we still believe that, from the ontological point of view, Latour's philosophy is materialistic - then eliminativist - and not ontological relativist (contrary (...) to the opinion of his colleague philosophers), some of the symmetries developed in that text show outstanding ontological-epistemological and even methodological deficiencies which we try to show here; especially the symmetry between 'human and nonhuman actors' (Latour 1999a) and his very singular (but not without a fair amount of antecedents) concept of history of the things whose neologism is that of pragmatogony. Andrew Pickering (The mangle of practice, 1999a) proposed and developed the concept of temporary emergency. In view of this concept, he succeeds in criticising Latour's exact symmetries making use primarily of the concept of intentionality to account for the asymmetry (by no means radical, according to the latter) between 'the human and nonhuman collective'. In this paper we will try to reinforce (and inevitably to question) the notion of temporal emergency by giving it a less local aspect than the one given by this author. We will not only hold the asymmetry of certain dichotomies - presumably avoided by and avoidable according to Latour - but we will also claim the historical impossibility of such an avoidance: the concept of historialised emergency and not just temporalised, precludes this. It is concluded, firstly, that only an eliminativist materialism (within the range of materialisms) is able to avoid and even 'overcome' such pairs like nature/society and some of its derivatives like subject/object and individual/collective. Secondly, the decisive character of some dichotomies will be defended and lastly it will be attempted to account for the almost only ontological possibility of constructivism: the eliminativist materialism. (shrink)