Husserl and Derrida

»Vom leeren Raum kan es keine Erfahrung, auch keinen Schlus auf das Object derselben geben. [... ] Der Satz [... ]: es giebt leere Räume kan nie ein weder mittelbarer noch unmittelbarer Erfahrungssatz seyn«, so hält Kant im Opus postumum fest, jenem unvollendeten >Werk<, an dem er in den letzten Lebensjahren gearbeitet hatte und das dem »Übergang von den metaphysischen Anfangsgründen der Naturwissenschaft zur Physik« gelten sollte. Für diesen Übergang nun ist es eine der entscheidenden Annahmen, dass es keine Erfahrung (...) vom leeren Raum geben könne - eine bemerkenswerte Behauptung, die sich nicht von selbst versteht, insbesondere, wenn man beachtet, dass Kant dem leeren Raum nicht nur abspricht, unmittelbar wahrnehmbar zu sein, sondern auch bestreitet, dass die Existenz leeren Raumes auf Grund von Erfahrung indirekt erschlossen werden könne. In diesem Aufsatz gehe ich den Gründen für diese Annahme Kants nach, um im Anschluss daran nach anderen Auffassungen räumlicher Erfahrung zu fragen, die den leeren Raum im Gegensatz zu Kant als erfahrbar bestimmen. Die Form der Einheit der Erfahrung erweist sich dabei als entscheidend dafür, ob und in welcher Weise leerer Raum zu einem Gegenstand der Erfahrung werden kann. (shrink)

La presente nota crítica tiene como finalidad exponer y comentar las ideas fundamentales de la edición española del primer escrito de Jacques Derrida, El problema de la génesis en la filosofía de Husserl. Asimismo, hacemos algunas aclaraciones sobre el origen y significado de este escrito. Al concluir, añadimos algunas observaciones sobre la traducción y sobre el estudio final del editor y traductor Javier Bassas Vila sobre la filosofía del joven Derrida.

David Allison here translates Derrida’s booklet, La voix et le phénomène and two essays, "La forme et le vouloir-dire" and "La différance". It is a good translation, readable and accurate, even though once or twice he seems reluctant to move fully into English idiom: why not, for instance, render "la vive voix" as "speaking out loud" instead of "living vocal medium"? Derrida claims Husserl is caught in the classical metaphysics of presence, an entrapment shown by his belief that the meaning (...) of speech can be isolated from reference or indication, at least in the privileged case of phenomenological reflection: for then we do not speak to another, only to ourselves, and no indication is needed to turn our minds towards what is discussed. In this privileged discourse we enjoy a sheer presence of meaning, with no indication or reference to anything absent, and no need for the sounding voice either. But Derrida claims that when we think we can never do without indication and sound—at least the imagined sound of inner speech—and so even the privileged presence of phenomenological reflection must involve some absences. The speaker himself is constituted only with the signs and sensuosity of speech, not by a sheer view of presence. (shrink)

With the publication of three significant books in 1967, La voix et le phénomène, L'écriture et la différence, and De la grammatologie, Derrida is proving himself a noteworthy figure in French philosophy, and a diversified one as well. La voix et le phénomène is a scholarly reinterpretation of Husserl centered around his theory of the sign, which Derrida sees as playing a secret but decisive role in his phenomenology. Derrida attacks chiefly two Husserlian prejudices: his theory of language as the (...) dimension of absolute proximity-to-self, and his privileging of the "expression" meaning of the sign over the "index" meaning. These mesh with Husserl's notion of the transcendent voice present-to-itself, a central idea of his intuitionism. Thus, according to Derrida, Husserl's phenomenology really rejoins a traditional metaphysics--philosophy of presence--it had set out to criticize. This book will be valuable not only as an original interpretation of Husserl, but as a springboard into Derrida's philosophy as well.--C. M. R. (shrink)

Iterability, the repetition which alters the idealization it reproduces, is the engine of deconstructive movement. The fact that all experience is transformative-dissimulative in its essence does not, however, mean that the momentum of change is the same for all situations. Derrida adapts Husserl's distinction between a bound and a free ideality to draw up a contrast between mechanical mathematical calculation, whose in-principle infinite enumerability is supposedly meaningless, empty of content, and therefore not in itself subject to alteration through contextual change, (...) and idealities such as spoken or written language which are directly animated by a meaning-to-say and are thus immediately affected by context. Derrida associates the dangers of cultural stagnation, paralysis and irresponsibility with the emptiness of programmatic, mechanical, formulaic thinking. This paper endeavors to show that enumerative calculation is not context-independent in itself but is instead immediately infused with alteration, thereby making incoherent Derrida's claim to distinguish between a free and bound ideality. Along with the presumed formal basis of numeric infinitization, Derrida's non-dialectical distinction between forms of mechanical or programmatic thinking (the Same) and truly inventive experience (the absolute Other) loses its justification. In the place of a distinction between bound and free idealities is proposed a distinction between two poles of novelty; the first form of novel experience would be characterized by affectivites of unintelligibility , confusion and vacuity, and the second by affectivities of anticipatory continuity and intimacy. (shrink)

David Allison here translates Derrida’s booklet, La voix et le phénomène and two essays, "La forme et le vouloir-dire" and "La différance". It is a good translation, readable and accurate, even though once or twice he seems reluctant to move fully into English idiom: why not, for instance, render "la vive voix" as "speaking out loud" instead of "living vocal medium"? Derrida claims Husserl is caught in the classical metaphysics of presence, an entrapment shown by his belief that the meaning (...) of speech can be isolated from reference or indication, at least in the privileged case of phenomenological reflection: for then we do not speak to another, only to ourselves, and no indication is needed to turn our minds towards what is discussed. In this privileged discourse we enjoy a sheer presence of meaning, with no indication or reference to anything absent, and no need for the sounding voice either. But Derrida claims that when we think we can never do without indication and sound—at least the imagined sound of inner speech—and so even the privileged presence of phenomenological reflection must involve some absences. The speaker himself is constituted only with the signs and sensuosity of speech, not by a sheer view of presence. (shrink)

Following one of Jacques Derrida’s early questions — namely, How is writing involved in speech? — this essay reconsiders the role of the tongue and the sense of taste in the oral phenomena of speaking and saying. The contact the tongue makes with the mouth or teeth is just as much a materialization of language as what is commonly called “writing.” The tongue acts as a pen and the mouth, as a blank page (or palimpsest). Mouthed writing is accompanied by (...) sense experiences. There are various selftastes to the tastes of speaking, the tastes of words, or, even, the tastes of thoughts. Freud’s notes on speaking in one’s sleep, telepathy, the mystic writing-pad, and memory are revisited and supplemented with the writings of Hélène Cixous on the taste of words, telephoning, saying-to-oneself, and forgetting. The auto-affection of tasting-oneself-speakwriting is offered as an alternative to the metaphysical presumptions Derrida implicates in Husserl’s understanding of speech based on the auto-affection of hearing-oneself-speak. As such, writing (haunted by the trace of death) and speech (invested with living presence) is now confronted with the selftastes of speakwriting with one’s stylangue in and on the mouth as the scene of writing (ever accompanied by tastes of life-death). (shrink)

The question of how to identify a sound normative basis for critique has troubled the Frankfurt School tradition of Critical Theory since its inception. Many thinkers in the Critical Theory tradition wish to avoid treating the normative ground as an abstract and ahistorical in-itself, and to connect it to concrete historical reality. It is, however, very difficult to do this without reducing the normative ground to a merely contingent historical fact, erasing its normative force and relativizing critique. It seems that (...) one must end up in either metaphysical Platonism or historicist relativism. In this work I argue that resources for tackling this question can be found in the phenomenological tradition, especially in the work of Jacques Derrida. Critical Theory has for the most part rejected phenomenology for its general philosophical approach, but I argue that an engagement with Derrida’s reading of Edmund Husserl is essential if Critical Theory wishes to make progress with the problem of normativity. To begin with, I examine Theodor Adorno’s notion of a non-dogmatic dialectical materialism. This doctrine contains the seed of a solution to the problem, but Adorno does not consistently apply it in his critical work. I then show that a reading of Derrida’s engagement with Husserl’s treatment of the relation between ideal being and subjective experience offers a more consistent way of putting Adorno’s non-dogmatic insights to work. After examining Derrida and Husserl’s work on the relation between ideal objectivity and subjective experience, I then turn to the work of Axel Honneth. Using the insights found in the exposition of Derrida and Husserl, I criticize two different attempts from Honneth to comprehend the relation between historical experience and its normative ground. Through these critical examples, I show what it is that Critical Theory can learn from Derrida and Husserl, and why it stands to benefit from an engagement with the phenomenological tradition. (shrink)

This essay approaches Derrida through a consideration of his writings on Saussure and Husserl. Derrida is right to insist, following Saussure, on a relational theory of meaning: words do not have a one to one correspondence with their referents. But he is wrong to insist on a purely differential theory of meaning: words can refer to reality within the context of a body of knowledge. Similarly, Derrida is right to reject Husserl's idea of presence: no truths are simply given to (...) consciousness. But he is wrong to reject the very idea of objective knowledge: we can defend a notion of objective knowledge couched in terms of a comparison of rival bodies of theories. The essay concludes by considering the implications of the preceding arguments for the enterprise of phenomenology. (shrink)

ABSTRACTDerrida’s philosophy starts with a law stated in The Problem of Genesis in Husserl’s Philosophy: “No analysis could present, make present in its phenomenon or reduce to the point-like natur...

O artigo procura reconstruir a relação entre os pensadores francês e alemão, adotando o tema da história por fio condutor. A questão-chave concerne à possibilidade de elaborar-se uma história transcendental. Tal história, caso seja viável, constituirá uma historicidade, pois deverá descrever a gênese do sentido no intercâmbio necessário e incontornável entre as dimensões transcencendental e empírica. Como reduzir os vários fenômenos egóicos, temporais, intersubjetivos, etc. sem perder o âmbito empírico em que eles enraizam-se? Eis o principal desafio colocado pelos textos (...) derridianos à obra de Husserl. (shrink)

ABSTRACTDuring his philosophical life, Husserl sought to develop his phenomenology as a “science of true beginnings, or origins” that is metaphysically neutral. Nevertheless, according to Heidegger and Derrida, Husserl’s phenomenology remains a kind of metaphysics of presence in that it presupposes a metaphysical notion of “origin”. This paper attempts both to correct Heidegger and Derrida’s misunderstandings of Husserl’s notion of “origin” and to clarify the reason why Husserl’s phenomenology and its pursuit of “origin” is still a metaphysical project.

_ Source: _Volume 48, Issue 2, pp 209 - 232 In _Specters of Marx_, Derrida suggests that the most fundamental condition of phenomenality lies in the ambiguous status of the noema, defined as an intentional and non-real component of _Erlebnis_, neither “in” the world nor “in” consciousness. This “irreality” of the noematic correlate is conceived by Derrida as the origin of sense and experience. Already in his _Of Grammatology_, Derrida maintained that the difference between the appearing and the appearance, between (...) the world and the lived experience, is the condition of all other differences. Unfortunately, Derrida limits himself to a few self-evident remarks, without further elaborating.The aim of this paper is twofold: on the one hand, to contextualize Derrida’s interpretation of the noema from a theoretical and historical perspective; on the other hand, to show its effects on the early moments of Derrida’s philosophy. The result will shed light on a neglected issue in the relationship between deconstruction and phenomenology. (shrink)

Taking as its jumping off point recent attempts in the sciences of the mind to facilitate direct brain-to-brain communication, this article considers the challenges such a development poses to the phenomenology of intersubjectivity. This is examined initially through recourse to Husserl's description of the encounter with the other in the Cartesian Meditations, Levinas’ rival account in Totality and Infinity, and Derrida's contribution to this dialogue in the essay ‘Violence and Metaphysics’. All three turn around the problem of how the externality (...) and otherness that constitutes the other qua other can be presented to the I while being maintained in its very externality and otherness. The paper asks whether the prospect of fully realised telepathic communication would overcome intersubjective distance by offering a direct insight into the other's phenomenological interior, and how such a relation is to be conceived using the terms outlined in the above trio of texts. Finally, through appealing to Derrida's enigmatic essay ‘Telepathy’ and offering a close reading of his late concept of teleiopoesis we will overturn the phenomenological terms in which the discussion has so far been framed while arriving at a form of telepathy that is not reducible to the simple communication of a message between an active sender and a passive recipient, but which simultaneously maintains the distance between the actors involved. Teleiopoesis undermines the stable identity of the terms I and other and consequently the very concept of intersubjectivity is put into question. (shrink)

The paper addresses the problem of the place of deconstruction in the history of transcendental philosophy. J. Derrida’s project is considered as one of the most representative and consistent realizations of theoretical foundations of transcendentalism along with prominent conceptions such as Kant’s critique and Husserl’s phenomenology. The author suggests a number of attributes of transcendental thinking that allow historical reconstruction of the transcendental paradigm. Derridian approach is considered as a turn towards this tradition, conceived as a transcendental tradition par exellence, (...) guided by the attitude of «turning. Historical legacy of deconstructive «turning» is analyzed with respect to Husserlian Rückfrage: return-inquiry as method, idea and attitude, reproducing in deconstructive strategy of interpretative critique. A concept of hyperbolic transcendentalism is introduced in order to (1) define a deconstructive version of transcendental philosophy and (2) indicate an immanent tendency in the transcendental thought, constitutive for both Kantian critical project and Husserlian strive towards intellectual radicalism extending from methodological hyperboles (reduction and epoche) to radicalization of «transcendental motive». The author relies upon the concept of quasi-transcendental (thematized by Derrida himself), which defines a mode of de-dogmatization, critical purifying and preservation of proper transcendental foundations of philosophical thinking. (shrink)

In this paper I will examine Husserl’s attempt to establish a ground for science with the so called transcendental reduction. This will entail both an identification of the problems that Husserl was attempting to solve as well as a careful analysis of Husserl’s account of his methodology. I will then examine how Derrida’s reading, which affirms the phenomenological project in many of its essential aspects, begins to signal a subtle yet ultimately radical disagreement. This disagreement will have lasting implications for (...) our understanding of the possibilities designated by the transcendental method in Husserl’s thinking. (shrink)

Abstract: This Thesis is to examine Jacques Derrida’s idea of trace, différance, and supplement; to examine whether or not they have a structure of open. By closely reading Derrida’s Speech and Phenomena, “Violence and Metaphysics”, Of Grammatology, and “Différance,” I will discuss this question in two levels of inquiry: one is on the microscopic scope and the other one is on the large-scale scope. In the microscopic scope, Derrida’s trace, différance, and supplement can be regarded as open, because trace, différance, (...) and supplement contain the fundamental difference within themselves and they are never in the status of purity and / or plenitude. In this sense, they are open to the difference in relation to themselves. In this scope, Derrida’s critical reading of Edmund Husserl’s “ideal meaning” and “ideal impression” of time shows that the original truth of the “ideal meaning” and sense is never fully ideal, and it is lacking such “ideality” even from the very beginning. Moreover, Derrida’s critique of Emmanuel Levinas’s “absolute Other” and “infinity” demonstrates that trace, différance, and supplement never let the other remain beyond, keeping it instead in the closure of the subject deciding to accept the responsibility beyond calculation. In short, under Derrida’s examinations, Husserl’s phenomenology and Levinas’s philosophy of the Other are in the domain of closure, unlike to where Derrida sees himself, in the open. Indeed, in the microscopic scope, Derrida’s philosophy is open. However, in the large-scale scope, when the web of trace, différance, and supplement is prevailing and encompassing everything even its own “exit,” the “open” thus covers and denies other modes of thinking, that is to say, conceals the possibility of going out of this mode of thinking. In this scope, the structure of différance is closed. (shrink)

According to Jacques Derrida, the tradition of metaphysics is dominated by a basic distinction between presence and absence that plays a fundamental role in Husserl’s theory of meaning and contaminates the core of his phenomenological project. If Husserl’s distinction between indication and expression in the 1st Logical Investigation is credited for opening a ‘phenomenological breakthrough’, his account of the entwinement between the indicative and expressive functions of linguistic signs is accused of restoring and maintaining the metaphysical primacy of presence. In (...) the last chapters of Voice and Phenomenon, Derrida focuses especially on the cases of indexical or ‘essentially occasional’ expressions, whose concrete meaning is a function of the occasion of their use and which rely on the indicative function of meaning. According to Derrida’s reading, Husserl holds that such indexical meanings like ‘I’, ‘here’ or ‘now’, are necessarily always fulfilled and cannot lack of intuitive fulfilment. Consequently Derrida takes Husserl’s account of the meaning of ‘I’ as an obvious symptom of his inability to move away from the myth of pure expressivity, bringing phenomenology back into the history of metaphysics. Husserl would have failed to acknowledge that indexical meanings, like ideal or objective meanings, can remain unfulfilled and deprived of intuition. This article demonstrates that Derrida’s critique misses the most important point in Husserl’s analysis of the meaning of ‘I’, and argues that indexical or subjective expressions are somehow insensitive to the prospect of intuitive presencing and fulfilment. (shrink)

I argue that Husserl’s transcendental account of the role of the lived body in sense-making is a precursor to Alva Noë’s recent work on the enactive, embodied mind, specifically his notion of “sensorimotor knowledge” as a form of embodied sense-making that avoids representationalism and intellectualism. Derrida’s deconstructive account of meaning—developed largely through a critique of Husserl—relies on the claim that meaning is structured through the complication of the “interiority” of consciousness by an “outside,” and thus might be thought to lend (...) itself to theories of mind such as Noë’s that emphasize the ways in which sense-making occurs outside the head. But while Derrida’s notion of “contamination” rightly points to an indeterminateness of meaning in an outside, extended, concrete lived world, he ultimately reduces meaning to a structure of signification. This casts indeterminateness in terms of absence, ignoring the presence of non-linguistic phenomena of embodied sense-making central to both the contemporary enactivist program and to the later Husserl, who is able to account for the indeterminateness of meaning in lived experience through his distinction between sense and more exact linguistic meaning. Husserl’s transcendental theory of meaning also allows for a substantive contribution to sense-making from the side of the perceived object—an aspect missing from Noë’s account. Thus, in contrast to Derrida and to Noë, Husserl accounts for sense-making in terms of both the lived body and the lived world. (shrink)

The problem of the origin of geometry is crucial for understanding the formation and development of Derrida’s early conception of historicity. Mathematical idealities offer the most powerful example of meanings that are fully transmissible through history. Against Husserl’s explanation of the particular, Derrida considers that the logic and progression of mathematical idealities can only be explained if they are referred to non-intentional and pre-subjective movements of production and development of significations: language itself, which is structured as non-phonetic writing. Historicity is, (...) to Derrida’s eyes, the non-intentional and non-present structure at work in the formation and transmission of meaning. Therefore, pure transmissibility of meaning is an essentially equivocal and creative process. However, Derrida’s analyses fail at understanding the logic of mathematical progression. He explains it by generalizing consciousness’ inner temporality to what he describes as being the “dialecticity” of non-present temporal modes. But the dialecticity of mathematical concepts is not reducible to the dialecticity of temporal modes of experience. We cannot characterize the pre-intentional conditions of historicity if we put into brackets the concrete field in which history becomes factual, i.e. in which meaning and appearing actually historialize: the effective progression of objects. (shrink)

What would be the result of reading Derrida from the standpoint of material phenomenology? And what would be the result of reading material phenomenology on the basis of the requirements of Derridean thought? These are the questions that this article endeavours to tackle by focusing on the two philosophers’ readings of Husserl’s Lectures on the Consciousness of Internal Time. At first strangely similar, these two readings soon display marked differences. Whereas Derrida, in his approach, is keen to demonstrate that there (...) is never any pure presence, Michel Henry brings out an “Archi-presence” which he attempts to safeguard from any deconstruction. So perhaps material phenomenology functions as “quasi-deconstruction”, having the same relationship with Derridean thought as “negative theology” has with deconstruction. (shrink)

_ Source: _Volume 46, Issue 2, pp 297 - 307 In 1962–62, Derrida presented two series of lectures at the Sorbonne, the first of which was entitled “Method and Metaphysics,” and the second “Phenomenology, Theology and Teleology in Husserl.” The author was present as a student at these lectures, and presents below a summary of their contents.