Hearing

Edited by Casey O'Callaghan (Washington University in St. Louis)
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134 found
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1 — 50 / 134
  1. added 2018-09-17
    In Defense of Medial Theories of Sound.Phillip John Meadows - 2018 - American Philosophical Quarterly 55 (3):293-302.
    In the recent literature on the nature of sound, there is an emerging consensus rejection of what might be thought of as the scientifically informed commonsense position: that sounds, whatever else they may be, must be entities that mediate between the source of the sound and the subject hearing it. This paper offers an argument for such "medial" theories of sound. This argument is intended to shift attention from the two considerations that have dominated the debate thus far: the relevant (...)
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  2. added 2018-09-15
    Sounds Fully Simplified.Jason P. Leddington - forthcoming - Analysis:any075.
    In ‘The Ockhamization of the event sources of sound’ (2013), Roberto Casati, Elvira Di Bona, and Jérôme Dokic argue that ‘ockhamizing’ Casey O’Callaghan’s account of sounds as proper parts of their event sources yields their preferred view: that sounds are identical with their event sources. This article argues that the considerations Casati et al. marshal in favor of their view are actually stronger considerations in favor of a quite different view: a variant on the Lockean conception of sounds as ‘sensible (...)
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  3. added 2018-08-07
    Grundlegung der Tonpsychologie.Franz Brentano - 1994 - Brentano Studien 5:219-233.
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  4. added 2018-04-13
    Perfect Pitch and the Content of Experience.Fiona Macpherson - 1999 - Anthropology and Philosophy 3 (2):89-101.
    This paper examines the representationalist view of experiences in the light of the phenomena of perfect and relative pitch. Two main kinds of representationalism are identified - environment-based and cognitive role-based. It is argued that to explain the relationship between the two theories a distinction should be drawn between various types of implicit and explicit content. When investigated, this distinction sheds some light on the difference between the phenomenology of perfect and relative pitch experiences and may be usefully applied to (...)
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  5. added 2018-03-08
    Musical Twofoldness.Bence Nanay - 2012 - The Monist 95 (4):606-623.
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  6. added 2017-10-12
    Hearing Objects and Events.Nick Young - 2018 - Philosophical Studies 175 (11):2931-2950.
    Through hearing we learn about source events: events in which objects move or interact so that they vibrate and produce sound waves, such as when they roll, collide, or scrape together. It is often claimed that we do not simply hear sounds and infer what event caused them, but hear source events themselves, through hearing sounds. Here I investigate how the idea that we hear source events should be understood, with a focus on how hearing an event relates to hearing (...)
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  7. added 2017-09-17
    Sound and Image.Mark Eli Kalderon - forthcoming - In Christoph Limbeck & Friedrich Stadler (eds.), Publications of the Austrian Ludwig Wittgenstein Society. De Gruyter.
    We hear sounds, and their sources, and their audible qualities. Sounds and their sources are essentially dynamic entities, not wholly present at any given moment, but unfolding through their temporal interval. Sounds and their sources, essentially dynamic entities, are the bearers or susbtrata of audible qualities. Audible qualities are qualities essentially sustained by activity. The only bearers of audible qualities present in auditory experience are essentially dynamic entities. Bodies are not, in this sense, essentially dynamic entities and so are not (...)
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  8. added 2017-07-02
    Against Hearing Phonemes - A Note on O’Callaghan.Naomi Osorio-Kupferblum - forthcoming - In Christoph Limbeck-Lilienau & Friedrich Stadler (eds.), Beiträge der Österreichischen Ludwig Wittgenstein Gesellschaft.
    Casey O’Callaghan has argued that rather than hearing meanings, we hear phonemes. In this note I argue that valuable though they are in an account of speech perception – depending on how we define ‘hearing’ – phonemes either don’t explain enough or they go too far. So, they are not the right tool for his criticism of the semantic perceptual account (SPA).
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  9. added 2017-03-25
    Beyond Vision: Philosophical Essays.Casey O'Callaghan - 2017 - Oxford University Press.
    Beyond Vision brings together eight essays by Casey O'Callaghan which draw theoretical and philosophical lessons about perception, the nature of its objects, and sensory awareness. O'Callaghan focuses on auditory perception, perception of spoken language, and multisensory perception.
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  10. added 2017-03-06
    What Is It Like to See with Your Ears? The Representational Theory of Mind.Dominic M. McIver Lopes - 2000 - Philosophy and Phenomenological Research 60 (2):439-453.
    Representational theories of mind cannot individuate the sense modalities in a principled manner. According to representationalism, the phenomenal character of experiences is determined by their contents. The usual objection is that inverted qualia are possible, so the phenomenal character of experiences may vary independently of their contents. But the objection is inconclusive. It raises difficult questions about the metaphysics of secondary qualities and it is difficult to see whether or not inverted qualia are possible. This paper proposes an alternative test (...)
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  11. added 2017-02-15
    The Perception of Pitch.Thomas Stainsby & Cross & Ian - 2011 - In Susan Hallam, Ian Cross & Michael Thaut (eds.), Oxford Handbook of Music Psychology. Oxford University Press.
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  12. added 2017-02-14
    Seeing the Voices, Hearing the Sights: Perceptual Distortions in Boll, Bachmann and Celan.Michal Ben-Horin - 2007 - In Karin Leonhard & Silke Horstkotte (eds.), Seeing Perception. Cambridge Scholars Press.
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  13. added 2017-02-14
    Reinventing the Ear: Twentieth-Century Theories of Pitch Perception and the Coincidence Theory of Conso-Nance.Benjamin Whitcomb - 2005 - Theoria 12:69.
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  14. added 2017-02-14
    Language, Audition and Rhythm.Robert F. Port - 1996 - In Garrison W. Cottrell (ed.), Proceedings of the Eighteenth Annual Conference of the Cognitive Science Society. Lawrence Erlbaum. pp. 18--35.
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  15. added 2017-02-14
    Aristotle and Alexander on Hearing and Instantaneous Change: A Dilemma in Aristotle's Account of Hearing.Alan Towey - 1991 - In Charles Burnett, Michael Fend & Penelope Gouk (eds.), The Second Sense. Warburg Institute. pp. 7--18.
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  16. added 2017-02-14
    Ihde's Auditory Phenomena and Descent Into the Objective.Walter Robert Goedecke - 1971 - Philosophy Today 15 (3):175-180.
  17. added 2017-02-13
    Absolute Pitch: Perception, Coding, and Controversies.Daniel J. Levitin & Susan E. Rogers - 2005 - Trends in Cognitive Sciences 9 (1):26-33.
  18. added 2017-02-13
    Perfect Pitch.H. Johanse-Berg - 2001 - Trends in Cognitive Sciences 5 (4):138.
  19. added 2017-02-13
    Hearing by Eye II: Advances in the Psychology of Speechreading and Auditory–Visual Speech, Edited by Ruth Campbell, Barbara Dodd, and Denis Burnham.Ken W. Grant - 1999 - Trends in Cognitive Sciences 3 (8):319-320.
  20. added 2017-02-13
    The Pitch of Glide-Like F0 Curves in Votic Folksongs.Jaan Ross - 1995 - In Eero Tarasti (ed.), Musical Signification: Essays in the Semiotic Theory and Analysis of Music. Mouton de Gruyter. pp. 121--319.
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  21. added 2017-02-13
    Association Learning and Pitch Perception.Robert S. Bundy, John Colombo & Patricia Warnick-Yarmel - 1989 - Bulletin of the Psychonomic Society 27 (3):234-236.
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  22. added 2017-02-13
    What Do We Know When We Know What Having Auditory Experience is Like?Thomas Natsoulas - 1978 - Behavioral and Brain Sciences 1 (3):361.
  23. added 2017-02-13
    Strategies of Absolute Pitch Possessors in the Learning of an Unfamiliar Scale.Kathryn E. Eaton & Michael H. Siegel - 1976 - Bulletin of the Psychonomic Society 8 (4):289-291.
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  24. added 2017-02-13
    A Note on Auditory Theories.Ralph H. Gundlach - 1927 - Journal of Experimental Psychology 10 (1):64-66.
  25. added 2017-02-13
    Note on Mr. G. J. Rich's 'Study of Tonal Attributes'.Henry J. Watt - 1920 - Journal of Experimental Psychology 3 (2):151-154.
  26. added 2017-02-13
    A Study of Tonal Attributes": Reply to Dr. Watt's "Note.Gilbert J. Rich - 1920 - Journal of Experimental Psychology 3 (2):155-157.
  27. added 2017-02-12
    On the Importance of Considering Individual Profiles When Investigating the Role of Auditory Sequential Deficits in Developmental Dyslexia.Marie Lallier, Guillaume Thierry & Marie-Josèphe Tainturier - 2013 - Cognition 126 (1):121-127.
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  28. added 2017-02-11
    Rhythmic Drumming in Contemporary Shamanism and Its Relationship to Auditory Driving and Risk of Seizure Precipitation in Epileptics.Peggy A. Wright - 1991 - Anthropology of Consciousness 2 (3-4):7-14.
  29. added 2017-02-11
    Prediction of Auditory Discrimination Learning and Transposition From Children's Auditory Ordering Ability.Donald A. Riley, John P. McKee & Raymond W. Hadley - 1964 - Journal of Experimental Psychology 67 (4):324.
  30. added 2017-02-11
    Storage and Decay Characteristics of Nonattended Auditory Stimuli.Charles W. Eriksen & Harold J. Johnson - 1964 - Journal of Experimental Psychology 68 (1):28.
  31. added 2017-02-11
    The Influence of Overtone Structure on the Pitch of Complex Tones.William H. Lichte & R. Flanagan Gray - 1955 - Journal of Experimental Psychology 49 (6):431.
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  32. added 2017-02-11
    The Locus of Short Duration Auditory Fatigue or "Adaptation".J. Donald Harris & Anita I. Rawnsley - 1953 - Journal of Experimental Psychology 46 (6):457.
  33. added 2017-02-11
    The Effects of Auditory-Vestibular Nerve Pathology on Space Perception.Cecil W. Mann - 1951 - Journal of Experimental Psychology 42 (6):450.
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  34. added 2017-02-11
    Sensory Cues in Pitch Judgment.Lawrence M. Brammer - 1951 - Journal of Experimental Psychology 41 (5):336.
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  35. added 2017-02-11
    Generalization of a Reference Scale for Judging Pitch.Donald M. Johnson - 1949 - Journal of Experimental Psychology 39 (3):316.
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  36. added 2017-02-11
    Pitch Characteristics of Short Tones. II. Pitch as a Function of Tonal Duration.J. M. Doughty & W. R. Garner - 1948 - Journal of Experimental Psychology 38 (4):478.
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  37. added 2017-02-11
    Pitch Characteristics of Short Tones. I. Two Kinds of Pitch Threshold.J. M. Doughty & W. R. Garner - 1947 - Journal of Experimental Psychology 37 (4):351.
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  38. added 2017-02-11
    The Ability to Judge Pitch.B. L. Riker - 1946 - Journal of Experimental Psychology 36 (4):331.
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  39. added 2017-02-11
    Studies in Auditory Theory. II. The Distribution of Distortion in the Inner Ear.W. R. Thurlow - 1943 - Journal of Experimental Psychology 32 (4):344.
  40. added 2017-02-11
    A Simplified Oscillator Suitable for Auditory Research and Audiometry.P. Kellaway & G. Brighouse - 1943 - Journal of Experimental Psychology 33 (6):514.
  41. added 2017-02-11
    Reversal of Auditory Localization.C. F. Willey, E. Inglis & C. H. Pearce - 1937 - Journal of Experimental Psychology 20 (2):114.
  42. added 2017-02-11
    A Study of Differential Pitch Sensitivity Relative to Auditory Theory.C. C. Irwin - 1937 - Journal of Experimental Psychology 21 (6):642.
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  43. added 2017-02-11
    The Effect of Binaural Occlusion of the External Auditory Meati on the Sensitivity of the Normal Ear for Bone Conducted Sound.N. H. Kelley & S. N. Reger - 1937 - Journal of Experimental Psychology 21 (2):211.
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  44. added 2017-02-11
    The Pitch of Tones in Melodies as Compared with Single Tones.J. P. Guilford & Helen M. Nelson - 1937 - Journal of Experimental Psychology 20 (4):309.
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  45. added 2017-02-11
    On the Electrical Excitability of the Auditory Organ on the Effect of Alternating Currents on the Normal Auditory Apparatus.G. V. Gersuni & A. A. Volokhov - 1936 - Journal of Experimental Psychology 19 (3):370.
  46. added 2017-02-11
    Changes in the Pitch of Tones When Melodies Are Repeated.J. P. Guilford & H. M. Nelson - 1936 - Journal of Experimental Psychology 19 (2):193.
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  47. added 2017-02-11
    The Nature of the Absolute Judgment of Pitch.C. H. Wedell - 1934 - Journal of Experimental Psychology 17 (4):485.
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  48. added 2017-02-11
    Auditory Localization with Acoustical Transposition of the Ears.P. T. Young - 1928 - Journal of Experimental Psychology 11 (6):399.
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  49. added 2017-02-11
    Des Images Suggérées Par l'Audition Musicale.Lionel Dauriac - 1902 - Revue Philosophique de la France Et de l'Etranger 54:488 - 503.
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  50. added 2017-02-09
    Reading Strategies: Hearing Echoes.Stephen C. Doty - 1991 - Heidegger Studies 7:127-135.
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1 — 50 / 134