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  1. Beauty and Duty in Kant's Critique of Judgement.Henry E. Allison - 1997 - Kantian Review 1 (1):53-81.
    At the end of §40 of the Critique of Judgement, after a discussion of the sensus communis and its connection with taste, Kant writes:If we could assume that the mere universal communicability as such of our feeling must already carry with it an interest for us , then we could explain how it is that we require from everyone as a duty, as it were , the feeling in a judgment of taste.
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  2. Review: Guyer, Paul, Kant and the Experience of Freedom: Essays on Aesthetics and Morality[REVIEW]Karl Ameriks - 1994 - Ethics 105 (1):207-.
  3. How to Save Kant's Deduction of Taste.Karl Ameriks - 1982 - Journal of Value Inquiry 16 (4):295-302.
  4. Kant and the Claims of Taste. [REVIEW]Karl Ameriks - 1980 - New Scholasticism 54 (2):241-249.
  5. Kant's Theory of Taste.Christopher Arroyo - 2004 - The Owl of Minerva 36 (1):43-51.
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  6. The Kantian Beautiful, or, the Utterly Useless: Prolegomena to Any Future Aesthetics.Dorit Barchana-Lorand - 2002 - Kant-Studien 93 (3):309–323.
  7. The Practical Significance of Taste in Kant's "Critique of Judgment": Love of Natural Beauty as a Mark of Moral Character.Anne Margaret Baxley - 2005 - Journal of Aesthetics and Art Criticism 63 (1):33–45.
  8. Kant's Aesthetic Theory: The Beautiful and Agreeable.David Berger - 2009 - Continuum.
    The twofold conception of taste -- The beautiful and the agreeable -- Sensations and interests -- Some varieties of normativity.
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  9. Judging Life: From Beauty to Experience. From Kant to Chaim Soutine.J. M. Bernstein - 2000 - Constellations 7 (2):157-177.
  10. Beauty: Kant's Discussion.Mnarnv A. Bertman - 2001 - Indian Philosophical Quarterly 28 (4).
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  11. Lo Bello y El Bien En Kant.Bernard Bourgeois - 1993 - Anuario Filosófico 26 (1):139-154.
    Theory of beauty exposed in Kant's Critique of Judgement is neither an epilogue nor the cornerstone of kantian system. Kant's solution to the problem of delight in beauty illustrates the meaning given to practical reasoning and its absolute dominance in the life of the spirit.
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  12. The Beautiful and the Good According to Kant (Translated by Charles Wolfe).Bernard Bourgeois - 1993 - Graduate Faculty Philosophy Journal 16 (2):359-373.
  13. Ugliness and Nature.Emily Brady - 2010 - Enrahonar: Quaderns de Filosofía 45:27-40.
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  14. Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part I: Natural Beauty.Malcolm Budd - 1998 - British Journal of Aesthetics 38 (1):1-18.
  15. Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part II: Natural Beauty and Morality.Malcolm Budd - 1998 - British Journal of Aesthetics 38 (2):117-126.
  16. The Moral Value of Artistic Beauty in Kant.Joseph Cannon - 2011 - Kantian Review 16 (1):113-126.
    In the third Critique, Kant argues that it is to take an immediate interest in natural beauty, because it indicates an interest in harmony between nature and moral freedom. He, however, denies that there can be a similarly significant interest in artistic beauty. I argue that Kant ought not to deny this value to artistic beauty because his account of fine art as the joint product of the of genius and the discipline of taste commits him to the claim that (...)
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  17. The Sources and Effects in England of Kant's Philosophy of Beauty.E. F. Carritt - 1925 - The Monist 35 (2):315-328.
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  18. El carácter desinteresado de la apreciación de lo bello en la estética kantiana.Jorge Cerna - 2014 - Estudios de Filosofía: Revista del Seminaro de Filosofia del instituto Riva-Aguero 12:36-55.
    The present paper has the purpose of analyzing the notion of disinterest in Kant’s aesthetics. The first part focuses on Shaftesbury’s and Schopenhauer’s aesthetic approaches, wherein the presence of disinterest in relation to the appraisal of beauty is highlighted –albeit, as will be seen, in very different senses than the one proposed by Kant. The second part approaches the Analytics of beauty, around which some reflections about disinterest will be attempted in order to pay attention to disinterest as proposed by (...)
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  19. Ogilby, Milton, Canary Wine, and the Red Scorpion: Another Look at Kant's Deduction of Taste.Andrew Chignell - 2013 - In Dina Emundts (ed.), Self, World, and Art. De Gruyter. pp. 261-282.
    An effort to expand and defend aspects of my earlier reading of the Deduction of Taste. The Red Scorpion is just for fun. -/- .
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  20. Beauty as a Symbol of Natural Systematicity.Andrew Chignell - 2006 - British Journal of Aesthetics 46 (4):406-415.
    I examine Kant's claim that a relation of symbolization links judgments of beauty and judgments of ‘systematicity’ in nature (that is, judgments concerning the ordering of natural forms under hierarchies of laws). My aim is to show that the symbolic relation between the two is, for Kant, much closer than many commentators think: it is not only the form but also the objects of some of our judgments of taste that symbolize the systematicity of nature. -/- .
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  21. The Problem of Particularity in Kant's Aesthetic Theory.Andrew Chignell - 1999 - In Kevin A. Stoehr (ed.), The Proceedings of the Twentieth World Congress of Philosophy. pp. 197-208.
    An early version of "Kant on the Normativity of Taste" above. -/- .
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  22. Three Problems in Kant's Aesthetics.Ted Cohen - 2002 - British Journal of Aesthetics 42 (1):1-12.
    What does the faculty of Understanding do during the execution of a judgement of taste? How are singular judgements of beauty related to general judgements of beauty? For what reason is beauty the symbol of morality? The first question has a tentative answer, although one not obviously congenial to Kant. The second two questions have no compelling answers.
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  23. Greenberg's Kant and the Fate of Aesthetics in Contemporary Art Theory.Diarmuid Costello - 2007 - Journal of Aesthetics and Art Criticism 65 (2):217–228.
  24. The Significance of Kant's Pure Aesthetic Judgement.Paul Crowther - 1996 - British Journal of Aesthetics 36 (2):109-121.
  25. Fundamental Ontology and Transcendent Beauty: An Approach to Kant's Aesthetics.Paul Crowther - 1985 - Kant-Studien 76 (1-4):55-71.
  26. The Idea of Form: Rethinking Kant’s Aesthetics.Guy Dammann - 2004 - British Journal of Aesthetics 44 (3):313-315.
  27. Kant et l'esthétique du dessin.Jacques Darriulat - 2007 - Revue Philosophique de la France Et de l'Etranger 197 (2):157-175.
    Le privilège accordé par Kant au dessin sur la couleur est communément interprété comme le symptôme d'une dépendance envers le goût néoclassique, alors dominant. Or il n'en est rien : la beauté non conceptuelle du dessin kantien ne saurait se rapporter à l'épure de l'Idée ; elle doit plutôt être comprise comme le trait du génie, soumis à la dictée de la nature, schématisant sans concept la forme pure saisie par l'imagination dans le divers mouvant des phénomènes, et réfléchie par (...)
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  28. Susan Meld Shell and Richard Velkley , Kant’s Observations and Remarks: A Critical Guide . Reviewed By.Michael Deckard - 2014 - Philosophy in Review 34 (5):268-271.
  29. Beauty as an Encounter Between Freedom and Nature: A Romantic Interpretation of Kant's Critique of Judgment.Maria Del Rosario Acosta Lopez - 2007 - Epoché: A Journal for the History of Philosophy 12 (1):63-92.
    This essay presents a possible interpretation of the concept of beauty in Kant’s Critique of Judgment, which was itself suggested by Kant in the two introductionsto the text and gained force among the Early German Romantics and Idealists, introducing an alternative point of view into the concept of beauty and the role it plays in the relationship between reason and sensibility, man and world. Through the analysis of the four moments of the Analytic of the Beautiful, beauty will manifest itself (...)
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  30. Kant, Mothersill and Principles of Taste.George Dickie - 1989 - Journal of Aesthetics and Art Criticism 47 (4):375-376.
  31. Kantian Aesthetics and the Literary Criticism of E. D. Hirsch.Robert J. Dostal - 1980 - Journal of Aesthetics and Art Criticism 38 (3):299-305.
  32. The Experience of Art is Paradise Regained: Kant on Free and Dependent Beauty.Denis Dutton - manuscript
    In the Critique of Judgment, Kant presents what is possibly the most powerful aesthetic theory ever devised. It is not the clearest, and even when it comes clear, it is only after much toil. But its contradictions and complexities — apparent or real — reflect and disclose to great depth the very complexities and paradoxes that infect our artistic and aesthetic lives. Later aestheticians have with greater sophistication directed attention to the social and historical aspects of institutionalised fine arts, but (...)
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  33. Kant and the Conditions of Artistic Beauty.Denis Dutton - 1994 - British Journal of Aesthetics 34 (3):226-239.
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  34. Review: Guyer, Knowledge, Reason, and Taste: Kant's Response to Hume[REVIEW]Corey W. Dyck - 2009 - Philosophy and Social Criticism 35 (5):613-619.
  35. Spirit Without Lines: Kant's Attempt to Reconcile the Genius with Society.Corey W. Dyck - 2004 - Idealistic Studies 34 (2):151-62.
    In the Anthropology, Kant wonders whether the genius or the individual possessing perfected judgment has contributed more to the advance of culture. In the KU, Kant answers this question definitively on the side of those with perfected judgment. Nevertheless, occurring as it does in §50 of the KU, immediately after Kant’s celebration of the genius in §49, this only raises more questions. Kant rejects the genius in favour of the individual of taste as an advancer of culture, yet under what (...)
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  36. Analytic of the Beautiful.A. R. E. - 1965 - Review of Metaphysics 18 (4):775-776.
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  37. The Beautiful Shape of the Good: Platonic and Pythagorean Themes in Kant's Critique of the Power of Judgment.Mihaela C. Fistioc - 2002 - Routledge.
    This book investigates the link Kant discerned between our experience of beauty and our experience of the moral law. By examining Kant's relation to Greek philosophy, to Plato and Pythagoras, as found in Kant's own writings, the author sheds new light on one the most intriguing and mysterious doctrines of Kant's third Critique.
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  38. Objectivity and Existential Meaning of the Beautiful. Investigations of Kant's 'Critique of Aesthetic Judgment'.Werner Flach - 1979 - Philosophy and History 12 (1):37-38.
  39. Parerga and Pulchritudo Adhaerens: A Reading of the Third Moment of the “Analytic of the Beautiful”.Martin Gammon - 1999 - Kant-Studien 90 (2):148-167.
  40. The Theory of Natural Beauty and its Evil Star: Kant, Hegel, Adorno.Rodolphe Gasché - 2002 - Research in Phenomenology 32 (1):103-122.
    In the aftermath of Kant, that is, with Schelling and Hegel, the natural beautiful is no longer a major concern of aesthetic theory. According to Adorno, an evil star hangs over the theory of natural beauty. The essay examines the reasons for this neglect of the beautiful of nature by confronting Kant's account of natural beauty with Hegel's theory about the fundamental deficiencies of beauty in nature and locates them in the essential indeterminacy of everything that belongs to nature. Inquiring (...)
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  41. Aesthetic Judging and the Intentionality of Pleasure.Hannah Ginsborg - 2003 - Inquiry : An Interdisciplinary Journal of Philosophy 46 (2):164 – 181.
    I point out some unclarities in Allison's interpretation of Kant's aesthetic theory, specifically in his account of the free play of the faculties. I argue that there is a tension between Allison's commitment to the intentionality of the pleasure involved in a judgment of beauty, and his view that the pleasure is distinct from the judgment, and I claim that the tension should be resolved by rejecting the latter view. I conclude by addressing Allison's objection that my own view fails (...)
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  42. Recensione: Tomasi, Il salvataggio kantiano della bellezza.P. Giordanetti - 1998 - Kant-Studien 89:99-100.
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  43. A Tale of Two Faculties.K. Gorodeisky - 2011 - British Journal of Aesthetics 51 (4):415-436.
    The notion of the ‘free harmony of the faculties’ has baffled many of Kant's readers and also attracted much criticism. In this paper I attempt to shed light on this puzzling notion. By doing so, I aim to challenge some of the criticisms that this notion has attracted, and to point to its relevance to contemporary debates in aesthetics. While most of the literature on the free harmony is characterized by what I regard as an ‘extra-aesthetic approach’, I propose ‘an (...)
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  44. Kant's Aesthetic Theory: The Beautiful and Agreeable.K. Gorodeisky - 2010 - British Journal of Aesthetics 50 (3):317-320.
  45. A New Look at Kant's View of Aesthetic Testimony.Keren Gorodeisky - 2010 - British Journal of Aesthetics 50 (1):53-70.
    In this paper I explore the following threefold question: first, is there a genuine problem of grounding aesthetic judgement in testimony? Second, if there is such a problem, what exactly is its nature? And lastly, can Kant help us get clearer on the problem? Following Kant, I argue that the problem with aesthetic testimony is explained by norms that govern what it takes to judge a beautiful object aesthetically, rather than theoretically or practically, not by norms that govern what it (...)
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  46. Form and Expression in Kant's Aesthetics.D. W. Gotshalk - 1967 - British Journal of Aesthetics 7 (3):250-260.
    In the earlier sections of part one of the "critique of judgment," discussing natural beauty, Kant describes the aesthetical or beautiful in strongly formalistic terms. In the closing sections of this part, Discussing fine art, He characterizes the aesthetical or beautiful in predominantly expressionistic terms. The puzzle is not that these views are different but that our philosopher seems to think they are identical. Various hypotheses that claim to explain this puzzle are examined. The key suggested is kant's background or (...)
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  47. Genius and Taste: A Response to Joseph Cannon,'The Moral Value of Artistic Beauty in Kant'.Paul Guyer - 2011 - Kantian Review 16 (1):127-134.
  48. The Harmony of the Faculties in Recent Books on the Critique of the Power of Judgment. [REVIEW]Paul Guyer - 2009 - Journal of Aesthetics and Art Criticism 67 (2):201-221.
  49. 18th Century German Aesthetics.Paul Guyer - 2008 - Stanford Encyclopedia of Philosophy.
  50. Free Play and True Well-Being: Herder's Critique of Kant's Aesthetics.Paul Guyer - 2007 - Journal of Aesthetics and Art Criticism 65 (4):353–368.
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