Giorgio Agamben

Introduction: the figure of this world -- 1. The question of political ontology -- 2. The poetic experience of the world -- 3. The myth of the earth -- 4. The unbearable -- 5. The creature before the law -- 6. The animal for which animality is an issue -- 7. Understanding the happy -- 8. The picture and its captives -- 9. The passing of the figure of this world.

In this article I develop a theory of political ontology, working to differentiate it from traditional political philosophy and Schmittian political theology. As with political theology, political ontology has its primary grounding not in disinterested contemplation from the standpoint of pure reason, but rather in a confrontation with an existential problem. Yet while for Schmitt this is the problem of how to live and think in obedience to God, the problem for political ontology is the question of being. Thus the (...) political ontologist agrees with the political theologian that the political cannot be thought without an awareness of an irreducible exigency – the fact that one thinks as situated in response to a certain moral or ethical demand – but it takes this demand to consist not in divine revelation, but rather in the fact that the human being is a being for which being is at issue. With this definition in mind I go on to read Giorgio Agamben in resolutely ontological terms, arguing that his concepts of bare life and the exception are largely unintelligible if understood ontically. Instead, these concepts are part of a critique that has as its primary target not the ontic political systems and material institutions of modern states but rather the (negative) metaphysical ground of those systems. Political ontology insists on the intertwining of ontology and politics, claiming that theirs is a relation of mutual determination. (shrink)

Angelaki, Volume 16, Issue 4, Page 87-99, December 2011.

What is a rule, if it appears to become confused with life? And what is a human life, if, in every one of its gestures, of its words, and of its silences, it cannot be distinguished from the rule? It is to these questions that Agamben's new book turns by means of an impassioned reading of the fascinating and massive phenomenon of Western monasticism from Pachomius to St. Francis. The book reconstructs in detail the life of the monks with their (...) obsessive attention to temporal articulation and to the Rule, to ascetic techniques and to liturgy. But Agamben's thesis is that the true novelty of monasticism lies not in the confusion between life and norm, but in the discovery of a new dimension, in which "life" as such, perhaps for the first time, is affirmed in its autonomy, and in which the claim of the "highest poverty" and "use" challenges the law in ways that we must still grapple with today. How can we think a form-of-life, that is, a human life released from the grip of law, and a use of bodies and of the world that never becomes an appropriation? How can we think life as something not subject to ownership but only for common use? (shrink)

Angelaki, Volume 16, Issue 3, Page 117-123, September 2011.

Creation and salvation -- What is the contemporary? -- K. -- On the uses and disadvantages of living among specters -- On what we can not do -- Identity without the person -- Nudity -- The glorious body -- Hunger of an ox : considerations on the Sabbath, the feast, and inoperativity -- The last chapter in the history of the world.

What is an apparatus? -- The friend -- What is the contemporary?

What is a paradigm? -- Theory of signatures -- Philosophical archeology.

The Italian philosopher Giorgio Agamben has always been an original reader of texts, understanding their many rich and multiple historical, aesthetic, and political meanings and effects. In Profanations, Agamben has assembled for the first time some of his most pivotal essays on photography, the novel, and film. A meditation on memory and oblivion, on what is lost and what remains, Profanations proves yet again that Agamben is one of the most provocative writers of our time. In ten essays, Agamben ponders (...) a series of literary and philosophical problems: the relation among genius, ego, and theories of subjectivity; the problem of messianic time as explicated in both images and lived experience; parody as a literary paradigm; and the potential of magic to provide an ethical canon. The range of topics and themes addressed here attest to the creativity of Agamben's singular mode of thought and his persistent concern with the act of witnessing, sometimes futile, sometimes earth-shattering: the talking cricket in Pinocchio; "helpers" in Kafka's novels; pictorial representations of the Last Judgment, of anonymous female faces, and of "Rosebud," the infamous object of obsession in Citizen Kane. "In Praise of Profanity," the central essay of this small but dense book, confronts the question of profanity as the crucial political task of the moment. An act of resistance to every form of separation, the concept of profanation reorients perceptions of how power, consumption, and use interweave to produce an urgent political modality and desire: to profane the unprofanable. Agamben not only provides a new and potent theoretical model but describes it with a writerly style that itself forges inescapable links among literature, politics, and philosophy.Giorgio Agamben is Professor of Aesthetics at the University of Venice. His many publications include Homo Sacer: Sovereign Power and Bare Life, Remnants of Auschwitz: The Witness and the Archive, The Coming Community, and State of Exception. (shrink)

In The Time That Remains, Agamben seeks to separate the Pauline texts from the history of the Church that canonized them, thus revealing them to be "the fundamental messianic texts of the West.

The end of human history is an event that has been foreseen or announced by both messianics and dialecticians. But who is the protagonist of that history that is coming—or has come—to a close? What is man? How did he come on the scene? And how has he maintained his privileged place as the master of, or first among, the animals? In The Open, contemporary Italian philosopher Giorgio Agamben considers the ways in which the “human” has been thought of as (...) either a distinct and superior type of animal, or a kind of being that is essentially different from animal altogether. In an argument that ranges from ancient Greek, Christian, and Jewish texts to twentieth-century thinkers such as Heidegger, Benjamin, and Kojève, Agamben examines the ways in which the distinction between man and animal has been manufactured by the logical presuppositions of Western thought, and he investigates the profound implications that the man/animal distinction has had for disciplines as seemingly disparate as philosophy, law, anthropology, medicine, and politics. (shrink)

In this book, one of Italy's most important and original contemporary philosophers considers the status of art in the modern era. He takes seriously Hegel's claim that art has exhausted its spiritual vocation. He argues, however, that Hegel by no means proclaimed the 'death of art' (as many still imagine) but proclaimed rather the indefinite continuation of art in a 'self-annulling' mode. With astonishing breadth and originality, he probes the meaning, aesthetics, and historical consequences of that self-annulment. He argues that (...) the birth of modern aesthetics is the result of a series of schisms - such as between artist and spectator, genius and taste, and form and matter - that are manifestations of the deeper, self-negating yet self-perpetuating movement of irony. He offers an imaginative reinterpretation of the history of aesthetic theory from Kant to Heidegger. The final chapter offers a dazzling interpretation of Dürer's Melancholia. (shrink)

This book consists of prose pieces that find a new form of expression for philosophy, an expression showing the inseparability of idea and prose--the very form of truth.

Every written work can be regarded as the prologue (or rather, the broken cast) of a work never penned, and destined to remain so, because later works, ...

ExcerptModern government is essentially economic, disposing of its subjects by exposing them to the supposedly natural exigencies of capitalist exchange. To survive, the individual must “earn a living”—in other words, pay for the space that his life takes up. The payment is work, or tangibly effective action—action that proves, on an abstract and universal scale, the value of the subject's continued existence. The sheer necessity, for each individual, of such measurably valuable work is what forces his regular participation in the (...) economy that is the liberal market-state. In order to challenge this system, it seems, one must challenge the hegemony…. (shrink)

O presente artigo tem o objetivo de analisar a recepção da obra de Arendt a partir da categoria biopolítica. A categoria biopolítica instalou-se no centro do debate ético, político-filosófico contemporâneo, especialmente, após a requalificação de tal conceito dada por Foucault. Trata-se de mostrar que o termo biopolítica é anterior a Foucault, mas só com ele tal categoria adquiriu dimensão crítico-filosófica, considerando-o, no entanto, que é com Agamben que se dá a potencialização do debate acerca do tema biopolítica, exatamente, porque ele (...) inclui as reflexões de Arendt na trilha que leva à compreensão da naturalização da vida humana nas atuais configurações da sociedade. Assim, não obstante a inexistência de diálogo entre Arendt e Foucault, tenta-se analisar como, de alguma forma, Arendt, através da categoria campo de concentração e da centralidade da atividade do trabalho (labor), antecede e possibilita, no mundo moderno, a consistência analítica que a biopolítica passou a ter hodiernamente, argumentando que, apesar de a autora não usar o sintagma biopolítica, de alguma forma, o conceito, o campo de significação do termo, encontra-se efetivamente presente na obra de Arendt. (shrink)

Giorgio Agamben’s concepts of ‘the sovereign’, ‘state of exception’ and ‘bare life’ have been used by political theorists, particularly since the declaration of the Global War on Terror and during the more recent age of wars of humanitarian intervention, to conceptualize the sovereignty exercised by security states. These state processes have been mirrored by absolutization within some branches of political theory, conflating Foucauldian concepts of biopolitical sovereignty and circulatory governmentality with notions of absolutist rule, and narrowing optics for interpreting popular (...) mobilizations around gendered ‘human security’ projects, emergency regimes and moralizing repression. Suggesting more productive directions for theory, this article generates a close reading of female activists working in an unexpected industry in Egypt who have struggled to invert and subvert absolutist and moralizing framings and have generated their own theory through practice. The ‘Natashas of Cairo’ – well organized and transnationally linked belly dancers – successfully promoted gendered popular sovereignty in remarkable campaigns between 2002 and 2006, utilizing personal-rights litigation to create frameworks to render the absolutist state more accountable; establish labor solidarities that crossed international boundaries as well as class boundaries; and articulate an alternative moral regime for dance work that rejected both ‘pornification’ and the ‘respectability politics’ of professionalization. (shrink)