Existentialism

t. 1. Introduction générale. Critique existentielle.--t. 2. Analytique existentielle.

Entre Scylla y Caribdis -- El lenguaje adicional en Jacques Prévert -- L'étranger, absurdo y rebelión en Camus -- La existencia en profundidad.

v. 1 Egyetem, nevelés, értelmiségi lét.

"Conjunto de valiosos trabajos, la mayoría previamente publicados y procedentes de la década del 50. Los autores estudiados con mayor detalle son Fray Alonso de la Veracruz y Antonio Rubio. Hay también estudios sobre la escolástica latinoamericana en general y sobre Chile, Venezuela y Argentina. De interés para una antigua controversia en torno a la filosofía colonial es el artículo: 'La Libertad de Investigación Filosófica en la Época Colonial.'"--Handbook of Latin American Studies, v. 58.

本书以唯物主义和进化观点对客观存在、主观存在、现实存在等各种存在形态进行考察,揭示了它们之间的内在进化规律.

In this article, I examine Peter Morgan's TV series The Crown (2016–present) through the lens of Sartrean and Beauvoirian existentialism. I argue that the character of Queen Elizabeth II holds a special place in the royal family, as the monarch who demonstrates the compatibility of duty and tradition with existential freedom and authenticity. I also demonstrate the series’ commitment to breaking the illusion of inhumanity that the royal family tries to maintain, by showing that the royals are not out-of-reach ideals, (...) but humans who struggle to transcend their exceptionally binding facticity. As portrayed in The Crown, Queen Elizabeth's lucidity on her situation leads to honest introspection, which dispels any attempt at self-deception, and therefore prevents her from slipping into bad faith. (shrink)

In this article, I provide a philosophical analysis of the nature and role of perceived identity threats in the genesis and maintenance of fanaticism. First, I offer a preliminary definition of fanaticism as the social identity-defining devotion to a sacred value that demands universal recognition and is complemented by a hostile antagonism toward people who dissent from one’s group’s values. The fanatic’s hostility toward dissent thereby takes the threefold form of outgroup hostility, ingroup hostility, and self-hostility. Second, I provide a (...) detailed analysis of the fears of fanaticism, arguing that each of the three aforementioned forms of hostile antagonism corresponds to one form of fear or anxiety: the fanatic’s fear of the outgroup, renegade members of the ingroup, and problematic aspects of themselves. In each of these three forms of fear, the fanatic experiences both their sacred values and their individual and social identity as being threatened. Finally, I turn to a fourth form of fear or anxiety connected to fanaticism, namely the fanatic’s anxiety of and flight from the existential condition of uncertainty itself, which, at least in some cases, ground the fanatic’s fearfulness. (shrink)

This paper is a look at the valuable book "From Khayyam to Yalom" by Dr. Soroush Dabbagh, one of the important Iranian philosophers. This article discusses that book and the existential opinions of various philosophers, phycologists, and thinkers including Soroush Dabbagh, Irvin Yalom, Ludwig Wittgenstein, Baruch Spinoza, Arthur Schopenhauer, Jean-Paul Sartre, Albert Camus, Martin Seligman, Epicurus, Stoics, Sohrab Sepehri, Shams Tabrizi, and Mostafa Malekian. The paper discusses various existential and metaphysic topics such as meaning of life, death, solitude, freedom and (...) responsibility, Stoicism, eudaimonic and hedonic happiness, and belief. (shrink)

1. Katachi no odissei -- 2. Rinshō no chi -- 3. Aku no tetsugaku nōto 4. Zōho 21-seiki mondaigun ; Jutsugoshū II -- 5. Shūkyō to kagaku; Jinruichi shō -- 6. Shinpen Nihon bunka ni okeru aku to tsumi ; Shōnenba -- 7. Jutsugoteki sekai to seido -- 8. Seishin no fūga -- 9. Shinpen Pasukaru to sono jidai -- 10. Shinpen kindai Nihon ni okeru seido to shisō.

Contributed articles chiefly on philosophy; memorial volume in honor of Mafizuddin Ahmed, b. 1927, professor of philosophy and writer from Rājshāhi District, Bangladesh; includes some articles on his life and work.

The term “existentialism” was coined in the 1940s. Whereas other books regarding existentialism merely repeat the platitudes that “There is no such thing as existentialism” or that “The term ‘existentialism’ has no coherent meaning,” this two-volume set actually answers the question “What is existentialism?” ------- Volume I identifies the seven (7) principles of existentialism and the necessary and sufficient conditions for a philosophy to be existential, and introduces readers to the depth of the problem by showing how the question “What (...) is existentialism?” can be answered in multiple ways, all of which are provided in this two-volume set. ------- Vol. I, then, provides the “archaeological” answer to the question by showing the philosophical framework existentialism inherited from transcendental philosophy. Vol. I also provides the “genealogical” answer by tracing the history of the thematization of this framework through German Romanticism, concluding with an illustration of how the major existential philosophers: Kierkegaard, Nietzsche, Heidegger, Sartre, and Marcel, expressed and developed the principles of existentialism. ------- Volume II provides a discussion of essential distinctions with which to correctly understand, and formulate thoughts about, existentialism, for example, discussions of existentialism as a kind of character ethics, existentialism as a critique of Descartes’ philosophy, the difference between existential individuality and modern subjectivity, and a discussion of the “moment of vision.” ------- Vol. II concludes, then, with a discussion of how existential philosophy takes be-ing, as an end-in-itself, as its point of origin. Vol. II also provides a number of helpful appendices. These appendices address some miscellaneous, though important, concerns regarding existentialism, and provide charts illustrating the interrelations between the key concepts of existentialism. (shrink)

Frantz Fanon’s posthumously published one act play, The Drowning Eye (2018, 81–112), reframes French existentialism in a postcolonial context by examining both the absurd and racial identity. Divided into three parts, this article first discusses the many parallels between The Drowning Eye and Jean-Paul Sartre’s No Exit (1989), both one act plays set in one room with the entire action of the play consisting of a dialogue among three individuals in a love triangle. The second part explores the role of (...) the absurd in existentialism by looking at character and thematic similarities between The Drowning Eye and Albert Camus’s The Stranger (1982), both of which reject religion as a source of meaning in life and embrace acceptance of the absurd as a liberating force. Fanon’s echoes of French existentialist themes situated in the context of decolonialism are explored in the third part. Fanon diverges from the apolitical alienation of The Stranger by instead interrogating racial binaries of former colonial subjects who either embrace or reject black consciousness. The Drowning Eye foreshadows Fanon’s later work, Black Skin, White Masks (Fanon 2008) and lays the foundation for the analysis of decolonialism and national consciousness in The Wretched of the Earth (Fanon 2004). (shrink)

This paper appears in Earthly Engagements: Reading Sartre after the Holocene, edited by Matthew Ally and Damon Boria. From the introduction: "In Chapter 6, Michael Butler critically examines the misguided effort to shop our way out of climate change problems. After expositions of some key concepts from Sartre's Critique of Dialectical Reason, he criticizes ethical consumerism in a way reminiscent of Sartre's criticism of voting as a trap for fools. His concluding section juxtaposes two competing responses to climate change mitigation (...) as a collective action problem, namely the Nudge Agenda and the Green New Deal.". (shrink)