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103 found
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1 — 50 / 103
  1. Deleuze-Guattari: machine à écrire. [REVIEW]Pascal Sévérac - forthcoming - Rue Descartes.
  2. Structuralism's Afters: Tracing Transdisciplinarity Through Guattari and Latour.Eric Alliez - 2015 - Theory, Culture and Society 32 (5-6):139-158.
    This article analyses Guattari's and Latour's bodies of work as radical developers of a processual and ontological transdisciplinarity. These works impose a definitive break from the history that, in the 1960s, had drawn upon structuralism in order to oppose philosophy with an epistemological revolution from the perspective of a scientific problematization and first transdisciplinary reconfiguration of the sciences de l'homme. It is shown that the second anti-structuralist transdisciplinarity affirms as its raison dêtre "the necessity to return to Pragmatics", to enact (...)
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  3. Ambivalent Screens: Quentin Tarantino and the Power of Vision.Frida Beckman - 2015 - Film-Philosophy 19 (1):85-104.
    Reveling in the self-reflexive and the metacinematic, Quentin Tarantino's films are often associated with a Baudrillardian postmodernity. His most recent Inglorious Basterds continues in the same self-referential vein as his earlier films but adds a blatant falsification of history which pushes the question of the reality and images even further. But, this essay asks, is a Baudrillardian perspective the most fruitful one in comprehending the creative potential of Tarantino's latest film? Moving from Baudrillard through Virilio to Deleuze and Guattari, the (...)
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  4. Bricolage.Dustin Garlitz - 2015 - In Daniel T. Cook & J. Michael Ryan (eds.), The Wiley Blackwell Encyclopedia of Consumption and Consumer Studies. Wiley-Blackwell.
    Bricolage is a type of construction achieved by using whatever materials are at hand, or the act of creating something from a diverse range of available materials. More generally, bricolage essentially stands for do-it-yourself, and in the field of contemporary consumer studies it can be thought of a theoretical foundation of do-it-yourself (DIY) culture. The individual who practices bricolage is known as a bricoleur, and is regarded as a sort of Jack-of-all-trades.
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  5. Intensities and Lines of Flight: Deleuze/Guattari and the Arts.Antonio Calcagno, Jim Vernon & Steve G. Lofts (eds.) - 2014 - Rowman & Littlefield International.
    A rich collection of critical essays, authored by philosophers and practicing artists, examining Deleuze and Guattari's engagement with a broad range of art forms.
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  6. I'm Glad I'm Not Me: Subjective Dissolution, Schizoanalysis and Post-Structuralist Ethics in the Films of Todd Haynes.Helen Darby - 2013 - Film-Philosophy 17 (1):330-347.
    This article reads a selection of films by Todd Haynes - Superstar: The Karen Carpenter Story (1987), Velvet Goldmine (1998) and I'm Not There (2007) - through the post-structuralist lens of Deleuzian theorising about the self as a networked singularity rather than an essential subject. The overall aim of the piece is to consider Haynes' films as artefacts that require the participatory audience to be involved in their making. Gilles Deleuze and Felix Guattari's concept of the schizo is addressed to (...)
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  7. Dead Letters.Russell Ford - 2013 - LIT: Literature Interpretation Theory 24 (4):299-317.
    This essay considers Richard Calder’s Dead trilogy as an important contribution to the argument concerning how pornography’s pernicious effects might be mitigated or disrupted. Paying close attention to the way that Calder uses the rhetoric of fiction to challenge pornographic stereotypes that have achieved hegemonic status, the essay argues that Calder’s trilogy provides an important link between debates about pornography and contemporary philosophical discussions of alterity and community. Finally, it argues that, for Calder, sexuality is implicitly predicated on a reconceptualization (...)
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  8. Aphorismes Sur l'Éco-Design.Félix Guattari - 2013 - Multitudes 53 (2):214.
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  9. Deconstructing Deleuze and Guattari's A Thousand Plateaus for Music Education. Jorgensen & Yob - 2013 - Journal of Aesthetic Education 47 (3):36.
    Gilles Deleuze and Felix Guattari’s work has been mined by writers about music and music education such as Ian Buchanan, Marcel Swiboda, Marianne Kielian-Gilbert, and Elizabeth Gould, as they have reflected on how music and music education should be construed. 1 Our present task is to examine critically Deleuze and Guattari’s ideas in our reading of their book A Thousand Plateaus: Capitalism and Schizophrenia, with a view to determining the merits of their ideas as a basis for a philosophy of (...)
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  10. ‘The Reality of Becoming’: Deleuze, Woolf and the Territory of Cows.Derek Ryan - 2013 - Deleuze and Guatarri Studies 7 (4):537-561.
    Woolf's modernist animals affected Deleuze and Guattari's animal philosophy, as they describe in A Thousand Plateaus. This essay focuses on the significance of these references to Woolf's aesthetics for Deleuzian philosophy, whilst also considering how we can better understand Woolf's broader exploration of animality through close engagement with Deleuze's conceptual framework . In mapping various appearances of one of the oldest domesticated animals, cows, in the work of both, the essay builds an argument about the shared bovine territory in their (...)
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  11. The Creation of the Concept Through the Interaction of Philosophy with Science and Art.Mathias Schönher - 2013 - Deleuze and Guatarri Studies 7 (1):26-52.
    In What Is Philosophy? we find philosophy devised as that power of thinking and creating which, in a division of labour with science and art, creates the concept. This division of labour points to the free interplay of Reason, Understanding and Imagination in Kant's Critique of Judgement and enables us to affirm, without obliterating the differences in kind, the non-hierarchical relationship between the three forms of thought that is asserted by Deleuze and Guattari. However, as powers of thinking and creating, (...)
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  12. Netting Fins: A Deleuzian Exploration of Linguistic Invention in Virginia Woolf's The Waves.Jason Skeet - 2013 - Deleuze and Guatarri Studies 7 (4):475-495.
    Linguistic invention is a key feature of Virginia Woolf's novel The Waves. An exploration of its innovative verbal and syntactic procedures can add to an understanding of Woolf's importance for the philosophical thought of Gilles Deleuze . In A Thousand Plateaus, The Waves is used to exemplify an ontology of becoming. However, in their reference to The Waves, Deleuze and Guattari only draw attention to what they term the ‘vibrations, shifting borderlines’ between and across characters in the novel. Given Deleuze's (...)
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  13. The Melodic Landscape: Chinese Mountains in Painting-Poetry and Deleuze/Guattari's Refrains.Kin Yuen Wong - 2013 - Deleuze and Guatarri Studies 7 (3):360-376.
    By melodic landscape, this paper points to natural milieus such as mountains whose motifs are caught up in contrapuntal relations. With Merleau-Ponty, the structure of the world is a symphony, and the production of life which implicates both organism and environment as unfurling of Umwelt is ‘a melody that sings itself’. For the Chinese culture, mountains have been deemed virtuous in Confucianism, immortal by Daoists, and spiritual for a Buddhist to reach a substrate level of pure stream of a-subjective consciousness. (...)
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  14. Literature, Ethics, and Aesthetics: Applied Deleuze and Guattari.Sabrina Achilles - 2012 - Palgrave-Macmillan.
    Introduction: the literary function -- Being constructivist -- Rethinking the performative in pragmatics -- The literary function and the cartographic turn: performative philosophy -- The literary function and society, I: affirmation of immanent aesthetics -- The literary function and society, II: community and subjectification -- The reader and the event of fiction -- Conclusion: degrees of freedom.
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  15. A alTermodernidade de niColAS bourriAud.Ricardo Nascimento Fabbrini - 2012 - Trans/Form/Ação 35 (3):259-266.
    É rara uma reflexão engenhosa sobre arte contemporânea como a do filósofo, crítico, editor e curador francês Nicolas Bourriaud. Conhecido do público brasileiro por sua participação nos “Seminários da 27ª Bienal de São Paulo”, em 2006, e pela publicação de Estética Relacional e de Pós-produção: como a arte reprograma o mundo contemporâneo, em 2009, Bourriaud tornouse referência no estudo das artes visuais a partir anos 1990. Sua ensaística vigorosa, não destituída de rigor, que mobiliza autores como Gilles Deleuze, Félix Guattari, (...)
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  16. To Be or Not to Be Socrates: Introduction to the Translation of Félix Guattari's Socrates.Flore Garcin-Marrou - 2012 - Deleuze and Guatarri Studies 6 (2):170-172.
    The Fonds Guattari contain a number of unpublished manuscripts catalogued under the title of ‘écrits littéraires’ which include a set of theatrical dialogues. Noting the scope of these titles, as well as their likely models, Guattari's theatrical practices are introduced with reference to the only play that was actually staged, Socrates, courtesy of Enzo Cormann at the Théâtre Ouvert, in Paris, in 1988.
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  17. Deleuze, Guattari et Marx.Isabelle Garo & Anne Sauvagnargues - 2012 - Actuel Marx 52 (2):11-27.
    Dans ce dossier, le rapport de Deleuze et Guattari au Marxisme est appréhendé principalement par l’intermédiaire de ces deux ouvrages majeurs que sont L’Anti-Œdipe et Mille plateaux. En guise d’introduction aux articles qui suivent, nous avons souhaité revenir sur la trajectoire spécifique de ces deux auteurs et sur la manière dont leur propre rapport à Marx s’inscrit dans une période où le signifiant « Marx » était surchargé d’enjeux théoriques et politiques et objet de stratégies d’appropriation diverses. Nous avons interrogé (...)
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  18. Guattari TV, By Kafka.Gary Genosko - 2012 - Deleuze and Guatarri Studies 6 (2):210-223.
    Guattari looked for crossovers between film and television in a posthumously published ‘Project for a Film By Kafka’. His critical comments on television and the mixed reception of television within the Deleuzo-Guattarian literature provide the occasion for an investigation of what Guattari thought television could do for his project. The auteur model best suits his needs in this regard, with the proviso that it is animated by a modernist aesthetic oriented towards the conjuring of a people to come who would (...)
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  19. Socrates.Félix Guattari - 2012 - Deleuze and Guatarri Studies 6 (2):173-186.
  20. What is Nomad Art? A Benjaminian Reading of Deleuze's Riegl.Jay Hetrick - 2012 - Deleuze and Guatarri Studies 6 (1):27-41.
    In A Thousand Plateaus, Deleuze and Guattari offer a description of what they call ‘nomad art’ by detailing its three primary characteristics: close-range vision, haptic space, and abstract line. In an attempt to unpack the significance of this provocative term, this paper will sketch the provenance of the first two of these characteristics, both of which come from Deleuze and Guattari's particular reading of Alois Riegl. Together, close-range vision and haptic space delineate the synaesthetic vision of the artist as well (...)
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  21. Postcolonial Literatures and Deleuze.Birgit Kaiser & Lorna Burns (eds.) - 2012 - Palgrave.
  22. … And … and … and … The Transversal Politics of Performative Encounters.Anja Kanngieser - 2012 - Deleuze and Guatarri Studies 6 (2):265-290.
    This paper examines Guattari's notion of transversality through a creative and ambiguous form of political intervention, the performative encounter. Drawing from Guattari's work on subject groups, in combination with Deleuze's conjunctive ‘and’, via contemporary theorisations of creative activism and affect, it maps out a movement that destabilises categorical dualisms between activists and non-activists, artists and non-artists. It proposes that transversals such as those enacted by the performative encounter open spaces for the emergence of new subjectivities, relations and worlds. In doing (...)
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  23. Go Fractalactic! A Brief Guide Through Subjectivity in the Philosophy of Félix Guattari and Transversal Poetics.Bryan Reynolds & Adam Bryx - 2012 - Deleuze and Guatarri Studies 6 (2):291-305.
    We adventure becomings-Merry Pranksters with Félix Guattari on Ken Kesey's magic bus to resonate the group's transversality that we already affect subjunctively, individually and plurally from which our subjectivities crystallise collectively and independently with intensive-extensions to go viscerallectric and fractalactic. Yet in-process, before our consciousnesses go motored, we swim with jet streams of both Guattari and transversal poetics to navigate subjective affects by which wilful parameterisations achieve desirable eventualisations.
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  24. Mobile Affects, Open Secrets, and Global Illiquidity: Pockets, Pools, and Plasma.G. J. Seigworth & M. Tiessen - 2012 - Theory, Culture and Society 29 (6):47-77.
    This article will take up Deleuze and Guattari’s allusive yet insightful writings on ‘the secret’ by considering the secret across three intermingling registers or modulations: as content , as form , and as expression . Setting the secret in relation to evolving modes of technological mediation and sociality as respectively pocket, pooling, and plasma, the article works through a trio of examples in order to understand the contemporary movements of secrets: the memories of secrets evoked in an intimately interactive music (...)
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  25. On Feeling Political: Negotiating (Within) Affective Landscapes and Soundscapes.Jean-Thomas Tremblay - 2012 - PhaenEx 7 (2):96-123.
    This article generates an affective hermeneutics of the political. The research question, What is feeling political? is, at first, refined through the oeuvre of political theorist Simone Weil, whose focus on experience, involvement and attention highlights the role of sentience in political life. The inescapable normativity of Weil’s texts calls for an alternative approach to the question at hand, one that acknowledges the inevitability of the phenomenon of feeling political. In order to produce such an approach, the realm in which (...)
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  26. Guattari and Japan.Toshiya Ueno - 2012 - Deleuze and Guatarri Studies 6 (2):187-209.
    Revisiting Guattari's visits to Japan in the 1980s during the country's ‘bubble economy’, this paper investigates from a personal perspective the Radio Homerun mini-FM station as well as other stops on Guattari's Tokyo ‘pilgrimage’. Guattari's reception and influence in Japan is contextualised through the writer Kõbõ Abe and philosopher Kiyoteru Hanada, in addition to the groundbreaking work of Tetsuo Kogawa, against the backdrop of the rise of postmodernism. Similarities between Guattari's sense of Japan and Brazil are then broached.
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  27. Art as Abstract Machine: Guattari's Modernist Aesthetics.Stephen Zepke - 2012 - Deleuze and Guatarri Studies 6 (2):224-239.
    Felix Guattari was a modernist. He not only liked a lot of modernist artists, but his ‘aesthetic paradigm’ found its generative diagram in modern art. The most important aspect of this diagram was its insistence on the production of the new, the way it produced a utopian projection of a ‘people to come’, and so a politics whose only horizon was the future. Also important for Guattari's diagram of the ‘modern’ were the forces of abstraction, autonomy and immanent critique. Together (...)
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  28. Actual Image | Virtual Cut: Schizoanalysis and Montage.Hanjo Berressem - 2011 - Deleuze and Guatarri Studies 5 (2):177-208.
    If a machine is something that cuts into a continuous flow, schizoanalysis can be read, quite literally, as an analysis of cuts. In cinematic registers, it is an analysis of montage. Looking closely at a number of modes and moments of montage in the work of Alfred Hitchcock, this paper shows how his strategies of ‘reciprocally presupposing’ actual image and virtual montage relate to a Deleuzian poetics and politics of the cinema.
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  29. Desired Machines: Cinema and the World in Its Own Image.Jimena Canales - 2011 - Science in Context 24 (3):329-359.
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  30. Limitaciones de la metáfora de la inmersión en la comprensión de novela e Internet como espacios virtuales análogos.Enrique Ferrari Nieto - 2011 - Revista de Filosofía (Madrid) 36 (2):157-178.
    The first studies in Philosophy that studied digital technology did not specify the characteristics of its various technical applications or instruments. They looked at the virtual reality and used the metaphor of immersion to study the set of all technological developments, as had been done before with the novel. Thus, Internet is misunderstood by many experts as virtuality (next to Baudrillard), rather than linking its hypertext system closer to other theories like those proposed by Deleuze and Guattari or Bourriaud.
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  31. Carne ou Afecto: fronteiras entre Merleau-Ponty e Deleuze-Guattari.Reinaldo Furlan - 2011 - Doispontos 8 (2).
    First, we investigate the pertinence of Deleuze-Guattari's criticisms to the philosophy of the flesh, in Merleau-Ponty, particularly this criticism of introducing the image of the transcendent in the immanence of the experience. Finally, we outline the possibility of the affection concept in Deleuze-Guattari be a way of addressing the ontological issue that Merleau-Ponty faced, overcoming the boundaries of the flesh concept, particularly the one of the supposed ambiguity still present in the pair "flesh of the world" and my flesh, according (...)
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  32. The Anthrobiogeomorphic Machine: Stalking the Zone of Cinema.Adrian J. Ivakhiv - 2011 - Film-Philosophy 15 (1):118-139.
    This article proposes an ecophilosophy of the cinema. It builds on Martin Heidegger’s articulation of art as ‘world-disclosing,’ and on a Whiteheadian and Deleuzian understanding of the universe as a lively and eventful place in which subjects and objects are persistently coming into being, jointly constituted in the process of their becoming. Accordingly, it proposes that cinema be considered a machine that produces or discloses worlds. These worlds are, at once, anthropomorphic, geomorphic, and biomorphic, with each of these registers mapping (...)
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  33. Dramatizing the Political: Deleuze and Guattari.Iain M. Mackenzie - 2011 - Palgrave-Macmillan.
    Introduction -- Deleuze and Guattari and political theory -- Dramatization as critical method -- Dramatization : the ontological claims -- Language and the method of dramatization -- Cinema and the method of dramatization -- Events and the method of dramatization -- Conclusion.
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  34. Dramatization as Method in Political Theory.Iain Mackenzie & Robert Porter - 2011 - Contemporary Political Theory 10 (4):482-501.
    The aim of this article is to give an account of a methodological link between drama and political theory. This account is drawn primarily from the early philosophical work of Deleuze. Following Deleuze, we will refer to it as ‘the method of dramatization’. We will argue that dramatization is a method aimed at determining the quality of political concepts by ‘bringing them to life’, in the way that dramatic performances bring to life the characters and themes of a play-script. We (...)
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  35. Signatures of the Invisible: On Schizoanalysis and Visual Culture.Phillip Roberts - 2011 - Deleuze and Guatarri Studies 5 (2):151-162.
  36. The Secret of Theory.Claire Colebrook - 2010 - Deleuze and Guatarri Studies 4 (3):287-300.
    This article focuses on the concept of the secret in Deleuze and Guattari's philosophy, with specific attention to the related concepts of becoming-woman and literature. It contrasts Deleuze and Guattari's immanent mode of reading with oedipal theories of the text and hermeneutics. Whereas Deleuze and Guattari argue for the positivity of the secret, where there is content that is not disclosed and that therefore creates lines of perception and interpretation, the oedipal mode of reading regards the secret as a (negative) (...)
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  37. Making Restorative Sense with Deleuzian Morality, Art Brut and the Schizophrenic.Lorna Collins - 2010 - Deleuze and Guatarri Studies 4 (2):234-255.
    The essay consists of three parts: the first argues that Deleuze's moral philosophy in The Logic of Sense provides an ethical model of counter-actualisation; the second shows how three different practices of art therapy offer a means to effect this counter-actualisation and thereby demonstrate the restorative power of art; the third explores how such a power might form part of what Guattari calls the ‘ethico-aesthetic paradigm’ (Guattari 1995).
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  38. Minor Houses/Minor Architecture.T. Hugh Crawford - 2010 - AI and Society 25 (4):379-385.
    Deleuze and Guattari develop a notion of “minor literature” in their short book on Kafka, and the opposition major/minor has been used with varying degrees of success by critics working in a range of disciplines including architectural theory. Teasing out the potentially subversive implications of the major/minor opposition requires reading it in relation to other binarisms developed by Deleuze and Guattari in those same years, e.g., state/nomadic science, striated/smooth space, optic/haptic, as well as Guattari’s useful concept “machinic heterogenesis.” Then, one (...)
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  39. Visual Art and Education in an Era of Designer Capitalism: Deconstructing the Oral Eye.Jan Jagodzinski - 2010 - Palgrave-Macmillan.
    The oral eye is a metaphor for the dominance of global designer capitalism. It refers to the consumerism of a designer aesthetic by the ‘I’ of the neoliberalist subject, as well as the aural soundscapes that accompany the hegemony of the capturing attention through screen cultures. An attempt is made to articulate the historical emergence of such a synoptic machinic regime drawing on Badiou, Bellmer, Deleuze, Guattari, Lacan, Rancière, Virilio, Ziarek, and Žižek to explore contemporary art (post-Situationism) and visual cultural (...)
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  40. Ian Buchanan and Patricia MacCormack, Eds. (2008) Deleuze and the Schizoanalysis of Cinema.Micki Nyman - 2010 - Film-Philosophy 14 (1):387-391.
  41. Guattari's Aesthetic Paradigm: From the Folding of the Finite/Infinite Relation to Schizoanalytic Metamodelisation.Simon O'Sullivan - 2010 - Deleuze and Guatarri Studies 4 (2):256-286.
    This article offers two commentaries on two of Félix Guattari's essays from Chaosmosis: ‘The New Aesthetic Paradigm’ and ‘Schizoanalytic Metamodelisation’. The first commentary attends specifically to how Guattari figures the infinite/finite relation in relation to what he calls the three Assemblages (pre-, extant, and post-capitalism) and then even more specifically to the mechanics of this relation – or folding – within the third ‘processual’ Assemblage or new aesthetic paradigm of the essay's title. The second commentary looks at what Guattari has (...)
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  42. Encounters : Affect, Individuation, and Territory in Deleuze & Guattari.Janne Vanhanen - 2010 - In Kuisma Korhonen & Pajari Räsänen (eds.), The Event of Encounter in Art and Philosophy: Continental Perspectives. Gaudeamus.
  43. Starting Over.Lisa Blackman - 2009 - Theory, Culture and Society 26 (1):134-143.
    This review article explores the politics of hope and optimism made possible by a re-thinking of touch as a movement towards the not-yet-known, embodied through an engagement with the improvisational character of Argentine tango. Tango discloses the relational and enactive qualities of corporeality, moving us to ask not what bodies are, but rather what can bodies do; what can bodies become? The article engages with the moves to a Spinozist conception of affect developed by Massumi and Deleuze and Guattari, to (...)
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  44. Artists or "Little Soldiers?" Félix Guattari's Ecological Paradigms.Verena Andermatt Conley - 2009 - In Bernd Herzogenrath (ed.), Deleuze/Guattari & Ecology. Palgrave-Macmillan.
  45. Contemporary Art.Guattari Deleuze - 2009 - In Eugene W. Holland, Daniel W. Smith & Charles J. Stivale (eds.), Gilles Deleuze: Image and Text. Continuum. pp. 176.
  46. Art for Animals.Matthew Fuller - 2009 - In Bernd Herzogenrath (ed.), Deleuze/Guattari & Ecology. Palgrave-Macmillan.
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  47. Introduction to Félix Guattari's 'Project for a Film by Kafka'.Gary Genosko - 2009 - Deleuze and Guatarri Studies 3 (2):145-149.
  48. Subjectivity and Art in Guattari's The Three Ecologies.Gary Genosko - 2009 - In Bernd Herzogenrath (ed.), Deleuze/Guattari & Ecology. Palgrave-Macmillan. pp. 102--115.
  49. Project for a Film by Kafka.Félix Guattari - 2009 - Deleuze and Guatarri Studies 3 (2):150-161.
    This short document, appearing for the first time in English translation, concerns the prospects of a made-for-television cultural mini-series inspired by select episodes in Kafka's works. A window is opened onto Guattari's curatorial ambitions, cinematic projects, and theory of minor cinema, bringing into focus how he translated theoretical preoccupations into the cultural sector with reference to diverse semiotic media.
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  50. Parables and Politics: How Benjamin and Deleuze & Guattari Read Kafka: BenjaminWalter,.1892-1940.Penny Laura - 2009 - Theory and Event 12 (3).
1 — 50 / 103