Empedocles

Contemporary criticism of religion, which itself mainly claims to be secular and “ideologically neutral”, has some difficulties in finding rational argu-ments that actually acknowledge the value of religious worldviews. Instead of reflecting on criteria for constructive and harmful religiosity, most of the current arguments set secular thinking as the mode and therefore seem to derive from “secularistic” ideology (Habermas). This problem intensifies considering the growing attraction of commercial esoteric teachings because “esoteric spirituality” blurs the conceptual distinction between secular spiri-tuality (Metzinger) (...) and secularistic religiosity. The essay therefore focuses on the argument that the spiritual should be seen as the rationality of religiosity in general and hence should be distinguished from the irrational will to belief which is frequently encountered on the esoteric market. (shrink)

The present piece, first presented on 19 November 2016 at the Centre Léon Robin (CNRS-Univ. Paris-Sorbonne-ENS Ulm) as part of the“Présocratiques” Seminar, is an investigation of the relationship between Empedocles and Freud. The analysis is divided into three parts: the first section examines the nature of Freud’s engagement with Empedocles; next, consideration is given to the similarities between their doctrines, based on the extant fragments of the Empedoclean corpus; finally, I offer a series of observations about Empedocles’ poetic style, which (...) shares strong affinities with the spoken word in a manner typical of the oral tradition and is freighted with corporeal and emotional significance. It is here that we see the emergence of one of the key concepts of psychoanalysis: the relationship between logos and alogon, between that which can be rationally analysed and that which can be intuited but which eludes the domain of logos. (shrink)

Il saggio tratta della figura di Empedocle – pensiero e uomo insieme, per­fettamente coerenti uno con l’altro – considerandolo come un pensatore di confine, un symbolon, nel quale s’incontrano senza fondersi e senza pre­varicarsi due universi, quello del mythos e quello del logos, con tutte le lo­ro rispettive e complesse implicazioni. Tutto ciò è necessario per com­prendere la lettura che Empedocle presenta della physis, processo naturale e modo di essere ad un tempo, che si esplicita nelle quattro radici – acqua, (...) aria, terra e fuoco – che costituiscono il tutto, relazionandosi attraverso Philia e Neikos, le due forze contrarie e polari che tengono insieme l’es­sere uno e molteplice. The essay deals with the Empedocle’s figure – both man and mind per­fectly acting consistently each other – considering him like a border thin­ker, a symbolon, in wich two universes, one of the mythos and one of the logos with their respective and complex implications, meet without mixing and without prevaricating. All this is necessary to understand the Empe­docle’s reading about the physis, either a natural process or a way of being at the same time expressing itself in four roots – water, air, land and fire – which consisted the whole reporting each other through Philia and Neikos, two opposite and polar forces that keep together the one and various being. (shrink)

An analysis of Hippolytus' Refutation of All Heresies, to discover his practices and motivations in preserving and quoting extracts from Greek Philosophy, in particular his important contribution to our knowledge of Presocratic Philosophy. The work argues that such sources must be read as embedded texts, and that fragments must not be extracted and treated in isolation from the quoting authority whose interests and knowledge are important in interpreting the material.

O propósito deste artigo é analisar a expressão que assegura a presença de partes da cosmologia de Empédocles no Ocidente latino nos séculos XII-XIII, qual seja, creatio mundi, esta que é a tradução do termo κοσμοποιία. A análise centra-se, por um lado, em três traduções latinas da Física II, 4, 196a 20-24, de Aristóteles, texto no qual aparece o termo κοσμοποιία e, por outro lado, em partes da obra de Tomás de Aquino na qual o autor discute a cosmologia de (...) Empédocles. Para tanto, o texto é composto de três partes. Na primeira apresento o problema suscitado pela tradução de κοσμοποιία como creatio mundi e como factura mundi respectivamente. Na segunda, por seu turno, exponho os termos que viabilizam uma certa visão de conjunto da cosmologia de Empédocles no século XIII. Enfim, na terceira parte, apresento brevemente o sentido da noção de mundo e sua possível configuração para Empédocles. (shrink)

Two fragments of a vase by Sophilos are remnants of the earliest extant representation of the myth of the contest between Athena and Poseidon at Athens.