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  1. added 2018-03-20
    The Aesthetics of Schelling and Hegel.Rachel Zuckert - 2010 - In Dean Moyar (ed.), The Routledge Companion to Nineteenth Century Philosophy. Routledge. pp. 165-194.
    This essay provides an overview of the philosophical aesthetics of Hegel and Schelling. Hegel and Schelling understand art to be a central human activity, one that models, rivals, or even supersedes the accomplishments of philosophy. This exalted status attributed to art rests upon a novel conception of art as a distinctive metaphysical and cognitive achievement: art presents the Absolute, ultimate being, in sensible or finite form. Their theories of art are the source, in the history of aesthetics, of the influential (...)
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  2. added 2018-03-20
    Expressivism and Aesthetics.Rachel Zuckert - 2006 - Graduate Faculty Philosophy Journal 27 (2):1-24.
    Following suggestions of Isaiah Berlin, Charles Taylor articulates a central doctrine of late 18th century and 19th century German philosophy: “expressivism,” viz., the view that the most valuable human life is one of (self-) expression. This conception has historical roots, Taylor argues, in Rousseau’s proto-Romantic celebration of natural authenticity and in Herder’s theistic naturalism, and has had considerable influence on and appeal both philosophically and in the broader culture. Taylor suggests that this doctrine both draws from philosophical aesthetics, and explains (...)
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  3. added 2018-03-05
    Hegel and the Art of Negation.Andrew Hass - 2014 - London: I.B. Tauris.
    -/- Why is the philosopher Hegel returning as a potent force in contemporary thinking? Why, after a long period when Hegel and his dialectics of history have seemed less compelling than they were for previous generations of philosophers, is study of Hegel again becoming important? Fashionable contemporary theorists like Francis Fukuyama and Slavoj Zizek, as well as radical theologians like Thomas Altizer, have all recently been influenced by Hegel, the philosopher whose philosophy now seems somehow perennial- or, to borrow an (...)
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  4. added 2018-03-01
    Karl Wilhelm Ferdinand Solger, Vorlesungen über Ästhetik.Giovanna Pinna (ed.) - 2017 - Hamburg, Germany: Felix Meiner Verlag.
    The first commented edition of K.W.F. Solger's Vorlesungen über Ästhetik (1819), edited by Giovanna Pinna.
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  5. added 2018-01-10
    Del pathos, la extensión y la circunstancia del mundo para la experiencia del arte actual.Carlos Vanegas - 2016 - In ¿Arte sin estética? Medellín, Colombia: Universidad de Antioquia. pp. 131-166.
    Frente al interés por construir un discurso que dé cuenta del momento particular del arte contemporáneo, y que, además, pueda esclarecer y proponer diversas respuestas frente a los productos artísticos que se realizan en la difícil circunstancia actual, se han dirigido diferentes propuestas disciplinares que presentan análisis de la obra de arte y la experiencia que surge en su comprensión. La situación, que a veces se caracteriza por la impotencia de la teoría, la historia y la crítica del arte al (...)
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  6. added 2018-01-10
    La apariencia ( Schein ) en las Lecciones sobre la estética de G. W. F. Hegel.Carlos Vanegas - 2016 - Revista Estudios de Filosofía:33-55.
    Desde Platón el arte ha sido deslegitimado filosóficamente porque su elemento y su medio es la apariencia. De tal manera que, el ser y la verdad, según la antigua teoría, se encuentran en las ideas y no en las apariencias sensibles. Hegel está lejos de este platonismo en sus Lecciones sobre estética y, por el contrario, va a realizar una reivindicación de la apariencia en el arte. El interés de este artículo es indagar por la distinción entre apariencia que engaña, (...)
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  7. added 2017-01-12
    Hegels Auffassung von der Poesie als Endform der Kunst.Héctor Ferreiro - 2015 - In Peter Remmers & Christoph Asmuth (eds.), Ästhetisches Wissen. Berlin/Boston: De Gruyter. pp. 133-144.
  8. added 2015-10-09
    Estetica e filosofia dell’arte: Revisioni testuali e interpretazioni dell’estetica hegeliana.Giovanna Pinna - 2002 - Giornale Critico Della Filosofia Italiana 22 (3).
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  9. added 2014-12-14
    Freedom and Necessity. And Music.Terry Pinkard - 2011 - In Axe Honneth & Gunnar Hendrichs (eds.), Freiheit: Stuttgarter Hegelkrongress 2011.
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  10. added 2014-12-14
    How to Move From Romanticism to Post-Romanticism: Schelling, Heine, Hegel.Terry Pinkard - 2010 - European Romantic Review 21 (3):391-407.
    Kant’s conception of nature’s having a “purposiveness without a purpose” was quickly picked by the Romantics and made into a theory of art as revealing the otherwise hidden unity of nature and freedom. Other responses (such as Hegel’s) turned instead to Kant’s concept of judgment and used this to develop a theory that, instead of the Romantics’ conception of the non-discursive manifestation of the absolute, argued for the discursively articulable realization of conceptual truths. Although Hegel did not argue for the (...)
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  11. added 2014-12-09
    Argo dai mille occhi. Hegel e la traccia della bellezza.Francesca Brencio - 2006 - Davar 3.
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  12. added 2014-10-10
    Tragedy, Comedy, Parody: From Hegel to Klossowski.Russell Ford - 2005 - Diacritics 35 (1):22-46.