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  1. added 2019-08-02
    Mechanical Recording In Arnheim’s Film As Art.Yvan Tétreault - 2008 - Postgraduate Journal of Aesthetics 5 (1):16-26.
    In his classic Film as Art, Rudolf Arnheim sets out to refute the claim that “Film cannot be art, for it does nothing but reproduce reality mechanically”.1 The usual argument in favor of that claim, he explains, contrasts film with realist painting, and goes something like this: There’s no doubt that what appears on the canvas depends on the way the painter sees the world, on her particular technique, on the colors she’s using, and so on. It is elements like (...)
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  2. added 2017-04-16
    Minimal Authorship (of Sorts).Christy Mag Uidhir - 2011 - Philosophical Studies 154 (3):373 - 387.
    I propose a minimal account of authorship that specifies the fundamental nature of the author-relation and its minimal domain composition in terms of a three-place causal-intentional relation holding between agents and sort-relative works. I contrast my account with the minimal account tacitly held by most authorship theories, which is a two-place relation holding between agents and works simpliciter. I claim that only my view can ground productive and informative principled distincitons between collective production and collective authorship.
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  3. added 2014-03-04
    On Authorship and Collaboration.Paisley Nathan Livingston - 2011 - Journal of Aesthetics and Art Criticism 69 (2):221-225.
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  4. added 2013-06-16
    Collective Authorship in Film.C. Paul Sellors - 2007 - Journal of Aesthetics and Art Criticism 65 (3):263–271.
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