Hume: Philosophy of Mind

Abstract:What is Hume’s hypothesis of the double relation of impressions and ideas from which a passion arises? How does it operate in structuring his system? These are primary questions that need to be answered in order to understand Hume’s intention in the Treatise. Yet, there exists no reasonable answers, nor serious attempts to answer them, probably because this hypothesis is considered as a limited issue, relevant only to the indirect passions, or because it is too mechanical and unsophisticated to excite (...) critics’ curiosities. My present aim is to show that Hume’s double relation of impressions and ideas operating in the production of indirect passions is integral to his entire system not only in that it serves as a powerful weapon to advocate his naturalistic position, but also in that it is a highly sophisticated psychological mechanism that functions as a schema for the cooperation of the imagination and the passions. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Imagination in Hume’s Philosophy: The Canvas of the Mind by Timothy M. CostelloeSaul TraigerTimothy M. Costelloe. The Imagination in Hume’s Philosophy: The Canvas of the Mind. Edinburgh: Edinburgh University Press, 2018. Pp. xv + 312. Hardback. ISBN: 9781474436397. $107.00.If anything about Hume’s philosophy can be characterized as widely accepted, it is that the imagination is front and center in Hume’s account of the mind. The aim of (...) Timothy Costelloe’s book is to fully develop the observation, that the imagination, as Hume understands it, is “the canvas of the mind.” Costelloe amply demonstrates that the imagination is a broad canvas, ranging from Hume’s epistemology and metaphysics, to his aesthetics, moral and political philosophy, history, philosophy of religion, and his general conception of philosophy itself. Seven substantial chapters cover these areas, and show how Hume takes the imagination to play a pivotal role in each.One of the many strengths of this book is that Costelloe responsibly mines the secondary literature, carefully explaining the interpretations he seconds and those he finds wanting. The attention to the relevant secondary literature is apparent from the start, where Costelloe laments the surprising dearth of book-length treatments of Hume on the imagination, but helpfully highlights both the lesser known Hume-centric monographs on the imagination by Furlong and Wilbanks, as well as more widely read interpretations.The introductory chapter makes important distinctions and introduces some main concepts. Hume differentiates the imagination’s “combinatory power” from its “creative power.” While the uninhibited ability to concatenate ideas might also be seen as a creative act, Costelloe sees the creative power where the imagination [End Page 173] “generates a class of ideas—‘fictions’ of a certain sort—independent of experience and according to its own inner logic” (21). This characterization makes sense when viewing the imagination’s function as directed towards a goal, such as achieving coherence or creating an aesthetically pleasing effect. Costelloe suggests that achieving an aesthetically pleasing effect is an element in any exercise of the imagination’s creative power. The imagination creates easy transitions among ideas where there were none, where doing so is pleasurable, or aided by the passions.Costelloe introduces his account of Hume’s fictions as errors of the imagination whereby ideas are formed in a manner different from the standard derivation from antecedent impressions. He insists, helpfully, that fictions are not illusions, but rather errors of a different kind. Though both involve error, fictions, unlike illusions, are not described in terms of jest or irony (30).Though he acknowledges that Hume does not describe any fictions as “artificial,” Costelloe finds it helpful to draw a distinction between natural and artificial fictions. Natural fictions are generated without reflection. Artificial fictions, such as those created by poets and philosophers, issue from “the voluntary act of imagination” (31). Costelloe holds that artificial fictions “are rarely taken to refer to objects with real existence and that any professed belief is really a matter of people being persuaded of something and taking the ideas in question as having real referents, thus only lending themselves to their existence for one reason or another” (31). This is a bit unclear. Certainly, poetic fictions are voluntary creations not intended to refer to real objects. But substance, and the double existence of ideas and external objects, as philosophical fictions, surely both involve belief and the corresponding existential commitments on the part of the philosophers who are committed to them. It is also difficult to see the purported contrast between belief and taking ideas to have real referents.Chapter 2, on metaphysics, is the longest chapter in the book, and it addresses the fictions of the imagination in Hume’s account of space and time, continued and distinct existence, liberty and necessity, and personal identity. Costelloe is sensitive to the worry that classifying Hume’s subject in Book 1 of the Treatise as metaphysics may appear to be slighting the central epistemological concerns and failing to appreciate Hume’s nascent cognitive psychology. Such worries fall away as Costelloe explores the roles that the imagination plays in the formation of our conception of duration without change, and the identity... (shrink)

Etude des passions dans la philosophie et la littérature à l'âge classique, et de la façon dont Descartes, Hume, les matérialistes et les romanciers du XVIIe siècle pensaient cette notion.

In this paper, I examine the notion of the ‘psychological dynamics’ that Professor Shun uses for explicating Confucian moral anger, based on David Hume’s (1711–76) psychological account of mind, to reconsider the role that object-based distinctions of emotions play in the Confucian moral tradition. First, by appealing to Hume’s investigation of the mental processes involved in feeling moral sentiments, I suggest that imagination, as a component in the ‘psychological dynamics’, explains how ‘dust’ settles on the mind to yield inappropriate emotional (...) responses. Second, by re-examining Confucius’s approval of Yan Hui’s moral anger, that he ‘never misdirects his anger’, I argue that though Confucians would not characterize the difference in emotional responses by distinguishing the first- and third-person perspectives, their goal of moral self-cultivation would encourage them to recognize the practical significance of distinguishing objects in situations, along with perceiving situations as a whole. While our minds as mental mirrors can reflect the whole situation, they are unique mirrors that resonate more vigorously with specific objects such as others’ minds. (shrink)

Taxonomies of the passions have long claimed to serve a quest for self-knowledge, by specifying conditions under which certain passions arise, formal objects they possess, and qualities essential to their particular feelings. I argue that David Hume's theory of the passions provides resources for a different kind of self-knowledge – a sceptical self-knowledge depending on our ability to articulate how the passions feel rather than always identifying our passions as tokens of an identifiable passion-type. These resources are distinctions between four (...) qualitative aspects that passions may possess – pleasantness or painfulness, calmness or violence, invigoration or softening, and directedness or lack thereof towards specific actions. Reflection on these aspects produces a more accurate understanding of the nature of our emotions and chastens our judgmental tendencies in ways that benefit both self and others. (shrink)

Hume's account of belief is understood to be inspired by allegedly incompatible motivations, one descriptive and expressing Hume's naturalism, the other normative and expressing Hume's epistemological aims. This understanding assumes a particular way in which these elements are distinct: an assumption that I dispute. I suggest that the explanatory-naturalistic aspects of Hume's account of belief are not incompatible with the normative-epistemological aspects. Rather, at least for some central cases of belief formation that Hume discusses at length, S's coming to believe (...) that p can be explained in a way that vindicates S's belief that p. (shrink)

본 논문은 흄이 제시하고 있는 시민사회론을 검토함으로써 흄의 정치철학에 대한 이해도를 높이는 것을 목표로 한다. 필자는 본 논문에서 흄이 야만국가에서 시민국가로의 이행에 필수적인 조건으로 제시하는 “도덕적 의무”의 부과에 있어서 “반성”이 중요한 역할을 수행하고 있음을 보일 것이다. 그리고 더 나아가, 흄의 정치철학의 성격을 규정하는데 있어서, 리빙스턴과 스튜어트간의 논쟁을 살펴볼 것이다. 필자는 흄의 정치철학을 프랑스 혁명 이후에 새롭게 대두된 개념인 “철학적 보수주의”로 해석할 것인가, 아니면 “온건한 자유주의”로 해석할 것인가 하는 이들의 논쟁 자체가 생산적이지 못함을 지적할 것이다. 필자가 보기에 오히려 우리가 주목해야할 점은 (...) 흄의 정치 철학에서 반성이 핵심적인 역할을 하고 있으며, 이를 흄이 제시하고 있는 시민사회론에서 확인할 수 있다는 점이다. 이는 흄의 정치철학을 이해하는데 있어서 중요한 시사점을 가진다. 그 이유는 지금까지 많은 학자들에 의해 흄이 “습관과 관습”을 중시한 “반이성주의자”로 이해되어 왔는데, 사실 흄은 정치 철학에서 실천 이성으로서의 이성의 반성적 작용을 강조하고 있다는 점에서, 흄의 입장이 “반이성주의”로 귀결될 수 없다는 것이 본 논문에서 명확히 밝혀질 것이기 때문이다. (shrink)

Abstract:I suggest that Hume’s recantation, in the Appendix to the Treatise, of his account of the idea of personal identity in section 1.4.6 hinges on the contrast between the first-personal cognitive roles of that idea and its imagination-based explanation. In stark, if implicit, contrast with Locke, Hume’s account divorces personal identity from consciousness, considering oneself as oneself. But, later in the Appendix, Hume realized, if imperfectly, that something was missing from the idea of self he had constructed. I suggest that (...) what is missing is the intimate consciousness of ourselves that idea should allow us to achieve. While Hume despaired to find a solution to this problem, a change in the background of his earlier theory—a change he had available and which is perhaps alluded to in a letter to Kames—could have made his original account consistent with the first-personal features of the idea of self. (shrink)

Defines the cutting-edge of scholarship on ancient Greek history employing methods from social science.

Book 1 of Hume’s A Treatise of Human Nature was reshaped into the first Enquiry, while the second Enquiry further develops some themes from Book 3. What became of Book 2, “Of the Passions”? Did Hume never extend his thinking in that area? Amyas Merivale notes that the standard answer to that question is that Hume did not do much in the way of rethinking T2 beyond selecting a few passages to excerpt, almost verbatim, in his “Dissertation on the Passions.” (...) In this fine, wide-ranging, scrupulously researched and carefully argued book, Merivale offers a more intriguing and satisfying answer: the essays collected in the Four Dissertations, “The Natural History of Religion”, “Of the Passions”... (shrink)

En su concepción de la simpatía Hume se desligó de sus coetáneos aportando una visión muy especial de este fenómeno, no como afecto o sentimiento, sino como factor y condición para la comunicabilidad de los afectos. La simpatía, lejos de fundarse en un rasgo moral de la naturaleza humana o en el reconocimiento de la semejanza y la proximidad, aparece como factor generador de la identidad y de los afectos, base para la constitución de lo subjetivo y lo intersubjetivo.

For Jerry Fodor, Hume’sTreatise of Human Natureis “the foundational document of cognitive science” whose significance transcends mere historical interest: it is a source of theoretical inspiration in cognitive psychology. Here I am going to argue that those reading Hume along Fodor’s lines rely on a problematic, albeit inspiring, construction of Hume’s science of mind. My strategy in this paper is to contrast Fodor’s understanding of the Humean mind (consonant with the widely received view of Hume in both cognitive science and (...) much of Hume scholarship) with an alternative understanding that I propose. I thereby intend to show that the received view of Hume’s science of mind can be fruitfully revised while critically engaging with Fodor’s contemporary appropriation. Consequently, I use this occasion to put forward a rather unorthodox interpretation of Hume’s theory in dialogue with Fodor as my guide. (shrink)

The "impression of will" is intended to pick out the experience of willing an act. Hume discusses this impression in the Treatise primarily in terms of its psychological setting, describing it as "the internal impression we feel and are conscious of, when we knowingly give rise to any new motion of our body, or new perception of our mind".1 It is not obvious what Hume means in this and related passages. Scholars have offered a number of suggestions about how the (...) impression of will fits into Hume's overall moral psychology.2 But the specific issue I want to raise here concerns two substantive claims about the experience of willing an act that are attributed to Hume with some frequency. The first... (shrink)

The present book is the revised version of my Ph.D. Thesis “A Philosophical Study of the Concept of Mind (with special reference to Rene Descartes, David Hume and Gilbert Ryle)”. I have selected three thinkers Rene Descartes, David Hume and Gilbert Ryle to discuss their ideas on the nature of mind. All the above thinkers have relevance in cognitive science and philosophy of mind by their conceptions about the mind and problems they have raised. We have used analysis as a (...) methodology of this work and concluded that we should adopt an integrated and collective approach of cognitive science to study the nature of mind. In the end of the book, glossary of the philosophy of mind also added, which terms frequently I used in this work. (shrink)

This essay argues that Humean impressions are triggers of associative processes, which enable us to form stable patterns of thought that co-vary with our experiences of the world. It will thus challenge the importance of the Copy Principle by claiming that it is the regularity with which certain kinds of sensory inputs motivate certain sets of complex ideas that matters for the discrimination of ideas. This reading is conducive to Hume’s account of perception, because it avoids the impoverishment of conceptual (...) resources so typical for empiricist theories of meaning and explains why ideas should be based on impressions, although impressions cannot be known to mirror matters of fact. Dieser Aufsatz argumentiert dafür, dass humesche Eindrücke Auslöser von assoziativen Prozessen sind, welche es uns ermöglichen, stabile Denkmuster zu bilden, die mit unseren Erfahrungen der Welt kovariant sind. Der Aufsatz stellt somit die Wichtigkeit des Kopien-Prinzips in Frage, nämlich dadurch, dass behauptet wird, für die Unterscheidung der Ideen sei die Regelmäßigkeit maßgeblich, mit der gewisse Arten von sensorischen Eingaben gewisse Mengen von komplexen Ideen motivieren. Diese Lesart trägt zu einem Verständnis von Humes Auffassung der Wahrnehmung bei, da sie die Verarmung der begrifflichen Mittel, die für empiristische Theorien der Bedeutung so typisch ist, vermeidet und erklärt, warum Ideen auf Eindrücken basieren sollten, obwohl Eindrücke nicht als Abbildungen von Tatsachen erkannt werden können. (shrink)

This paper argues, contrary to Fodor’s well-known position, that the iconic and discursive modes of representation are not mutually exclusive categories. It is argued that there exists at least a third kind of representation which blends the semantic properties of icons and the syntactic properties of discourses. We reason that this iconic-discursive genus behaves differently from other representational formats, such as distributed representations or maps, previously put forward as challenging Fodor’s basic distinction. A reflection follows about how this kind of (...) representation impacts on the Fodorian issues for which the original dual distinction was argumentatively instrumental, namely, the kinds of codes and possible inter-code relations accessible to the representational mind. The suggestion is put forward that iconic-discursive representations may facilitate trade-offs between the world and the representational mind, as well as between the differently complex levels of representation that mediate between percepts and concepts. We conclude that such aspects of the computational mind, which until now appeared to be stubbornly resistant with respect to a conciliation of Hume’s empiricism and Fodor’s computationalism, may be more easily accessed and understood taking advantage of the biosemiotics perspective and acknowledging the richness of the biosemiotics codes accessible to cognition. (shrink)

This paper argues, contrary to Fodor’s well-known position, that the iconic and discursive modes of representation are not mutually exclusive categories. It is argued that there exists at least a third kind of representation which blends the semantic properties of icons and the syntactic properties of discourses. We reason that this iconic-discursive genus behaves differently from other representational formats, such as distributed representations or maps, previously put forward as challenging Fodor’s basic distinction. A reflection follows about how this kind of (...) representation impacts on the Fodorian issues for which the original dual distinction was argumentatively instrumental, namely, the kinds of codes and possible inter-code relations accessible to the representational mind. The suggestion is put forward that iconic-discursive representations may facilitate trade-offs between the world and the representational mind, as well as between the differently complex levels of representation that mediate between percepts and concepts. We conclude that such aspects of the computational mind, which until now appeared to be stubbornly resistant with respect to a conciliation of Hume’s empiricism and Fodor’s computationalism, may be more easily accessed and understood taking advantage of the biosemiotics perspective and acknowledging the richness of the biosemiotics codes accessible to cognition. (shrink)

Early modern philosophers took the phenomena of causation and cognition to be closely related. United in their opposition to Aristotelian accounts of cognition, they developed a wide range of competing theories to explain which causal processes lead to cognitions. Somewhat surprisingly, some early modern authors also made cognition a requirement for causation, on the assumption that every cause needs to cognize its effect. This introductory chapter explores both directions of explanation—from causation to cognition and vice versa—and surveys the various early (...) modern approaches to causation and cognition. (shrink)

Independently of whether an object of experience becomes a candidate for being a part of the self or a part of the external world, it is always given to us as just an object of experience. The observer-observed relation can be seen as a type of relation with many instances, both between the self and different objects of experience and between any given object of experience and different selves. The self is situated in a spatial grid, where the latter can (...) be characterised as an array of relations, of which the relata include both observers and observed. The world, understood as independent existence, including the self, is empty. However, Paolo Bozzi’s method for identifying the self and delimiting its independent existence from the external world has taught us just the opposite lesson. Bozzi’s project is to teach us how to use them, and to recognise that they allow a self to be situated in a world of objects. (shrink)

Tradução para o português da "Dissertation on passions", de David Hume. Tradução realizada com base nas seguintes edições: 1. Four Dissertations/ David Hume, edited by John Immerwahr. (Facsimile da edição de 1757 publicada por A. Millar, Thoemmes Press, 1995); 2. A Dissertation on the passions ; The natural history of religion : a critical edition /David Hume; edited by Tom L. Be auchamp. (The Clarendon Edition of the Works of David Hume. Oxford: Ox ford University Press, 2007); 3. The Complete (...) Works of David Hume . 1882-1886, edited by Green T.H. & Grose, T. H. (Edição eletrônica in CD-ROM, Série “Past Masters”. Charlottesville : InteLex Corporation, 1992). A paginação entre // corresponde à paginação da edição de 1757, reproduzida na edição da Thoemmes Prees, 1995, editad a por John Immerwahr. (shrink)

Self-consciousness can be understood as the ability to think I-thou-ghts which can be described as thoughts about oneself ‘as oneself’. Self-consciousness possesses two specific correlated features: the first regards the fact that it is grounded on a first-person perspective, whereas the second concerns the fact that it should be considered a consciousness of the self as subject rather than a consciousness of the self as object. The aim of this paper is to analyse a few considerations about Descartes and Hume’s (...) approaches to self-consciousness, as both philosophers introduce a first-personal method of accessing the subjective dimension through an introspective account. Descartes’s view on self-consciousness seems incapable of conceiving and recognizing herself as herself, while Hume’s seems to lack those features assigned to the consciousness of self-as-subject. (shrink)

Hume argues that whenever we seem to be motivated by reason, there are unnoticed calm passions that play this role instead, a move that is often criticised as ad hoc. In response, some commentators propose a conceptual rather than empirical reading of Hume’s conativist thesis, either as a departure from Hume, or as an interpretation or rational reconstruction. I argue that conceptual accounts face a dilemma: either they render the conativist thesis trivial, or they violate Hume’s thesis that ‘a priori, (...) any thing may produce any thing’. I defend an empirical construal of Hume’s conativist thesis. I provide two theoretical frameworks within which Hume’s appeal to the calm passions may be justified: first, by the framework of theoretical virtues, and secondly, by lights of his own “rules by which to judge of causes and effects”. (shrink)

O presente artigo pretende trazer à discussão a importância da Teoria das Paixões desenvolvida por David Hume como um horizonte interpretativo para as ações dos indivíduos conetados às redes sociais da Internet. Para tanto, este trabalho abordará inicialmente o que conhecemos por sociedade em rede e o importante papel desempenhado pela Internet nessa configuração social; em seguida, analisaremos como as paixões indiretas influenciam os indivíduos conectados à rede internacional de computadores.

The article proposes an interpretation of the role of practical reason in Hume. The starting point is the distinction between strong practical reason and weak practical reason. The distinction concerns the assignment of values to states of affairs: strong practical reason is itself involved in this assignment of values, whereas weak practical reason only deliberates on the basis of given assignments. According to the author of the article Hume, showing how our choices are produced from a mechanics of passions, refutes (...) not only strong but also weak practical reason. In the last part of the article the author, relying on the distinction that Hume makes between calm and violent passions, attempts to defend a rationalist conception of the deliberative dynamic, which reserves for reason an arbiter role on the passions. (shrink)

A survey of theories on the passions and action in seventeenth- and eighteenth-century Britain and western Europe reveals that few, if any, of the major writers held the view that reason in any of its functions executes action without a passion. Even rationalists, like Cambridge Platonist Ralph Cudworth and English clergyman Samuel Clarke, recognized the necessity of passion to action. On the other hand, many of these intellectuals also agreed with French philosophers Jean-François Senault, René Descartes, and Nicolas Malebranche that, (...) for passions to be useful or to become virtues, they must be governed by reason. Without the moderation of reason, passions will be unruly, distort our notions of good, and disrupt our rational volitions. In response to these popular early modern perspectives, Enlightenment thinker David Hume offered a now-famous argument that reason without passion cannot motivate, drawing the further conclusion that reason cannot govern the passions, either. Given that no one in Hume’s era seemed to defend the claim that reason alone can motivate action, what was Hume’s intention? (shrink)

In this dissertation, I explore the natures of emotional pride and shame. Using elements from Hume’s discussion of pride and humility in Book 2 of the Treatise, as well as Gabriele Taylor’s analysis of pride and shame in Pride, Shame, and Guilt: Emotions of Self-Assessment, I argue against the view that pride and shame necessarily involve self-evaluations. Put another way, I reject the view that pride and shame necessarily constitute one’s judging that one has experienced some gain or loss in (...) status, respectively. Instead, I contend that they are best understood as constituting one’s being importantly satisfied or dissatisfied with some aspect of an entity, whether oneself or an entity to which one stands in the relation of ‘belonging.’ In addition, I emphasize that the evaluations involved in pride and shame are made in light of the emoter’s beliefs, desires, values, etc. I do not dispute the fact that others’ views may shape one’s own. Rather, I claim that experiences of pride and shame importantly reflect the emoter’s values, beliefs, desires, norms of expectations, etc. Finally, I stress that unless one is able to acknowledge that the entity in question is capable of failing to meet one’s expectations, one cannot experience pride or shame. Notably, in the case of pride, unless one believes it is possible for the entity to fail to meet one's standards, one cannot truly feel satisfied that the entity in question met or exceeded one’s standards. (shrink)

Hume’s “impressions of reflection” is a category made up of all our non-sensory feelings, including “the passions and other emotions.” These two terms for affective mental states, ‘passion’ and ‘emotion’, are both used frequently in Hume’s work, and often treated by scholars as synonymous. I argue that Hume’s use of both ‘passion’ and ‘emotion’ in his discussions of affectivity reflects a conceptual distinction implicit in his work between what I label ‘attending emotions’ and ‘fully established passions.’ The former are the (...) transient, changeable, valenced feelings that flow between perceptions and constitute their felt nature and impulse. The latter are the particular passions fully realized, with characteristic valence, and analyzed by Hume in terms of their particular belief structures and relations between ideas and impressions understood to be constituent of particular passions. The term ‘emotion’ for Hume generally denotes either the attending feeling, sometimes distinct from the passion (particularly as ‘passion’ is being used to include the associated beliefs, causes and objects), or as a synonym for a particular passion, typically when Hume is primarily referring to the felt nature of the passion. Generally speaking, ‘passion’ is a more cognitive category of affective mental state, while ‘emotion’ is more sensationalist. I will further argue that when we grant Hume the emotion/passion distinction, he can accommodate both highly sensationalist and highly cognitivist understandings of affective mental states. I finish with the application of my distinction to two key topics in Hume studies: his sympathy mechanism, and his theory of belief and motivation. (shrink)

David Hume; Enactivism; Cognitive Science; Phenomenology; Philosophy of mind.

David Hume; Enactivism; Cognitive Science; Phenomenology; Philosophy of mind.

Imagination occupies a central place in philosophy, going back to Aristotle. However, following a period of relative neglect there has been an explosion of interest in imagination in the past two decades as philosophers examine the role of imagination in debates about the mind and cognition, aesthetics and ethics, as well as epistemology, science and mathematics. This outstanding _Handbook_ contains over thirty specially commissioned chapters by leading philosophers organised into six clear sections examining the most important aspects of the philosophy (...) of imagination, including: Imagination in historical context: Aristotle, Descartes, Hume, Kant, Husserl, and Sartre What is imagination? The relation between imagination and mental imagery; imagination contrasted with perception, memory, and dreaming Imagination in aesthetics: imagination and our engagement with music, art, and fiction; the problems of fictional emotions and ‘imaginative resistance’ Imagination in philosophy of mind and cognitive science: imagination and creativity, the self, action, child development, and animal cognition Imagination in ethics and political philosophy, including the concept of 'moral imagination' and empathy Imagination in epistemology and philosophy of science, including learning, thought experiments, scientific modelling, and mathematics. The Routledge Handbook of Philosophy _of Imagination_ is essential reading for students and researchers in philosophy of mind and psychology, aesthetics, and ethics. It will also be a valuable resource for those in related disciplines such as psychology and art. (shrink)

In this paper, I present a close study of Hume’s treatment of contrary passions, asking questions about his description of the psychology of emotional difference and opposition. In treating this topic, I examine two opposed, but noteworthy, psychological functions that Hume imputes to human beings: sympathy and comparison. In brief, sympathy is the mechanism by which we share others’ feelings, and comparison is the function of our minds by which we find ourselves feeling passions opposed to others’ experiences. Sympathy can (...) lead me to feel pleased at your good fortune, while comparison can lead me to feel resentment or envy at the same. I also examine another form of opposition in Hume’s theory: the distinction between calm and violent passions, a distinction which plays an important part in Hume’s account of motivation. Among the questions I ask here are: what counts as contrary passions; how conflicts are psychologically possible within the context of Hume’s theory, which declares that dominant passions “swallow” inferior ones; and what the effects of contrariety are on our psychology and motivation to action. (shrink)

In seeing a tilted penny, we are experientially aware of both its circularity and another shape, which I dub ‘β-ellipticality’. Some claim that our experiential awareness of the intrinsic shapes/sizes of everyday objects depends upon our experiential awareness of β-shapes/β-sizes. In contrast, I maintain that β-property experiences are the result of what Richard Wollheim calls ‘seeing-in’, but run in reverse: instead of seeing a three-dimensional object in a flat surface, we see a flat surface in a three-dimensional object. Using this (...) new account, I re-examine the phenomenological directness of visual experience and undermine an argument for skepticism about β-property experiences. (shrink)