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  1. added 2020-09-12
    Book Review Of: M. Winchell, God, Man and Hollywood. [REVIEW]Gary James Jason - 2010 - Liberty (Dec.):46-48.
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  2. added 2020-09-11
    Book Review Of: Karen Liebreich, The Black Page: Interviews with Nazi Filmmakers. [REVIEW]Gary James Jason - 2017 - Reason Papers 39 (2):pp. 105-107.
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  3. added 2020-09-11
    Selling Genocide II: The Later Films.Gary James Jason - 2017 - Reason Papers 39 (1):97-123.
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  4. added 2020-09-11
    Portraits of Egoism in Classic Cinema III: Nietzschean Portrayals.Gary James Jason - 2015 - Reason Papers 37 (2).
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  5. added 2020-09-11
    The Morality Meme: Nietzsche and A Serious Man.Peter Mathews - 2014 - Cultura 11 (1):63-81.
    Pairing together the Coen brothers film A Serious Man with the philosophy of Friedrich Nietzsche, this paper looks at questions about morality, illusion, and the influence of Jewish thought on contemporary ethics. Beginning with a reading of Nietzsche that locates his discussion of the Jews within its properhistorical context, it traces the beginnings of the “morality meme,” the notion of a universal moral reward that, Nietzsche argues, arises during the Deuteronomistperiod of Jewish history. The second part of the paper looks (...)
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  6. added 2020-09-11
    Movie Review Of: The Artist.Gary James Jason - 2012 - Liberty 1.
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  7. added 2020-09-11
    Conflicts of Loyalty in War Movies.Gary James Jason - 2011 - Liberty (September):1-8.
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  8. added 2020-09-11
    Movie Review Of: Temple Grandin.Gary James Jason - 2011 - Liberty 1.
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  9. added 2020-09-11
    Artists in the Moves: The Ten Best Fims.Gary James Jason - 2011 - Liberty (January).
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  10. added 2020-09-11
    Movie Review of Cool It.Gary James Jason - 2010 - Liberty 11.
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  11. added 2020-09-11
    The Rest of the Best: Ten Great Actors Snubbed by Oscar.Gary James Jason - 2010 - Liberty (August):41-46.
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  12. added 2020-09-11
    Movie Review Of: The Cartel.Gary James Jason - 2010 - Liberty:44-45.
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  13. added 2020-08-31
    Planet of the Apes and Philosophy: Great Apes Think Alike. [REVIEW]Stephano Bigliardi - 2020 - Journal of Science Fiction and Philosophy 3:1-10.
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  14. added 2020-07-30
    “A Form of Socially Acceptable Insanity”: Love, Comedy and the Digital in Her.Jack Black - 2020 - Psychoanalysis, Culture and Society:00-00.
    In Spike Jonze’s Her (2013), we watch the film’s protagonist, Theodore, as he struggles with the end of his marriage and a growing attachment to his artificially intelligent operating system, Samantha. While the film remains unique in its ability to cinematically portray the Lacanian contention that “there is no sexual relationship,” this article explores how our digital non-relationships can be re-approached through the medium of comedy. Specifically, when looked at through a comic lens, notable scenes from Her are examined for (...)
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  15. added 2020-07-26
    Ist JK Rowling böser als Ich? (überarbeitet 2019).Michael Richard Starks - 2020 - In Willkommen in der Hölle auf Erden: Babys, Klimawandel, Bitcoin, Kartelle, China, Demokratie, Vielfalt, Dysgenie, Gleichheit, Hacker, Menschenrechte, Islam, Liberalismus, Wohlstand, Internet, Chaos, Hunger, Krankheit, Gewalt, Künstliche Intelligenz, Krieg. Las Vegas, NV, USA: Reality Press. pp. 248-252.
    Wie wäre es mit einer anderen Ausg. der Reichen und Berühmten? Zuerst das Offensichtliche – die Harry-Potter-Romane sind primitiver Aberglaube, der Kinder dazu ermutigt, an Fantasie zu glauben, anstatt Verantwortung für die Welt zu übernehmen – natürlich die Norm. JKR ist genauso ahnungslos über sich und die Welt wie die meisten Menschen,aber etwa 200 Mal so destruktiv wie der durchschnittliche Amerikaner und etwa 800 Mal mehr als der durchschnittliche Chinese. Sie war verantwortlich für die Zerstörung von vielleicht 30.000 Hektar Wald, (...)
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  16. added 2020-07-14
    Development of Historical and Cultural Tourist Destinations.Sergii Sardak, Oleksandr P. Krupskyi, V. Dzhyndzhoian, M. Sardak & Y. Naboka - 2020 - Journal of Geology, Geography and Geoecology 29 (2):406-414.
    The aim of the study is to develop theoretic and methodological recommendations and practical activities for the positive social, managerial, organizational and economic development of historical and cultural tourist destinations. In theoretical terms: the role of historical and cultural tourist destination in the development of the region has been established; the historical and cultural tourist destinations have been identified; the author’s classification of historical and cultural tourist destinations has been developed basing tourist visiting activeness; the author’s methodological approach to the (...)
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  17. added 2020-07-13
    Divine Dna? “Secular” and “Religious” Representations of Science in Nonfiction Science Television Programs.Will Mason‐Wilkes - 2020 - Zygon 55 (1):6-26.
  18. added 2020-07-01
    Ἐγώ εἰμι.Andrej Poleev - 2020 - Enzymes 18.
    Появление человека, говорящего о себе Ἐγώ εἰμι, люди воспринимают в той же логике абсурда, к которой они привыкли. То, что кто-то может не играть и не носить маску, а реально быть, жить настоящей, а не выдуманной жизнью, для них немыслимо, невозможно, невыносимо и недопустимо. Но такой человек был, есть, и будет, и именно он преображает всё остальное человечество своим Ἐγώ εἰμι.
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  19. added 2020-06-05
    Interrogating the Indifferences in the Application of Statistical Techniques in Theatre Scholarship.Charles Ukim Adora & Nancy Ernest Irek - 2015 - Nduñòde 15 (1).
    nature as well as an inevitable, and useful academic exercise. However, there exist controversies in the use of statistical techniques in the conduct and writing of research in theatre scholarship. Some theatre scholars frown at its usage while others see it as a veritable tool in conducting investigation to solve identifiable problems in theatre and its allied fields. In the midst of these controversies, this study seeks to address the imbalances by examining the appropriateness in the use of statistical techniques (...)
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  20. added 2020-05-01
    Wombs, Wizards, and Wisdom: Bilbo's Journey From Childhood in The Hobbit.Rory W. Collins - 2020 - Crossing Borders: A Multidisciplinary Journal of Undergraduate Scholarship 4.
    In The Hobbit, J. R. R. Tolkien constructs middle-aged Bilbo Baggins as a sheltered and emotionally immature ‘child’ during the opening chapters before tracing his development into an autonomous, self- aware adult as the tale progresses. This article examines Tolkien’s novel qua bildungsroman through both a literary lens—considering setting, dialogue, and symbolism, among other techniques—and via a psychological framework, emphasizing an Eriksonian conception of development. Additionally, Peter Jackson’s three-part film adaptation of The Hobbit is discussed throughout with ways that Jackson (...)
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  21. added 2020-04-14
    Nigerian Film Industry in the Mirror of African Movie Academy Awards (AMAA).Stanislaus Iyorza - 2016 - Journal of Arts and Humanities 5 (9).
    Worried by the drastic decline in the quality of content of Nigerian movies as evaluated by critics, this paper analyzes the evaluation of Nigerian movies by the African Movie Academy Awards (AMAA) between 2006 and 2016. The objective is to review the decisions of the AMAA jury and to present the academy’s position on the prospects and deficiencies of the Nigerian Movie industry. The paper employs analytical research approach using both primary and secondary sources to explore assessed contents of the (...)
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  22. added 2020-03-10
    Memorializing Genocide I: Earlier Holocaust Documentaries.Jason Gary James - 2016 - Reason Papers 38 (2):64-88.
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  23. added 2020-03-03
    “You Ain’T Gonna Get Away Wit’ This, Django”: Fantasy, Fiction and Subversion in Quentin Tarantino’s, Django Unchained.Jack Black - 2019 - Quarterly Review of Film and Video 36 (7):611-637.
    From 2009 to 2015, U.S. director, Quentin Tarantino, released three films that were notable for their focus on particular historical events, periods and individuals (Inglorious Basterds 2009; Django Unchained 2012; The Hateful Eight 2015). Together, these films offered a specifically “Tarantinian” rendering of history: rewriting, manipulating and, for some, unethically deploying history for aesthetic effect. With regard to Django Unchained, this article examines how Tarantino’s historical revisionism provides a valuable point of inquiry into the ways in which “history” is depicted (...)
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  24. added 2020-02-20
    The Years of Permanent Midnight: The Liberalist Construction of the Philippine Nation in Cinema Under the US-Aquino Administration.Jeffrey Deyto - 2018 - Mabini Review 7:128-165.
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  25. added 2020-01-19
    Empathy for the Devil: Why on Earth Do We Love Barney Stinson?Bence Nanay - 2014 - In Lorenzo Van Matterhorn (ed.), How I Met Your Mother and Philosophy. Chicago: Open Court.
    The problem of why we identify with Barney Stinson on the show How I Met Your Mother.
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  26. added 2019-12-28
    Nihilism and Reality in Akira Kurosawa's Rashomon (1949 Movie).Marcos Wagner Da Cunha - manuscript
    This essay is part of a doctoral dissertation presented to the Department of Philosophy, University of São Paulo, in 1993, named 'Genealogy of the Real' . Its core idea is a Nietzschean approach to a masterpiece among philosophical inspired movies, namely, Akira Kurosawa's Rashomon, which surely touches deep groundings of the concept of truth and reality.
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  27. added 2019-12-08
    Solaris, Andrei Tarkovsky – Filosofia.Nicolae Sfetcu - manuscript
    Filmul Solaris (1972) al lui Andrei Tarkovski poate fi abordat prin prisma filosofiei minții, a întrebărilor esențiale în acest domeniu. Aceste întrebări se referă la personalitate și suferință, care acoperă cel puțin perioada de la Rene Descartes la filosofii moderni, precum Derek Parfit și Hilary Putnam. Solaris apare ca un vehicul adecvat pentru a explora provocările filosofice. De altfel, filmul Solaris al lui Tarkovsky permite multiple interpretări semantice. În același timp, Solaris prezintă un exemplu excelent despre modul în care spațiile (...)
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  28. added 2019-12-03
    HBO's 'The Price of Everything' (2018): A Documentary by Nathaniel Kahn.Jakob Zaaiman - 2019
    Detailed review of the 2018 film. This article is concerned to define contemporary art such that the machinations of the current art market - as portrayed in the film - make sense. The central idea is that the best of contemporary art is narrative rather than merely aesthetic; and a failure to understand this leads to the confusion that currently characterizes judgements about modern artworks.
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  29. added 2019-09-24
    Arrested Development and Philosophy: They've Made a Huge Mistake.William Irwin, Kristopher G. Phillips & J. Jeremy Wisnewski (eds.) - 2011 - Wiley.
    _A smart philosophical look at the cult hit television show, _Arrested Development__ _Arrested Development_ earned six Emmy awards, a Golden Globe award, critical acclaim, and a loyal cult following—and then it was canceled. Fortunately, this book steps into the void left by the show's premature demise by exploring the fascinating philosophical issues at the heart of the quirky Bluths and their comic exploits. Whether it's reflecting on Gob's self-deception or digging into Tobias's double entendres, you'll watch your favorite scenes and (...)
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  30. added 2019-09-19
    Heterotopia of the Film Solaris Directed by Andrei Tarkovski.Nicolae Sfetcu - manuscript
    In Solaris, within the limits of heterotopic experience, several theoretical and ontological questions are examined through approaches on each character. Berton declares one of the main philosophical themes of the movie when he tells Kelvin: "You want to destroy that which we are presently incapable of understanding? Forgive me, but I am not an advocate of knowledge at any price. Knowledge is only valid when it's based on morality." The ocean does not mean anything as an object, it simply exists. (...)
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  31. added 2019-07-18
    La technique cinématographique d'Andreï Tarkovsky dans Solaris.Nicolae Sfetcu - manuscript
    Tarkovsky s’est opposé au montage et a considéré que la base de l’art cinématographique (l’art du film) est le rythme interne des images. Il a considèré le cinéma comme une représentation des courants distinctifs ou des ondes de temps, transmis dans le film par son rythme interne. Le rythme est au cœur du « film poétique ». Un rythme comme un mouvement dans le cadre (« la sculpture dans le temps »), pas comme une séquence d'images dans le temps. Le (...)
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  32. added 2019-06-14
    Пропаганда у сучасному російському кінематографі.Vladyslav Levytskyi - 2017 - NaUKMA Research Papers. History and Theory of Culture 191:29-32.
    Статтю присвячено розгляду пропаганди у сучасному російському кінематографі. Зроблено спробу оглянути і порівняти обмежену вибірку фільмів 2009–2014 рр., показати прийоми пропаганди і їх зв’язок між внутрішньою та зовнішньою політикою Російської Федерації.
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  33. added 2019-06-06
    William Irwin . Seinfeld and Philosophy: A Book About Everything and Nothing. [REVIEW]Jerold J. Abrams - 2001 - Modern Schoolman 79 (1):91-94.
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  34. added 2019-03-14
    Being Together, Worlds Apart: A Virtual-Worldly Phenomenology.Rebecca A. Hardesty & Ben Sheredos - 2019 - Human Studies (3):1-28.
    Previous work in Game Studies has centered on several loci of investigation in seeking to understand virtual gameworlds. First, researchers have scrutinized the concept of the virtual world itself and how it relates to the idea of “the magic circle”. Second, the field has outlined various forms of experienced “presence”. Third, scholarship has noted that the boundaries between the world of everyday life and virtual worlds are porous, and that this fosters a multiplicity of identities as players identify both with (...)
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  35. added 2019-03-08
    A Blast From The Past.Kristie Miller - 2017 - The Philosophers' Magazine 77:82-86.
    That we find the idea of travelling in time, and in particular travelling backwards in time, fascinating, is evidenced by the plethora of new science fictions shows depicting time travel that hit our TV screens in 2016. I love time travel shows, and I can hardly keep up. In almost all cases these shows depict what philosophers call inconsistent time travel stories: stories that commit what my colleague Nick Smith (The University of Sydney) calls the second time around fallacy. These (...)
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  36. added 2019-03-07
    Phenomenology of Film: A Heideggerian Account of the Film Experience.Shawn Loht - 2017 - Lanham, Md: Lexington Books.
    This interdisciplinary study explores the relevance and application of Martin Heidegger’s phenomenology to key issues in the philosophy film. It develops a comprehensive look at how Heidegger’s thought illuminates historical and contemporary problems the film medium poses to philosophers.
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  37. added 2019-02-28
    Modifications to Aristotle's Poetics.E. Garrett Ennis - manuscript
    Aristotle's Poetics has been the basis for theories of entertainment for over 2,000 years. But the general approach it uses has led to a number of gaps, contradictions, and difficulties in predicting the success of books, plays, movies, and entertainment as a whole, so much so that sayings like "there are no rules, but you break them at your peril," and "in Hollywood, nobody knows anything" have become widespread and accepted. -/- However, it turns out that a model of entertainment (...)
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  38. added 2018-12-30
    The Tannhäuser Gate. Architecture in Science Fiction Films of the Second Half of the 20th and the Beginning of the 21st Century as a Component of Utopian and Dystopian Projections of the Future.Cezary Wąs - 2018 - Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego 49 (3):83-109.
    The Tannhäuser Gate. Architecture in science fiction films of the second half of the 20th and the beginning of the 21st century as a component of utopian and dystopian projections of the future. -/- The films of science fiction genre from the second half of the 20th and early 21st century contained many visions of the future, which were at the same time a reflection on the achievements and deficiencies of modern times. In 1960s, cinematographic works were dominated by optimism (...)
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  39. added 2018-06-21
    Gender and Judaism: In Three Popular Texts.Paul Bali - manuscript
    gender and Judaism in A Serious Man [Coen Bros, 2009], An American Dream [Norman Mailer, 1965] and the Pericope Adulterae.
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  40. added 2018-04-15
    Recovering Lost Moral Ground: Can Walt Make Amends?James Mahon & Joseph Mahon - 2016 - In Kevin Decker, David Koepsell & Robert Arp (eds.), Philosophy and Breaking Bad. New York, USA: Palgrave Macmillan. pp. 143-160.
    Is it possible to recover lost moral ground? In the closing episodes of the TV show "Breaking Bad", it becomes clear that the protagonist, Walter White, believes that the correct answer to this question is an affirmative one. Walt believes that he can, and that he has, recovered lost moral ground. "Breaking Bad" may be said to explore two distinct and incompatible ways of attempting to recover lost moral ground. The first way is revisionist. This is to rewrite the script (...)
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  41. added 2018-02-15
    A Comparative Analysis of the Content of Classic and Modern Pashtun Films with Pashtun Literature.Majid Shah, Martin A. M. Gansinger & Ayman Kole - 2018 - In Proceedings of the 96th IASEM International Conference, Cambridge, December 19th, 2017. Cambridge, USA: IASEM.
    The aim of this study is to explore the representation of Pashtuns in Pashtu classic (before 1985) and modern (after 2000) movies and what is the difference of the portrayal of these movies and Pashtun literature. In particular, this study investigated in which time frame the depiction of Pashtun is positive and similar to their academic descriptions. A mixed methods approach consisting of qualitative case study, content analysis and comparative semiotic analysis was used to examine the content of the movies. (...)
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  42. added 2018-02-08
    ONT Vol 4.Paul Bali - manuscript
    contents -/- i. short review: The Eyes of Tammy Faye -/- ii. vR is efficient R -/- iii. all thru asia robes for monks -/- iv. same of God, and of the one God sent -/- v. i thought of the Messiah / muse would be -/- vi. conscience is strong -/- vii. a monk's exalted end .
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  43. added 2018-01-29
    Memahami Cara Kerja Pragmatisme dalam Pendidikan: Refleksi Kritis atas Film Laskar Pelangi.Moch Najib Yuliantoro - 2017 - Jurnal Filsafat (2):193-212.
    This paper aims to understand the Pragmatism way of thinking in the practice of education. As a case study, Riri Reza's Laskar Pelangi is used to find out how Pragmatism practices in education in Indonesia. By using descriptive-critical method of interpretation and interpretation, it is revealed that the main characters in the film Laskar Pelangi experience a dilemma situation that leads them to choose a way of life based on internal logic and actual experience. As for the criticisms, as well (...)
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  44. added 2017-12-02
    Jones, S. (2018) 'Preserved for Posterity? Present Bias and the Status of Grindhouse Films in the " Home Cinema " Era', Journal of Film and Video, 70:1.Steve Jones - 2018 - Journal of Film and Video 70 (1).
    Despite the closure of virtually all original grindhouse cinemas, ‘grindhouse’ lives on as a conceptual term. This article contends that the prevailing conceptualization of ‘grindhouse’ is problematized by a widening gap between the original grindhouse context (‘past’) and the DVD/home-viewing context (present). Despite fans’ and filmmakers’ desire to preserve this part of exploitation cinema history, the world of the grindhouse is now little more than a blurry set of tall-tales and faded phenomenal experiences, which are subject to present-bias. The continuing (...)
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  45. added 2017-11-21
    How Technology Changes Our Idea of the Good.Mark Sentesy - 2011 - In Paul Laverdure & Melchior Mbonimpa (eds.), Eth-ICTs: Ethics and the New Information and Communication Technologies. Sudbury: University of Sudbury. pp. 109-123.
    The ethical neutrality of technology has been widely questioned, for example, in the case of the creation and continued existence of weapons. At stake is whether technology changes the ethical character of our experience: compare the experience of seeing a beating to videotaping it. Interpreting and elaborating on the work of George Grant and Marshall McLuhan, this paper consists of three arguments: 1) the existence of technologies determines the structures of civilization that are imposed on the world, 2) technologies shape (...)
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  46. added 2017-10-10
    Medvedkine.Gavin Keeney - 2013 - eVolo 5 (Architecture Xenoculture):247-49.
    Chris Marker’s portrait of Alexandre Medvedkine in the 1993 film Le tombeau d’Alexandre/The Last Bolshevik is highly instructive of his own relationship to Soviet cinema. Most especially, this difficult or troubled rapport with the antecedents to cinéma vérité in the West (and its protean formal properties, in terms of structure and often satirical-critical commentary) comes forth in the figures he assembles to comment upon Medvedkine’s life work. When Medvedkine’s Scast’e (Le Bonheur/Happiness) (1934) leaked to the West (c.1967), sent like an (...)
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  47. added 2017-09-29
    Ulak : A Mystic Fable of Islamic Messianism.Ebru Thwaites Diken - 2015 - Journal for Cultural Research 19 (4):393-406.
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  48. added 2017-08-15
    Sex and Horror.Steve Jones - 2018 - In Feona Attwood, Clarissa Smith & Brian McNair (eds.), The Routledge Companion to Media, Sex and Sexuality. New York: Routledge. pp. 290-299.
  49. added 2017-07-31
    Divided Subjects, Invisible Borders: Re-Unified Germany After 1989.Ben Gook - 2015 - London: Rowman & Littlefield.
    What do Germany’s memorials, films, artworks, memory debates and national commemorations tell us about the lives of Germans today? How did the Wall in the Head come to replace the Wall that fell in 1989? The old identities of East and West, which all but dissolved in joyous embraces as the Berlin Wall fell, emerged once more after formal re-unification a year later in 1990. 2015 marks the twenty-fifth anniversary of that German re-unification. Yet Germany remains divided; a mutual distrust (...)
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  50. added 2017-07-29
    Nuclear Holocaust in American Films.Edmund Byrne - 1989 - In Carl Mitcham (ed.), Technology and Ethics: Research in Philosophy and Technology. Westport: JAI Press. pp. 3-21.
    Ordinary people shudder at the thought that people in positions of power might do whatever they think they can get away with. But that is often the way it is in the real world, and the risks go even higher when opportunity is compounded with impatience. The ways of negotiation and diplomacy are not considered entirely outmoded. But more and more we are being duped by a dream of some ultimate technological fix: that one more fancy gadget is all it (...)
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1 — 50 / 118