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  1. added 2019-11-23
    The Camera Movement in Relation to Narration in Animated Films: A Practice-Oriented Study.Hadis Malekie & Mohammad Reza Hosnaee - 2016 - Journal of Dramatic Arts and Music 6 (11):81-95.
    As a core element of film language, camera movement plays a crucial role in narrative explanation, character shaping, and theme development in cinema. Although camera movements in animation movies are often implemented to add excitement to shots, their best use is when new narrative is revealed. In this paper we have studied the aspects of narration that can be presented by camera movement in animation. We put our question on whether camera movement can have a role in narration or not; (...)
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  2. added 2019-08-23
    On Levi R. Bryant’s “Dim Media”: The Age of Disruption, Homeless Media, and Problematzing Latour’s Apolitical “Flat Ontology” by Ekin Erkan.Ekin Erkan - 2019 - MediaCommons:1-20.
    Where Deleuze and Guattari introduce us to “lines of flight,” they transcode the mechanics of “flight” through “capture,” fomenting what is understood by many as Deleuze’s philosophical thesis: forging an analog relationship between univocity and difference via multiplicitious immanence. This is, of course, posed against Freud’s molar unities in their second chapter “One or Several Wolves.” Thus, if Heidegger is the philosopher par excellance of queries between hermeneutics and immanence (the philosopher of anti-immanence), it is Deleuze who asks “what is (...)
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  3. added 2018-04-11
    Hypertext. Eine Schrift für vernetzte, dynamische Schreibmaschinen (1965).Christian Vater - 2017 - In Christian Vater, Ludger Lieb, Christian Witschel & Michaela Böttner (eds.), 5300 Jahre Schrift. Heidelberg: Wunderhorn. pp. 166-169.
  4. added 2017-08-25
    Media and Moral Education: A Philosophy of Critical Engagement.Laura D'Olimpio - 2018 - London, UK: Routledge.
    Media and Moral Education demonstrates that the study of philosophy can be used to enhance critical thinking skills, which are sorely needed in today’s technological age. It addresses the current oversight of the educational environment not keeping pace with rapid advances in technology, despite the fact that educating students to engage critically and compassionately with others via online media is of the utmost importance. -/- D’Olimpio claims that philosophical thinking skills support the adoption of an attitude she calls critical perspectivism, (...)
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  5. added 2017-07-01
    Versuch Über Die Veränderung. Zu Breaking Bad.Thomas Khurana - 2016 - WestEnd. Neue Zeitschrift für Sozialforschung 13 (2):25-52.
    Wie wird man der, der man ist? Die Frage ist zweideutig. Zum einen scheint sie danach zu fragen, wie man durch all das, was einem geschieht und was man tut, schließlich zu jener bestimmten Person wird, die man zu einem gewissen Zeitpunkt ist. Zugleich zielt die Frage darauf, wie man das einholt, was man »ist«, es nicht nur ist, sondern wirklich wird. Die Frage wirft also einerseits das Problem der Verkettung von Taten, Umständen und Wirkungen auf, die das Produkt einer (...)
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  6. added 2017-07-01
    Postnaturalism.Shane Denson - 2014 - Bielefeld: Transcript.
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  7. added 2017-07-01
    Schon da Und Noch Im Kommen. Zur Zeitlichkeit des Mediums Sinn.Thomas Khurana - 2011 - In Christian Kiening, Alexandra Prica & Benno Wirz (eds.), Wiederkehr und Verheißung. Zürich: Chronos Verlag. pp. 43–64.
    Der Beitrag untersucht (I) die Unterscheidung von Medium und Form und erläutert, inwiefern »Sinn« im Anschluss an Luhmann als Medium verstanden werden kann. Im zweiten Schritt (II) charakterisiert der Beitrag die komplexe Zeitlichkeit des Mediums Sinn. Der dritte Teil (III) weist schließlich exemplarisch und kursorisch auf, wie sich an einzelnen Formen des Mediums Sinn seine zeitliche Medialität manifestiert. Der Punkt, auf den es dabei ankommt, ist nicht einfach die im Medium des Sinns selbstverständlich mögliche Thematisierung der Zeit, sondern die Lesbarkeit, (...)
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  8. added 2017-07-01
    Medialität und Zeichen.Thomas Pruisken - 2007 - Würzburg: Könighausen & Neumann.
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  9. added 2017-07-01
    Die Form des Mediums: Niklas Luhmann.Thomas Khurana - 2004 - In David Lauer & Alice Lagaay (eds.), Medientheorien. Eine philosophische Einführung. Frankfurt/New York: Campus. pp. 69–88.
    Schrift, Akustik, Geld, Raum, Sinn, elektronische Kommunikationsmittel, Zeit, Kunst, Macht. Was kann man an Bestimmtheit von einem Begriff erwarten, der angeblich all dies umgreifen soll - dem Begriff des Mediums in Niklas Luhmanns Theorie sozialer Systeme? Die Elemente der Liste scheinen zu verschiedenartig, als dass man sich eine sinnvolle Kategorie vorstellen könnte, die diese Dinge als Exemplare derselben Art vorzustellen in der Lage wäre. Welchen Sinn es machen mag, dass all dies dennoch an unterschiedlichen Stellen in der Theorie Luhmanns als (...)
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  10. added 2017-03-09
    Artistic Medium.Wack Daniel - 2017 - Internet Encyclopedia of Philosophy.
    Artistic medium is an art critical concept that first arose in 18th century European discourse about art. Medium analysis has, historically, attempted to identify that out of which works of art and, more generally, art forms are created, in order to better articulate norms or standards by which works of art and art forms can be evaluated. Since the 19th century, medium analysis has emerged in two different forms of art critical and theoretical discourse. Within traditional art forms such as (...)
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  11. added 2016-10-17
    L’avance de l’avenir.Anna Caterina Dalmasso - 2016 - Cités 66 (2):169.
  12. added 2016-09-16
    Screening the Psychological Laboratory: Hugo Münsterberg, Psychotechnics, and the Cinema, 1892–1916.Jeremy Blatter - 2015 - Science in Context 28 (1):53-76.
    According to Hugo Münsterberg, the direct application of experimental psychology to the practical problems of education, law, industry, and art belonged by definition to the domain of psychotechnics. Whether in the form of pedagogical prescription, interrogation technique, hiring practice, or aesthetic principle, the psychotechnical method implied bringing the psychological laboratory to bear on everyday life. There were, however, significant pitfalls to leaving behind the putative purity of the early psychological laboratory in pursuit of technological utility. In the Vocation Bureau, for (...)
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  13. added 2016-03-24
    "Shadow-Lands": The Suffering Image.Gavin Keeney - manuscript
    Final Circular for the multimedia exhibition, "'Shadow-lands': The Suffering Image" (April 18-May 18, 2012), in association with the PhD project, "Visual Agency in Art & Architecture," Deakin University, 2011-2014.
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  14. added 2016-02-16
    Abstrakt - Affektiv - Multimodal. Zur Verarbeitung von Bewegtbildern Im Anschluss an Cassirer, Langer Und Krois.Martina Sauer - 2016 - In Lars Christian Grabbe, Patrick Rupert-Kruse & Norbert M. Schmitz (eds.), Bildkörper. Zum Verhältnis von Bildtechnologien und Embodiment. Kiel, Germany: Büchner-Verlag. pp. 46-71.
    Is it true that there is an analogy between modes of creation and such of perception? Respective to the cultural anthropological research of Ernst Cassirer, Susanne K. Langer and John M. Krois and by the analysis of a tape of the Swiss video-artist Pipilotti Rist this initial thesis of Formal Aesthetics shall be supported. - I - -/- Lässt sich die Behauptung stützen, dass zwischen Gestaltungsweisen und Wahrnehmungsweisen eine Analogie besteht? Aufbauend auf den kulturanthropologischen Forschungen von Ernst Cassirer, Susanne K. (...)
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  15. added 2015-02-09
    Die Wiederkehr der Dinge.F. Balke, Maria Muhle & Antonia von Schöning (eds.) - 2011 - Kadmos.
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  16. added 2014-03-30
    Movie-Games and Game-Movies: Towards an Aesthetics of Transmediality.Douglas Brown & Tanya Krzywinska - 2009 - In Warren Buckland (ed.), Film Theory and Contemporary Hollywood Movies. Routledge.
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