Hume: Works, Misc

David Hume’s historical thought was shaped before he even began writing the History of Great Britain in 1752. This article shows how Hume developed his historical thought in an attempt to combine two historical structures: the natural-jurisprudential conjectural history of the Treatise of Human Nature and the early eighteenth-century historical narratives of modern Europe that featured in his Essays. The Treatise’s conjectural history used the developmental categories “rude” and “civilised” to explain the origins of justice, government and the moral sentiment. (...) The narratives of modern Europe, in contrast, revolved around the historical categories “ancient” and “modern.” Hume’s historical thought was shaped by the attempt to merge those two structures into a single, coherent structure. The critical question concerned the relation between the ancient and the modern: was modern Europe merely a “revival” of classical antiquity? Or did it have new, “post-ancient” dimensions? The article shows how Hume gradually distanced classical antiquity from modern Europe, thereby creating space for exclusively modern concepts such as “civilised monarchies” and the narrative of modern civilisation that structured his History of England (1754–1762). The paper concludes by suggesting that this structure defined Enlightenment philosophical history, not just Hume’s version of it. (shrink)

This paper is in four parts. The first sets out the debate between those who wished England to have only a professional army, and those who sought to supplement it with a citizen militia. This debate is crucial for understanding The History of the Proceedings in the Case of Margaret, Commonly Called Peg, Only Lawful Sister to John Bull, Esq. This political satire (commonly known as Sister Peg) is about the successful struggle to re-establish the militia in England in 1757, (...) and the unsuccessful attempt to extend the measure to Scotland. Adam Ferguson was in favour of Scotland having a militia, whereas some have claimed that Hume was against it. It is argued that Hume supported the measure. In the second part Sister Peg is briefly compared to Dr John Arbuthnot’s The History of John Bull, of which it is an imitation and sequel. In the third part the issue of the disputed authorship of Sister Peg is considered at length and Hume’s claim to have written it is compared to the Rev. Alexander Carlyle’s account that Ferguson alone wrote the work. Which of the two accounts is reliable? Richard B. Sher, in an article in this journal, assumes that Carlyle’s account is reliable, and takes issue with my arguments for reattributing the satire to Hume. It is argued that none of his arguments is successful, and that simply assuming the reliability of Carlyle’s account begs the question. In the fourth part some emendations made by Ferguson in his copy of Sister Peg are set out so that readers may see for themselves that they are almost certainly non-authorial. (shrink)

Nearly four decades after David Raynor attributed to David Hume an allegorical Scots militia pamphlet from the early 1760s popularly known as Sister Peg, there is still no scholarly consensus about whether the author was in fact Hume or his friend Adam Ferguson. Using new evidence that has emerged since the appearance of Raynor’s edition in 1982 – including information about Sister Peg’s publication history, Ferguson’s handwritten corrections and revisions in the Abbotsford copy of the work, a 1767 newspaper article (...) by James Boswell and a copy of a 1775 letter by Sir John Dalrymple that both named Ferguson as the author, two volumes of Ferguson’s correspondence published in 1995, and a recently discovered letter by Ferguson from 1809 – this article seeks to resolve this controversy by establishing that Sister Peg was written by Ferguson, as his fellow militia agitator Alexander Carlyle asserted in his memoirs. In the process, the article refutes Raynor’s arguments about Ferguson’s supposed incapacity for writing a satirical pamphlet like Sister Peg and clarifies the nature of Hume’s views and actions in regard to the Scots militia cause during the Seven Years’ War. The article also throws light on several related issues affecting Hume and Ferguson’s circle. (shrink)

In ‘The Authorship of Sister Peg', David Raynor relies on circumstantial evidence, unsubstantiated hypotheses, and subjective analysis in an effort to dispute my article ‘Let Margaret Sleep' and claim the authorship of Sister Peg for David Hume. This reply focusses instead on the large body of documentary and testimonial evidence that has surfaced during the past forty years, which overwhelmingly and convincingly supports the attribution of Sister Peg to Adam Ferguson. New documentary evidence includes Ferguson's emendations in Sir Walter Scott's (...) copy of Sister Peg, an 1809 letter from Ferguson to Alexander Fraser Tytler and Tytler's response to it, and information about the early publishing history of the work – as well as a letter by Hume himself about his preoccupation with another project when Sister Peg was written. While no new contemporary testimonials alleging Hume's authorship have been discovered since the publication of Raynor's edition of Sister Peg in 1982, at least nine contemporary testimonials naming Ferguson as the author are now known. This reply refutes Raynor's attempts to discredit the most famous of these testimonials – the account of Ferguson's authorship in the memoirs of Alexander Carlyle – and shows that the others cannot be reduced to Carlyle’s influence. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Comments on Margaret Watkins, The Philosophical Progress of Hume’s “Essays”Jacqueline Taylor (bio)After David Hume’s death, Adam Smith wrote a letter to Hume’s publisher, William Strahan, to recount some of the final words and the attitude of “our late excellent friend, Mr. Hume.”1 Despite declining health and increasing weakness, Hume faced his approaching demise “with great cheerfulness” (EMPL xlvi). He had recently been reading Lucian’s Dialogues of the Dead, and (...) although feeling he had every reason “to die contented,” Smith describes the “jocular excuses” Hume might make to Charon to delay his death (EMPL xlv). He first requests more time so that he can see how the public responds to the latest corrections he had been making to his works, but Charon replied that this would only lead Hume to want more time to make further corrections. Hume tries another tack: “Have a little patience, good Charon, I have been endeavouring to open the eyes of the public. If I live a few years longer, I may have the satisfaction of seeing the downfall of some of the prevailing systems of superstition,” to which Charon replies, “You loitering rogue, that will not happen these many hundred years... Get into the boat this instant, you lazy loitering rogue” (EMPL xlvi). This imaginary dialogue makes evident Hume’s self-awareness as an author who cared greatly about both the correctness of his written works and the influence of these works on the public.In her book, Margaret Watkins argues that Hume’s concern to open the eyes of the public goes well beyond attempts to bring about the downfall of systems of superstition.2 She credits him with the broader aim of writing essays for a literate audience that would stimulate both public and individual improvement in various areas of human activity, including government, work, aesthetic experience, and intimate [End Page 155] relationships. The first three chapters of the book examine the case for Hume’s concern with public improvement. Chapter 1 focuses primarily on the political essays, and examines Hume’s account of governing and his criticism of the irrationality apt to arise with divisive political factionalism. Chapter 2 turns to inequalities of power and the circumstances that allow some to exercise to a greater degree the domineering tendency that is part of human nature. Watkins uses Hume’s essay on the population size of ancient and modern societies to reconstruct his view on the ills—to both masters and slaves—of ancient slaveholding. She complicates this discussion by looking at modern slaveholding in the colonies, and Hume’s puzzling lack of attention to this. In the ancient world, slaveholding resulted from war and conquest, and Watkins examines how ancient warfare also led to greater ferocity and anger in fighting and exacerbated cruelty (a trait Hume had deemed the worst vice in the Treatise [T 3.3.3.8]).3 This is another place where Watkins sees Hume taking stock of modern improvements. In the wide-ranging third chapter, entitled “Working,” Watkins considers economic circumstances as moral causes that can shape character, highlighting the importance for Hume of the commercial virtues, especially industry.4 She also shows that in the four essays on happiness, modeled on Hellenistic sects, each type of philosopher regards industry, or at least occupation, as essential to human happiness. Watkins concludes that the need for industry is thus something we are naturally motivated to seek out, and so an integral part of human nature. Chapter 4, on “Composing,” shows Watkins’s talents as a philosophical essayist in her own right, as she relates art and other forms of beauty to the cultivation of calm passions. We find here an insightful discussion of art, whether composing or consuming, as having particularly therapeutic effects on melancholy and other forms of nervous conditions. Chapters 5 and 6 take up, respectively, love for oneself and love for others. The former looks at the importance Hume places on both self-love and pride. Here Watkins draws primarily on Hume’s more morally theoretical works, both the Treatise and EPM, since they have more to say about self-valuing. Chapter 6 shows how we may fruitfully read... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reply to My CriticsMargaret Watkins (bio)Science is related to wisdom as virtuousness is related to holiness; it is cold and dry, it has not love and knows nothing of a deep feeling of inadequacy and longing. It is as useful to itself as it is harmful to its servants, insofar as it transfers its own character to them and thereby ossifies their humanity. As long as what is meant (...) by culture is essentially the promotion of science, culture will pass the great suffering human being by with pitiless coldness, because science sees everywhere only problems of knowledge and because within the world of the sciences suffering is really something improper and incomprehensible, thus at best only one more problem.1When Nietzsche writes these words in “Schopenhauer as Educator” in 1874, nearly a century after Hume’s death, he is not using “science” (Wissenschaft) to refer only to what we now know as the natural sciences. Indeed, as another essay in the Untimely Meditations makes clear, history is as much, if not more, in Nietzsche’s sights as biology or physics. He is naming a peculiar irony here: in the quest for a certain kind of progress—the progress of knowledge—we can end up killing any hope of progress for life. Certain methods of historical study are forms of enquiry whose spiritless effect is to “let the dead bury the living.”2 Our relentless quest to catalog and preserve the old robs us of the higher ways we might learn from it, or overcome it. We “historians of philosophy” can do this by reading past philosophers as dead artifacts, focusing intently on how they were responding to their particular contexts and pursuing their own projects. As indispensable as such study is, it can kill the texts’ potential to continue to inspire and inform philosophical thought of our own. [End Page 163]In writing The Philosophical Progress of Hume’s “Essays,” my hope was to counteract this tendency in myself and in readers of Hume—to show that these works often neglected by contemporary philosophers are still capable of inspiring life-giving, generative philosophical thought. (I do not say they are of more than “mere” historical interest; abusing the study of history with such a pernicious adverb runs counter to every fiber of my being.) Such thought need not be optimistic, encouraging, or even morally admirable at every step. It need simply inspire our own thought, activate that love of truth that Hume says can never “be carried to too high a degree,” or (preferably and) show us how that truth matters for human life (EHU 5.1).3My attempts to achieve this aim have two primary modes: showing that the Essays can inspire vital philosophical reflection and arguing that they are themselves philosophical or works of philosophy. To put my cards on the table: the enemies within (and without) that run counter to this effort are the tendency to put a piece of philosophical writing under a microscope (whose lens might be analytic or historical) without ever asking why it matters, and the tendency to dismiss the writing as philosophical because it does not fit neatly into one of the current categories of our discipline or our understanding of “the” early modern philosophical project.I am therefore pleased that both my generous interlocutors, Jacqueline Taylor and Andre Willis, recognize my attempt to extend as well as explain Hume’s insights. There is far too much insight in their own contributions for me to do justice to. I will therefore limit my discussion to three main topics: the notion of Humean public spirit I attempt to elucidate in the book, the related problems of analytic distance, and the pressing question of the difference between Hume’s projects in other philosophical works—especially the two Enquiries—and his projects in the Essays.Although there is no essay called “Of Public Spirit,” it is still a significant concept for the Essays. The initial advertisement to the 1741 volume of Essays, Moral and Political included this observation: “Public Spirit, methinks, shou’d engage us to love the Public, and to bear an equal Affection to all our Country-Men; not... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Spirit and Politics: Some Thoughts on Margaret Watkins’s The Philosophical Progress of Hume’s “Essays”Andre C. Willis (bio)Margaret Watkins’s elegant text, The Philosophical Progress of Hume’s Essays (2019),1 is marked by a Humean approach: it fosters philosophical consideration of both the faculties of the mind and the affective features of experience in ways that bear on practical, moral issues. Ever-attentive to the meaning of Hume’s various nuances and strategic ambiguities, (...) Watkins’s even-handed approach guides us into a broad swath of Hume’s ideas and marches us through a trajectory of secondary interlocutors. It also establishes Watkins as an integral part of Hume’s lineage, in the sense that she understands that thoughtful writing itself is an intellectual virtue. Her “unusual sensitivity, not to life’s daily vicissitudes but to beauties and deformities” (193)2 richly textures her overall argument that positions Hume’s Essays as a filter for his vision of “true philosophy:” that reflective turn towards nature and common life that openly challenges abstruse reasoning, fluently embraces historicism and perspectivalism, and deftly foregrounds the usefulness of ideas over their logical certainty.As much as Watkins reveals Hume’s vision for philosophy, she also extends it; for, among other things, her consideration of Hume’s unique endeavor in philosophical literature (ultimately collected under the title Essays, Moral, Political and Literary [1758]), makes an important twofold contribution to Hume studies. It brings greater attention to Hume’s notion of “public spirit,” a distinct mode of human excellence that combines “benevolence” with “greatness of mind.” And, it aestheticizes some practical dimensions of human life (noted in chapter titles, for example, “Working,” [End Page 143] “Thinking,” “Loving”) without losing track of their socio-political valences. I shall return to these two main points below. As an introductory gesture, I want to note that Watkins’s writing both nicely elaborates Hume’s philosophical vision and thoughtfully broadens his literary insights. It does “the job of putting the audience into a responsive relation with the work of art,” what literary critic R. P. Blackmur identified as “the job of intermediary.”3Generally speaking, Watkins’s mediation filters salient themes and terms from Hume’s corpus through a particularly close reading of the Essays. Cast through her richly stylized analysis, Hume’s foundational ideas of “sympathy,” “convention,” “impressions,” “association,” “imagination,” “artifice,” the “passions” (and more) find fresh interpretive air. An example of this in her first chapter tracks Hume’s use of both “artifice” and “convention” from the Treatise through the second Enquiry to the Essays. For Watkins, a through-line for Hume is that “governing” can be thought of as repeated actions that bridge institutional policy to individual character. To think about governing in this way is to open ourselves to new ways of conceiving potential overlaps between nature and artifice (say, in the instance of a moral virtue like courage [50]). To link categories in the Essays back to their antecedent texts along the lines that Watkins does is to situate them in the context of Hume’s larger thought-project and, indirectly, confirm connections between the individual essays. These conjoinings, for Watkins, suggest Hume’s Essays can be treated together, without either blending their disparate themes or diluting their individual subject matter.4This point stands in opposition to Hume’s own semi-admonishment (1741) that “The Reader must not look for any connexion among these Essays but must consider each of them as a Work apart.”5 Watkins’s response—indicative of the graciousness of her overall tone—is to warmly acknowledge Hume’s reproach and affirm the distinctiveness of each of the essays. She proclaims: “The Essays are not unified” (5). Her thinking about them separately, however, reveals a common practical thread in their form. Watkins characterizes this form as serving “to promote public benefit” (4). I think about this form as being philosophical in the way that Richard Rorty conceives of philosophy as cultural criticism. Watkins, however, wants to emphasize the public character of Hume’s philosophy. She writes: “Hume seeks to benefit the public in two ways. First, he tries to allay irrational attitudes that produce imprudent personal and... (shrink)

Hume describes his own “open, social, and cheerful humour” as “a turn of mind which it is more happy to possess, than to be born to an estate of ten thousand a year.” Why does he value a cheerful character so highly? I argue that, for Hume, cheerfulness has two aspects—one manifests as mirth in social situations, and the other as steadfastness against life’s misfortunes. This second aspect is of special interest to Hume in that it safeguards the other virtues. (...) And its connection with the first aspect helps explain how it differs from Stoic tranquility. For Hume, I argue, philosophy has a modest role in promoting human happiness by preserving cheerfulness. (shrink)

This is the first critical edition ever produced of Essays, Moral, Political, and Literary by David Hume, who is widely widely considered to be the most important British philosopher and an author celebrated for his moral, political, historical, and literary works. The editors' Introduction is primarily historical and written for advanced students and scholars from many disciplines. It is neither an orientation to Hume's philosophy nor an introduction aimed at philosophers. It is not an attempt to interpret Hume's text, but (...) rather discusses the genesis, revision, and reception of the essays, which went into many editions at the author's hand. The annotations provide information about Hume' s sources, allusions, and citations, as well as background facts pertinent to an informed reading of the essays. The primary goal is to aid readers in their interpretations of the text. This edition also includes a detailed commentary on Hume's essay 'On the Populousness of Ancient Nations', which will be of special interest to ancient historians. The two volumes present a full critical edition, in every respect. They assemble a massive amount of historical and textual information never previously published. The editorial apparatus is comprehensive and includes extensive historical and bibliographical detail. The Clarendon Edition of the Works of David Hume as a whole is on the cutting-edge of editorial work in the history of great works in the eighteenth century. (shrink)

THE GREAT GUIDE What David Hume can teach us about being human and living well 328pp. Princeton University Press. £20 (US $24.95). Julian Baggini "... The most successful aspect of The Great Guide is the “Hop-On Hop-Off” intellectual tour that it offers. The reader is taken around the various locations where Hume’s life and ideas developed, moving from country to country, city to city, and stopping off at a few stately homes en route. This tour begins with Hume’s birthplace and (...) early education in Edinburgh and the Scottish Borders, moves on to La Flèche in France (where Hume composed much of his Treatise of Human Nature), then back to London and England, and carries on from there. As we travel around with Hume, Baggini provides his readers with a steady commentary and description of his subject’s various friendships and controversies, along with brief sketches of Hume’s core ideas and contributions. All this is lively and engaging. But there are limitations to Baggini’s method and approach. ... Perhaps the most unsatisfactory aspect of Baggini’s book is his effort to turn Hume’s life and philosophy into a self-help manual. It is true that there is much about both Hume’s character and philosophy to admire, but it is not obvious that this is usefully packaged into a set of 145 'maxims' guiding us towards 'the good life'. ... It does Hume little service to present his thought like this.". (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Excerpt from Essays, Literary, Moral and Political Some people are subject to a certain delicacy of passion, which makes them extremely sensible to all the accidents of life, and gives them a lively joy upon every prosperous event, as well as a piercing grief, when they meet with misfortunes and adversity. Favours and good offices easily engage their friendship while the smallest injury provokes their resentment. Any honour or mark of distinction elevates them above measure; but they are as sensibly (...) touched with contempt. People of this character have, no doubt, more lively enjoyments, as well as more pungent sorrows, than men of cool and sedate tempers but, I believe, when everything is balanced, there is no one, who would not rather be of the latter character, were he entirely master of his own disposition. Good or ill fortune Is very little at our disposal: and when a pe_r_son. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Most of Polish translations of David Hume’s essays have been collected in two well-known volumes edited by T. Tatarkiewiczowa and Ł. Pawłowski, but some of them were also published in various scientific journals. Moreover, some are also available in two, or even three Polish versions, whereas some were not available in Polish until they were translated and published in several issues of this journal. The dissipation of translations and functioning of various versions of their titles cause problems for Hume scholarship (...) in Poland. In answer to this problem the article collates all existing Polish translations of Hume’s essays. (shrink)

"I tend to agree with more dialectical positions such as Noxon's who, even being a critic of the approach of the two concepts, writes the following: Hume explained certain mental phenomena, notably belief, as effects of the association. And, going further, I say that belief is a feeling or sensation aroused by two factors: habit and the association of ideas, but it does not arise either from one or from other singly, each one is a part of a process that (...) involves both. Therefore habit is an underlying principle which acts upon reasonable beings during their observation of constant conjunctions, in such a way that imagination can associate ideas only through this principle acting in the mind. However, as I have already stated in another text, such an association realised by the imagination will catch up to its certainty status just with the emergence of a feeling which imputes necessity to what is instead merely contingent" (Sample taken up from the text). (shrink)

During this period he also published Four Dissertations: The Natural History of Religion, Of the Passions, Of Tragedy, Of the Standard of Taste. These works aroused controversy in the religious community before they became public. Early copies were passed around, and someone of influence threatened to prosecute Hume's publisher if the book was distributed as it was. Hume deleted two essays and removed some particularly offensive passages, then published the book to moderate success. But the larger success of History of (...) England restored Hume's reputation and provided him with the income he needed to live comfortably. (shrink)

O texto a seguir, intitulado “Ensaio Histórico sobre a Cavalaria e a Honra dos Modernos”, foi escrito durante a juventude de David Hume, certamente antes da publicação do Tratado da Natureza Humana. Ainda não há consenso inabalável sobre o ano em que esse ensaio foi produzido. John Hill Burton, que o publicou pela primeira vez, em 1846, considera que Hume o teria escrito em 1727, logo após deixar o Edimburgh College. J. Y. T. Greig propõe uma conjectura um pouco mais, (...) por assim dizer, elástica, considerando que o texto deve ter sido escrito no período de 1729 a 1734. (shrink)

This paper reviews the principal objections that Hume's Scots "common sense" contemporaries had to his account of the understanding. In the absence of any but the most scant evidence of Hume's own reactions to these criticisms, it weighs what he might have said in his own defense.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

No Tratado da natureza humana, David Hume dedica uma longa seção à problemática sobre a possibilidade da existência do mundo externo intitulada “Do ceticismo quanto aos sentidos”. A seção traz idas e vindas do autor no que diz respeito à resposta para o problema. Inicialmente, Hume dá como certa a existência externa dos corpos, i.e., independente das percepções, e avisa que sua investigação se limitará, apenas, às causas que levam a crer nisso. Sua pretensão inicial não é cumprida e logo (...) dá espaço a uma rede de complexos argumentos céticos, os quais colocam em dúvida as realidades independentes das percepções. No último parágrafo, porém, Hume parece retroceder em sua posição e parece tomar como certa a existência independente dos corpos, mais uma vez, tal como fez no começo da seção. O objetivo desse trabalho foi, pois, evidenciar que há dois pontos bem diferentes que caracterizam sua argumentação sobre esse assunto: I) A existência do mundo externo; II) a possibilidade de conhecê-lo. Ao primeiro, a resposta de Hume será positiva, ao segundo ponto, negativa. O ceticismo, portanto, sempre decorreria de qualquer tentativa em conhecer tais realidades independentes, pois, através da argumentação filosófica, da razão, sempre se esbarraria na impossibilidade de sua existência. Ao mesmo tempo, sua realidade ontológica parece se impor pela própria natureza e, com isso, desativa os argumentos céticos, os quais sempre demonstram a impossibilidade de conhecê-lo, i.e., acessá-lo pela razão. Assim, o que se tem sobre o mundo externo são, apenas, impressões geradas através da experiência para com o mesmo. Em vista dos fins supracitados, foram utilizados, além do Tratado, a Investigação sobre o entendimento humano e outros textos do filósofo escocês. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in (...) the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

James A. Harris's biography of David Hume is the first such study to appear since Ernest Mossner's The Life of David Hume (1954). Unlike Mossner, Harris aims to write a specifically "intellectual biography", one that gives "a complete picture of Hume's ideas" and "relates Hume's works to the circumstances in which they were conceived and written" (vii). Harris's study turns on four central theses or claims about the character of Hume's thought and how it is structured and developed. The claims (...) are: (1) Hume's Treatise has no claim to any sort of "privileged" status in relation to Hume's other major works -- which include his Essays and his History of England. -/- (2) There is no system, doctrine, or fundamental aims or ambitions that serve to unify Hume's thought. -/- (3) Irreligious aims and interests are not of any particular or unique importance for Hume's thought. Moreover, whatever irreligious aims and objectives Hume may have had, they reflect his moderate, neutral and detached attitude to this and all other subjects -- there is no underlying animus or hostility against religion that motivates his contributions to this subject. (4) Hume's thought should be understood and explained not in terms of his concern with some specific subject matter or body of doctrine but rather in terms of his style and his identity as a "philosophical man of letters". -/- The general picture of Hume that emerges from this study, as constructed around these four core theses, is, as I will explain, incomplete, unconvincing and, in important respects, seriously flawed and misleading. -/- . (shrink)

This is the first book to provide a comprehensive overview of the entire career of one of Britain's greatest men of letters. It sets in biographical and historical context all of Hume's works, from A Treatise of Human Nature to The History of England, bringing to light the major influences on the course of Hume's intellectual development, and paying careful attention to the differences between the wide variety of literary genres with which Hume experimented. The major events in Hume's life (...) are fully described, but the main focus is on Hume's intentions as a philosophical analyst of human nature, politics, commerce, English history, and religion. Careful attention is paid to Hume's intellectual relations with his contemporaries. The goal is to reveal Hume as a man intensely concerned with the realization of an ideal of open-minded, objective, rigorous, dispassionate dialogue about all the principal questions faced by his age. (shrink)