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  1. Abhinavabhāratī. Abhinavagupta - 2006 - In M. M. Ghosh (ed.), Nāṭyaśāstra of Bharatamuni: Text, Commentary of Abhinava Bharati by Abhinavaguptacarya and English Translation. Delhi: New Bharatiya Book Corporation.
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  2. Susan L. Schwartz, Rasa: Performing the Divine in India. [REVIEW]Constantina Rhodes Bailly - 2006 - International Journal of Hindu Studies 10 (1):123-124.
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  3. Ownerless Emotions in Rasa-Aesthetics.Arindam Chakrabarti - 2011 - In Ken-Ichi Sasaki (ed.), Asian Aesthetics. National Univeristy of Singapore Press.
  4. Review of Alternative Standpoints: A Tribute to Kalidas Bhattacharyya. [REVIEW]Subhasis Chattopadhyay - 2016 - Prabuddha Bharata or Awakened India 121 (September):673.
    This review brings to the fore the Indian philosopher Kalidas Bhattacharyya. It makes a case for Indian and Asian Studies' scholars to take up the study of Bhattacharya so that his corpus can be used to construct a clear hermeneutic for assessing and accessing Indian texts, say in English and also other English literary texts. Bhattacharyya has been neglected too long by the world.
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  5. Samvega, ‘Aesthetic Shock’.Ananda K. Coomaraswamy - 1943 - Harvard Journal of Asiatic Studies 7 (3):174-179.
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  6. Fine Aphorisms, Proverbs & Philosophical Quotes.Yoji K. Gondor (ed.) - 2014 - Sintesi Point Publishing.
    This is a small collection of proverbs with some philosophical content. I also included here are some of my favorite philosophical quotes. The quotes were collected during many years from my personal reading. I am sure that the reader will identify and enjoy proverbs and some quotes that are new and unique to this publication. A printed copy available at amazon.com. Feedback: gondork@yahoo.com .
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  7. The Bhāgavata Purāṇa: Selected Readings.M. Gupta Ravi & Kenneth Valpey - 2016 - New York: Columbia University Press.
    Formalized by the tenth century, the expansive Bhāgavata Purāṇa resists easy categorization. While the narrative holds together as a coherent literary work, its language and expression compete with the best of Sanskrit poetry. The text's theological message focuses on devotion to Krishna or Vishnu, and its philosophical outlook is grounded in the classical traditions of Vedānta and Sāmkhya. This translation and detailed analysis of the Bhāgavata Purāṇa includes endnotes that explain unfamiliar concepts and essays that elucidate the rich debates found (...)
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  8. インドの哲学体系.Nakamura Hajime - 1994 - Tokyo: shunjusha.
  9. The Woman-and-Tree Motif in the Ancient and Contemporary India.Marzenna Jakbczak - 2017 - In Retracing the Past: Historical Continuity in Aesthetics from a Global Perspective. Santa Cruz: International Association for Aesthetics. pp. 79-93.
    The paper aims at critical reconsideration of a motif popular in Indian literary, ritual, and pictorial traditions – a tree goddess (yakṣī, vṛkṣakā) or a woman embracing a tree (śālabhañjīkā, dohada), which points to a close and intimate bond between women and trees. At the outset, I present the most important phases of the evolution of this popular motif from the ancient times to present days. Then two essential characteristics of nature recognized in Indian visual arts, literature, religions and philosophy (...)
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  10. Przyroda w filozofii i kulturze Indii.Marzenna Jakubczak - 2011 - Kultura Współczesna (1):171-182.
    W artykule rozważane są rozmaite semantyczne i symboliczne relacje, w jakich ujmuje się przyrodę na gruncie filozofii, kosmologii i estetyki indyjskiej. Punktem wyjścia jest charakterystyka wewnętrznej dynamiki przyrody, w którą wpisane jest nieustanne zderzanie się biegunowych jakości. Przedstawione są m.in. wedyjskie kosmogoniczne rozważania, konstatujące samorodność i substancjalną jednorodność cyklicznej natury, oraz pięć reprezentatywnych filozoficznych koncepcji przyrody. Autorka podkreśla także swoistą współzależność pomiędzy afirmowaną wizją przyrody a kulturowymi reprezentacjami natury ludzkiej.
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  11. Language, Meaning, and Use in Indian Philosophy: An Introduction to Mukula's “Fundamentals of the Communicative Function”.Malcolm Keating - forthcoming - New York: Bloomsbury Academic.
    his introduction brings to life the main themes in Indian philosophy of language by using an accessible translation of an Indian classical text to provide an entry into the world of Indian linguistic theories. -/- Malcolm Keating draws on Mukula's Fundamentals of the Communicative Function to show the ability of language to convey a wide range of meanings and introduce ideas about testimony, pragmatics, and religious implications. Along with a complete translation of this foundational text, Keating also provides: - Clear (...)
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  12. Who is Afraid of Mimesis? Contesting the Common Sense of Indian Aesthetics Through the Theory of 'Mimesis' or Anukaraṇa Vâda.Parul Dave Mukherji - 2016 - In Arindam Chakrabarti (ed.), The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art. New York: Bloomsbury Academic. pp. 71-92.
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  13. Who is Afraid of Mimesis? Contesting the Common Sense of Indian Aesthetics Through the Theory of 'Mimesis' or Anukaraṇa Vâda.Parul Dave Mukherji - 2016 - In Arindam Chakrabarti (ed.), The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art. New York: Bloomsbury Academic. pp. 71-92.
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  14. WRITINGS FROM THE MARGINS: THE PHILOSOPHY AND SCIENCE BEHIND SUCH PSYCHOLOGICAL AND AESTHETIC CREATIVE TENDENCIES.Varanasi Ramabrahmam - 2012 - In Proceedings of the a two-day tri-lingual national conference on Writings from the Margins conducted by the School of Humanities and Social Sciences, Gautam Buddha University, Yamuna Express Highway, Greater Noida-201 310, UP, India from 23rd to 24th Marc.
    “Writings from the Margins” will be viewed in an objective way through Indian civilization and culture. The nature of the literary figure - writer, poet, fiction-writer, novelist, essay-writer, translator etc., - and their creations will be defined. The urge and compulsions for such restrictive selection of topics for literary creation will be delineated. The pros and cons of such limited horizon for creativity and patronage will be discussed. The writings by marginalized and about the marginalized will be differentiated and distinguished. (...)
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