Film Media

Edited by Aaron Smuts (Rhode Island College)
Related categories
Subcategories:

1134 found
Order:
1 — 50 / 1134
Material to categorize
  1. 延伸与反思:基于电影感知研究的中国电影研究新思路Extension and Reflection: Film Perception and Cognition study as A New Approach for Chinese Film Research.Lingfei Luan - forthcoming - Film Art.
    Film perception and cognition research, as interdisciplinary research lags behind the curve on issues, methods, and trends found important by its adjacent disciplines, such as film, communication, and psychology. It provides a scientific perspective for exploring the fundamental analysis issues to evaluate the film’s endogenous structure and exogenous power in the audience. It will mount the position of Chinese film research around the world by integrating the multidisciplinary theories and practice. 对目前中国电影研究学科性反思的提出,不仅是一种学术研究的重新审视,也是面临世界电影格局重组的根本应对策略。面对经济和文化等方面的冲击,中国电影研究需要顺应发展趋势:从传统的理论性研究汇入创作实践与理论 体系交融的大方向,从单一的学科研究转向到跨学科的探索。电影感知研究正是解决电影跨学科问题的最佳研究方法,它将传统电影研究与其他学科的现实经验相结合,可以从根本上推进中国电影研究以及实践在世界电影产业舞 台上的位置。.
    Remove from this list  
    Translate
     
     
    Export citation  
     
    Bookmark  
  2. Book Review: Finding St. Paul in FilmFinding St. Paul in FilmbyWalshRichardT & T Clark. New York, 2005. 224 Pp. $22.00. ISBN 978-0-567-02850-1. [REVIEW]Timothy B. Cargal - 2007 - Interpretation: A Journal of Bible and Theology 61 (3):340-340.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  3. Die Christusnarratief in Die Film As It is in Heaven.Anet Elizabeth Dreyer-Kruger - 2014 - Hts Theological Studies 70 (3):01-10.
    In this article the public-theological motives in the film As it is in heaven is analised to demonstrate the film producer Kay Pollack's ideal to communicate through the film that people should live their lives here and now authentically without seeking excuses for being happy. In this article the principles of narratology is applied in the analysis of the film's plot, characterisation, plotted time and narrated spaces. It is also argued that the protagonist in the film can be regarded as (...)
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  4. Imagining Film: Seeing with the Mind's Eye.William Seely - 2005 - Philosophical Inquiry 17:3-14.
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  5. : Reel Justice: The Courtroom Goes to the Movies. Paul Bergman, Michael Asimow. ; Past Imperfect: History According to the Movies. Mark C. Carnes.Anthony Chase - 1997 - Cardozo Studies in Law and Literature 9 (1):107-150.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  6. TV and Film: A Philosophical Perspective.Noël Carroll - 2001 - Journal of Aesthetic Education 35 (1):15.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  7. Film and the Politics of Culture.Edward Sankowski - 1999 - Journal of Aesthetic Education 33 (1):81.
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  8. Crossover Dreams: Global Circulation of Queer Film on the Film Festival Circuits.Skadi Loist - 2016 - Diogenes:039219211566701.
    The ubiquity of gender-bending and sexually ambiguous imagery in the media seems to herald a post-gay era. But are LGBT/Q identities and representation politics really a thing of the past? Inspecti...
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  9. Philosophy of Film: An Introduction.Aaron Smuts - 2016 - Routledge.
    Philosophy of Film: A Contemporary Introduction (Routledge) provides a critical overview of the literature on eleven different issues in the philosophy of film, from "What is Film?" to "Can Film Do Philosophy?" It aims to provide an objective overview of the principal arguments on each side of the issues. The set of issues includes all of the most important topics as well as some that are less well represented in the discipline, such as whether the power of cinema derives from (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  10. Library of Congress Catalogue of Copyright Entries for Motion Pictures Entry for "Father Brown, Detective," 1934.John Cruickshank - 1992 - The Chesterton Review 18 (1):142-144.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  11. On Cinematic Genius: Ontology and Appreciation: Paisley Livingston.Paisley Livingston - 2012 - Royal Institute of Philosophy Supplement 71:85-104.
    The word ‘genius’ is often associated with the idea that artistic creativity is entirely a matter of an involuntary sort of inspiration visited upon the individual artist. My aim in referring to cinematic genius is not, however, to defend that dubious thesis, but to direct attention to the remarkable artistic achievements that some film-makers, working individually or in collaborative teams, have managed to bring about in their intentional and often painstaking creation of cinematic works. Genius, as I understand it, is (...)
    Remove from this list   Direct download (7 more)  
     
    Export citation  
     
    Bookmark  
  12. Film as Philosophy: The Very Idea.Stephen Mulhall - 2007 - Proceedings of the Aristotelian Society 107 (1pt3):279-294.
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  13. Jean Mitry, Semiotics and the Analysis of Film. [REVIEW]Anthony Flinn - 2001 - American Journal of Semiotics 17 (3):267-269.
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  14. African Aesthetics in Motion: The Probability of a Third Jumbie Aesthetic in Antigua and Barbuda.Mali Adelaja Olatunje - 2007 - Clr James Journal 13 (1):59-70.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  15. Philosophy of Film and Motion Pictures: An Anthology.Jinhee Choi (ed.) - 2005 - Wiley.
    Remove from this list  
     
    Export citation  
     
    Bookmark   2 citations  
  16. A Man of Dark Thoughts: Carl Schmitt.William Kluback - 1988 - The Owl of Minerva 19 (2):183-190.
    Carl Schmitt was a jurist, political philosopher, and a devoted student of Thomas Hobbes. Schmitt lived from 1888 to 1985 in Germany, and for a time enjoyed with Martin Heidegger the right to create under Hitler a new spiritual German state. Both men shared enduring veneration, admiring pilgrimages, and remain sources of political and philosophical discussions and interpretation. Recently, three of Schmitt’s books were added to the one already available in English, The Concept of the Political. Most of Schmitt’s books (...)
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  17. Cinematic Thinking and the Meaning of History: A. Tarkovsky, The Passion According to Andrei.Natalia L. Rudychev - 2006 - International Studies in Philosophy 38 (1):141-148.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  18. Photobiographies : The 'Derrida' Documentaries as Film-Philosophy.Robert Sinnerbrink - unknown
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  19. Der Stoiker Als Komischer Typus. Stoa-Parodien in Literatur Und Film.Bernhard Zimmermann, Jochen Schmidt & Barbara Neymeyr - 2008 - In Bernhard Zimmermann, Jochen Schmidt & Barbara Neymeyr (eds.), Stoizismus in der Europäischen Philosophie, Literatur, Kunst Und Politikstoicism in European Philosophy, Literature, Art, and Politics. A Cultural History From Antiquity to Modernity: Eine Kulturgeschichte von der Antike Bis Zur Moderne. Walter de Gruyter.
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  20. Mystifying Movies: Fads and Fallacies in Contemporary Film Theory.Karen Hanson - 1991 - Philosophical Review 100 (4):663.
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  21. Philosophical Problems of Classical Film Theory.George M. Wilson - 1991 - Philosophical Review 100 (3):506.
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  22. Turtle Beach.Raymond Aaron Younis - 1995 - In Scott Murray (ed.), Australian Film. Oxford University Press.
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  23. Φύσις on Film?: Heidegger, Art and the Question of the Cinematic Manifestation of Being.Michael Josiah Mosely - unknown
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  24. Wittgenstein de Derek Jarman : un film d'« intérieur ».Antonia Soulez & Marc Cerisuelo - 2003 - Rue Descartes 39 (1):109.
    Remove from this list   Direct download (6 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  25. Cohesive Relations and Texture in Bresson's Film "L'Argent".Susan Hayward - 1986 - Substance 15 (3):52.
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  26. The Continuum Companion to Religion and Film Edited by William L. Blizek Film, Lacan and the Subject of Religion: A Psychoanalytic Approach to Religious Film Analysis by Steve Nolan.Keith Tester - 2010 - New Blackfriars 91 (1035):621-623.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  27. Film and Catholic Action.Ferdinand Valentine - 1934 - New Blackfriars 15 (175):685-689.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  28. The Film in Education.Ferdinand Valentine - 1934 - New Blackfriars 15 (171):398-404.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  29. Film Dangers.Vincent McNabb - 1930 - New Blackfriars 11 (124):414-416.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  30. XPS Study of Adsorption and Desorption of a Bi Thin Film on the Five-Fold Icosahedral Al-Pd-Mn Surface.K. M. Young, N. Cross, J. A. Smerdon, V. R. Dhanak, H. R. Sharma, T. A. Lograsso, A. R. Ross & R. McGrath - 2011 - Philosophical Magazine 91 (19-21):2889-2893.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  31. Common Epitaxial Feature of Various Thin Film Textures.Dorothy A. Brine & R. A. Young - 1963 - Philosophical Magazine 8 (88):651-662.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  32. The Helium Film Formed From the Vapour Phasef.L. G. Grimes & L. C. Jackson - 1959 - Philosophical Magazine 4 (42):756-762.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  33. Indentation Fracture and Indentation Delamination in ZnO Film/Si Substrate Systems.Bin Huang, Ming-Hao Zhao & Tong-Yi Zhang - 2004 - Philosophical Magazine 84 (12):1233-1256.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  34. David A. Kirby, Lab Coats in Hollywood: Science, Scientists, and Cinema. Cambridge, MA and London: MIT Press, 2011. Pp. Xiv+265. ISBN 978-0-262-01478-6. £20.95. [REVIEW]Jean-Baptiste Gouyon - 2012 - British Journal for the History of Science 45 (1):146-148.
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  35. Microcinematography and the History of Science and Film.Hannah Landecker - 2006 - Isis 97 (1):121-132.
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark   8 citations  
  36. The Black Stork: Eugenics and the Death of "Defective" Babies in American Medicine and Motion Pictures Since 1915. Martin S. Pernick.Rima D. Apple - 1997 - Isis 88 (2):369-370.
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  37. “It′s the Japans”. Kontaktzonen Im Film Zwischen Aneignung Und Unverfügbarkeit.Martin Baisch & Evamaria Freienhofer - 2010 - Paragrana: Internationale Zeitschrift für Historische Anthropologie 19 (2).
    Remove from this list   Direct download (2 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  38. Idiosyncrasy And Film.Alexander García Düttmann - unknown
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  39. Susan Wolf and Christopher Grau, Eds., Understanding Love: Philosophy, Film, and Fiction. Reviewed By.Aaron Landry - 2016 - Philosophy in Review 36 (1):36-38.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  40. Film Worth Reviewing.Steve Patroni - 2016 - Australian Humanist, The 120:24.
    Patroni, Steve Review of: Oh! What a lovely war, directed by Richard Attenborough.
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  41. Faust on Film: A Hegelian Modern Art.Sarah Kathryn Murphy - unknown
    The purpose of this paper is to investigate the relationship between German Expressionist film and Hegel’s system of aesthetics. Through an analysis of the aesthetic qualities of Hanns Ewers’ The Student of Prague and F.W. Murnau’s Faust, I believe we have evidence to believe that the subjectivity that German Expressionist film sought to capture is aligned with the ‘interiority’ that Hegel believes Romantic art expresses. Further, I will consider whether these two films indicate that film as an artistic medium falls (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  42. Film, Literature and Non-Cognitive Affect.Derek Matravers & Amy Coplan - unknown
    Amy Coplan argues that recent work in the philosophy of the emotions suggests that film is more effective that literature in inducing non-cognitive affect. Derek Matravers replies to this, and suggests reasons for scepticism.
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  43. Race, Philosophy, and Film.Mary K. Bloodsworth-Lugo & Dan Flory (eds.) - 2013 - Routledge.
    This collection fills a gap in the current literature in philosophy and film by focusing on the question: How would thinking in philosophy and film be transformed if race were formally incorporated moved from its margins to the center? The collection’s contributors anchor their discussions of race through considerations of specific films and television series, which serve as illustrative examples from which the essays’ theorizations are drawn. Inclusive and current in its selection of films and genres, the collection incorporates dramas, (...)
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  44. Cognitivism Goes to the Movies : The Routledge Companion to Philosophy and Film; Moving Viewers: American Film and the Spectator's Experience; Embodied Visions: Evolution, Emotion, Culture, and Film.Robert Sinnerbrink - unknown
    A critical review essay dealing with three major publications in the field of philosophy of film published during 2009.
    Remove from this list   Direct download  
     
    Export citation  
     
    Bookmark  
  45. Visible Mind: Movies, Modernity and the Unconscious.Christopher Hauke - 2013 - Routledge.
    _Why is the moving image so important in our lives? What is the link between the psychology of Jung, Freud and films? How do film and psychology address the problems of modernity? _ _Visible Mind_ is a book about why film is so important to contemporary life, how film affects us psychologically as individuals, and how it affects us culturally as collective social beings. Since its inception, film has been both responsive to historical cultural conditions and reflective of changes in (...)
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  46. The Trickster in Contemporary Film.Helena Bassil-Morozow - 2011 - Routledge.
    This book discusses the role of the trickster figure in contemporary film against the cultural imperatives and social issues of modernity and postmodernity, and argues that cinematic tricksters always reflect psychological, economic and social change in society. It covers a range of films, from Charlie Chaplin’s classics such as _Modern Times_ and _The Great Dictator_ to contemporary comedies and dramas with ‘trickster actors’ such as Jim Carrey, Sacha Baron-Cohen, Andy Kaufman and Jack Nicholson. _The Trickster in Contemporary Film_ offers a (...)
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  47. Filming the Nation: Jung, Film, Neo-Realism and Italian National Identity.Donatella Spinelli Coleman - 2011 - Routledge.
    Italian neo-realism has inspired film audiences and fascinated critics and film scholars for decades. This book offers an original analysis of the movement and its defining films from the perspective of the cultural unconscious. Combining a Jungian reading with traditional theorizations of film and national identity, _Filming the Nation_ reinterprets familiar images of well-known masterpieces by Roberto Rossellini, Vittorio de Sica and Luchino Visconti and introduces some of their less renowned yet equally significant films. Providing an illuminating analysis of film (...)
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  48. Jung and Film Ii: The Return: Further Post-Jungian Takes on the Moving Image.Christopher Hauke & Luke Hockley (eds.) - 2011 - Routledge.
    Since _Jung and Film_ was first published in 2001, Jungian writing on the moving image in film and television has accelerated. _Jung and Film II: The Return_ provides new contributions from authors across the globe willing to tackle the broader issues of film production and consumption, the audience and the place of film culture in our lives. As well as chapters dealing with particular film makers such as Maya Derren and films such as _Birth, The Piano, The Wrestler _and _Breaking (...)
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  49. Film After Jung: Post-Jungian Approaches to Film Theory.Greg Singh - 2009 - Routledge.
    Popular film as a medium of communication, expression and storytelling has proved one of the most durable and fascinating cultural forms to emerge during the twentieth century, and has long been the object of debate, discussion and interpretation. _Film After Jung _provides the reader with an overview of the history of film theory and delves into analytical psychology to consider the reaction that popular film can evoke through emotional and empathetic engagement with its audience. This book includes: an introduction to (...)
    Remove from this list  
     
    Export citation  
     
    Bookmark  
  50. Literary Film Adaptation for Screen Production: The Analysis of Style Adaptation in the Film Naked Lunch From a Quantitative and Descriptive Perspective.Alejandro Torres Vergara - 2015 - Logos: Revista de Lingüística, Filosofía y Literatura 25 (2):154-164.
    The study of film adaptations, particularly those coming from literature, has been growing at a rapid rate during the last years due to the amount of adaptations coming from both mainstream and independent film industries. The focus of these studies though is generally addressed to best sellers where the literary style is clearly adaptable to the screen; however, there are cases where the adaptive process has resulted in an entirely different outcome. Naked Lunch, written by William Burroughs and adapted to (...)
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
1 — 50 / 1134