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  1. added 2020-05-30
    Implications of Frege's Philosophy of Language for Literature.Karl Aschenbrenner - 1968 - British Journal of Aesthetics 8 (4):319-334.
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  2. added 2020-05-21
    Redundancy and Frege's Chosen Object Theory.William Ulrich - 1977 - Philosophical Studies 32 (3):313 - 319.
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  3. added 2020-05-20
    Frege et les termes sans référence.Eike-Henner W. Kluge - 1975 - Dialogue 14 (2):254-280.
    Une propriété décisive du langage quant à la fiabilité de l'expression des pensées, est sa disposition à créer des noms propres auxquels ne correspond aucun objet. Cela n'a pas de conséquences sérieuses quand cela arrive dans la fiction que tout le monde comprend comme telle. Il n'en est pas de même quand cela arrive dans un exposé qui se prétend strictement scientifique. Un exemple particulièrement singulier est ici la formation de noms propres sur le modèle de «l'extension du concept ‘a’», (...)
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  4. added 2020-05-12
    Fictional Objects and Fregean Sinne.Edwin D. Mares - 1993 - In Werner Stelzner (ed.), Philosophie Und Logik: Frege-Kolloquien 1989 Und 1991. De Gruyter. pp. 65-72.
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  5. added 2020-05-04
    Aesthetic Gestures: Elements of a Philosophy of Art in Frege and Wittgenstein.Nikolay Milkov - 2020 - In Shyam Wuppuluri & Newton da Costa (eds.), Wittgensteinian (adj.) Looking at the World from the Viewpoint of Wittgenstein's Philosophy. Berlin: Springer. pp. 506-18.
    Gottlob Frege’s conception of works of art has received scant notice in the literature. This is a pity since, as this paper undertakes to reveal, his innovative philosophy of language motivated a theoretically and historically consequential, yet unaccountably marginalized Wittgenstinian line of inquiry in the domain of aesthetics. The element of Frege’s approach that most clearly inspired this development is the idea that only complete sentences articulate thoughts and that what sentences in works of drama and literary art express are (...)
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  6. added 2020-05-04
    Vacuous Names in Early Analytic Philosophy: Frege, Russell, and Moore.Mark Textor - 2016 - Philosophy Compass 11 (6):316-326.
    Empty proper names give rise to intriguing questions. Frege, Moore and Russell stand at the beginning of analytic philosophy's engagement with these questions. In this paper I will therefore introduce and assess their views on the topic of empty names and draw connections to recent work.
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  7. added 2020-05-04
    Sense-Only-Signs: Frege on Fictional Proper Names.Mark Textor - 2011 - Grazer Philosophische Studien 82 (1):375-400.
    I explore Frege's thesis that fictional proper names are supposed to have only sense and no reference. How can one make this thesis compatible with Frege's view that sense determines reference? By holding that fictional proper names are introduced in a particular kind of speech act. Or so I argue.
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  8. added 2020-05-04
    Frege on Fiction.Marián Zouhar - 2010 - In Pokorny Kotatko (ed.), Fictionality-Possibility-Reality. pp. 103--119.
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  9. added 2020-05-03
    Frege on Dichtung and Elucidation.Gisela Bengtsson - 2018 - In Gisela Bengtsson, Simo Säätelä & Alois Pichler (eds.), New Essays on Frege: Between Science and Literature. Dordrecht: Springer. pp. 101-119.
    In this paper, I identify an assumption at play in anti-semantic interpretative approaches to Frege: the notion that translatability to Frege’s concept script functions as a criterion for deciding whether a thought is expressed in a sentence or utterance. I question the viability of this assumption by pointing to Frege’s accounts of the aim and character of his logical language and scientific discourse more generally, and by looking at his remarks on poetic forms of language, literature and fiction (Dichtung). Since (...)
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  10. added 2020-05-03
    Frege, Fiction and Force.Jessie Munton - 2017 - Synthese 194 (9):3669-3692.
    Discussion of Frege’s theory of fiction has tended to focus on the problem of empty names, and has consequently missed the truly problematic aspect of the theory, Frege’s commitment to the view that even fictional sentences that contain no empty names fail to refer. That claim prima facie conflicts with his commitment to the cognitive transparency of sense, and the determination of reference by sense. Resolving this tension compels us to recognize that fiction for Frege is a special kind of (...)
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