Film Media

Edited by Aaron Smuts (Rhode Island College)
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  1. 延伸与反思:基于电影感知研究的中国电影研究新思路Extension and Reflection: Film Perception and Cognition study as A New Approach for Chinese Film Research.Lingfei Luan - forthcoming - Film Art.
    Film perception and cognition research, as interdisciplinary research lags behind the curve on issues, methods, and trends found important by its adjacent disciplines, such as film, communication, and psychology. It provides a scientific perspective for exploring the fundamental analysis issues to evaluate the film’s endogenous structure and exogenous power in the audience. It will mount the position of Chinese film research around the world by integrating the multidisciplinary theories and practice. 对目前中国电影研究学科性反思的提出,不仅是一种学术研究的重新审视,也是面临世界电影格局重组的根本应对策略。面对经济和文化等方面的冲击,中国电影研究需要顺应发展趋势:从传统的理论性研究汇入创作实践与理论 体系交融的大方向,从单一的学科研究转向到跨学科的探索。电影感知研究正是解决电影跨学科问题的最佳研究方法,它将传统电影研究与其他学科的现实经验相结合,可以从根本上推进中国电影研究以及实践在世界电影产业舞 台上的位置。.
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  2. TV and Film: A Philosophical Perspective.Noël Carroll - 2001 - Journal of Aesthetic Education 35 (1):15.
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  3. Film and the Politics of Culture.Edward Sankowski - 1999 - Journal of Aesthetic Education 33 (1):81.
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  4. Crossover Dreams: Global Circulation of Queer Film on the Film Festival Circuits.Skadi Loist - 2016 - Diogenes:039219211566701.
    The ubiquity of gender-bending and sexually ambiguous imagery in the media seems to herald a post-gay era. But are LGBT/Q identities and representation politics really a thing of the past? Inspection of the circulation patterns of LGBT/Q images on a global scale suggests a more nuanced story. Taking the lead from distribution and film festival studies, in this essay I sketch out how LGBT/Q images travel around the world. The festival network was always an alternative channel to mainstream work. Therefore, (...)
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  5. Philosophy of Film: An Introduction.Aaron Smuts - 2016 - Routledge.
    Philosophy of Film: A Contemporary Introduction (Routledge) provides a critical overview of the literature on eleven different issues in the philosophy of film, from "What is Film?" to "Can Film Do Philosophy?" It aims to provide an objective overview of the principal arguments on each side of the issues. The set of issues includes all of the most important topics as well as some that are less well represented in the discipline, such as whether the power of cinema derives from (...)
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  6. Photobiographies : The 'Derrida' Documentaries as Film-Philosophy.Robert Sinnerbrink - unknown
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  7. Der Stoiker Als Komischer Typus. Stoa-Parodien in Literatur Und Film.Bernhard Zimmermann, Jochen Schmidt & Barbara Neymeyr - 2008 - In Bernhard Zimmermann, Jochen Schmidt & Barbara Neymeyr (eds.), Stoizismus in der Europäischen Philosophie, Literatur, Kunst Und Politikstoicism in European Philosophy, Literature, Art, and Politics. A Cultural History From Antiquity to Modernity: Eine Kulturgeschichte von der Antike Bis Zur Moderne. Walter de Gruyter.
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  8. Mystifying Movies: Fads and Fallacies in Contemporary Film Theory.Karen Hanson & Noel Carroll - 1991 - Philosophical Review 100 (4):663.
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  9. Philosophical Problems of Classical Film Theory.George M. Wilson & Noel Carroll - 1991 - Philosophical Review 100 (3):506.
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  10. Turtle Beach.Raymond Aaron Younis - 1995 - In Scott Murray (ed.), Australian Film. Oxford University Press.
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  11. Φύσις on Film?: Heidegger, Art and the Question of the Cinematic Manifestation of Being.Michael Josiah Mosely - unknown
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  12. Wittgenstein de Derek Jarman : un film d'« intérieur ».Antonia Soulez & Marc Cerisuelo - 2003 - Rue Descartes 39 (1):109.
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  13. Cohesive Relations and Texture in Bresson's Film "L'Argent".Susan Hayward - 1986 - Substance 15 (3):52.
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  14. The Continuum Companion to Religion and Film Edited by William L. Blizek Film, Lacan and the Subject of Religion: A Psychoanalytic Approach to Religious Film Analysis by Steve Nolan.Keith Tester - 2010 - New Blackfriars 91 (1035):621-623.
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  15. Film and Catholic Action.Ferdinand Valentine - 1934 - New Blackfriars 15 (175):685-689.
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  16. The Film in Education.Ferdinand Valentine - 1934 - New Blackfriars 15 (171):398-404.
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  17. Film Dangers.Vincent McNabb - 1930 - New Blackfriars 11 (124):414-416.
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  18. XPS Study of Adsorption and Desorption of a Bi Thin Film on the Five-Fold Icosahedral Al-Pd-Mn Surface.K. M. Young, N. Cross, J. A. Smerdon, V. R. Dhanak, H. R. Sharma, T. A. Lograsso, A. R. Ross & R. McGrath - 2011 - Philosophical Magazine 91 (19-21):2889-2893.
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  19. Common Epitaxial Feature of Various Thin Film Textures.Dorothy A. Brine & R. A. Young - 1963 - Philosophical Magazine 8 (88):651-662.
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  20. The Helium Film Formed From the Vapour Phasef.L. G. Grimes & L. C. Jackson - 1959 - Philosophical Magazine 4 (42):756-762.
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  21. Indentation Fracture and Indentation Delamination in ZnO Film/Si Substrate Systems.Bin Huang, Ming-Hao Zhao & Tong-Yi Zhang - 2004 - Philosophical Magazine 84 (12):1233-1256.
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  22. Microcinematography and the History of Science and Film.Hannah Landecker - 2006 - Isis 97 (1):121-132.
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  23. The Black Stork: Eugenics and the Death of "Defective" Babies in American Medicine and Motion Pictures Since 1915. Martin S. Pernick.Rima D. Apple - 1997 - Isis 88 (2):369-370.
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  24. “It′s the Japans”. Kontaktzonen Im Film Zwischen Aneignung Und Unverfügbarkeit.Martin Baisch & Evamaria Freienhofer - 2010 - Paragrana 19 (2).
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  25. Idiosyncrasy And Film.Alexander García Düttmann - unknown
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  26. Susan Wolf and Christopher Grau, Eds., Understanding Love: Philosophy, Film, and Fiction. Reviewed By.Aaron Landry - 2016 - Philosophy in Review 36 (1):36-38.
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  27. Film Worth Reviewing.Steve Patroni - 2016 - Australian Humanist, The 120:24.
    Patroni, Steve Review of: Oh! What a lovely war, directed by Richard Attenborough.
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  28. Faust on Film: A Hegelian Modern Art.Sarah Kathryn Murphy - unknown
    The purpose of this paper is to investigate the relationship between German Expressionist film and Hegel’s system of aesthetics. Through an analysis of the aesthetic qualities of Hanns Ewers’ The Student of Prague and F.W. Murnau’s Faust, I believe we have evidence to believe that the subjectivity that German Expressionist film sought to capture is aligned with the ‘interiority’ that Hegel believes Romantic art expresses. Further, I will consider whether these two films indicate that film as an artistic medium falls (...)
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  29. Film, Literature and Non-Cognitive Affect.Derek Matravers & Amy Coplan - unknown
    Amy Coplan argues that recent work in the philosophy of the emotions suggests that film is more effective that literature in inducing non-cognitive affect. Derek Matravers replies to this, and suggests reasons for scepticism.
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  30. Race, Philosophy, and Film.Mary K. Bloodsworth-Lugo & Dan Flory (eds.) - 2013 - Routledge.
    This collection fills a gap in the current literature in philosophy and film by focusing on the question: How would thinking in philosophy and film be transformed if race were formally incorporated moved from its margins to the center? The collection’s contributors anchor their discussions of race through considerations of specific films and television series, which serve as illustrative examples from which the essays’ theorizations are drawn. Inclusive and current in its selection of films and genres, the collection incorporates dramas, (...)
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  31. Cognitivism Goes to the Movies : The Routledge Companion to Philosophy and Film; Moving Viewers: American Film and the Spectator's Experience; Embodied Visions: Evolution, Emotion, Culture, and Film.Robert Sinnerbrink - unknown
    A critical review essay dealing with three major publications in the field of philosophy of film published during 2009.
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  32. Visible Mind: Movies, Modernity and the Unconscious.Christopher Hauke - 2013 - Routledge.
    _Why is the moving image so important in our lives? What is the link between the psychology of Jung, Freud and films? How do film and psychology address the problems of modernity? _ _Visible Mind_ is a book about why film is so important to contemporary life, how film affects us psychologically as individuals, and how it affects us culturally as collective social beings. Since its inception, film has been both responsive to historical cultural conditions and reflective of changes in (...)
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  33. The Trickster in Contemporary Film.Helena Bassil-Morozow - 2011 - Routledge.
    This book discusses the role of the trickster figure in contemporary film against the cultural imperatives and social issues of modernity and postmodernity, and argues that cinematic tricksters always reflect psychological, economic and social change in society. It covers a range of films, from Charlie Chaplin’s classics such as _Modern Times_ and _The Great Dictator_ to contemporary comedies and dramas with ‘trickster actors’ such as Jim Carrey, Sacha Baron-Cohen, Andy Kaufman and Jack Nicholson. _The Trickster in Contemporary Film_ offers a (...)
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  34. Filming the Nation: Jung, Film, Neo-Realism and Italian National Identity.Donatella Spinelli Coleman - 2011 - Routledge.
    Italian neo-realism has inspired film audiences and fascinated critics and film scholars for decades. This book offers an original analysis of the movement and its defining films from the perspective of the cultural unconscious. Combining a Jungian reading with traditional theorizations of film and national identity, _Filming the Nation_ reinterprets familiar images of well-known masterpieces by Roberto Rossellini, Vittorio de Sica and Luchino Visconti and introduces some of their less renowned yet equally significant films. Providing an illuminating analysis of film (...)
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  35. Jung and Film Ii: The Return: Further Post-Jungian Takes on the Moving Image.Christopher Hauke & Luke Hockley (eds.) - 2011 - Routledge.
    Since _Jung and Film_ was first published in 2001, Jungian writing on the moving image in film and television has accelerated. _Jung and Film II: The Return_ provides new contributions from authors across the globe willing to tackle the broader issues of film production and consumption, the audience and the place of film culture in our lives. As well as chapters dealing with particular film makers such as Maya Derren and films such as _Birth, The Piano, The Wrestler _and _Breaking (...)
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  36. Film After Jung: Post-Jungian Approaches to Film Theory.Greg Singh - 2009 - Routledge.
    Popular film as a medium of communication, expression and storytelling has proved one of the most durable and fascinating cultural forms to emerge during the twentieth century, and has long been the object of debate, discussion and interpretation. _Film After Jung _provides the reader with an overview of the history of film theory and delves into analytical psychology to consider the reaction that popular film can evoke through emotional and empathetic engagement with its audience. This book includes: an introduction to (...)
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  37. Literary Film Adaptation for Screen Production: The Analysis of Style Adaptation in the Film Naked Lunch From a Quantitative and Descriptive Perspective.Alejandro Torres Vergara - 2015 - Logos: Revista de Lingüística, Filosofía y Literatura 25 (2):154-164.
    The study of film adaptations, particularly those coming from literature, has been growing at a rapid rate during the last years due to the amount of adaptations coming from both mainstream and independent film industries. The focus of these studies though is generally addressed to best sellers where the literary style is clearly adaptable to the screen; however, there are cases where the adaptive process has resulted in an entirely different outcome. Naked Lunch, written by William Burroughs and adapted to (...)
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  38. Book Review: Seeing Fictions in Film: The Epistemology of Movies. [REVIEW]Paisley Nathan Livingston - unknown
    Review of Seeing fictions in film: the epistemology of movies, by George M. Wilson. Oxford: Oxford University Press, 2011.
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  39. Film and the New Psychology.Paisley Nathan Livingston - unknown
    This paper identifies and critiques some of the interdisciplinary strategies adopted in recent trends in cinema studies. Prevalent psychological assumptions and normative claims are examined, and some alternative approaches are proposed. Typical theses about narrative in the cinema provide a particular point of focus.
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  40. Ein Film, Seine Landschaft Und der ‚Hausphilosoph‘ des Regisseurs. Zu Olivier Assayasʼ Film Die Wolken von Sils Maria. [REVIEW]Renate Reschke - 2015 - Nietzscheforschung 22 (1).
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  41. Book Symposium on : Seeing Fictions in Film : The Epistemology of Movies, by George M. Wilson.Paisley Nathan Livingston - unknown
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  42. Philosophy of Literature, and Philosophy of Film and Motion Pictures, 2 Book Pack.Eileen John, Dominic McIver Lopes, Noël Carroll & Jinhee Choi (eds.) - 2008 - Wiley-Blackwell.
    Pack includes 2 titles from the popular Blackwell Philosophy Anthologies Series: _ _ Philosophy of Literature_: Contemporary and Classic Readings_ _Edited by Eileen John and Dominic McIver Lopes ISBN: 9781405112086 _ Philosophy of Film and Motion Pictures_: An Anthology _Edited by No ë l Carroll and Jinhee Choi ISBN: 9781405120272.
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  43. Philosophy of Film and Motion Pictures: An Anthology.Noël Carroll & Jinhee Choi (eds.) - 2005 - Wiley-Blackwell.
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  44. The Philosophy of Motion Pictures.Noël Carroll - 2007 - Wiley-Blackwell.
    _Philosophy of Motion Pictures_ is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation. Clearly written and supported with a wealth of examples Explores characterizations of key elements of motion pictures –the shot, the sequence, the erotetic narrative, and its modes of affective address.
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  45. Thinking Through Film: Doing Philosophy, Watching Movies.Damian Cox & Michael P. Levine - 2011 - Wiley-Blackwell.
    An introduction to philosophy through film, _Thinking Through Film: Doing Philosophy, Watching Movies_ combines the exploration of fundamental philosophical issues with the experience of viewing films, and provides an engaging reading experience for undergraduate students, philosophy enthusiasts and film buffs alike. An in-depth yet accessible introduction to the philosophical issues raised by films, film spectatorship and film-making Provides 12 self-contained, close discussions of individual films from across genres Films discussed include Total Recall, Minority Report, La Promesse, Funny Games, Ikuru, The (...)
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  46. Philosophy of Film and Motion Pictures: An Anthology.Noël Carroll & Jinhee Choi (eds.) - 2009 - Wiley-Blackwell.
    Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film. The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory Eight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and morality Issues addressed include the objectivity of documentary films, fear (...)
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  47. Minerva's Night Out: Philosophy, Pop Culture, and Moving Pictures.Noël Carroll - 2013 - Wiley-Blackwell.
    _Minerva’s Night Out_ presents series of essays by noted philosopher and motion picture and media theorist Noël Carroll that explore issues at the intersection of philosophy, motion pictures, and popular culture. Presents a wide-ranging series of essays that reflect on philosophical issues relating to modern film and popular culture Authored by one of the best known philosophers dealing with film and popular culture Written in an accessible manner to appeal to students and scholars Coverage ranges from the philosophy of Halloween (...)
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  48. The Big Lebowski and Philosophy: Keeping Your Mind Limber with Abiding Wisdom.William Irwin & Peter S. Fosl (eds.) - 2012 - Wiley.
    _Celebrate the Dude with an abiding look at the philosophy behind _The Big Lebowski__ Is the Dude a bowling-loving stoner or a philosophical genius living the good life? Naturally, it's the latter, and _The Big Lebowski and Philosophy_ explains why. Enlisting the help of great thinkers like Plato and Nietzsche, the book explores the movie's hidden philosophical layers, cultural reflection, and political commentary. It also answers key questions, including: The Dude abides, but is abiding a virtue? Is the Dude an (...)
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  49. Terrence Malick and the Thought of Film.Steven Rybin - 2012 - Lexington Books.
    Terrence Malick and the Thought of Film explores how the experience of viewing Terrence Malick's films enables imaginative acts of philosophical interpretation. Useful for both professional philosophers interested in film and scholars of cinema intrigued by philosophy, this book shows the ways Malick's films cast philosophy in new cinematic light.
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  50. Film, Theory, and Philosophy: The Key Thinkers.Felicity Colman (ed.) - 2009 - Acumen Publishing.
    An ideal introduction for students, Film, Theory and Philosophy brings together leading scholars to provide a clear, detailed overview of the key thinkers who have shaped the field of film philosophy. From continental philosophers to analytical philosophers, film-makers, film reviewers, sociologists, and cultural theorists, the essays reveal how philosophy can be applied to film analysis and how film can be used to illustrate philosophical problems. But most importantly, the essays explore how cinema has shaped contemporary philosophy and how philosophy has (...)
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1 — 50 / 1111