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103 found
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1 — 50 / 103
  1. added 2019-06-06
    Signatures of the Invisible: On Schizoanalysis and Visual Culture.Phillip Roberts - 2011 - Deleuze and Guatarri Studies 5 (2):151-162.
  2. added 2019-06-06
    Continuity of Singularities: Urban Architectures, Ecology and the Aesthetics of Restorative Orders.Brook Muller - 2007 - Environmental Philosophy 4 (1/2):179-191.
    Environmental designers employ ordering systems as a means of achieving spatial clarity and richness of organization while contending with the complexities that characterize design endeavors. This paper considers aesthetic potentialities when built and natural orders are considered together, specifically when an architectural investigation and ecological restoration are articulated as one integrated problem. After considering a range of approaches to the ordering the built and natural, I look to Gilles Deleuze and Felix Guattari’s notion of ‘continuity of singularities’ as intimating an (...)
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  3. added 2019-06-06
    Art Encounters Deleuze and Guattari: Thought Beyond Representation. [REVIEW]Adrian Parr - 2007 - Deleuze and Guatarri Studies 1 (1):79-82.
  4. added 2019-06-06
    Gestalts and Refrains: On the Musical Structure of Nature.Ted Toadvine - 2005 - Environmental Philosophy 2 (2):61-71.
    Western philosophy and culture have often posited a structural homology between music and nature. In a contemporary version of this association, deep ecologist Arne Naess proposes that the basic units of reality are hierarchically nested gestalts of a fundamentally relational character. I argue that Naess’s gestalt model fails to account for non-holistic or non-sensical experiences and for creative change in nature. I then suggest the concept of the “refrain”developed by Gilles Deleuze and Félix Guattari as the basis for an alternative (...)
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  5. added 2019-06-05
    Deconstructing Deleuze and Guattari's A Thousand Plateaus for Music Education. Jorgensen & Yob - 2013 - Journal of Aesthetic Education 47 (3):36.
    Gilles Deleuze and Felix Guattari’s work has been mined by writers about music and music education such as Ian Buchanan, Marcel Swiboda, Marianne Kielian-Gilbert, and Elizabeth Gould, as they have reflected on how music and music education should be construed. 1 Our present task is to examine critically Deleuze and Guattari’s ideas in our reading of their book A Thousand Plateaus: Capitalism and Schizophrenia, with a view to determining the merits of their ideas as a basis for a philosophy of (...)
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  6. added 2018-10-26
    The Threshold of The Invisible: Said, Conrad, and Imperialism.Russell Ford - 2006 - Philosophy Today 50 (4):463-476.
    Joseph Conrad’s Heart of Darkness is a frequent point of reference for Edward Said’s investigations into the various forces that structure and define the encounter of imperial societies with others. In Culture and Imperialism, Said explains the importance of Conrad’s novella by linking it to his concept of culture as the aesthetic acme of a society that simultaneously marks it and divides it from others. In Heart of Darkness, Said claims, we have a narrative that challenges its own imperial society (...)
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  7. added 2016-04-14
    Bricolage.Dustin Garlitz - 2015 - In Daniel T. Cook & J. Michael Ryan (eds.), The Wiley Blackwell Encyclopedia of Consumption and Consumer Studies. Wiley-Blackwell.
    Bricolage is a type of construction achieved by using whatever materials are at hand, or the act of creating something from a diverse range of available materials. More generally, bricolage essentially stands for do-it-yourself, and in the field of contemporary consumer studies it can be thought of a theoretical foundation of do-it-yourself (DIY) culture. The individual who practices bricolage is known as a bricoleur, and is regarded as a sort of Jack-of-all-trades.
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  8. added 2016-01-01
    Deleuze-Guattari: machine à écrire. [REVIEW]Pascal Sévérac - forthcoming - Rue Descartes.
  9. added 2016-01-01
    Ambivalent Screens: Quentin Tarantino and the Power of Vision.Frida Beckman - 2015 - Film-Philosophy 19 (1):85-104.
    Reveling in the self-reflexive and the metacinematic, Quentin Tarantino's films are often associated with a Baudrillardian postmodernity. His most recent Inglorious Basterds continues in the same self-referential vein as his earlier films but adds a blatant falsification of history which pushes the question of the reality and images even further. But, this essay asks, is a Baudrillardian perspective the most fruitful one in comprehending the creative potential of Tarantino's latest film? Moving from Baudrillard through Virilio to Deleuze and Guattari, the (...)
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  10. added 2016-01-01
    Structuralism's Afters: Tracing Transdisciplinarity Through Guattari and Latour.E. Alliez - 2015 - Theory, Culture and Society 32 (5-6):139-158.
    This article analyses Guattari's and Latour's bodies of work as radical developers of a processual and ontological transdisciplinarity. These works impose a definitive break from the history that, in the 1960s, had drawn upon structuralism in order to oppose philosophy with an epistemological revolution from the perspective of a scientific problematization and first transdisciplinary reconfiguration of the sciences de l'homme. It is shown that the second anti-structuralist transdisciplinarity affirms as its raison dêtre "the necessity to return to Pragmatics", to enact (...)
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  11. added 2016-01-01
    Intensities and Lines of Flight: Deleuze/Guattari and the Arts.Antonio Calcagno, Jim Vernon & Steve G. Lofts (eds.) - 2014 - Rowman & Littlefield International.
    A rich collection of critical essays, authored by philosophers and practicing artists, examining Deleuze and Guattari's engagement with a broad range of art forms.
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  12. added 2016-01-01
    Netting Fins: A Deleuzian Exploration of Linguistic Invention in Virginia Woolf's The Waves.Jason Skeet - 2013 - Deleuze and Guatarri Studies 7 (4):475-495.
    Linguistic invention is a key feature of Virginia Woolf's novel The Waves. An exploration of its innovative verbal and syntactic procedures can add to an understanding of Woolf's importance for the philosophical thought of Gilles Deleuze . In A Thousand Plateaus, The Waves is used to exemplify an ontology of becoming. However, in their reference to The Waves, Deleuze and Guattari only draw attention to what they term the ‘vibrations, shifting borderlines’ between and across characters in the novel. Given Deleuze's (...)
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  13. added 2016-01-01
    Aphorismes Sur l'Éco-Design.Félix Guattari - 2013 - Multitudes 53 (2):214.
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  14. added 2016-01-01
    The Melodic Landscape: Chinese Mountains in Painting-Poetry and Deleuze/Guattari's Refrains.Kin Yuen Wong - 2013 - Deleuze and Guatarri Studies 7 (3):360-376.
    By melodic landscape, this paper points to natural milieus such as mountains whose motifs are caught up in contrapuntal relations. With Merleau-Ponty, the structure of the world is a symphony, and the production of life which implicates both organism and environment as unfurling of Umwelt is ‘a melody that sings itself’. For the Chinese culture, mountains have been deemed virtuous in Confucianism, immortal by Daoists, and spiritual for a Buddhist to reach a substrate level of pure stream of a-subjective consciousness. (...)
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  15. added 2016-01-01
    Refraining Photography for a Post-Media Era.Rob Coley, Dean Lockwood & Adam OMeara - unknown
    The paper’s principal claim to originality lies in its deployment of Deleuze and Guattari’s concept of the ‘refrain’ in thinking the ‘resingularization’ of photography in the context of new media ecologies and the promise of what Guattari calls a ‘post-media era’. The paper itself constitutes a refrain and is structured according to the three moments of any refraining. Firstly, a refrain is a spatio-temporalization, a way of marking out space, keeping time and assembling and activating subjectivity. At its most rudimentary, (...)
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  16. added 2016-01-01
    ‘The Reality of Becoming’: Deleuze, Woolf and the Territory of Cows.Derek Ryan - 2013 - Deleuze and Guatarri Studies 7 (4):537-561.
    Woolf's modernist animals affected Deleuze and Guattari's animal philosophy, as they describe in A Thousand Plateaus. This essay focuses on the significance of these references to Woolf's aesthetics for Deleuzian philosophy, whilst also considering how we can better understand Woolf's broader exploration of animality through close engagement with Deleuze's conceptual framework . In mapping various appearances of one of the oldest domesticated animals, cows, in the work of both, the essay builds an argument about the shared bovine territory in their (...)
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  17. added 2016-01-01
    I'm Glad I'm Not Me: Subjective Dissolution, Schizoanalysis and Post-Structuralist Ethics in the Films of Todd Haynes.Helen Darby - 2013 - Film-Philosophy 17 (1):330-347.
    This article reads a selection of films by Todd Haynes - Superstar: The Karen Carpenter Story (1987), Velvet Goldmine (1998) and I'm Not There (2007) - through the post-structuralist lens of Deleuzian theorising about the self as a networked singularity rather than an essential subject. The overall aim of the piece is to consider Haynes' films as artefacts that require the participatory audience to be involved in their making. Gilles Deleuze and Felix Guattari's concept of the schizo is addressed to (...)
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  18. added 2016-01-01
    Dead Letters.Russell Ford - 2013 - LIT: Literature Interpretation Theory 24 (4):299-317.
    This essay considers Richard Calder’s Dead trilogy as an important contribution to the argument concerning how pornography’s pernicious effects might be mitigated or disrupted. Paying close attention to the way that Calder uses the rhetoric of fiction to challenge pornographic stereotypes that have achieved hegemonic status, the essay argues that Calder’s trilogy provides an important link between debates about pornography and contemporary philosophical discussions of alterity and community. Finally, it argues that, for Calder, sexuality is implicitly predicated on a reconceptualization (...)
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  19. added 2016-01-01
    The Creation of the Concept Through the Interaction of Philosophy with Science and Art.Mathias Schönher - 2013 - Deleuze and Guatarri Studies 7 (1):26-52.
    In What Is Philosophy? we find philosophy devised as that power of thinking and creating which, in a division of labour with science and art, creates the concept. This division of labour points to the free interplay of Reason, Understanding and Imagination in Kant's Critique of Judgement and enables us to affirm, without obliterating the differences in kind, the non-hierarchical relationship between the three forms of thought that is asserted by Deleuze and Guattari. However, as powers of thinking and creating, (...)
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  20. added 2016-01-01
    Guattari TV, By Kafka.Gary Genosko - 2012 - Deleuze and Guatarri Studies 6 (2):210-223.
    Guattari looked for crossovers between film and television in a posthumously published ‘Project for a Film By Kafka’. His critical comments on television and the mixed reception of television within the Deleuzo-Guattarian literature provide the occasion for an investigation of what Guattari thought television could do for his project. The auteur model best suits his needs in this regard, with the proviso that it is animated by a modernist aesthetic oriented towards the conjuring of a people to come who would (...)
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  21. added 2016-01-01
    Guattari and Japan.Toshiya Ueno - 2012 - Deleuze and Guatarri Studies 6 (2):187-209.
    Revisiting Guattari's visits to Japan in the 1980s during the country's ‘bubble economy’, this paper investigates from a personal perspective the Radio Homerun mini-FM station as well as other stops on Guattari's Tokyo ‘pilgrimage’. Guattari's reception and influence in Japan is contextualised through the writer Kõbõ Abe and philosopher Kiyoteru Hanada, in addition to the groundbreaking work of Tetsuo Kogawa, against the backdrop of the rise of postmodernism. Similarities between Guattari's sense of Japan and Brazil are then broached.
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  22. added 2016-01-01
    Deleuze, Guattari et Marx.Isabelle Garo & Anne Sauvagnargues - 2012 - Actuel Marx 52 (2):11-27.
    Dans ce dossier, le rapport de Deleuze et Guattari au Marxisme est appréhendé principalement par l’intermédiaire de ces deux ouvrages majeurs que sont L’Anti-Œdipe et Mille plateaux. En guise d’introduction aux articles qui suivent, nous avons souhaité revenir sur la trajectoire spécifique de ces deux auteurs et sur la manière dont leur propre rapport à Marx s’inscrit dans une période où le signifiant « Marx » était surchargé d’enjeux théoriques et politiques et objet de stratégies d’appropriation diverses. Nous avons interrogé (...)
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  23. added 2016-01-01
    Socrates.Félix Guattari - 2012 - Deleuze and Guatarri Studies 6 (2):173-186.
  24. added 2016-01-01
    Go Fractalactic! A Brief Guide Through Subjectivity in the Philosophy of Félix Guattari and Transversal Poetics.Bryan Reynolds & Adam Bryx - 2012 - Deleuze and Guatarri Studies 6 (2):291-305.
    We adventure becomings-Merry Pranksters with Félix Guattari on Ken Kesey's magic bus to resonate the group's transversality that we already affect subjunctively, individually and plurally from which our subjectivities crystallise collectively and independently with intensive-extensions to go viscerallectric and fractalactic. Yet in-process, before our consciousnesses go motored, we swim with jet streams of both Guattari and transversal poetics to navigate subjective affects by which wilful parameterisations achieve desirable eventualisations.
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  25. added 2016-01-01
    Postcolonial Literatures and Deleuze.Birgit Kaiser & Lorna Burns (eds.) - 2012 - Palgrave.
  26. added 2016-01-01
    On Feeling Political: Negotiating (Within) Affective Landscapes and Soundscapes.Jean-Thomas Tremblay - 2012 - PhaenEx 7 (2):96-123.
    This article generates an affective hermeneutics of the political. The research question, What is feeling political? is, at first, refined through the oeuvre of political theorist Simone Weil, whose focus on experience, involvement and attention highlights the role of sentience in political life. The inescapable normativity of Weil’s texts calls for an alternative approach to the question at hand, one that acknowledges the inevitability of the phenomenon of feeling political. In order to produce such an approach, the realm in which (...)
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  27. added 2016-01-01
    A alTermodernidade de niColAS bourriAud.Ricardo Nascimento Fabbrini - 2012 - Trans/Form/Ação 35 (3):259-266.
    É rara uma reflexão engenhosa sobre arte contemporânea como a do filósofo, crítico, editor e curador francês Nicolas Bourriaud. Conhecido do público brasileiro por sua participação nos “Seminários da 27ª Bienal de São Paulo”, em 2006, e pela publicação de Estética Relacional e de Pós-produção: como a arte reprograma o mundo contemporâneo, em 2009, Bourriaud tornouse referência no estudo das artes visuais a partir anos 1990. Sua ensaística vigorosa, não destituída de rigor, que mobiliza autores como Gilles Deleuze, Félix Guattari, (...)
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  28. added 2016-01-01
    What is Nomad Art? A Benjaminian Reading of Deleuze's Riegl.Jay Hetrick - 2012 - Deleuze and Guatarri Studies 6 (1):27-41.
    In A Thousand Plateaus, Deleuze and Guattari offer a description of what they call ‘nomad art’ by detailing its three primary characteristics: close-range vision, haptic space, and abstract line. In an attempt to unpack the significance of this provocative term, this paper will sketch the provenance of the first two of these characteristics, both of which come from Deleuze and Guattari's particular reading of Alois Riegl. Together, close-range vision and haptic space delineate the synaesthetic vision of the artist as well (...)
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  29. added 2016-01-01
    To Be or Not to Be Socrates: Introduction to the Translation of Félix Guattari's Socrates.Flore Garcin-Marrou - 2012 - Deleuze and Guatarri Studies 6 (2):170-172.
    The Fonds Guattari contain a number of unpublished manuscripts catalogued under the title of ‘écrits littéraires’ which include a set of theatrical dialogues. Noting the scope of these titles, as well as their likely models, Guattari's theatrical practices are introduced with reference to the only play that was actually staged, Socrates, courtesy of Enzo Cormann at the Théâtre Ouvert, in Paris, in 1988.
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  30. added 2016-01-01
    Deleuze and the Aesthetics of Relation.Spencer Roberts - unknown
    Deleuze' philosophy is strongly oriented by process philosophical themes. That is to say, it expresses a concern with process, relation and the absolute ontological priority of the new. The neutrality of the concepts of process and relation confer upon Deleuzean philosophy an at once inter and trans-disciplinary character. More specifically, Deleuze' contingent, processual characterisation of relation encompasses both cross-disciplinary contact, and individual disciplinary transformation. He famously stresses the empiricist notion that “relations are external to their terms”. Whilst the concept of (...)
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  31. added 2016-01-01
    Mobile Affects, Open Secrets, and Global Illiquidity: Pockets, Pools, and Plasma.G. J. Seigworth & M. Tiessen - 2012 - Theory, Culture and Society 29 (6):47-77.
    This article will take up Deleuze and Guattari’s allusive yet insightful writings on ‘the secret’ by considering the secret across three intermingling registers or modulations: as content , as form , and as expression . Setting the secret in relation to evolving modes of technological mediation and sociality as respectively pocket, pooling, and plasma, the article works through a trio of examples in order to understand the contemporary movements of secrets: the memories of secrets evoked in an intimately interactive music (...)
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  32. added 2016-01-01
    … And … and … and … The Transversal Politics of Performative Encounters.Anja Kanngieser - 2012 - Deleuze and Guatarri Studies 6 (2):265-290.
    This paper examines Guattari's notion of transversality through a creative and ambiguous form of political intervention, the performative encounter. Drawing from Guattari's work on subject groups, in combination with Deleuze's conjunctive ‘and’, via contemporary theorisations of creative activism and affect, it maps out a movement that destabilises categorical dualisms between activists and non-activists, artists and non-artists. It proposes that transversals such as those enacted by the performative encounter open spaces for the emergence of new subjectivities, relations and worlds. In doing (...)
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  33. added 2016-01-01
    Deleuze's Literary Clinic: Criticism and the Politics of Symptoms.Aidan Tynan - unknown
    Aidan Tynan addresses Deleuze's assertion that 'literature is an enterprise of health' and shows how a concern of health and illness was a characteristic of his philosophy as a whole, from his earliest works to his groundbreaking collaborations with Guattari, to his final, enigmatic statements on 'life'. He explains why alcoholism, anorexia, manic depression and schizophrenia are key concepts in Deleuze's literary theory, and shows how, with the turn to schizoanalysis, literature takes on a crucial political and ethical role in (...)
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  34. added 2016-01-01
    Art as Abstract Machine: Guattari's Modernist Aesthetics.Stephen Zepke - 2012 - Deleuze and Guatarri Studies 6 (2):224-239.
    Felix Guattari was a modernist. He not only liked a lot of modernist artists, but his ‘aesthetic paradigm’ found its generative diagram in modern art. The most important aspect of this diagram was its insistence on the production of the new, the way it produced a utopian projection of a ‘people to come’, and so a politics whose only horizon was the future. Also important for Guattari's diagram of the ‘modern’ were the forces of abstraction, autonomy and immanent critique. Together (...)
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  35. added 2016-01-01
    Cinesexuality.Patricia MacCormack - unknown
    Cinesexuality explores the queerness of cinema spectatorship, arguing that cinema spectatorship represents a unique encounter of desire, pleasure and perversion beyond dialectics of subject/object and image/meaning; an extraordinary 'cinesexual' relationship, that encompasses each event of cinema spectatorship in excess of gender, hetero- or homosexuality, encouraging all spectators to challenge traditional notions of what elicits pleasure and constitutes desiring subjectivity. Through a variety of cinematic examples, including abstract film, extreme films and films which present perverse sexuality and corporeal reconfiguration, Cinesexuality encourages (...)
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  36. added 2016-01-01
    Dramatization as Method in Political Theory.Iain Mackenzie & Robert Porter - 2011 - Contemporary Political Theory 10 (4):482-501.
    The aim of this article is to give an account of a methodological link between drama and political theory. This account is drawn primarily from the early philosophical work of Deleuze. Following Deleuze, we will refer to it as ‘the method of dramatization’. We will argue that dramatization is a method aimed at determining the quality of political concepts by ‘bringing them to life’, in the way that dramatic performances bring to life the characters and themes of a play-script. We (...)
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  37. added 2016-01-01
    Carne ou Afecto: fronteiras entre Merleau-Ponty e Deleuze-Guattari.Reinaldo Furlan - 2011 - Doispontos 8 (2).
    First, we investigate the pertinence of Deleuze-Guattari's criticisms to the philosophy of the flesh, in Merleau-Ponty, particularly this criticism of introducing the image of the transcendent in the immanence of the experience. Finally, we outline the possibility of the affection concept in Deleuze-Guattari be a way of addressing the ontological issue that Merleau-Ponty faced, overcoming the boundaries of the flesh concept, particularly the one of the supposed ambiguity still present in the pair "flesh of the world" and my flesh, according (...)
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  38. added 2016-01-01
    Actual Image | Virtual Cut: Schizoanalysis and Montage.Hanjo Berressem - 2011 - Deleuze and Guatarri Studies 5 (2):177-208.
    If a machine is something that cuts into a continuous flow, schizoanalysis can be read, quite literally, as an analysis of cuts. In cinematic registers, it is an analysis of montage. Looking closely at a number of modes and moments of montage in the work of Alfred Hitchcock, this paper shows how his strategies of ‘reciprocally presupposing’ actual image and virtual montage relate to a Deleuzian poetics and politics of the cinema.
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  39. added 2016-01-01
    Escaping the Cave: The Communicative Origins of Architecture.Geoff Matthews - unknown
    Through a study of language this paper explores the ironic possibility that a turning point in human communication as an environment shaping practice may help explain architecture’s prehistoric origins and its persistence. The paper begins with an Apology – a validation of the project. The practical effects of postmodernity can be identified with the hybridization of spatial phenomena and the implosion of media. Architecture, it seems, has become more complicated than the etymology of the word suggests; the architect – archi (...)
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  40. added 2016-01-01
    Desired Machines: Cinema and the World in Its Own Image.Jimena Canales - 2011 - Science in Context 24 (3):329-359.
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  41. added 2016-01-01
    The Anthrobiogeomorphic Machine: Stalking the Zone of Cinema.Adrian J. Ivakhiv - 2011 - Film-Philosophy 15 (1):118-139.
    This article proposes an ecophilosophy of the cinema. It builds on Martin Heidegger’s articulation of art as ‘world-disclosing,’ and on a Whiteheadian and Deleuzian understanding of the universe as a lively and eventful place in which subjects and objects are persistently coming into being, jointly constituted in the process of their becoming. Accordingly, it proposes that cinema be considered a machine that produces or discloses worlds. These worlds are, at once, anthropomorphic, geomorphic, and biomorphic, with each of these registers mapping (...)
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  42. added 2016-01-01
    Dramatizing the Political: Deleuze and Guattari.Iain M. Mackenzie - 2011 - Palgrave-Macmillan.
    Introduction -- Deleuze and Guattari and political theory -- Dramatization as critical method -- Dramatization : the ontological claims -- Language and the method of dramatization -- Cinema and the method of dramatization -- Events and the method of dramatization -- Conclusion.
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  43. added 2016-01-01
    Limitaciones de la metáfora de la inmersión en la comprensión de novela e Internet como espacios virtuales análogos.Enrique Ferrari Nieto - 2011 - Revista de Filosofía (Madrid) 36 (2):157-178.
    The first studies in Philosophy that studied digital technology did not specify the characteristics of its various technical applications or instruments. They looked at the virtual reality and used the metaphor of immersion to study the set of all technological developments, as had been done before with the novel. Thus, Internet is misunderstood by many experts as virtuality (next to Baudrillard), rather than linking its hypertext system closer to other theories like those proposed by Deleuze and Guattari or Bourriaud.
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  44. added 2016-01-01
    Encounters : Affect, Individuation, and Territory in Deleuze & Guattari.Janne Vanhanen - 2010 - In Kuisma Korhonen & Pajari Räsänen (eds.), The Event of Encounter in Art and Philosophy: Continental Perspectives. Gaudeamus.
  45. added 2016-01-01
    Guattari's Aesthetic Paradigm: From the Folding of the Finite/Infinite Relation to Schizoanalytic Metamodelisation.Simon O'Sullivan - 2010 - Deleuze and Guatarri Studies 4 (2):256-286.
    This article offers two commentaries on two of Félix Guattari's essays from Chaosmosis: ‘The New Aesthetic Paradigm’ and ‘Schizoanalytic Metamodelisation’. The first commentary attends specifically to how Guattari figures the infinite/finite relation in relation to what he calls the three Assemblages (pre-, extant, and post-capitalism) and then even more specifically to the mechanics of this relation – or folding – within the third ‘processual’ Assemblage or new aesthetic paradigm of the essay's title. The second commentary looks at what Guattari has (...)
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  46. added 2016-01-01
    Making Restorative Sense with Deleuzian Morality, Art Brut and the Schizophrenic.Lorna Collins - 2010 - Deleuze and Guatarri Studies 4 (2):234-255.
    The essay consists of three parts: the first argues that Deleuze's moral philosophy in The Logic of Sense provides an ethical model of counter-actualisation; the second shows how three different practices of art therapy offer a means to effect this counter-actualisation and thereby demonstrate the restorative power of art; the third explores how such a power might form part of what Guattari calls the ‘ethico-aesthetic paradigm’ (Guattari 1995).
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  47. added 2016-01-01
    Minor Houses/Minor Architecture.T. Hugh Crawford - 2010 - AI and Society 25 (4):379-385.
    Deleuze and Guattari develop a notion of “minor literature” in their short book on Kafka, and the opposition major/minor has been used with varying degrees of success by critics working in a range of disciplines including architectural theory. Teasing out the potentially subversive implications of the major/minor opposition requires reading it in relation to other binarisms developed by Deleuze and Guattari in those same years, e.g., state/nomadic science, striated/smooth space, optic/haptic, as well as Guattari’s useful concept “machinic heterogenesis.” Then, one (...)
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  48. added 2016-01-01
    Visual Art and Education in an Era of Designer Capitalism: Deconstructing the Oral Eye.Jan Jagodzinski - 2010 - Palgrave-Macmillan.
    The oral eye is a metaphor for the dominance of global designer capitalism. It refers to the consumerism of a designer aesthetic by the ‘I’ of the neoliberalist subject, as well as the aural soundscapes that accompany the hegemony of the capturing attention through screen cultures. An attempt is made to articulate the historical emergence of such a synoptic machinic regime drawing on Badiou, Bellmer, Deleuze, Guattari, Lacan, Rancière, Virilio, Ziarek, and Žižek to explore contemporary art (post-Situationism) and visual cultural (...)
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  49. added 2016-01-01
    Ian Buchanan and Patricia MacCormack, Eds. (2008) Deleuze and the Schizoanalysis of Cinema.Micki Nyman - 2010 - Film-Philosophy 14 (1):387-391.
  50. added 2016-01-01
    Music for a Blind Idiot God: Towards a Weird Ecology of Noise.Dean Lockwood - unknown
    This paper is about how the horror of noise has been expressed in the work of some writers, fiction and theory, who have detected a certain alien weirdness lurking in the human voice. I link this to Deleuze and Guattari’s discussion of ‘becoming-animal’, in which a ‘strange ecology’ is described. ‘We sorcerors’, they say, are drawn to experimental alliances with nature. The ‘sorceror’ is admitted to a multitudinous, teeming space and opened up to the immanent alien. H. P. Lovecraft’s weird (...)
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