Japanese Philosophy

This paper examines the significance of spring within Japanese philosophy, focusing on the themes of renewal, impermanence, and the deep connection between humanity and nature. The arrival of spring, marked by the ephemeral beauty of cherry blossoms (sakura), serves as a poignant reminder of the concept of "mono no aware," which emphasizes the appreciation of transience and the fleeting moments of beauty in life. Through an exploration of traditional practices such as Hanami (flower viewing) and the philosophical reflections of notable (...) figures like Matsuo Bashō and Kitarō Nishida, this study highlights how spring inspires a sense of harmony and mindfulness in Japanese culture. Additionally, the paper discusses the role of seasonal change in shaping aesthetic sensibilities and ethical considerations, illustrating how the cyclical nature of life is celebrated and embraced. Ultimately, this exploration reveals that spring is not merely a season in Japan but a profound philosophical lens through which individuals can engage with the world, fostering a deeper understanding of existence and the interconnectedness of all living beings. (shrink)

This article explores the enduring influence of wabi-sabi, a traditional Japanese aesthetic and philosophical concept rooted in the acceptance of imperfection, transience, and simplicity, on the lifestyles and mental well-being of contemporary Japanese youth. Originating in Zen Buddhism, wabi-sabi celebrates the beauty of the incomplete, impermanent, and asymmetrical, offering a counter-narrative to modern society’s obsession with perfection, consumerism, and digital permanence. Through qualitative interviews and cultural analysis, this study examines how young Japanese individuals reinterpret wabi-sabi principles—such as kanso (simplicity), fukinsei (...) (asymmetry), and shibumi (understated elegance)—to navigate pressures linked to social media aesthetics, workplace stress, and environmental concerns. -/- The findings reveal that wabi-sabi serves as both a cultural anchor and a coping mechanism, fostering mindfulness, sustainable consumption, and resilience in the face of societal expectations. For instance, minimalist living trends (dan-sha-ri) and the revival of handcrafted goods reflect wabi-sabi’s emphasis on authenticity over mass-produced perfection. Simultaneously, digital detox practices and the popularity of “imperfect” self-presentation on platforms like Instagram signal a rejection of curated perfectionism. However, tensions persist as globalization and technological advancements challenge traditional values, creating a hybrid modernity where wabi-sabi coexists with capitalist efficiency. -/- By bridging historical philosophy and contemporary lived experience, this article argues that wabi-sabi offers a transformative framework for addressing mental health crises, environmental degradation, and cultural identity among Japan’s youth. It concludes with implications for design, education, and policy, advocating for the integration of wabi-sabi principles into initiatives promoting holistic well-being and ecological stewardship in an increasingly fragmented world. (shrink)

This is the first volume to explore the modern reception and contemporary relevance of Aristotle and his philosophy in Japan, making it a valuable contribution to both global Aristotelian studies and studies of Japanese philosophical traditions. The study of Aristotle's philosophy in Japan is already over a hundred years old, yet the fruits of these efforts have mostly been published in Japanese and thus circulated almost entirely within Japan. Japanese scholarship, however, has not been conducted in isolation, but rather has (...) developed by keeping up with crucial contemporary trends in international scholarship. Aristotelian studies in Japan have therefore been neither particularly Japanese nor Far East Asian at first glance, which is one reason why they have not received much attention in Japanese philosophical literature. This volume addresses this gap, exploring the long historical struggle of Japanese people to read, understand and adopt Aristotle's philosophy in a philosophical tradition different from the West. It also examines the applicability of Aristotle's philosophy to contemporary issues and demonstrates the extent to which his philosophy remains relevant today, whether in the East or West. Aristotle in Japan: Reception, Interpretation and Application is of interest to students and scholars of Aristotelian philosophy, as well as those working on Japanese philosophy and classical reception. (shrink)

The starting point for the considerations in the article is the statement of Keiko Yamanaka that the Japanese know nothing about resistance to the bacterium represented by another human being. In the article, however, we put forward the thesis that Japanese culture has developed a collective immune system resulting not from individual but from shared systemic immunology in connection with the performance of family, professional and social functions. The analysis of Japanese ‘cultural immunology’ includes an examination of the ways of (...) functioning of the body in contemporary Japanese culture. To this end, we first discuss the relationship between humans and nature in Japanese religious-ethical tradition. Next, we examine the Japanese relationship to the body as a special part of nature. Then we analyze the tension in the Japanese culture between individual and sociocultural bodies. In conclusion, we show what the sociocultural body is and how it functions in the system of ‘cultural immunology’ in contemporary Japan. (shrink)

In the digital age, redefining and aesthetically appraising the spiritual substance of non-human entities is crucial, as traditional folklore’s immaterial beings like ghosts are not fully integrated into digital information products. But the enduring popularity of ghost monsters in global media culture, especially mononoke or yōkai in Japan, makes us rethink their immaterial presence alongside advancements in human technology and AI. A notable case is the TV series Mononoke (2006-07), which has spawned adaptations across various media in Japan and recently (...) begun a film trilogy (2024-). Here, we explore the philosophical underpinnings of the series, focusing on the exorcism performed by the protagonist (‘medicine seller’) via three keywords: ‘form’, ‘truth’, and ‘reason’. By doing so, we link the mononoke nature to two philosophical traditions: historical Daoism and modern pragmatism. The first analysis draws on Laozi’s concept of ‘container’ (qi), or the form of Dao. Secondly, we deploy the pragmatist C.S. Peirce’s three normative steps of logic, ethics, and aesthetics. Overall, we argue that the mononoke’s immaterial nature and the haunting of humans are rooted in an elaborately aesthetic interplay of form, truth, and reason. (shrink)

Zeami Motokiyo 世阿弥 元清 (1363–1443) gilt als Schöpfer des klassischen Nō-Theaters und war nicht nur ein herausragender Darsteller, sondern auch Autor vieler Stücke, die noch heute aufgeführt werden. Neben diesen Stücken hat Zeami aber auch theoretische Traktate zur Übungspraxis des Nō-Theaters verfasst, die über viele Jahrhunderte hinweg geheim überliefert wurden und als Anweisungen für seine Nachfolger gedacht waren. In diesen Traktaten reflektiert Zeami auf seine Kunst und stellt sie als einen Übungsweg nach buddhistischem Vorbild dar, als eine ästhetische, aber auch (...) spirituelle Praxis, einen Lebensweg (道 dō, michi), der auf die Verkörperung grundlegender Prinzipien abzielt. Im Folgenden möchte ich vor allem anhand dieser theoretischen Schriften nachvollziehen, welche Rolle der Ausdruck „von-selbst-so“ (自然 jinen, chin. zìrán) bzw. „von selbst“ (onozukara), der heutzutage als Übersetzung für den europäischen Natur-Begriff verwendet wird, in Zeamis Konzeption der leiblichen Übungspraxis spielt und dies mit Stellen aus anderen Schriften vergleichen. Zunächst werde ich aber in knapper Weise zurückverfolgen, was leibliche Praxis vor dem Hintergrund des Daoismus und des Zen-Buddhismus im Kontext der japanischen Übungswege bzw. Wegkünste bedeutet. (shrink)

This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.

Recension of the 2023 book "Ethics and Time in the Philosophy of History" an interesting book on metaphysics, moral philosophy, existentialism, and speculative philosophy of history.