Fiction

Edited by Silvia De Toffoli (University School of Advanced Studies IUSS Pavia)
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History/traditions: Fiction

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  1. Funktionen des Fiktiven.Dieter Henrich & Wolfgang Iser (eds.) - 1983 - München: W. Fink.
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  2. Double-Standard Moralism: Why We Can Be More Permissive Within Our Imagination.Mattia Cecchinato - forthcoming - British Journal of Aesthetics.
    Although the fictional domain exhibits a prima facie freedom from real-world moral constraints, certain fictive imaginings seem to deserve moral criticism. Capturing both intuitions, this paper argues for double-standard moralism, the view that fictive imaginings are subject to different moral standards than their real-world counterparts. I show how no account has, thus far, offered compelling reasons to warrant the moral appropriateness of this discrepancy. I maintain that the normative discontinuity between fiction and the actual world is moderate, as opposed to (...)
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  3. Identity in Fiction.Seahwa Kim - 2015 - Journal of Philosophical Ideas 56:239-254.
    In this paper, I present a very interesting observation about identity in fiction. I call it the phenomenon of identity without interchangeability. It is the phenomenon that two names that have the same referent cannot be used interchangeably in some context. I argue that the phenomenon of identity without interchangeability holds in the dream context, the fictional context in a narrow sense, and the fictional context in an extended sense. I then show one application of the phenomenon in defending Kendall (...)
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  4. A Garden of One's Own, or Why Are There No Great Lady Detectives?Shelby Moser & Michel-Antoine Xhignesse - 2023 - Feminist Philosophy Quarterly 9 (1):1-20.
    Although the character of the “lady detective”is a staple of the cozy mystery genre, we contend that there are no great lady detectives to rival Holmes or Poirot. This is not because there are no clever or interesting lady detective characters, but ratherbecause the concept of greatness is sociallyconstructed and, like coolness, depends on public acclaim and perception. We explore the mechanics of genre formation, arguing that the very structure of cozy mysteries precludes female greatness. To create a “great”character,theauthor cannot (...)
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  5. So tun, als ob: Analyse und Systematik eines ungewöhnlichen Begriffs mit einer Anwendung auf Theorien der Fiktionalität.Laura Mercolli - 2012 - Paderborn: Mentis.
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  6. Referential intentions and ordinary names in fiction.Jeonggyu Lee - 2023 - Philosophical Studies 180 (3):1059-1079.
    This paper deals with the semantics and meta-semantics for ordinary names in fiction. It has recently been argued by some philosophers that when ordinary names are used in fictional contexts, they change their semantic contents and work as fictional names in general. In this paper, I argue that there is no compelling reason to believe that such reference changes occur and defend the view that whether those names refer to real or fictional objects depends on which semantic intentions speakers have.
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  7. Entrevista a Cristhian Briceño Ángeles sobre los escritores y las editoriales.Jesús Miguel Delgado Del Aguila - 2023 - Argos. Revista Electrónica Semestral de Estudios y Creación Literaria 10 (25):167-172.
  8. Violencia social: temática regularizada y necesaria para la recepción de la novela policial peruana (1990-2013).Jesús Miguel Delgado Del Aguila - 2023 - Kipus. Revista Andina de Letras y Estudios Culturales 53 (53):89-111.
    Este artículo sistematiza las temáticas abordadas desde la novela policial peruana en el período de los años 1990 hasta el 2013, siendo la violencia social la que más destaca. Para fundamentar esa recurrencia, el autor se basa en fuentes afines que distinguen el corpus según su clasificación. Sociológicamente, se hallan los postulados teóricos como el de posmodernidad de Fredric Jameson y Mario Vargas Llosa, junto con el de criminalidad de Luis Rodríguez Manzanera. En el Perú no se evidencia una taxonomía (...)
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  9. The force of fictional discourse.Karl Gustav Bergman & Nils Franzén - 2022 - Synthese 200 (6).
    Consider the opening sentence of Tolkien’s The Hobbit: In a hole in the ground there lived a hobbit. By writing this sentence, Tolkien is making a fictional statement. There are two influential views of the nature of such statements. On the pretense view, fictional discourse amounts to pretend assertions. Since the author is not really asserting, but merely pretending, a statement such as Tolkien’s is devoid of illocutionary force altogether. By contrast, on the alternative make-believe view, fictional discourse prescribes that (...)
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  10. Introduction to Charles Mills's “The Wretched of Middle‐Earth: An Orkish Manifesto”.Chike Jeffers & David Miguel Gray - 2022 - Southern Journal of Philosophy 60 (S1):102-104.
    An introduction to the posthumously published "The Wretched of Middle-Earth: an Orkish Manifesto" by Charles Mills.
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  11. Le "Comme si": Kant, Vaihinger et le fictionalisme.Christophe Bouriau - 2013 - Paris: Les Éditions du Cerf.
    Dans l'expérience esthétique, nous éprouvons des émotions au sujet de personnages que nous savons fictionnels. Mais ne faut-il pas croire que quelque chose est réellement arrivé à une personne pour que cela nous émeuve? On trouve une contradiction du même type dans l'expérience religieuse de certains chrétiens : ils disent être émus par Jésus et par ses paroles sans pourtant penser qu'il est réellement le Fils de Dieu. Un autre paradoxe, lié lui aussi à l'usage de fictions, concerne la théorie (...)
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  12. A critical introduction to fictionalism.Fred Kroon, Jonathan McKeown-Green & Stuart Brock - 2018 - New York, NY: Bloomsbury Academic. Edited by Stuart Brock & Arthur Jonathan McKeown-Green.
    A Critical Introduction to Fictionalism provides a clear and comprehensive understanding of an important alternative to realism. Drawing on questions from ethics, the philosophy of religion, art, mathematics, logic and science, this is a complete exploration of how fictionalism contrasts with other non-realist doctrines and motivates influential fictionalist treatments across a range of philosophical issues. Defending and criticizing influential as well as emerging fictionalist approaches, this accessible overview discuses physical objects, universals, God, moral properties, numbers and other fictional entities. Where (...)
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  13. Perspectives philosophiques sur les fictions.Christophe Bouriau & Guillaume Schuppert (eds.) - 2018 - [Paris]: Éditions Kimé.
    Que peut-on espérer des fictions? Rien, déclare l'intellectuel traqueur d'illusions. Tout, affirme l'artiste désireux de valoriser les potentialités de son matériau. Mais est-on sûr de parler d'une même chose? À observer nos usages du terme, les fictions prolifèrent confusément à l'époque contemporaine, nichées dans nos oeuvres, nos discours, nos croyances, nos imaginations. Si bien que poser sérieusement la question des mérites et démérites des fictions passe par une clarification rigoureuse de ce qu'elles sont. Les philosophes se sont depuis longtemps attelés (...)
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  14. A Puzzle about Imagining Believing.Alon Chasid - 2021 - Review of Philosophy and Psychology 13 (3):529-547.
    Suppose you’re imagining that it’s raining hard. You then proceed to imagine, as part of the same imaginative project, that you believe that it isn’t raining. Such an imaginative project is possible if the two imaginings arise in succession. But what about simultaneously imagining that it’s raining and that you believe that it isn’t raining? I will argue that, under certain conditions, such an imagining is impossible. After discussing these conditions, I will suggest an explanation of this impossibility. Elaborating on (...)
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  15. Sistematización hermenéutica en torno a las representaciones literarias de La ciudad y los perros.Jesús Miguel Delgado Del Aguila - 2022 - A Entheoria: Cadernos de Letras E Humanas 9 (1):44-63.
    La ciudad y los perros ha sido expuesta para el análisis de la comunidad hermenéutica durante más de cincuenta años. En ese sentido, es insoslayable recurrir al criterio sistematizador que fundamenta Hans-Georg Gadamer en su texto Verdad y método, que es de utilidad para catalogar y criticar condicionalmente las propuestas que se han desarrollado en torno a la diversidad de representaciones literarias que han sido manifestadas en este libro. Para la efectividad de este trabajo, se asume que este objeto de (...)
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  16. Enfoque educativo de La ciudad y los perros (1963): adquisición necesaria de la violencia para los personajes.Jesús Miguel Delgado Del Aguila - 2022 - Bajo Palabra 2 (30):225-238.
    Este trabajo retoma las concepciones básicas de la violencia, comprendidas por autores como Benjamín, Domenach, Žižek, Sen, entre otros. El propósito es configurar empíricamente el recorrido de la violencia en La ciudad y los perros. Este procedimiento será graficado con un triángulo jerárquico, en el que se percibirá la orientación cíclica e iterativa de ese indicador negativo. Por lo tanto, se cerciorarán calificativos como los de víctima o afines, que se condicionan a los protagonistas. En ese sentido, este texto cumple (...)
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  17. "Fiction, Imagination, and Narrative".Patrik Engisch - forthcoming - In Patrik Engisch & Julia Langkau (eds.), The Philosophy of Fiction: Imagination and Cognition. New York, NY, USA: pp. 320.
    In a series of publications, Derek Matravers has challenged what he calls the “consensus view” of the nature of fiction. According to this consensus view, there is a conceptual route that starts with the notion of a prescription to imagine and that ends up with a systematic distinction between fiction and non-fictional representations. This paper engages in a systematic reconstruction of Matravers’ argument against the consensus view as well as a rebuttal of recent rejoinders offered by Gregory Currie and Kathleen (...)
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  18. "What is Holding Us Together? David Hume, Edgar Allan Poe and the Problem of Association".Maya Kronfeld - 2022 - Review of English Studies.
    Poe’s experimental fiction revitalizes Hume’s ambivalent empiricism, the complexities of which were sometimes obscured in the philosopher’s nineteenth-century American reception. Poe’s ‘Murders in the Rue Morgue’ broaches formally the question of how one thought leads to another, while ‘The Man that Was Used Up’ stages the question of what grounds the unity of one’s thoughts. Reading both tales together exposes the scope and limits of an associationist paradigm often traced back to Hume. But reading Hume through Poe’s verbal art reveals (...)
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  19. Theolologicophilolological Investigations: Is Wittgenstein’s Tractatus a Modernist Work?Robert Vinten - 2021 - Philosophical Investigations 45 (3):274-296.
    In her recent book, A Different Order of Difficulty, Karen Zumhagen-Yekplé uses a resolute reading of Wittgenstein’s Tractatus Logico-Philosophicus to highlight similarities between Wittgenstein’s work and his contemporaries Virginia Woolf, James Joyce and Franz Kafka. On the basis of this reading, she claims that Wittgenstein’s early masterpiece is a modernist work. -/- This article argues that there are profound problems with the resolute reading that she offers, and it suggests that ‘traditional’ readings of the Tractatus survive the criticisms she makes (...)
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  20. Fiction and Epistemic Value: State of the Art.Mitchell Green - 2022 - British Journal of Aesthetics 62 (2):273-289.
    We critically survey prominent recent scholarship on the question of whether fiction can be a source of epistemic value for those who engage with it fully and appropriately. Such epistemic value might take the form of knowledge or understanding. Both camps may be sorted according to a further distinction between views explaining fiction’s epistemic value either in terms of the author’s engaging in a form of telling, or instead via their showing some state of affairs to obtain, a special case (...)
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  21. Reply to Abell’s and Currie’s comments on Gilmore’s Apt Imaginings: Feelings for Fictions and Other Creatures of the Mind.Jonathan Gilmore - 2022 - British Journal of Aesthetics 62 (2):205-214.
    I am grateful to Catharine Abell and Gregory Currie for their incisive and productive commentaries on Apt Imaginings. In what follows, I will try to respond to.
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  22. Definition of Fiction: State of the Art.David Davies - 2022 - British Journal of Aesthetics 62 (2):241-255.
    In his 2014 book Fiction and Narrative, Derek Matravers mounts a concerted attack on what he terms the ‘post-Walton consensus’ as to the features that distingui.
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  23. Emotion in Fiction: State of the Art.Stacie Friend - 2022 - British Journal of Aesthetics 62 (2):257-271.
    In this paper, I review developments in discussions of fiction and emotion over the last decade concerning both the descriptive question of how to classify fiction-directed emotions and the normative question of how to evaluate those emotions. Although many advances have been made on these topics, a mistaken assumption is still common: that we must hold either that fiction-directed emotions are (empirically or normatively) the same as other emotions, or that they are different. I argue that we should reject this (...)
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  24. Reply to Abell’s and Gilmore’s comments on Currie’s Imagining and Knowing: the Shape of Fiction.Greg Currie - 2022 - British Journal of Aesthetics 62 (2):215-222.
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  25. Fictional reference: How to Account for both Directedness and Uniformity.Alberto Voltolini - 2022 - British Journal of Aesthetics 62 (2):291-305.
    In the old days of descriptivism, fictional reference and non-fictional reference with proper names were treated on a par. Descriptivism was not an intuitive theory, but it meritoriously provided a unitary semantic account of names, whether referentially full or empty. Then the revolution of the new theory of reference occurred. This new theory is definitely more intuitive than descriptivism, yet it comes with a drawback: the referentially full use and the referentially empty use, notably the fictional use, of names are (...)
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  26. Reply to Currie’s and Gilmore’s comments on Abell’s Fiction: A Philosophical Analysis.Catharine Abell - 2022 - British Journal of Aesthetics 62 (2):195-204.
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  27. Commentary on Apt Imaginings: Feelings for Fictions and Other Creatures of the Mind by Jonathan Gilmore; and Imagining and Knowing: the Shape of Fiction by Gregory Currie.Catharine Abell - 2022 - British Journal of Aesthetics 62 (2):163-172.
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  28. Commentary on Fiction: A Philosophical Analysis, by Catharine Abell; and Apt Imaginings: Feelings for Fictions and Other Creatures of the Mind by Jonathan Gilmore.Gregory Currie - 2022 - British Journal of Aesthetics 62 (2):185-194.
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  29. Introduction and Précis.Paloma Atencia-Linares & Derek Matravers - 2022 - British Journal of Aesthetics 62 (2):159-162.
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  30. Commentary on Fiction: A Philosophical Analysis, by Catharine Abell; and Imagining and Knowing: The Shape of Fiction, by Gregory Currie.Jonathan Gilmore - 2022 - British Journal of Aesthetics 62 (2):173-183.
    Each of these books offers a richly developed and nuanced account of the nature of fiction. And each poses major challenges to a view about which there is a near-consensus. Catharine Abell draws on a theory of the institutions of fiction to advance a systematic re-envisioning of the metaphysics and epistemology of the contents of stories. Gregory Currie argues that fiction’s relationship to the imagination, and the way stories communicate their contents to readers, seriously undermine fiction’s cognitive values.
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  31. Demoting Fictional Names—A Critical Note to Predelli’s Fictional Discourse: A Radical Fictionalist Semantics.Tatjana von Solodkoff - 2022 - British Journal of Aesthetics 62 (2):223-230.
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  32. Fictional Discourse: A Reply to von Solodkoff’s ‘Demoting Fictional Names’.Stefano Predelli - 2022 - British Journal of Aesthetics 62 (2):231-240.
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  33. «Persecución» (cuento).Jesús Miguel Delgado Del Aguila - 2022 - Argos. Revista Electrónica Semestral de Estudios y Creación Literaria 9 (24):1-5.
  34. The Mask of Memnon: Meaning and the Novel.Jean-Luc Beauchard - 2022 - Eugene, OR, USA: Wipf and Stock.
    What gives life its meaning? This question stands behind every philosophical inquiry, and philosophy itself arises from it. Confronting the problem of meaning is, as Camus says, the fundamental task of human life. Yet at bottom, meaning is an aesthetical category. Meaning hinges on interpretation. It makes sense then to turn to art--and in particular the art form which deals most explicitly with meaning, the novel--if we are to attempt to address it. Inspired by but critical of Roland Barthes's "death (...)
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  35. Learning Implicit Biases from Fiction.Kris Goffin & Stacie Friend - 2022 - Journal of Aesthetics and Art Criticism 80 (2):129-139.
    Philosophers and psychologists have argued that fiction can ethically educate us: fiction supposedly can make us better people. This view has been contested. It is, however, rarely argued that fiction can morally “corrupt” us. In this article, we focus on the alleged power of fiction to decrease one's prejudices and biases. We argue that if fiction has the power to change prejudices and biases for the better, then it can also have the opposite effect. We further argue that fictions are (...)
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  36. Thought Experiments and the Scientific Imagination.Alice Murphy - 2020 - Dissertation, University of Leeds
    Thought experiments (TEs) are important tools in science, used to both undermine and support theories, and communicate and explain complex phenomena. Their interest within philosophy of science has been dominated by a narrow question: How do TEs increase knowledge? My aim is to push beyond this to consider their broader value in scientific practice. I do this through an investigation into the scientific imagination. Part one explores questions regarding TEs as “experiments in the imagination” via a debate concerning the epistemic (...)
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  37. Entrevista a la doctora María José Rincón González sobre la preservación y la difusión literaria y lingüística de República Dominicana.Jesús Miguel Delgado Del Aguila - 2022 - Semas. Revista de Lingüística Teórica y Aplicada 3 (5):187-195.
    María José Rincón González nació en Sevilla (España) y reside en República Dominicana desde 1992. Es miembro de número de la Academia Dominicana de la Lengua (ADL) desde el 2011 y directora del Instituto Guzmán Ariza de Lexicografía. Asimismo, es miembro correspondiente de la Real Academia Española (RAE) y miembro del consejo asesor de Fundéu Guzmán Ariza. Con respecto a su formación superior, es doctora en Filología por la Universidad Nacional de Educación a Distancia (UNED) y máster en Lexicografía por (...)
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  38. La sociedad cotidiana por medio de los campos figurativos de La estación violenta (1958) de Octavio Paz.Jesús Miguel Delgado Del Aguila - 2022 - Pucara. Revista de Humanidades 1 (32):20-28.
    Este artículo tiene como propósito corroborar la cosmovisión de Octavio Paz, a partir de la inacción de la sociedad cotidiana, que es notoria en un fragmento del poema “Máscaras del alba” de La estación violenta (1958). Su crítica contra el sistema por la ausencia de compromiso social y político revela dos conceptos que fundamenta Mijaíl Bajtín en Estética de la creación verbal: su intencionalidad como autor y la expresión concomitante en función del género discursivo empleado. Para comprobar estas dos premisas, (...)
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  39. L'ontologie du virtuel.Alexandre Declos - 2022 - Klēsis Revue Philosophique 52:1-25.
    David Chalmers a récemment soutenu que la réalité virtuelle est réelle, plutôt que fictionnelle. Dans cet article, j’examine les implications ontologiques de ce « réalisme virtuel ». Comme je le suggère, cette position s’associe naturellement à une ontologie algorithmique, qui identifie les objets virtuels à des structures de données comprises de manière fonctionnelle. Je présente ensuite plusieurs objections à cette ontologie algorithmique. Tant que celles-ci ne sont pas réglées, la question de l’identité des mondes et des objets virtuels reste encore (...)
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  40. Living without God: A Multicultural Spectrum of Atheism, Springer Nature, Singapore.Sanjit Chakraborty & Anway Mukhopadhyay - 2022 - Singapore: Springer Nature.
    This book deals with the intricate issue of approaching atheism—methodologically as well as conceptually—from the perspective of cultural pluralism. What does ‘atheism’ mean in different cultural contexts? Can this term be applied appropriately to different religious discourses which conceptualize God/gods/Goddess/goddesses (and also godlessness) in hugely divergent ways? Is my ‘God’ the same as yours? If not, then how can your atheism be the same as mine? In other words, this volume raises the question: Is it not high time that we (...)
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  41. Entrevista al doctor Camilo Fernández Cozman, miembro de la Academia Peruana de la Lengua.Jesús Miguel Delgado Del Aguila - 2021 - Revista Crítica Cultural 16 (2):235-245.
    La entrevista al doctor Camilo Fernández Cozman se realizó el 19 de julio de 2021, a 9 días del 28 de julio, fecha en la que se conmemora la Independencia del Perú.
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  42. La transgresión de lo tradicional y el código ético en Un perro andaluz (filme 1929).Jesús Miguel Delgado Del Aguila - 2021 - Ciencia y Desarrollo 25 (1):27-35.
    Este artículo reconstruye el contexto histórico y cinematográfico que permitió que la película de Luis Buñuel y Salvador Dalí tuviera una intencionalidad distinguible. Para demostrar ese acápite, retomo los estudios críticos que se han hecho en torno a este cortometraje, así como las categorías pertinentes de las vanguardias del dadaísmo y el surrealismo, junto con el psicoanálisis de Sigmund Freud y Jacques Lacan. Con todo ello, propongo que el objetivo de este trabajo es fundamentar las razones que generaron que esta (...)
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  43. A Trip to the Zoo.Michel-Antoine Xhignesse - 2022 - In Valery Vino (ed.), Aesthetic Literacy: A Book for Everyone. Melbourne: Mont Publishing House. pp. 52-55.
    This is a short piece on literary literacy, in the form of a choose-your-own-adventure story. -/- The entire piece is spread across all three volumes: Volume 1 Chapter 12, Volume 2 Chapter 5, and Volume 3 Chapter 22.
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  44. Entrevista a Hugo Burel.Jesús Miguel Delgado Del Aguila - 2021 - Cuadernos Del Hipogrifo. Revista Semestral de Literatura Hispanoamericana y Comparada 16 (16):87-96.
    José Hugo Burel Guerra nació el 23 de marzo de 1951 en Montevideo (Uruguay). Desde 2017 es miembro de número de la Academia Nacional de Letras del Uruguay (ANL), institución a la cual ingresó con su discurso titulado «Ismael». Es licenciado en Letras por el Instituto de Filosofía, Ciencias y Letras (que se conoce en la actualidad como UCUDAL) y la Pontificia Universidad Católica de Río Grande do Sul. Aparte de ser escritor, se ha desempeñado como músico, publicista, diseñador gráfico, (...)
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  45. Estratificación violenta en los personajes de La ciudad y los perros.Jesús Miguel Delgado Del Aguila - 2021 - Ciencias Sociales y Humanidades 8 (2):69-81.
    Este artículo examina La ciudad y los perros (1963) de Mario Vargas Llosa para fundamentar cómo se logra la estratificación teórica de estilos y técnicas que se emplean para abordar la violencia en el texto. Sobre la epistemología, recurre principalmente a Todorov, Hamburger, Lotman y Genette. Y, para argumentar la manifestación de la violencia, considera las eventualidades que padecen los personajes del Colegio Militar Leoncio Prado; en especial, el Jaguar, el Poeta y el Esclavo. Esas acciones serán justificadas por la (...)
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  46. Construcción teórica del campo figurativo para el análisis lírico.Jesús Miguel Delgado Del Aguila - 2021 - Colloquia. Revista de Pensamiento y Cultura 8 (8):112-122.
    Durante años, el estudio de la retórica ha incluido figuras que permiten el análisis de la poesía, como también, la creación diversificada según los múltiples estilos. Al respecto, en este artículo, se extraerá la propuesta fundamentada por Stefano Arduini, quien establece la noción de campo figurativo, como un ordenador de lineamientos subjetivos, propios del raciocinio, de la que se infieren seis subclasificaciones: la metáfora, la metonimia, la sinécdoque, la elipsis, la antítesis y la redundancia, además de los tropos internos que (...)
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  47. Desarrollo de la Literatura boliviana contemporánea: entrevista a Blithz Lozada Pereira en julio de 2021.Jesús Miguel Delgado Del Aguila - 2021 - Nueva Revista Del Pacífico 75 (75):312-314.
    Blithz Lozada Pereira nació en Oruro (Bolivia) en 1964. Es miembro de número de la Academia Boliviana de la Lengua desde el 2009, fecha en la que expuso su discurso “La educación del indio en el pensamiento filosófico de Franz Tamayo”, con el que fue admitido. Es miembro honorario de la Asociación Peruana de Educación Intercultural. Ha sido coordinador, director, consultor y organizador de investigaciones y eventos académicos e institucionales. Obtuvo la licenciatura en Filosofía, así como realizó estudios de posgrado (...)
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  48. Formación en Escritura Creativa para un desenvolvimiento como crítico, narrador y educador. Entrevista a Ángel Misari.Jesús Miguel Delgado Del Aguila - 2021 - Plurentes. Artes y Letras 12 (12):1-4.
    En este trabajo, se realizó una entrevista al docente Ángel Misari, quien explica cómo aplica sus conocimientos adquiridos en la Maestría en Escritura Creativa que hizo en la Universidad Nacional Mayor de San Marcos. Su intervención es de utilidad, ya que profundizará en la transferencia oportuna de ese saber en tres ámbitos: en su función como crítico de la producción artística, en su interés ficcional en la parte creativa y en la educación con estudiantes. En suma, la experiencia que manifiesta (...)
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  49. Estudios críticos sobre la instrucción militar en La ciudad y los perros.Jesús Miguel Delgado Del Aguila - 2021 - Plurentes. Artes y Letras 12 (12):1-9.
    El propósito de este artículo es sistematizar los estudios críticos acerca del adiestramiento castrense en los personajes de La ciudad y los perros (1963). Para conseguirlo, se confrontará con la hermenéutica de Gadamer, orientada a la propalación de estrategias heurísticas y taxonomías que consoliden el corpus de la novela cotejada. Así, se reconocerá el efecto que cumplen las variantes extrínsecas de la lectura, tales como las jerarquías y las percepciones idóneas y erróneas de la educación del Colegio Militar Leoncio Prado. (...)
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  50. Enseñanza de la Literatura española en contextos universitarios peruanos. Entrevista a María Luisa Roel Mendizabal.Jesús Miguel Delgado Del Aguila - 2022 - Estudios Λambda. Teoría y Práctica de la Didáctica En Lengua y Literatura 7 (1):1-5.
    Esta entrevista retoma la experiencia de enseñanza de la profesora María Luisa Roel en función de la producción literaria de España. El objetivo es interiorizar sobre cómo esta se ha transferido en el ámbito de educación universitaria. A partir de la trayectoria de la docente, se brinda un panorama de cómo los estudiantes de la carrera profesional de Literatura acatan el conocimiento y la lectura de autores españoles, como Miguel de Cervantes. De igual forma, se mencionan dos momentos históricos en (...)
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