Empedocles

Plato’s references to Empedocles in the myth of the Statesman perform a crucial role in the overarching political argument of the dialogue. Empedocles conceives of the cosmos as structured like a democracy, where the constituent powers ‘rule in turn’, sharing the offices of rulership equally via a cyclical exchange of power. In a complex act of philosophical appropriation, Plato takes up Empedocles’ cosmic cycles of rule in order to ‘correct’ them: instead of a democracy in which rule is shared cyclically (...) amongst equal constituents, Plato’s cosmos undergoes cycles of the presence and absence of a single cosmic monarch who possesses ‘kingly epistēmē’. By means of a revision of Empedocles’ democratic cosmology, Plato’s richly woven myth is designed precisely to reject the appropriateness of democracy as a form of human political association and legitimate monarchy in its stead. (shrink)

When did kosmos come to mean *the* kosmos, in the sense of ‘world-order’? I venture a new answer by examining later evidence often underutilised or dismissed by scholars. Two late doxographical accounts in which Pythagoras is said to be first to call the heavens kosmos (in the anonymous Life of Pythagoras and the fragments of Favorinus) exhibit heurematographical tendencies that place their claims in a dialectic with the early Peripatetics about the first discoverers of the mathematical structure of the universe. (...) Likewise, Xenophon and Plato refer to ‘wise men’ who nominate kosmos as the object of scientific inquiry into nature as a whole and the cosmic ‘communion’ (koinônia) between all living beings, respectively. Again, later testimonies help in identifying the anonymous ‘wise men’ by associating them with the Pythagoreans and, especially, Empedocles. As Horky argues, not only is Empedocles the earliest surviving source to use kosmos to refer to a harmonic ‘world-order’ and to illustrate cosmic ‘communities’ between oppositional pairs, but also his cosmology realises the mutual correspondence of these aspects in the cycle of love and strife. Thus, if later figures posited Pythagoras as the first to refer to the universal ‘world-order’ as the kosmos, they did so because they believed Empedocles to have been a Pythagorean natural scientist, whose combined focus on cosmology and ethics exemplified a distinctively Pythagorean approach to philosophy. (shrink)

How did the ancient Greeks and Romans conceptualise order? This book answers that question by analysing the formative concept of kosmos in ancient literature, philosophy, science, art, and religion. This concept encouraged the Greeks and Romans to develop theories to explain core aspects of human life, including nature, beauty, society, politics, the individual, and what lies beyond human experience. Hence, Greek kosmos, and its Latin correlate mundus, are subjects of profound reflection by a wide range of important ancient figures, including (...) philosophers, poets and playwrights, intellectuals, and religious exegetes. By revealing kosmos in its many ancient manifestations, this book asks us to rethink our own sense of 'order', and to reflect on our place within a broader cosmic history. (shrink)

Countless poets and thinkers over the ages have identified closely with Empedocles of Acragas. Friedrich Hölderlin is one of these. The threeversions of his mourning-play, The Death of Empedocles, give us an opportunity to conceive of the unity of the Empedoclean project—to confront nature and humanexistence alike as tragic. Central to this tragic view of both On Nature and Purifications, reputedly the two books of Empedocles, is the theme of doubling and duplicity, especially the presence in the sphere of love (...) and strife. Tragic doubling is a unity in perpetual dispersion. (shrink)

McLuhan’s contribution to this book consists of several rather oracular pages of rapprochements of Empedocles with T. S. Eliot, relating mainly, it seems, to the distinction between auditory and visual imagination. In introducing this book Lambridis claims that Empedocles is treated "briefly and almost contemptuously" in "the standard books on the history of ancient Greek philosophy" and that aspects of Empedocles’ thought are largely misunderstood. Lambridis feels however that Empedocles is "a very important philosopher" and, "moreover, can be called the (...) greatest philosopher-poet of the ancient world." We may thus expect in what follows both a demonstration of the importance of Empedocles and a clarification of aspects of his philosophy. Lambridis attempts this in a series of chapters on "The Sources," "Life and Legend," "Contemporaries," "Physics and Metaphysics," "Sensation and Knowledge," "Biology," "Cosmology," "Conversion," "Poetry." Lambridis is not afraid to attack the major problems in interpreting Empedocles: the problem of the relation between On Nature and the Purifications is solved by taking the latter poem to be a later composition reflecting a conversion to Pythagoreanism ; the problem of the cosmic cycle is solved by proposing that it consists of a cycle of the sequence of stages, Sphairos—invasion of strife—dominance of love—invasion of strife—Sphairos. (shrink)

Contemporary criticism of religion, which itself mainly claims to be secular and “ideologically neutral”, has some difficulties in finding rational argu-ments that actually acknowledge the value of religious worldviews. Instead of reflecting on criteria for constructive and harmful religiosity, most of the current arguments set secular thinking as the mode and therefore seem to derive from “secularistic” ideology (Habermas). This problem intensifies considering the growing attraction of commercial esoteric teachings because “esoteric spirituality” blurs the conceptual distinction between secular spiri-tuality (Metzinger) (...) and secularistic religiosity. The essay therefore focuses on the argument that the spiritual should be seen as the rationality of religiosity in general and hence should be distinguished from the irrational will to belief which is frequently encountered on the esoteric market. (shrink)

The present piece, first presented on 19 November 2016 at the Centre Léon Robin (CNRS-Univ. Paris-Sorbonne-ENS Ulm) as part of the“Présocratiques” Seminar, is an investigation of the relationship between Empedocles and Freud. The analysis is divided into three parts: the first section examines the nature of Freud’s engagement with Empedocles; next, consideration is given to the similarities between their doctrines, based on the extant fragments of the Empedoclean corpus; finally, I offer a series of observations about Empedocles’ poetic style, which (...) shares strong affinities with the spoken word in a manner typical of the oral tradition and is freighted with corporeal and emotional significance. It is here that we see the emergence of one of the key concepts of psychoanalysis: the relationship between logos and alogon, between that which can be rationally analysed and that which can be intuited but which eludes the domain of logos. (shrink)

Il saggio tratta della figura di Empedocle – pensiero e uomo insieme, per­fettamente coerenti uno con l’altro – considerandolo come un pensatore di confine, un symbolon, nel quale s’incontrano senza fondersi e senza pre­varicarsi due universi, quello del mythos e quello del logos, con tutte le lo­ro rispettive e complesse implicazioni. Tutto ciò è necessario per com­prendere la lettura che Empedocle presenta della physis, processo naturale e modo di essere ad un tempo, che si esplicita nelle quattro radici – acqua, (...) aria, terra e fuoco – che costituiscono il tutto, relazionandosi attraverso Philia e Neikos, le due forze contrarie e polari che tengono insieme l’es­sere uno e molteplice. The essay deals with the Empedocle’s figure – both man and mind per­fectly acting consistently each other – considering him like a border thin­ker, a symbolon, in wich two universes, one of the mythos and one of the logos with their respective and complex implications, meet without mixing and without prevaricating. All this is necessary to understand the Empe­docle’s reading about the physis, either a natural process or a way of being at the same time expressing itself in four roots – water, air, land and fire – which consisted the whole reporting each other through Philia and Neikos, two opposite and polar forces that keep together the one and various being. (shrink)

An analysis of Hippolytus' Refutation of All Heresies, to discover his practices and motivations in preserving and quoting extracts from Greek Philosophy, in particular his important contribution to our knowledge of Presocratic Philosophy. The work argues that such sources must be read as embedded texts, and that fragments must not be extracted and treated in isolation from the quoting authority whose interests and knowledge are important in interpreting the material.

O propósito deste artigo é analisar a expressão que assegura a presença de partes da cosmologia de Empédocles no Ocidente latino nos séculos XII-XIII, qual seja, creatio mundi, esta que é a tradução do termo κοσμοποιία. A análise centra-se, por um lado, em três traduções latinas da Física II, 4, 196a 20-24, de Aristóteles, texto no qual aparece o termo κοσμοποιία e, por outro lado, em partes da obra de Tomás de Aquino na qual o autor discute a cosmologia de (...) Empédocles. Para tanto, o texto é composto de três partes. Na primeira apresento o problema suscitado pela tradução de κοσμοποιία como creatio mundi e como factura mundi respectivamente. Na segunda, por seu turno, exponho os termos que viabilizam uma certa visão de conjunto da cosmologia de Empédocles no século XIII. Enfim, na terceira parte, apresento brevemente o sentido da noção de mundo e sua possível configuração para Empédocles. (shrink)