History: Pleasure

Aristotle's Nicomachean Ethics is the first and arguably most important treatise on ethics in Western philosophy. It remains to this day a compelling reflection on the best sort of human life and continues to inspire contemporary thought and debate. This Cambridge Companion includes twenty essays by leading scholars of Aristotle and ancient philosophy that cover the major issues of this text. The essays in this volume shed light on Aristotle's rigorous and challenging thinking on questions such as: can there be (...) a practical science of ethics? What is happiness? Are we responsible for our character? How does moral virtue relate to good thinking? Can we act against our reasoned choice? What is friendship? Is the contemplative life the highest kind of life? Covering all sections of the Nicomachean Ethics and selected topics in Aristotle's Eudemian Ethics and Protrepticus, this volume offers the reader a solid foundation in Aristotle's ethical philosophy. (shrink)

Plato’s nephew Speusippus has been widely accepted as the historical person behind the mask of the anti-hedonists in Phlb. 42b–44c. This hypothesis is supported by, inter alia, the link between Socrates’ char- acterization of them as δυσχερεῖς and the frequent references of δυσχέρεια as ἀπορία to Speusippus in Aristotle’s Metaphysics MN. This study argues against assigning any privileged status to Speusippus in the assimilation of δυσχέρεια with ἀπορία. Instead, based on a comprehensive survey of how δυσχερ- words were used in (...) classical antiquity, the semantic shift of δυσχέρεια can be explained in an alternative way. (shrink)

This article examines happiness as an activity, modeled on pleasure in NE 10, 1-5. Aristotle is not proposing a choice, but defining the formal nature of happiness. Contemplation, as the activity of wisdom, constitutes happiness in the strict and formal sense. It has all the attributes of happiness, highest, most continuous, most pleasant, most self-sufficient, leisured, and an end in itself. Practical virtues are formally secondary, as including elements outside the activity of the best part and having leisure as their (...) end. Thus, amusements, practical activities and contemplation are integrated in the life of the sage, the contribution of each formally defined. (shrink)

PLATO’S Protagoras is composed of three distinct frames. The outer frame consists in Socrates’ brief discussion with an unnamed companion. The remainder of the Protagoras is willingly narrated by Socrates to the companion, from memory of course, and apparently right after the main action. The inner frame consists in Socrates’ dialogue with Hippocrates. Roused before dawn by the impetuous young man, Socrates leads Hippocrates to reflect on the wisdom of his enthusiastic desire to study with Protagoras. This is a classic (...) and successful little example of Socratic dialogue. He then takes Hippocrates to meet Protagoras; the bulk of the dialogue—call it the innermost frame—consists in Socrates’ exchanges with Protagoras. Hippocrates does not utter a word in this part of the dialogue, though it is initiated at his request and seems undertaken by Socrates for his benefit. (shrink)

A significant feature of John Stuart Mill's moral theory is the introduction of qualitative differences as relevant to the comparative value of pleasures. Despite its significance, Mill presents his doctrine of qualities of pleasures in only a few paragraphs in the second chapter of Utilitarianism, where he begins the brief discussion by saying: utilitarian writers in general have placed the superiority of mental over bodily pleasures chiefly … in their circumstantial advantages rather than in their intrinsic nature.… [B]ut they might (...) have taken the … higher ground with entire consistency. It is quite compatible with the principle of utility to recognize the fact, that some kinds of pleasure are more desirable and more valuable than others. It would be absurd that while, in estimating all other things, quality is considered as well as quantity, the estimation of pleasures should be supposed to depend on quantity alone. (shrink)

Dombrowski's major aim is the positive one of showing that Plato had a philosophy of history, and of exhibiting its content. His minor aim is the negative one of showing that Karl Popper's interpretation of that philosophy is grossly mistaken.

Robert Sternfeld and Harold Zyskind have prepared, with considerable attention to details, a conscientious commentary upon Plato’s Meno. They make some use of, even though they differ from, Jacob Klein’s "distinguished linear and linguistic commentary". The authors bring to bear on the Meno their studies in logic and rhetoric. Professor Sternfeld is the author of Frege’s Logical Theory; Professor Zyskind is the author of a rhetorical analysis of the Gettysburg Address.

Novotný is the Czech philologist who between 1915 and 1961 translated the entire corpus platonicum into Czech and who in 1948-49 wrote a "systematic study" in three volumes on Plato’s life, writings and philosophy. Its fourth volume on the influence of Plato upon subsequent eras appeared in 1964 and is now translated into English. The Posthumous Life of Plato can be best, although somewhat irreverently, described as a successful "Everything You Always Wanted to Know About Plato But Were Afraid to (...) Ask." It objectively traces in detail and with extensive references to relevant primary and secondary literature the reactions to Plato in antiquity, in medieval eras, and in the "new age". (shrink)

This small book explores the political thought of Lucretius, by analysing De rerum natura. Nichols does not move immediately to the last section of Book V, which discusses clearly political phenomena; rather he locates that section within the place it has in the entire poem. Writing in the Straussian tradition, Nichols analyses not only the sections of the poem relevant to the political enterprise, but discusses the form and movement of the poem as a whole. Chapter 1 asks how we (...) can take such an apparently antipolitical and antireligious tradition—the Epicurean—as serious political philosophy, answering that the Epicurean-Lucretian materialist atomism, and its consequences for our understanding of the whole of things, represents a fundamental philosophic alternative to the Socratic-idealist political tradition. The traditions agree, though, on the primacy of philosophy for genuine human fulfillment. Chapter 2 elucidates Lucretius’ non-Epicurean choice of a poetic medium for his philosophy. Nichols ties it both to the need for beauty to conceal Lucretius’ bitter doctrine of the whole of things until Epicurean philosophy can replace politics and religion, and also to poetry’s "psychagogic utility." These claims are often made of Plato’s use of poetry. It is thus unfortunate that Nichols does not discuss the differences and similarities between Plato’s and Lucretius’ use of poetry, because Plato’s political project, and hence his dramatic philosophical presentations, seems essential to his philosophy, whereas "The element of poetry does not arise naturally or automatically from the Epicurean doctrine." Chapter 3 describes the character of the poem as a whole. Nichols works through the development from the first two Epicurean metaphysical principles to the Lucretian teaching which opposes the fear of death and the chains of love. This teaching does not rest on the overcoming of false religious fears but rather on not attributing "something more than belongs to our mortal condition to oneself or to another." It is this thesis in its metaphysical, theological, and political dimensions that is the core of Nichols’ reading of Lucretius. Chapter 4 deals specifically with Lucretius’ political concerns. Its two themes are Lucretius’ evaluation of the development of current political society, and his response to the bitter truth about man’s relationship to a thoroughly nonteleological universe. Both themes are, to say the least, bleak. traces the "natural" development of political society out of primitive association and through pre-political life. While this development is "natural," and in a way mandated by human desires, Nichols is clear that "... the most striking aspect of Lucretius’ treatment of political society is his depreciation of political life... There is no indication that Lucretius thinks the city achieves any other good purpose". describes the tension between religion and politics, and philosophy. The former try to replace or control fears and excess desires by other fears and desires. "Only philosophy" "can purge a man’s heart of unnecessary desires and thus enable him to live well without fear...." Chapter 5 compares Lucretius with Hobbes, Montesquieu, and Rousseau: "... all three share a hopefulness for fundamental improvements in man’s lot that sets them apart from Lucretius...." Nichols’ book presents a consistent picture of Lucretius’ work as a whole, and of the interrelationship of themes in it which lie beyond the domain of politics.—J.R. (shrink)

This book is short on pages but long on valuable content. Oates intends to refute the rather widespread contention that Plato "denied the worth of all the so-called fine arts" by an objective and historical study of the Ion, Republic, Greater Hippias, Phaedrus and Symposium. Since the author himself clearly summarizes his own thought frequently, we here need only present his final conclusion. Every human activity is valuable in direct proportion to its closeness to the domain of the ideas and, (...) specifically, the Idea of Beauty and Goodness. But artistic creation is a human activity. Therefore, it too must be oriented towards the Idea of Beauty. Thus, "the creative artist must be ‘philosophical'" and, since he comes close to Beauty through intuition, also "quasi-mystical", as were Aeschylus, Sophocles, Dante, Milton, Shakespeare, Michelangelo. So too was Plato himself, whose dialogues are philosophical dramas containing "a more explicit expression of a vision of reality and value than is to be found in epics or tragedies or lyrics". In Oates’ book the only flaws are minor: an occasional awkwardness of style, referral only to scholars prior to the mid-twentieth century, notes are placed at the end of chapters rather than at the bottom of the pages. Even so, the book is well worth having.—L.S. (shrink)

FIRST A CRITIQUE OF G E L OWEN'S VERSION OF THE CONTRAST BETWEEN BOOKS VII AND X OF THE NICOMACHEAN ETHICS. IT IS ARGUED THAT BOTH BOOKS ARE OFFERING SIMILAR ACCOUNTS OF THE NATURE OF PLEASURE, WHICH OFFER GENERAL CONDITIONS FOR THE OCCURRENCE OF PLEASURE. HOWEVER, ARISTOTLE IS INTERESTED IN 'REAL' PLEASURE, WHICH IS RELATED TO THE NATURE OF THE RELEVANT BEING. ONLY BY IMPLICATION DOES HE GIVE A GENERAL ACCOUNT OF PLEASURE. THE BOOK X VERSION ENABLES HIM TO HAVE (...) A VIEW OF PLEASURE THAT PRESERVES THE TRUTH IN BOTH HEDONISM AND PLATONIC CRITICISMS OF IT. (shrink)

PLATO ARGUES THAT ANTICIPATORY PLEASURES MAY BE FALSE. THE STRUCTURE OF HIS ARGUMENT IS CLARIFIED. THE CRUX IS NOT THE INFERENCE FROM 'FALSE BELIEF' TO 'FALSE PICTURE' TO 'FALSE PLEASURE,' BUT THE DOCTRINE THAT THROUGH MENTAL IMAGERY PLEASURE, LIKE BELIEF, MAY TAKE AS OBJECTS UNREALIZED STATES OF AFFAIRS. ASSUMING FALSITY IS A BAD-MAKING CHARACTERISTIC, SOCRATES USES THE THESIS AGAINST HEDONISM. THE INTERPRETATIONS OF GOSLING, KENNY, AND MCLAUGHLIN ARE CRITICIZED.

C. C. W. Taylor presents a clear and faithful new translation of one of the most famous and influential texts in the history of Western thought, accompanied by an analytical and critical commentary focusing on philosophical issues. In Books II to IV of the Nicomachean Ethics Aristotle gives his account of virtue of character, which is central to his ethical theory as a whole and a key topic in much modern ethical writing.

In Kant and the Role of Pleasure in Moral Action, Iain Morrisson offers a new view on Kant’s theory of moral action.

So just what Dante scorns as unworthy alike of heaven and hell, Botticelli accepts, that middle world in which men take no side in great conflicts, and decide no great causes, and make great refusals.In what follows, I examine a notion of desire that, I shall claim, is implicit in Immanuel Kant's theorization of aesthetic judgment in the Critique of Judgment.1 At first, this undertaking is likely to seem misguided. After all, Kant grounds his attempt to provide an a priori (...) foundation for judgment on the tripartite distinction between the faculty of cognition, the feeling of pleasure and displeasure, and the faculty of desire. Only the second of the three pertains to aesthetic judgment; and it... (shrink)

Pleasure is a long-discussed issue in philosophy, because it is the result of soul and its powers which are discussed in philosophy. Therefore, such philosophers as Aristotle, Farabi, Avicenna, and Mulla Sadra have discussed it extensively in their writings. In his various works, Avicenna has scrutinized the problem of pleasure. Having referred to one type of pleasure special for each human power, he regards the apprehension of absolute good as the most delightful thing for intellective soul, which should be achieved (...) by removing and overcoming its obstacles, including soul’s negligence over its. (shrink)

Providing an explanation of pleasure, man’s perfection and essence in Sadrian theosophy, Bentham’s act-based utilitarianism which bases the value of act on its pleasure, his seven criteria and criticizing them, the present paper seeks to prove that the existence of perfection is prior to the existence of pleasure raised from perfection in Sadrian theosophy. Ordinary man’s motive to act is first to achieve pleasure and then the perfection itself. In this case, therefore, pleasure is posterior to perfection in terms of (...) existence and subject can be prior to achieving and approximating perfection in terms of motive. Of course, some followers of Sadrian theosophy believe that friends of God have disconnected from their pleasure and that achieving perfection is prior to pleasure in terms of existence and the aim of subject is prior to the existence and perception of pleasure for them. Therefore, friends of God worship Him for His essence not for pleasure which is posterior to absolute perfection. According to Bentham, however, the only motive of man’s acts is pleasure, that is, subject is prior to achieving and approximating pleasure in terms of motive and pleasure in prior to everything in terms of existence. (shrink)

In his different books and treatises, Sohrewardi proposes different definitions for pleasure. These definitions differ with each other in terms of the quality and quantity of the qualifications used in them. He believes that there is strong relationship between pleasure and light. In some of his works, Sohrewardi divides pleasure into sensory and spiritual pleasures, and in some others into bodily and heavenly pleasures. He refers to eternal pleasure in other occasions. On the other hand, he divides pleasure into sensory (...) and intellectual and the latter into external and internal, and believes that internal pleasures are superior to external ones, and intellectual pleasures are superior to sensory ones. He explains these aspects of superiority by using peripatetic and illuminative methods. He also believes that pleasure is not univocal but equivocal. The present paper investigates the nature and types of pleasure in Sohrewardi’s view. Einollah Khademi. (shrink)

This paper considers Freud's 1920 text, Beyond the Pleasure Principle, in light of Jacques Derrida's critical commentary on it in The Post Card. Against the deconstructive reading that highlights the performative aspects of Freud's speculative remarks, David-Ménard reads Freud's theory of the death drive as an epistemological and experimental hypothesis necessary for giving an account of the complexity and diversity of the clinical phenomenon of repetition in psychoanalysis. Though the death drive never appears locatable as such in the various examples (...) given by Freud, it is nonetheless accessible in the constellation of differences produced by traumatic dreams, children's games, etc. (shrink)

In the Critique of Judgment Kant repeatedly points out that it is only the pleasure of taste that reveals to us the need to introduce a third faculty of the mind with its own a priori principle. In order to elucidate this claim I discuss two general principles about pleasure that Kant presents, the transcendental definition of pleasure from § 10 and the principle from the Introduction that connects pleasure with the achievement of an aim. Precursors of these principles had (...) been employed by Kant and others in empirical psychology. But how can such principles of empirical psychology be transferred to transcendental philosophy? I suggest that Kant accomplishes this by deriving the connection of pleasure with achievement of an aim from the transcendental definition and the assumption that faculties have interests. I finally reconstruct § 11 as a ‘regressive argument’ from the peculiarities of the pleasure of taste to the need to acknowledge a new faculty. (shrink)

© British Society of Aesthetics 2017. Published by Oxford University Press on behalf of the British Society of Aesthetics. All rights reserved. For Permissions, please email: journals.permissions@oup.comRecent interpretations of Kant’s ethics have tended to foreground its more humane characteristics, stressing the prominence of emotion, habituation and virtue, distancing us from the harsh and mechanical Kant of legend.1 At the same time there has been increasing interest among aestheticians in the moral significance of the aesthetic and in the role it may (...) play in moral development. The Possibility of Culture, a study of the role Kant ascribed to aesthetic experience in fostering the development of moral character, is thus timely and welcome. Murray draws upon texts not traditionally considered in studies of Kant’s aesthetics, especially the Anthropology and the Doctrine of Virtue, while placing relatively little emphasis on the well-worked questions surrounding the justification of judgements of... (shrink)

the philebus is a puzzling dialogue, both for the substantive views it puts forward,1 and for the unexpected twists and turns of the discussion. Commentators frequently complain about the dialogue's lack of unity, due to its many apparently unnecessary digressions and interruptions.2 The discussion of the so-called 'divine method' seems to be one of the worst offenders on this score, for it is described and exemplified at length, only to be set aside as unnecessary shortly afterwards.I argue that the divine (...) method plays a vital role in the subsequent examination and evaluation of pleasure and knowledge. I focus in particular on the application of the divine method to pleasure, since the method is... (shrink)