Jean-Paul Sartre

The Introduction to Sartre’s Being and Nothingness (B&N) contains a condensed, cryptic argument – the ‘ontological proof’ – that is meant to establish a position ‘beyond realism and idealism’. Despite its role in establishing the fundamental ontological distinction of B&N – the distinction between being-for-itself and being-in-itself – the ontological proof has received very little scholarly attention. My goal is to fill this lacuna. I begin by clarifying the idealist position Sartre attacks in the Introduction to B&N: Husserl’s idealism as (...) interpreted by Aron Gurwitsch and Roman Ingarden. I then propose a new interpretation of the ontological proof that gives a central role to the transparency of experience. On this interpretation, Sartre argues from the ‘emptiness’ of consciousness – its purely relational nature – to the existence of mind-independent substance (being-in-itself). In assessing the strengths and weaknesses of Sartre’s case against idealism, I put him in critical dialogue with contemporary work in metaphysics and the philosophy of mind. (shrink)

The Introduction to Sartre’s Being and Nothingness (B&N) contains a condensed, cryptic argument – the ‘ontological proof’ – that is meant to establish a position ‘beyond realism and idealism’. Despite its role in establishing the fundamental ontological distinction of B&N – the distinction between being-for-itself and being-in-itself – the ontological proof has received very little scholarly attention. My goal is to fill this lacuna. I begin by clarifying the idealist position Sartre attacks in the Introduction to B&N: Husserl’s idealism as (...) interpreted by Aron Gurwitsch and Roman Ingarden. I then propose a new interpretation of the ontological proof that gives a central role to the transparency of experience. On this interpretation, Sartre argues from the ‘emptiness’ of consciousness – its purely relational nature – to the existence of mind-independent substance (being-in-itself). In assessing the strengths and weaknesses of Sartre’s case against idealism, I put him in critical dialogue with contemporary work in metaphysics and the philosophy of mind. (shrink)

The paradoxical nature of intentional self-deception has led many philosophers to view self-deception as predominantly non-intentional. I propose that approaching self-deception from an agency-theoretic perspective allows us to rescue the idea that self-deception can at least be driven by intention. By modeling the ‘acting as if’ method of self-deception with agential layering, developed by Nguyen [2020. Games: Agency as Art. New York: Oxford University Press], I argue that intention-driven self-deception is no more mysterious than other activities that involve self-effacing ends: (...) ends we must pursue indirectly. That is, self-deception can occur when agents pursue the self-effacing end of forming what they take to be an epistemically unjustified belief by submerging themselves in a layer of agency in which they can act as if they already hold that belief. By intentionally adopting this pretense and shaping their agency around it, they forget that their agency is layered at all, and may thereby form a full-fledged belief. This model avoids objections to views that treat self-deception itself as intentional and does so while appealing only to resources already used to explain our everyday activities. I then apply my model to a core case of bad faith from Sartre to show that intention-driven self-deception can clarify how we are responsible for inauthenticity. (shrink)

Sartre’s thinking in L’être et le néant is driven by a conceptual choice that radically breaks with the philosophical spirit of Sein und Zeit and, in the same gesture, problematizes it. This rupture involves three moments. The first moment appears when Sartre transforms Heidegger’s emphasis on ‘being and time’ into ‘being and nothingness’. The second moment occurs when that transformation effectuates a conceptual shift which results in the inversion of the relationship that Heidegger establishes between anxiety and freedom: whereas in (...) Sein und Zeit anxiety is the precondition of freedom, in Sartre freedom becomes the precondition of anxiety. Finally, in the third moment, the absolute primacy of spontaneity in L’être et le néant ultimately serves as the cornerstone for Sartre’s reevaluation of truth, challenging the fundamental concept of ‘Geworfenheit’ in Sein und Zeit. Unlike Heidegger’s view where truth (alètheia) coincides with existence, in L’être et le néant, truth is portrayed as an ongoing struggle: consciousness must consistently fight against it in bad faith or forcefully liberate it from bad faith. Together, these three moments constitute the primary components of Sartre’s originality in relation to Heidegger’s fundamental ontology. (shrink)

Existentialist philosophy has, at times, been exceptionally popular. This is because of its promise of possibility, both in doctrine and in style: Its doctrine promises that we can break free from the shackles of cognitive or social structures we are thrown into, and we can overcome our marred personal or collective history. Its style promises that philosophy can be exciting, moving, exhilarating, and funny. -/- Analytic Existentialism brings together ten essays in which analytic philosophers engage with existentialism. The essays take (...) up central existentialist themes, such as freedom, consciousness, and bad faith. Some bring existentialist ideas to bear on issues in contemporary analytic philosophy; some engage analytically with existentialist concerns; some employ the methods of analytic philosophy to interpret existentialist texts; and some articulate how existentialist insights speak to ongoing matters of concern outside of philosophy. All essays, taken together, make good on the existentialist promise for analytic philosophy: Even as analytic philosophers, we can embrace the thought that freedom is at the heart of our being. And even as analytic philosophers, we can write philosophical texts that capture the imagination. We trust that these essays can rekindle the excitement of philosophical thought. (shrink)

This study confronts Sartre and Derrida’s interpretations of Genet. It argues that it is incorrect to assume that Sartre applies Hegelian logic to Genet, while Derrida frees him from it. Both contend that Genet’s writing is antithetical to absolute idealism, albeit in different ways. To elucidate this variation, I examine, in particular, Derrida’s interpretation of Genet’s signature. According to Derrida, Genet does not resist dialectics because he is a pederast, thief or traitor, as Sartre claims, but rather because of the (...) way he places his signature on everything he writes. However, my analysis of Derrida’s attempt to sign Genet’s text indicates that it constitutes a subtle critique of Genet. Drawing on some often-overlooked analyses by Derrida, I suggest that even Genet’s writing may not be able to escape dialectics because no signature is absolutely singular. (shrink)

I argue that Sartre's Transcendence of the Ego draws on Kant's theory of spontaneity to articulate its metaphysical account of consciousness's mode of being, to defend its phenomenological description of the intentional structure of self‐consciousness, and to diagnose the errors that motivate views of consciousness qua person or substance. In addition to highlighting an overlooked dimension of Sartre's early relation to Kant, this interpretation offers a fresh account of how Sartre's argument for the primacy of pre‐personal consciousness works, and brings (...) the extent of his proximity to idealist models of mind into greater relief. It also affords Sartre the resources to respond to criticisms that his account of self‐consciousness relies on a spurious distinction and that his view of freedom cannot explain how consciousness is conditioned by its world. (shrink)

Herman Melville’s Moby Dick is open to many readings, but one that has yet to be explored is the existential reading of Ahab’s pursuit from a gender perspective. By weaving together biblical, mythical, and mystical elements, the novel promises that Captain Ahab’s vengeance on the whale actually transcends the expected qualities of a maritime quest. A self-made man, Ahab endures his ever-present obsession and relentlessly clings to his deadliest struggle, which echoes Sartre’s proclamation, “Man is nothing else but what he (...) makes of himself.” Yet, intricately entwined with the spirit of nineteenth-century America, Ahab's character also assumes a canonical representation of American ideals. Thus, his hunting pursuit is overlaid onto America’s expansionist and imperialist mindset in the nineteenth century, which complements the hegemonically masculine manner camouflaged under this political ethos. Bearing this in mind, Melville subtly indicates that Ahab’s urge to assert his superiority over the whale is related to the biblical context of appointing females as something to take revenge on. In this narrative, Ahab's embodiment of the American hero undergoes a metamorphosis into an American Adam figure by asserting dominance over the whale that symbolises female subjugation. Interrogating Ahab's portrayal as an American Adam-type within the broader societal and political contexts of supremacist ideals, this article delves into Ahab's pursuit through the lens of Sartrean Existentialism. By doing so, this article interprets Ahab’s idealistic quest to hunt down the whale as a metaphor for hegemonic masculinity and subordinate femininity by exploring the subject/object, and the pursuer/pursued dynamics. (shrink)

This book provides a phenomenological analysis of "committed" and "institutionalized" education in Sartrean thought. The author argues that the former is a form of resistance, cultivates the imagination, and personalizes students, while the latter instills passive acceptance, represses the imagination, and is a form of depersonalization.

Gilles Deleuze's assertion that 'Sartre knew how to invent the New' suggests a vital aspect of the French philosopher, one that departs from the image that has often been presented of him. Criticism of the Soviet Union post 1956, together with the increasing prominence of anti-colonial struggles and a series of experiences that would find their condensation in 1968, pushed Sartre to a continuous rearticulation of his political ideas, on the basis of an intense confrontation with Marx. In Basso's lucid (...) study, here newly translated into English, the expression 'singular universal' seeks to capture the revolutionary potential of individual and collective subjects, illuminating the close but also unstable relationship between history and politics. (shrink)

Este artigo tem como objetivo investigar o papel da música no interior das considerações de Sartre sobre a obra de arte, com base no período de publicação dos primeiros escritos do autor. Sabe-se que Sartre, em suas poucas investidas sobre estética, conferiu maior densidade ao caso pictórico. No entanto, isso não significa que a música não possua notáveis peculiaridades frente às demais manifestações artísticas. Em especial, quando consideramos as análises do autor sobre o contraste entre a irrealidade e o real, (...) o exame sobre a música nos oferece importantes nuances para a compreensão do problema. Em vista disso, buscaremos examinar o papel desempenhado pela música em A náusea, romance de 1938, segundo o pano de fundo teórico exposto em O imaginário, obra de 1940. (shrink)

This essay argues for a new conception of bad faith based partly on Harry Frankfurt's famous account of personal autonomy in terms of higher‐order volitions and caring, and based partly on Sartre's insights concerning tacit or pre‐thetic attitudes and “transcendent” freedom. Although Sartre and Frankfurt have rarely been connected, Frankfurt's concepts of volitional “wantonness” and “bullshit” (wantonness about truth) are similar in certain revealing respects to Sartre's account of bad faith. However, Sartre leaves no room for Frankfurt's central point that (...) people can volitionally commit themselves to develop certain motives and reduce others, thereby shaping an authentic identity through volitional “identification” and “alienation” of motives. Frankfurt in turn minimizes the role that a sense of liberty to form and alter higher‐order volitions plays in experiences of autonomy, which Sartre recognizes in the transcendence of the “for‐itself.” When these points are combined, we get a tri‐level theory of intrasubjective volitional stances that explains Sartre's cases better than his own theory can, and also clarifies how sincere or procedurally autonomous self‐relation is possible. (shrink)

Este artículo presenta una interpretación del ser-para-otro en la ontología fenomenológica de Sartre. A partir de un análisis contextual de la fenomenología de la mirada en El ser y la nada, formulamos el problema del ser-para-otro como tercera ek-stasis. Si admitimos que el ser-para-otro surge de una profundización de la segunda ek-stasis (reflexión) y que, por tanto, está siempre condicionado por ella, corremos el riesgo de caer en la ilusión de la primacía del ser-para-sí. En oposición a esta interpretación, presentamos (...) la hipótesis de que el ser para otro tiene una estructura inmediata, y no sólo reflexiva, basada en El ser y la nada y, de manera auxiliar, en el Idiota da familia. (shrink)

Psychotherapy is broadly concerned with secrets. Often our clients bring us things which they have never told anyone, subjects they have felt unable to broach. What happens in the relationship when a secret is uncovered? In this article, I discuss how one's secrets finally being uncovered can invoke shame. However, the shame of being seen in a new way can also create an opening that allows for a deeper intersubjective experience to unfold. Using Sartre's concept of the gaze of the (...) other alongside Merleau-Ponty's ideas of dehiscence, visibility/invisibility and intertwining, I explore the meaning of secrecy, guilt and shame for both therapist and client within the therapeutic relationship. (shrink)

Sartre maintains that “all consciousness is consciousness of something.” Idiosyncratically, he also understands this “intentionality principle” to entail that what consciousness is “of” is necessarily distinct from it (or “outside of” it, or “transcendent to” it). Nonetheless, he also maintains that all consciousness is necessarily conscious of—or rather, “(of)”—itself in a non‐intentional (in his terms: “non‐positional/non‐thetic”) manner. Given that this non‐positional/thetic self‐consciousness is not intentional, it is evidently immune to the “difference” principle, but this is less clear with respect to (...) self‐reflection (which Sartre simply calls “reflection”). It seems impossible for reflection to be “intentional” because intentionality entails difference—yet it also seems problematic to consider reflection “non‐intentional” because it then becomes difficult to distinguish reflection from non‐positional/thetic self‐consciousness as such (which is inherently “unreflective”). This can be called Sartre's “dilemma of reflection.” While Sartre seems to alternate between portraying reflection as intentional and as non‐intentional (it generally appears like the former), this paper argues that it should be conceived as both according to different respects. By piecing together various passages of Sartre's texts and drawing out their implications, Sartre can be shown to have the resources for an answer to his own dilemma. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Picking Up the Pieces of a Shattered Culture:Abandoning Sartre for AquinasR. E. HouserI expect to die in my bed, my successor will die in prison, and his successor will die a martyr in the public square. Then his successor will pick up the shards of a ruined society and slowly help rebuild civilization, as the Church has done so often in human history.—Francis Cardinal George (2010)Here I propose to (...) present a feature of the ethics of Thomas Aquinas, his ethical doctrine of virtue, concentrating on the four cardinal virtues—justice, prudence or good practical judgment, courage, and temperance. Plato first selected them as the four premier virtues, but they go back at least to Homer, for whom wily Odysseus exemplified prudence, warlike Achilles courage, old Nestor justice, Penelope and Telemachus, Odysseus' wife and son, temperance. And I offer them as central to living the morally good life required to "rebuild civilization" in an America that so fair and judicious a man as Cardinal George could call a "ruined society." To see the need for Thomas's solution, we must begin with the problem. Now, all societies depend upon the deep and fundamental ideas of the most important thinkers, prophets and sages, saints, and yes, even philosophers. Their ideas "trickle down" to influence regular folk, like you and me, those who whose hard work actually makes a society thrive, or die. And when those fundamental ideas change, the moral principles of those who embrace those ideas change, and consequently their actions change, and as a result the wider society in which they live changes, for better or worse. Such effects can now be felt across America [End Page 135] by all; but most of us are unaware of the primary intellectual agents of these changes, since they operate at the level of fundamental ideas, not politics or business or day-to-day life. And often their originators have died before the ideas reach full cultural force. So, ignorance of history makes it difficult to deal with present problems caused by those ideas.My first conclusion will be that a major cause of the current coarsening of our culture is the group of ideas of the French philosopher Jean Paul Sartre, even though most Americans have never heard of him, and most of those who recognize his name have not read his works carefully enough to see the connection. Why Sartre? In the honors program at my university, I had a bright young lady of Muslim heritage who had gone to a lycée, one of France's elite classical secondary schools. "Did you read the classics?" "Yes." Expecting Montaigne or Pascal, I asked, "Who?" Her answer: "Sartre." So let us begin with the theory and practice of Sartre and his long-time lover Simone Beauvoir, whose book The Second Sex was an intellectual spark for the women's liberation movement. Then we turn to some real-life examples of Sartrean influence on ourselves and American culture. Finally, for the best remedy for non-Christian and Christian alike, I recommend Aquinas's doctrine of virtue, when taken in its full scope.Sartre's Ethics of Absolute FreedomIn 1946, the year I was born, Sartre gave a lecture to a meeting of French librarians, which became his most popular book, Existentialism is a Humanism. There he laid out the core of his thought about God, humans, and their ethical behavior. Here I arrange his main ideas in an order that facilitates comparison with Aquinas, beginning with his view of human ontology and proceeding to its impact on the four cardinal virtues.Human OntologySartre turned his back on the traditional metaphysical view that every creature is an individual substance defined by a nature or essence it has in common with all other things of that type. In his "first principle of existentialism," Sartre skips over other animate things, plants and animals, and compares humans to inanimate objects:Let us consider... a book or a paper-cutter: here is an object made by an artisan whose inspiration came from a concept.... One cannot postulate a man who makes a paper-cutter but does not know what it is... (shrink)

This essay addresses ‘the God‐haunted Atheist paradox’ in Sartre's early philosophy and argues against a series of efforts to show that Sartre maintains a ‘secular theology’. It shows that if Sartre's ontology is correct, the God of ‘classic theism’ cannot possibly exist. It argues against two sophisticated efforts to show that theological influences infiltrate Sartre's early ontology and permeate his moral psychology. It also rejects the claim that Sartre's (Existentialism is a Humanism, 1946/2007, Yale University Press) distinction between secular and (...) religious existentialism ‘has no basis in fact’. It shows that Sartre appropriates religious language in order to give debunking secular explanations for religious phenomena and that he inverts traditional Christian values. It concludes that Sartre is an anti‐theologian. (shrink)

Gender dysphoria is typically construed as a medical concept. This understanding of gender dysphoria reflects how cisgender people interpret trans experience. This essay proposes an alternative concept of gender dysphoria for critical theory: on this account, gender dysphoria is alienation from cisgender forms of life. If the medicalized concept of gender dysphoria tacitly takes for granted, identifies with, and thereby reinforces cisgender patriarchal society, a critical theory of gender dysphoria instead approaches the issue from the perspective of trans people, their (...) lived experiences and social situation, to offer a critique of society. While the medicalized concept of gender dysphoria refers to a “distress” caused by living in the “wrong-body,” the critical concept of gender dysphoria refers to an alienation as a result of living in the “wrong (cisgender patriarchal) society.” The critical concept of gender dysphoria may become a tool capable of describing the necessary facets of trans experience necessary to form a political coalition. The paper concludes by claiming that trans subjects are the gendered analogue of Marx’s concept of the proletariat. (shrink)

This book recasts Sartrean existentialism through Caribbean philosophies and the broader philosophies of the Global South. Each author's contribution embodies an aspect of creolizing thinking, understood as the articulation of cultural and conceptual hybridity under conditions of eurocentrism, epistemic colonialism, and the legacies of slavery.

Human suffering is a complex phenomenon that can manifest physically or psychologically. As the negative valence of affective phenomena, with the positive being pleasure or happiness, human suffering could easily be interpreted as something to avoid. Sartre explored existential aspects of human suffering in Being and Nothingness. Examining each occurrence of the word suffering in that work provides a basis for understanding the roles Sartre assigned to it within the human experience and consequently provides a more nuanced appreciation of this (...) complex phenomenon. An electronic copy of Being and Nothingness was searched for all occurrences of the word suffering (N = 50), tabularized using the Key Word In Context (KWIC) approach at the sentence level, resulting in 40 sentences for thematic analysis. That analysis resulted in 5 themes, showing the complexity of suffering in Sartre’s major philosophical work and suggesting that suffering is quintessentially human, unavoidable, and potentially liberating. (shrink)

Marjorie Glicksman Grene (1910–2009) wrote on existentialism as a philosophy with a specific focus on the work of Martin Heidegger and Jean-Paul Sartre. Her work played an important role in introducing continental philosophy to North American and British thought as she lived and worked on both sides of the Atlantic. While she gained her PhD from Radcliffe College, Harvard University, she also studied as an exchange student in Germany from 1931 to 1933, had a postdoctoral fellowship in Copenhagen in 1936, (...) lived and worked on farms in Illinois and Ireland, and taught at universities in the United Kingdom and the United States, including, for the longest period, at the University of California, Davis (1965–78). Her interpretations are based on a thorough knowledge of the history of philosophy and a wide range of philosophical areas, including European philosophy; Grene attended lectures by Heidegger and Karl Jaspers while on exchange in Europe. While her interest was first piqued by Heidegger’s thought, further research led her to investigate Jaspers’s willingness to combine existential philosophy with the life sciences. I split her often integrated discussions into a focus on five primary thinkers: Kierkegaard, Heidegger, Sartre, de Beauvoir, and Merleau-Ponty, with the most detailed analysis of Sartre as Grene engages with his work in the most depth. (shrink)

This article offers a philosophical reading of Elena Ferrante’s Neapolitan Novels by bringing the tetralogy into conversation with Jean-Paul Sartre’s phenomenological ontology. In addition to highlighting the striking similarities between Ferrante’s notion of smarginatura (‘dissolving margins’) and Sartre’s depiction of the existential sensation of nausea, this article argues that the two main characters of Ferrante’s tetralogy, Lila Cerullo and Elena Greco, respectively exemplify Sartre’s ontological categories of ‘being-for-oneself’ and ‘being-for-others’ in his phenomenological account of human existence. However, Ferrante—like Simone de (...) Beauvoir before her—goes beyond Sartre in her ability to offer an account of the imperfect existential freedom of women, who remain constrained in their pursuit of authenticity by social and cultural factors. Drawing on Ferrante’s assertion that readers ‘are both Elena and Lila’ as well as her recent claim that there are within her two kinds of writing (broadly equated to the ‘compliant’ Elena and ‘impetuous’ Lila), we establish Ferrante’s exploration of the ambivalent features of human subjectivity as a consummate philosophical and literary project. (shrink)

The 20th century is known as a period of awakening and radical movements in the history. New systems of thought emerged during this period. Some systems of thought expressed a direct return to man. The beginning of the return to man was set by S.Kierkegaard with his views related to existentialism. The emergence of existentialism as a philosophical system coincides with the period after the First World War. In this period, the loss of previous values, the problem of secularism, and (...) the failure of the Enlightenment philosophy to justify itself are among the main problems. Existentialism began to take shape in Germany and France at about the same time, and in a short time it spread to many parts of the world - Italy, Spain, Latin America, India, England, the United States, Japan, etc. spread to countries. In Russia, the school of existentialism was created by N. Berdyayev and L. Shestov, and the German existentialism was created by Martin Heidegger and Karl Jaspers. The prominent representatives of French existentialism are Gabriel Marcel (1899), Jean Paul Sartre (1905-1980), Simone de Bavoir (1908-1986) and Albert Camus (1913-1960). It was Jean-Paul Sartre who perfectly placed the idea of individual human freedom at the center of his work. There are two important points in Sartre's philosophy: existence in itself and existence for itself. Sartre writes that; what is generally called consciousness is individual. The purpose of consciousness is to make existence for us. This is the fundamental state of consciousness. The main issue that Sartre took into account is that it is impossible to look at the philosophical problems of the 20th century in the context of general concepts. According to the philosopher, the best existentialism is humanism. In addition to his philosophical novels, Sartre became famous for his existentialist philosophy, which he developed in a unique way. He was one of the thinkers who marked the 20th century with his formation of existential Marxism and his political activity. In the conditions of the Second World War, when the concept of humanity was questioned, the work "Being and Nothingness", which is original and intertwined with life in every way, explains the current state of humanity along with Sartre's philosophical ideas. (shrink)

Abstract: In The Imaginary Jean-Paul Sartre makes what will strike many as an implausibly strong claim, namely that perception and imagination are incompatible kinds of experience - I call this the exclusion claim. This paper offers a reconstruction of Sartre’s exclusion claim. First, it frames the claim in terms of cross-modal attention distribution, such that it is not possible to simultaneously attend to what one is imagining and what one is perceiving. However, this leaves it open that a subject can (...) simultaneously imagine and perceive on the condition that either the perceived or imagined objects are not attended to. While this is a philosophically plausible position it fails to do justice to Sartre’s intended position, which suggests a more radical exclusion between perception and imagination. In light of this section 3 develops a supplementary argument to remove one of the possible configurations of attention that the ban on divided attention leaves in place by arguing that the objects of imagining must be attended to, which follows from Sartre’s characterisation of imagination as spontaneous. The resulting exclusion is as follows: attentive perception excludes imagination (and vice versa), given that the latter is necessarily attentive, but attentive imagination can co-occur with non-attentive or background perception (in this sense the exclusion is asymmetric in a way that Sartre fails to recognise). In concluding I detail how from this exclusion we get an important consequence – which Sartre wants the exclusion claim to have – namely that it rules out an imagination-based solution to the problem of perceptual presence. (shrink)

Based on the notion of bad faith, the article seeks to lay the foundations for a diagnosis of contemporaneity, having as an index, on the one hand, the lack of human determination and, on the other, the effectiveness of the world.

The Western philosophic tradition has tended to tie the question of action to that of freedom, with the relationship structured around the free will/determinism opposition. In contrast, I show that in Being and Nothingness, Sartre offers a stringent and radical critique of these approaches. I briefly outline the conceptual parameters of Sartre’s early ontology, before showing that he rejects the free will tradition because of its underlying conception of freedom and insistence that action is reflective and will-based. According to Sartre, (...) consciousness is not a sum of parts, with one aspect (will) guiding the rest. Consciousness is a differentiated whole, divided between reflective and pre-reflective levels. Will is tied to the reflective level of consciousness and so cannot be said to be foundational given that reflectivity depends upon pre-reflectivity. Instead, it is an expressive effect of consciousness’s spontaneous, pre-reflective, projection of itself towards a particular end and value. (shrink)

This brief essay unpretentiously seeks to highlight the relevance of some of the central questions in Jean-Paul Sartre's Being and Nothingness, thus aiming to contribute to broadening the scope of the French philosopher's ideas. Without fearing controversy, it presents the correlation between the concept of freedom and the responsibility necessarily implied. Such concepts remind us that this work is current, for it demands to assume its political and ethical unfoldings as unavoidable demands. The debate is built, then, through Sartre's encounters (...) with his peers, highlighting the interlocutions and controversial divergences that mark his itinerary. Finally, the timeliness of the work seems to reside in the historical failure of the humanist project, that is, Being and Nothingness continues to be current, because we are still incapable of promoting a historical situation in which the human being is free. (shrink)

Conventionally distinguished as a problem for medical professionals, experiences of embodied pain have prompted a significant set of themes and perspectives in the Continental tradition of philosophy. The discipline of phenomenology, in particular, offers thought-provoking approaches for understanding the fullness and diversity of living one’s pain in everyday life. In contrast to scientific practices that tend to take for granted the subjective structures of human consciousness in action, the phenomenological framework of lived experience offers profoundly subtle accounts for explaining how (...) a person’s pain alters their ways of relating to themselves, to others, and to the wider world around them. In recent years, scholars of phenomenology have undertaken extensive research on the complex relationality between health and human consciousness, including the behavioral grids and existential textures that come with that relationship. Greatly influenced by twentieth century phenomenology, this new development in the scholarship has undergone three distinct waves. The first wave focused on the work of Martin Heidegger and Hans-Georg Gadamer to develop a hermeneutic of healthcare practice; the second wave incorporated Maurice Merleau-Ponty to understand illness from an increasingly carnal point of view; and the third and most recent wave has relied primarily on Edmund Husserl to construct the intentionality involved with the consciousness of pain. (shrink)

En 1945 Sartre funda junto con Simone de Beauvoir y Maurice Merleau-Ponty la revista Les Temps Modernes, órgano intelectual y político impulsado por el existencialismo. En el texto programático de aquella empresa Sartre se propuso explicar por qué el escritor debía comprometerse con el mundo en el que vive y pensar su contexto según las ideas que construye y en conjunción con las consideraciones políticas diarias. A partir de ese momento, Sartre no volvió a concebir ninguno de sus proyectos alejado (...) de lo que tematizó como “literatura comprometida”. Todas las novelas y obras de teatro escritas en medio y después de la guerra, son piezas clave de este tipo de escritura. En ellas trató de exponer las relaciones humanas a partir de la conflictividad que las constituye, con la participación de hombres y mujeres cuyas conciencias se contraponen entre sí y con cuyas acciones el mundo se configura. (shrink)

The present study analyzes the relations between Mauss and Sartre. It investigates, primarily, the connections between the obligation of reciprocating a gift and the consequences of this symbolic act, to elaborate a morality deemed as a total fact. Freedom stands out, in this context, as a fundamental value.

In the course of criticizing indirect forms of consequentialism Bernard Williams argued that because virtues of character enter into the very content of the self, they cannot be instrumentalised. They must, instead, be viewed as cognitive responses to intrinsic value. This paper investigates this argument and relates it to similar claims in the work of Sartre. The inalienability of the first personal point of view represents a common theme and informs a further argument that an agent can only think of (...) him or herself as merely one amongst others via a distinctive ethical use of the trope of irony. (shrink)