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  1. added 2020-04-27
    ‘The Ultimate Kantian Experience: Kant on Dinner Parties’, History of Philosophy Quarterly 25(4): 315-36, 2008.Alix Aurelia Cohen - 2008 - History of Philosophy Quarterly 25 (4):315-36.
    As one would expect, Kant believes that there is a tension, and even a conflict, between our bodily humanity and its ethical counterpart: ‘Inclination to pleasurable living and inclination to virtue are in conflict with each other’ (Anthropology, 185-86 [7:277]). What is more unexpected, however, is that he further claims that this tension can be resolved in what he calls an example of ‘civilised bliss’, namely dinner parties. Dinner parties are, for Kant, part of the ‘highest ethicophysical good’, the ultimate (...)
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  2. added 2020-02-19
    Empowering Poetic Defiance: Baudelaire, Kant, and Poetic Agency in the Classroom.Joshua M. Hall - 2018 - In Frank Jacob, Shannon Kincaid & Amy E. Traver (eds.), Poetry across the Curriculum. Leiden, Netherlands: pp. 141-157.
    Many strategies for incorporating poetry into non-poetry classes, especially outside of English and associated disciplines, appear to make poetry subservient and secondary in relation to the prose content of the course. The poet under consideration becomes a kind of involuntary servant to one or more prose authors, forced to “speak only when spoken to,” and effectively prevented from challenging the ideas of the course’s prose writers, and thereby the instructor. Fortunately, this is not the only strategy for incorporating poetry into (...)
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  3. added 2020-02-14
    Two Feelings in the Beautiful: Kant on the Structure of Judgments of Beauty.Janum Sethi - 2019 - Philosophers' Imprint 19:1-17.
    In this paper, I propose a solution to a notorious puzzle that lies at the heart of Kant’s Critique of Judgment. The puzzle arises because Kant asserts two apparently conflicting claims: (1) F→J: A judgment of beauty is aesthetic, i.e., grounded in feeling. (2) J→F: A judgment of beauty could not be based on and must ground the feeling of pleasure in the beautiful. I argue that (1) and (2) are consistent. Kant’s text indicates that he distinguishes two feelings: the (...)
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  4. added 2020-02-12
    Feminist Interpretations of Immanuel Kant. Edited by Robin May Schott. University Park: Pennsylvania State Press, 1997.Mechthild Nagel - 1999 - Hypatia 14 (3):169-172.
  5. added 2020-02-11
    Values of Beauty: Historical Essays in Aesthetics.Cain Todd - 2007 - Philosophical Quarterly 57 (227):313-316.
  6. added 2020-02-01
    Kant on Poetry and Cognition.Iris Vidmar Jovanović - 2020 - Journal of Aesthetic Education 54 (1):1-17.
    Our engagements with poetry often leave us with a sense of having been not only aesthetically pleased and emotionally aroused but intellectually stimulated and cognitively rewarded.1 However, explicating the nature of such intellectual stimulus and accounting for poetry’s cognitive values are not easy tasks, given that poetry does not stand in the same relation to truth and knowledge as do science and philosophy. How then to account for the undeniable experience of having undergone a profound cognitive change after engaging with (...)
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  7. added 2019-11-23
    Sensory Force, Sublime Impact, and Beautiful Form.Eli I. Lichtenstein - 2019 - British Journal of Aesthetics 59 (4):449-464.
    Can a basic sensory property like a bare colour or tone be beautiful? Some, like Kant, say no. But Heidegger suggests, plausibly, that colours ‘glow’ and tones ‘sing’ in artworks. These claims can be productively synthesized: ‘glowing’ colours are not beautiful; but they are sensory forces—not mere ‘matter’, contra Kant—with real aesthetic impact. To the extent that it inheres in sensible properties, beauty is plausibly restricted to structures of sensory force. Kant correspondingly misrepresents the relation of beautiful wholes to their (...)
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  8. added 2019-10-19
    Artistic Proofs: A Kantian Approach to Aesthetics in Mathematics.Weijia Wang - 2019 - Estetika 56 (2):223-243.
    This paper explores the nature of mathematical beauty from a Kantian perspective. According to Kant’s Critique of the Power of Judgment, satisfaction in beauty is subjective and non-conceptual, yet a proof can be beautiful even though it relies on concepts. I propose that, much like art creation, the formulation and study of a complex demonstration involves multiple and progressive interactions between the freely original imagination and taste. Such a proof is artistic insofar as it is guided by beauty, namely, the (...)
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  9. added 2019-06-09
    Political Ramifications of Formal Ugliness in Kant’s Aesthetics.Christopher Buckman - 2018 - Idealistic Studies 48 (3):195-209.
    Kant’s theory of taste supports his political theory by providing the judgment of beauty as a symbol of the good and example of teleological experience, allowing us to imagine the otherwise obscure movement of nature and history toward the ideal human community. If interpreters are correct in believing that Kant should make room for pure judgments of ugliness in his theory of taste, we will have to consider the implications of such judgments for Kant’s political theory. It is here proposed (...)
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  10. added 2019-06-06
    Armin Erlinghagen Karl Heinrich Heydenreich Als Philosophischer Schriftsteller.Armin Erlinghagen - 2014 - Kant-Studien 105 (1):125-144.
  11. added 2019-06-06
    Klas Roth And Chris W. Surprenant , Kant And Education: Interpretations And Commentary New York And London: Routledge, 2011 Pp. 234 Isbn 978-0-415-88980-3 Us $125.00. [REVIEW]Georg Cavallar - 2012 - Kantian Review 17 (3):527-530.
  12. added 2019-06-06
    Hughes on Kant's Aesthetic Epistemology.Ralf Meerbote - 2011 - Kant-Studien 102 (2):202-212.
    Hughes has recently argued that there is to be found in Kant's epistemology an aesthetic constraint that makes for an objectivity of empirical knowledge-claims. The reading that she defends leads to a rejection of an imposition-view of empirical concepts and the categories and to an affirmation of a realism in Kant's theory of empirical knowledge. I am in broad agreement with her thesis but disagree with her ultimate explanation of the ontology of Kant's objects of empirical knowledge. Hughes' exposition and (...)
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  13. added 2019-06-06
    Kant and His German Literary Culture: Coincidences and Consequences: Articles.T. J. Reed - 2010 - British Journal of Aesthetics 50 (4):343-356.
    The literary scene of Kant’s day goes unmentioned by philosophical commentators. Yet some of its salient features have a clear relation to his problems and positions, not demonstrably causal in every detail, but too close overall to be coincidence in the random sense. Kant’s critical view of society and his establishing of an independent aesthetic realm parallel the themes, and the arguments in self-defence, of contemporaneous radical writing; his discussion of how to exemplify ethical arguments bears on the general Enlightenment (...)
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  14. added 2019-06-06
    Kant's Aesthetic Epistemology, by Fiona Hughes. Edinburgh: Edinburgh University Press, 2007. [REVIEW]Ludmila L. Guenova - 2010 - Kantian Review 14 (2):155-158.
  15. added 2019-06-06
    What Happened to Kant in Neo-Kantian Aesthetics? Cohen, Cohn, and Dilthey 1.Paul Guyer - 2008 - Philosophical Forum 39 (2):143-176.
  16. added 2019-06-06
    The Psychology Of Kant’s Aesthetics.Paul Guyer - 2008 - Studies in History and Philosophy of Science Part A 39 (4):483-494.
    Contrary to both his own intentions and the views of both older and more recent commentators, I argue that Kant’s aesthetics remains within the confines of eighteenth-century aesthetics as a branch of empirical psychology, as it was then practiced. Kant established a plausible connection between aesthetic experience and judgment on the one hand and cognition in general on the other, through his explanatory concept of the free play of our cognitive powers. However, there is nothing distinctly ‘a priori’ or ‘transcendental’ (...)
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  17. added 2019-06-06
    Values of Beauty: Historical Essays in Aesthetics, by Paul Guyer, Cambridge: Cambridge University Press, 2005. Pp. Xx + 359. Paperback £ 15.99, Hardback £40. [REVIEW]Anthony Savile - 2007 - Kantian Review 12 (2):189-194.
  18. added 2019-06-06
    Kant's Rationalist Aesthetics.Rachel Zuckert - 2007 - Kant-Studien 98 (4):443-463.
    It is quite standard, even banal, to describe Kant's project in the Critique of Pure Reason [KrV] as a critical reconciliation of rationalism and empiricism, most directly expressed in Kant's claim that intuitions and concepts are two distinct, yet equally necessary, and necessarily interdependent sources of cognition. Similarly, though Kant rejects both the rationalist foundation of morality in the concept of perfection and that of the empiricists in feeling or in the moral sense, one might broadly characterize Kant's moral philosophy (...)
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  19. added 2019-06-06
    Irony and Singularity: Aesthetic Education From Kant to Levinas: Book Reviews. [REVIEW]Pradeep Dhillon - 2007 - British Journal of Aesthetics 47 (2):221-223.
  20. added 2019-06-06
    An Introduction to Kant's Aesthetics: Core Concepts and Problems: Book Reviews. [REVIEW]Miles Rind - 2007 - British Journal of Aesthetics 47 (1):105-106.
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  21. added 2019-06-06
    Reason, Morality, and Beauty: Essays on the Philosophy of Immanuel Kant.Bindu Puri & Heiko Sievers (eds.) - 2006 - Oxford University Press India.
    This collection of essays by eminent scholars on the reconstruction and critique of Kant's transcendental philosophy in the Indian context specifically discusses moral philosophy, philosophical psychology, religion, and aesthetics.
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  22. added 2019-06-06
    The Aesthetic in Kant: A Critique, by James Kirwan. London, New York: Continuum, 2004. Pp. Viii. 200, Hardback, £60. [REVIEW]Anthony Savile - 2005 - Kantian Review 10:150-153.
  23. added 2019-06-06
    Kant's Conception of Moral Character. [REVIEW]Timothy M. Costelloe - 2001 - Journal of the History of Philosophy 39 (3):445.
  24. added 2019-06-06
    Art, Nature Et Expérience Esthétique Chez Kant.Claude Veillette - 1996 - Dialogue 35 (2):219-234.
    Au § 45 de la Critique de la facultè de juger, Kant écrit: «La nature était belle lorsqu'elle avait incontinent l'apparence de l'art; et l'art ne peut être appelé beau que lorsque nous sommes conscients qu'il s'agit bien d'art, mais qu'il prend pour nous l'apparence de la nature». Ce qui semble à première vue n'être qu'un simple «paradoxes Gedankenspiel» nous convie au contraire à l'un des problèmes les plus intéressants de la troisième Critique: celui du rapport entre la beauté de (...)
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  25. added 2019-06-06
    Kant et l'expérience esthétique de la liberté. [REVIEW]Daniel Dumouchel - 1996 - Dialogue 35 (3):571-592.
    Kant and the Experience of Freedom rassemble les articles de Paul Guyer consacrés à l'esthétique de Kant depuis 1982 et un certain nombre de textes inédits qui vont jusqu'à 1991. Il s'agira certainement d'un jalon important dans l'interprétation de l'esthétique de Kant et des questions philosophiques qui y sont apparentées. Le virage qu'y prend l'auteur par rapport à son livre célèbre de 1979, Kant and the Claims of Taste, est également impressionnant. Moins dépendant des débats qui prédominaient dans l'esthétique de (...)
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  26. added 2019-06-06
    Moral Anthropology in Kant’s Aesthetics and Ethics: A Reply to Ameriks and Sherman.Paul Guyer - 1995 - Philosophy and Phenomenological Research 55 (2):379-391.
  27. added 2019-06-06
    Fundamental Ontology and Transcendent Beauty: An Approach to Kant's Aesthetics.Paul Crowther - 1985 - Société Française de Philosophie, Bulletin 76 (1):55.
  28. added 2019-06-06
    Kants Lehre von den ästhetischen Ideen.Rudolf Lüthe - 1984 - Société Française de Philosophie, Bulletin 75 (1):65.
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  29. added 2019-06-06
    Autonomy and Integrity in Kant’s Aesthetics.Paul Guyer - 1983 - The Monist 66 (2):167-188.
    “That the imagination should be both free and yet of itself conformable to law, that is, that it should carry autonomy with it, is a contradiction.” So Kant writes to express as a paradox the epistemological problem that the feeling on which an aesthetic judgment is based must be free of the constraint provided by determinate concepts, for otherwise there will be no reason why it should be pleasurable, yet must also be subject to some kind of rule, for otherwise (...)
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  30. added 2019-06-06
    Essays in Kant's Aesthetics. [REVIEW]Robert Hanna - 1983 - Review of Metaphysics 36 (4):919-921.
    Unlike most collections of essays by various writers, Essays in Kant's Aesthetics is unified by considerations not restricted merely to the subject denoted by the title of the book. Cohen and Guyer's Preface and Introduction make it clear that the essays have been chosen with some care and with an eye to certain thematic structures established by the editors. In consonance with this, the book falls into four parts. The first part, "Pleasure, Beauty, and Judgment," contains essays by Guyer, R. (...)
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  31. added 2019-06-06
    Zu Kants Lehre von der symbolischen Darstellung.Werner Flach - 1982 - Société Française de Philosophie, Bulletin 73 (4):452.
    The treatise is engaged in kant's too little noticed aesthetic doctrine of symbolic representation. It furthermore is occupied with the relevance which this doctrine has to enlighten the self-Estimation of literary criticism (theory of literature). The treatise results that kant's doctrine is to be considered as an offer to solve many problems in actually literary criticism (theory of literature).
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  32. added 2019-06-06
    Interest, Nature, and Art: A Problem In Kant’s Aesthetics.Paul Guyer - 1978 - Review of Metaphysics 31 (4):580-603.
    In this paper, however, I will argue that Kant’s restriction of interest to natural rather than artistic beauty should not be taken as a basic aspect of his aesthetic theory, and thus need not affect our assessment of that theory’s more basic claims. First, I will suggest that Kant’s theory of intellectual interest is not really necessary to explain what we ordinarily mean by an interest in beautiful objects—a desire to preserve them for repeated experience, a motivation for our efforts (...)
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  33. added 2019-06-05
    Kant and Education: Interpretations and Commentary.Klas Roth & Chris W. Surprenant (eds.) - 2011 - Routledge.
    Immanuel Kant’s moral philosophy, political philosophy, and philosophy of judgement have been and continue to be widely discussed among many scholars. The impact of his thinking is beyond doubt and his ideas continue to inspire and encourage an on-going dialogue among many people in our world today. Given the historical and philosophical significance of Kant’s moral, political, and aesthetic theory, and the connection he draws between these theories and the appropriate function and methodology of education, it is surprising that relatively (...)
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  34. added 2019-06-05
    On Paul Guyer’s Kant and the Experience of Freedom. [REVIEW]Karl Ameriks & Paul Guyer - 1995 - Philosophy and Phenomenological Research 55 (2):361.
  35. added 2019-05-08
    Kant et la genèse de la subjectivité esthétique. Esthétique et philosophie avant la Critique de la faculté de jugerDaniel Dumouchel Collection «Bibliothèque d'histoire de la philosophie» Paris, Librairie Philosophique J. Vrin, 1999, 305 p. [REVIEW]Jeffrey Reid - 2002 - Dialogue 41 (4):814-816.
  36. added 2019-01-02
    Des Herrn Professors Kants Paradoxon des Comoedianten.Márcio Suzuki - 2018 - Kant-Studien 109 (3):395-418.
    Name der Zeitschrift: Kant-Studien Jahrgang: 109 Heft: 3 Seiten: 395-418.
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  37. added 2018-12-03
    Niebo gwiaździste nad Królewcem a prawo moralne. Dyskusja Gadamera z estetyką Kanta wokół kwestii doświadczenia piękna i jego odniesienia do etyki.Paweł Dybel - 2018 - Diametros 55:112-131.
    In the article, I engage with H.G.Gadamer’s reading of Kant’s aesthetic theory. Gadamer accused Kant of subjectivizing the aesthetic experience so that it would be reduced to the free play of the cognitive faculties of the subject. Consequently, the ethical dimension of aesthetic experience that played such an important role in the preceding tradition of European humanism has been lost. Yet, this charge of Gadamer is not quite right. The connection between the experience of beauty and ethics has been maintained (...)
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  38. added 2018-09-08
    The Trouble with Kant's Deduction of Judgments of Taste.Miles Rind - 2001 - In Ralph Schumacher, Rolf-Peter Horstmann & Volker Gerhardt (eds.), Kant Und Die Berliner Aufklärung: Akten des Ix. Internationalen Kant-Kongresses. Bd. I: Hauptvorträge. Bd. Ii: Sektionen I-V. Bd. Iii: Sektionen Vi-X: Bd. Iv: Sektionen Xi-Xiv. Bd. V: Sektionen Xv-Xviii. Berlin: De Gruyter. pp. 462-467.
    An abbreviated version of my paper "Can Kants Deduction of Judgments of Taste Be Saved?" Archiv für Geschichte der Philosophie 84.1 (2002): 20-45.
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  39. added 2018-09-06
    Životaschopnost' jedného prístupu. Poznámky ku kantovskej línii interpretácie kategórie vznešenéhi.Adrián Kvokačka - 2013 - ESPES 2 (1):20-26.
    To elaborate the intention of previous contribution, this paper opens again the problem of reception of Kant's definition of the category sublime. Variations which perform Schopenhauer, Nietzsche and Adorno represent some innovative approaches. Bridging the history of this aesthetic category in the 20th century in theirs thinking, represents functionality of the sublime, which we observe through the transformations in artistic and aesthetic discourse and which encourages us to an contemporary revaluation of this concept.
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  40. added 2018-08-17
    Kant's Aesthetic Theory: The Beautiful and Agreeable: Book Reviews. [REVIEW]Keren Gorodeisky - 2010 - British Journal of Aesthetics 50 (3):317-320.
    This is a book review of David Berger's "Kant's Aesthetic Theory: The Beautiful and the Agreeable.".
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  41. added 2018-08-03
    Is There Are a Possibility of an Ugly Aesthetic Idea in Kant's Aesthetics?Mojca Küplen - forthcoming - In Violetta L. Waibel and Margit Ruffing (ed.), Proceedings of the 12. International Kant Congress Nature and Freedom. De Gruyter.
    In Kant’s aesthetic theory, the association of ugliness with aesthetic ideas is not immediately apparent. Even more, it has been argued by most of Kant’s commentators that ugliness cannot express aesthetic ideas. In short, they claim that accordance with taste (i.e. free harmony between imagination and understanding) is a necessary condition for an aesthetic idea to be expressed in a way that makes sense to others. But if production of aesthetic ideas must be restrained by taste in order to have (...)
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  42. added 2018-08-03
    Aesthetic Comprehension of Abstract and Emotion Concepts: Kant’s Aesthetics Renewed.Mojca Küplen - 2018 - Itinera 15:39-56.
    In § 49 of the Critique of the Power of Judgment Kant puts forward a view that the feeling of pleasure in the experience of the beautiful can be stimulated not merely by perceptual properties, but by ideas and thoughts as well. The aim of this paper is to argue that aesthetic ideas fill in the emptiness that abstract and emotion concepts on their own would have without empirical intuitions. That is, aesthetic ideas make these concepts more accessible to us, (...)
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  43. added 2018-03-26
    A „fogalom nélküli” szép és a művészet modern paradigmája.Gizela Horvath - 2016 - In Varga Rita Tánczos Péter (ed.), Tanulmányok Immanuel Kant aktualitásáról. ("...amennyiben szellemi lények vagyunk"). Budapest, Hungary: L'Harmattan. pp. 267-288.
  44. added 2017-12-01
    ‘Nothing but Nonsense’: A Kantian Account of Ugliness.Matthew Coate - 2018 - British Journal of Aesthetics 58 (1):51-70.
    © British Society of Aesthetics 2017. Published by Oxford University Press on behalf of the British Society of Aesthetics. All rights reserved. For Permissions, please email: journals.permissions@oup.comWhat does it mean for a thing to be ugly, or perhaps better, for something to be judged as such? We should admit that the matter is not transparent. Maybe that seems odd, since we find things ugly all the time; should not this be plain as day, then? But usually, it is what seems (...)
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  45. added 2017-11-08
    Seventy-Five Years of Kant … and Counting.Paul Guyer - 2017 - Journal of Aesthetics and Art Criticism 75 (4):351-362.
    There have been more articles on Kant's aesthetics in the history of the Journal than on the next four leading figures in the history of aesthetics combined. I argue that this is because Kant's aesthetic theory consists of multiple levels of theory that makes it accessible to and important for multiple approaches to the subject itself. Continuing issues for both Kant interpretation and for aesthetics in general arise at each of these levels, including the plausibility of the claim to universal (...)
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  46. added 2017-06-07
    Konzinnität Und Kohärenz. Naturschönheit Und Natursystem in Kants "Kritik der Urteilskraft".Daniel Dohrn - 2004 - Berlin: Philo.
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  47. added 2017-01-12
    Kant, Art, and Art History: Moments of Discipline.Mark A. Cheetham - 2001 - Cambridge University Press.
    Kant, Art, and Art History is the first systematic study of Kant's reception of and influence on the visual arts and art history. Arguing against Kant's transcendental approach to aesthetic judgment, Cheetham examines five 'moments' of his influence, including the use of Kant's political writings among German-speaking artists and critics in Rome around 1800; the canonized patterns of Kant's reception in late nineteenth- and early twentieth-century art history, particularly in the work of Wölfflin and Panofsky; and the Kantian language in (...)
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  48. added 2016-12-22
    The Sound of Bedrock: Lines of Grammar Between Kant, Wittgenstein, and Cavell.Avner Baz - 2016 - European Journal of Philosophy 24 (2):607-628.
    In ‘Aesthetics Problems of Modern Philosophy’ Stanley Cavell proposes, first, that Kant's characterization of judgments of beauty may be read as a Wittgensteinian grammatical characterization, and, second, that the philosophical appeal to ‘what we say and mean’ partakes of the grammar of judgment of beauty. I argue first that the expression of the dawning of an aspect partakes of the grammar of judgments of beauty as characterized by Kant, and may also be seen—on a prevailing way of thinking about concepts (...)
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  49. added 2016-12-12
    The German Aesthetic Tradition.Kai Hammermeister - 2002 - Cambridge University Press.
    This book, first published in 2002, is a systematic critical overview of German aesthetics from 1750 to the present. It begins with the work of Baumgarten and covers all the major writers on German aesthetics that follow, including Kant, Schiller, Schelling, Hegel, Nietzsche, Heidegger, Gadamer and Adorno. The book offers a clear and non-technical exposition of ideas, placing these in a wider philosophical context where necessary. Such is the importance of German aesthetics that the market for this book will extend (...)
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  50. added 2016-12-12
    Kant’s Theory of Taste: A Reading of the Critique of Aesthetic Judgment.Henry E. Allison - 2001 - Cambridge University Press.
    This book constitutes one of the most important contributions to recent Kant scholarship. In it, one of the pre-eminent interpreters of Kant, Henry Allison, offers a comprehensive, systematic, and philosophically astute account of all aspects of Kant's views on aesthetics. The first part of the book analyses Kant's conception of reflective judgment and its connections with both empirical knowledge and judgments of taste. The second and third parts treat two questions that Allison insists must be kept distinct: the normativity of (...)
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