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1 — 50 / 189
  1. added 2020-05-19
    Die Ethische Bedeutung des Schönen Bei Kant.Wilhelmine Drescher - 1975 - Zeitschrift für Philosophische Forschung 29 (3):445 - 450.
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  2. added 2020-05-14
    Hamlet und der Melancholiker in „Kants Beobachtungen über das Gefühl des Schönen und Erhabenen".Tim Klein - 1905 - Kant-Studien 10 (1-3):76.
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  3. added 2020-05-10
    H.-G. Juchem, Die Entwicklung des Begriffs des Schönen Bei Kant. [REVIEW]W. Steinbeck - 1971 - Kant-Studien 62 (4):513.
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  4. added 2020-05-06
    The Purposiveness of Form: A Reading of Kant's Aesthetic Formalism.Rachel Zuckert - 2006 - Journal of the History of Philosophy 44 (4):599-622.
    Rachel Zuckert - The Purposiveness of Form: A Reading of Kant's Aesthetic Formalism - Journal of the History of Philosophy 44:4 Journal of the History of Philosophy 44.4 599-622 Muse Search Journals This Journal Contents The Purposiveness of Form: A Reading of Kant's Aesthetic Formalism Rachel Zuckert In the "critique of aesthetic judgment," Kant claims that when we find an object beautiful, we are appreciating its "purposive form." Many of Kant's readers have found this claim one of his least interesting (...)
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  5. added 2020-05-04
    The Truth of the Beautiful in the Critique of Judgement.Marcus Verhaegh - 2001 - British Journal of Aesthetics 41 (4):371-394.
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  6. added 2020-04-05
    The Significance of Beauty Kant on Feeling and the System of the Mind.Patricia M. Matthews - 1997
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  7. added 2020-04-05
    Free and Dependent Beauty. E. Schaper - 1974 - Kant-Studien 65 (Sonderheft):247.
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  8. added 2020-04-03
    Understanding Kant's Distinction Between Free and Dependent Beauty.Philip Mallaband - 2002 - Philosophical Quarterly 52 (206):66-81.
    I interpret Kant's distinction between free and dependent beauty in a way that makes it possible for an object to be judged dependently beautiful without being judged freely beautiful. This is an alternative to the analyses provided by Malcolm Budd and Christopher Janaway, which both face a dilemma because they entail that an object must be judged freely beautiful in order to be judged dependently beautiful. The dilemma is that either the determinant of a judgement of dependent beauty is based (...)
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  9. added 2020-04-03
    The Concept of Play and the Aesthetic World-View in Contemporary Philosophy.Gisela Shaw - 1969 - Philosophy and History 2 (1):22-26.
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  10. added 2020-03-30
    Kant on Nature, Beauty, and Women.Jeanna L. Moyer - 1999 - Dissertation, University of Kansas
    This dissertation focuses on the relationship between man , nature and women . I contend that, through the mediating concept of beauty, Kant associates women with nature. Additionally, Kant's notion of sublimity indicates that nature is inferior to man. If women are associated with nature, and nature is inferior to man, then this would seem to indicate that Kant conceptualizes women as inferior to men. I argue that this is indeed the case, and undertake an ecofeminist analysis of Kant's so-called (...)
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  11. added 2020-02-22
    Review: Paul Guyer: Values of Beauty: Historical Essays in Aesthetics. [REVIEW]T. E. Wilkerson - 2008 - Mind 117 (468):1079-1081.
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  12. added 2020-02-22
    Paul Guyer, Values of Beauty: Historical Essays in Aesthetics.M. McCloughan - 2007 - Philosophy in Review 27 (1):37.
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  13. added 2020-02-14
    Two Feelings in the Beautiful: Kant on the Structure of Judgments of Beauty.Janum Sethi - 2019 - Philosophers' Imprint 19:1-17.
    In this paper, I propose a solution to a notorious puzzle that lies at the heart of Kant’s Critique of Judgment. The puzzle arises because Kant asserts two apparently conflicting claims: (1) F→J: A judgment of beauty is aesthetic, i.e., grounded in feeling. (2) J→F: A judgment of beauty could not be based on and must ground the feeling of pleasure in the beautiful. I argue that (1) and (2) are consistent. Kant’s text indicates that he distinguishes two feelings: the (...)
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  14. added 2020-02-11
    Values of Beauty: Historical Essays in Aesthetics.Cain Todd - 2007 - Philosophical Quarterly 57 (227):313-316.
  15. added 2019-11-23
    Sensory Force, Sublime Impact, and Beautiful Form.Eli I. Lichtenstein - 2019 - British Journal of Aesthetics 59 (4):449-464.
    Can a basic sensory property like a bare colour or tone be beautiful? Some, like Kant, say no. But Heidegger suggests, plausibly, that colours ‘glow’ and tones ‘sing’ in artworks. These claims can be productively synthesized: ‘glowing’ colours are not beautiful; but they are sensory forces—not mere ‘matter’, contra Kant—with real aesthetic impact. To the extent that it inheres in sensible properties, beauty is plausibly restricted to structures of sensory force. Kant correspondingly misrepresents the relation of beautiful wholes to their (...)
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  16. added 2019-10-19
    Artistic Proofs: A Kantian Approach to Aesthetics in Mathematics.Weijia Wang - 2019 - Estetika 56 (2):223-243.
    This paper explores the nature of mathematical beauty from a Kantian perspective. According to Kant’s Critique of the Power of Judgment, satisfaction in beauty is subjective and non-conceptual, yet a proof can be beautiful even though it relies on concepts. I propose that, much like art creation, the formulation and study of a complex demonstration involves multiple and progressive interactions between the freely original imagination and taste. Such a proof is artistic insofar as it is guided by beauty, namely, the (...)
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  17. added 2019-08-21
    Kantian Beauty, Fractals, and Universal Community.C. E. Emmer - 2019 - Dialogue and Universalism 29 (2):65-80.
    Benoit B. Mandelbrot, when discussing the global appeal of fractal patterns and designs, draws upon examples from across numerous world cultures. What may be missed in Mandelbrot's presentation is Immanuel Kant’s precedence in recognizing this sort of widespread beauty in art and nature, fractals avant la lettre. More importantly, the idea of the fractal may itself assist the aesthetic attitude which Kantian beauty requires. In addition, from a Kantian perspective, fractal patterns may offer a source for a sense of community (...)
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  18. added 2019-08-20
    The Passions and Disinterest: From Kantian Free Play to Creative Determination by Power, Via Schiller and Nietzsche.Eli I. Lichtenstein - 2019 - Ergo: An Open Access Journal of Philosophy 6:249-279.
    I argue that Nietzsche’s criticism of the Kantian theory of disinterested pleasure in beauty reflects his own commitment to claims that closely resemble certain Kantian aesthetic principles, specifically as reinterpreted by Schiller. I show that Schiller takes the experience of beauty to be disinterested both (1) insofar as it involves impassioned ‘play’ rather than desire-driven ‘work’, and (2) insofar as it involves rational-sensuous (‘aesthetic’) play rather than mere physical play. In figures like Nietzsche, Schiller’s generic notion of play—which is itself (...)
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  19. added 2019-08-16
    Kiesewetter, Kant, and the Problem of Poetic Beauty.C. E. Emmer - 2018 - In Violetta L. Waibel, Margit Ruffing & David Wagner (eds.), Natur und Freiheit: Akten des XII. Internationalen Kant-Kongresses. Berlin, Germany: pp. 2979–2986.
    My observations here are meant to address a current lacuna in discussions of Kant's aesthetics, namely the beauty of poetry. There are, I admit, numerous treatments of poetry considered in the light of Kant's aesthetic theory, but what may not be noticed is that in discussions of poetry and Kant's aesthetics, the topic of poetic beauty only rarely comes up. This virtual silence on the beauty of poetry is surprising, given that the beautiful is obviously one of the two foundational (...)
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  20. added 2019-06-06
    Beauty, Disinterested Pleasure, and Universal Communicability: Kant’s Response to Burke.Bart Vandenabeele - 2012 - Kant-Studien 103 (2):207-233.
    : Although Kant holds that the universal communicability of aesthetic judgments logically follows from the disinterested character of the pleasure upon which they are based, Kant’s emphasis on the a priori validity of judgments of beauty can be viewed as a rebuttal of the kind of empiricist arguments that Burke offers to justify the social nature of the experience of beauty. I argue that the requirement of universal communicability is not a mere addition to the requirement of universal validity and (...)
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  21. added 2019-06-06
    Hughes on Kant's Aesthetic Epistemology.Ralf Meerbote - 2011 - Kant-Studien 102 (2):202-212.
    Hughes has recently argued that there is to be found in Kant's epistemology an aesthetic constraint that makes for an objectivity of empirical knowledge-claims. The reading that she defends leads to a rejection of an imposition-view of empirical concepts and the categories and to an affirmation of a realism in Kant's theory of empirical knowledge. I am in broad agreement with her thesis but disagree with her ultimate explanation of the ontology of Kant's objects of empirical knowledge. Hughes' exposition and (...)
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  22. added 2019-06-06
    Knowledge, Reason and Taste: Kant's Response to Hume.Andy Hamilton - 2010 - Australasian Journal of Philosophy 88 (4):737-739.
  23. added 2019-06-06
    The Harmony of the Faculties in Recent Books on the Critique of the Power of Judgment.Paul Guyer - 2009 - Journal of Aesthetics and Art Criticism 67 (2):201-221.
    When I began working on my dissertation on Kant’s aesthetic theory in 1971, I was able to read virtually all of the extant literature on the Critique of Judgment in English, German, andFrench going back to Hermann Cohen’s Kants Begr¨undung der A¨ sthetik of 1889, while also reading most of what I wanted to read of eighteenth-century British and German aesthetics before Kant—not because I had paid my dues to Evelyn Wood, but just because there was not all that much (...)
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  24. added 2019-06-06
    Kant on Beauty and Biology: An Interpretation of the Critique of Judgment. [REVIEW]Robert Wicks - 2009 - British Journal for the History of Philosophy 17 (4):884-887.
    Esteticky a teleologicky soud jsou oba zalozene na a priori principu ucelnosti bez ucelu. Ten je subjektivni, tj. nezaklada zadne objektivni poznani. Biolog a estetik se bez toho principu vsak neobejde. Princip je as if: predpokladame, ze v chovani organismu / ruznych vnimatelnych aspektech je jednota, unity of diversity, ze je to non-conceptually ordered whole.
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  25. added 2019-06-06
    Review Essay: Paul Guyer's, Knowledge, Reason, and Taste: Kant's Response to Hume. [REVIEW]Corey W. Dyck - 2009 - Philosophy and Social Criticism 35 (5):613-619.
  26. added 2019-06-06
    Values of Beauty: Historical Essays in Aesthetics, by Paul Guyer, Cambridge: Cambridge University Press, 2005. Pp. Xx + 359. Paperback £ 15.99, Hardback £40. [REVIEW]Anthony Savile - 2007 - Kantian Review 12 (2):189-194.
  27. added 2019-06-06
    Kant's Rationalist Aesthetics.Rachel Zuckert - 2007 - Kant-Studien 98 (4):443-463.
    It is quite standard, even banal, to describe Kant's project in the Critique of Pure Reason [KrV] as a critical reconciliation of rationalism and empiricism, most directly expressed in Kant's claim that intuitions and concepts are two distinct, yet equally necessary, and necessarily interdependent sources of cognition. Similarly, though Kant rejects both the rationalist foundation of morality in the concept of perfection and that of the empiricists in feeling or in the moral sense, one might broadly characterize Kant's moral philosophy (...)
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  28. added 2019-06-06
    The Aesthetic in Kant: A Critique, by James Kirwan. London, New York: Continuum, 2004. Pp. Viii. 200, Hardback, £60. [REVIEW]Anthony Savile - 2005 - Kantian Review 10:150-153.
  29. added 2019-06-06
    Kant, Art, and Art History: Moments of Discipline. [REVIEW]Robert Wicks - 2003 - Dialogue 42 (3):604-606.
    In the first sentence of his thematically innovative book, Mark A. Cheetham informs us that Kant, Art, and Art History “examines the far-reaching and varied reception of Immanuel Kant’s thought in art history and the practicing visual arts from the late eighteenth century to the present”. This is surely a long-overdue project in Kant scholarship, and Cheetham deserves praise for having finally put this intellectual ball into play. He then sets one of his methodological assumptions squarely on the table: “there (...)
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  30. added 2019-06-06
    Fundamental Ontology and Transcendent Beauty: An Approach to Kant's Aesthetics.Paul Crowther - 1985 - Société Française de Philosophie, Bulletin 76 (1):55.
  31. added 2019-06-06
    Burkes und Kants Theorie des Schönen.Werner Strube - 1982 - Société Française de Philosophie, Bulletin 73 (1):55.
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  32. added 2019-06-06
    J. N. Findlay, "Kant and the Transcendental Object: A Hermeneutic Study". [REVIEW]Ralf Meerbote - 1982 - Journal of the History of Philosophy 20 (4):439.
  33. added 2019-06-06
    Objectivity and Existential Meaning of the Beautiful. Investigations of Kant’s ‘Critique of Aesthetic Judgment’. [REVIEW]Werner Flach - 1979 - Philosophy and History 12 (1):37-38.
  34. added 2019-06-06
    Interest, Nature, and Art: A Problem In Kant’s Aesthetics.Paul Guyer - 1978 - Review of Metaphysics 31 (4):580-603.
    In this paper, however, I will argue that Kant’s restriction of interest to natural rather than artistic beauty should not be taken as a basic aspect of his aesthetic theory, and thus need not affect our assessment of that theory’s more basic claims. First, I will suggest that Kant’s theory of intellectual interest is not really necessary to explain what we ordinarily mean by an interest in beautiful objects—a desire to preserve them for repeated experience, a motivation for our efforts (...)
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  35. added 2019-05-24
    The Necessity of Feeling in Unamuno and Kant: For the Tragic as for the Beautiful and Sublime.José Luis Fernández - 2019 - In Anthony Malagon & Abi Doukhan (eds.), The Religious Existentialists and the Redemption of Feeling. Lanham, MD 20706, USA: Lexington Books. pp. 103-115.
    Miguel de Unamuno’s theory of tragic sentiment is central to understanding his unique contributions to religious existential thought, which centers on the production of perhaps the most unavoidable and distinctive kind of human feeling. His theory is rightly attributed with being influenced by the gestational thought of, inter alios, Schopenhauer, Kierkegaard, and Nietzsche, but within these pages I should like to suggest a peculiar kinship between seemingly strange bedfellows, namely, between Unamuno and Immanuel Kant. Although the relationship between Unamuno and (...)
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  36. added 2019-05-23
    Beautiful and Sublime: The Aesthetics of Running in a Commodified World.Tim Gorichanaz - 2016 - Journal of the Philosophy of Sport 43 (3):365-379.
    In the United States, running as a leisure activity continues to grow in popularity. Healthism can explain some of this popularity, but it does not explain ultradistance running. Motivations for running can be seen through the framework of the Kantian beautiful and the sublime. Beauty arises through extrinsic motivation and relates to an economy of form, while the sublime arises through intrinsic motivation and relates to confronting the challenge of infinity. The commercial, casual, and competitive aspects of distance running correspond (...)
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  37. added 2019-05-21
    Self-Standing Beauty: Tracing Kant’s Views on Purpose-Based Beauty.Emine Hande Tuna - 2019 - Southwest Philosophy Review 35 (1):7-16.
    In his recent article, “Beauty and Utility in Kant’s Aesthetics: The Origins of Adherent Beauty,” Robert Clewis aims to offer a fresh perspective on Kant’s views on the relation between beauty and utility. While, admittedly, a fresh approach is hard to come by, given the extensive treatment of the topic, Clewis thinks that a study of its historical context and origins might give us the needed edge. The most interesting and novel aspect of Clewis’s discussion is his detailed treatment of (...)
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  38. added 2019-05-08
    Kant, Art, and Art History: Moments of Discipline.Mark A. Cheetham New York: Cambridge University Press, 2001, X + 222 Pp., $54.95. [REVIEW]Robert Wicks - 2003 - Dialogue 42 (3):604-607.
  39. added 2019-05-08
    Kant et la genèse de la subjectivité esthétique. Esthétique et philosophie avant la Critique de la faculté de jugerDaniel Dumouchel Collection «Bibliothèque d'histoire de la philosophie» Paris, Librairie Philosophique J. Vrin, 1999, 305 p. [REVIEW]Jeffrey Reid - 2002 - Dialogue 41 (4):814-816.
  40. added 2019-04-26
    Susan Meld Shell and Richard Velkley , Kant's Observations and Remarks: A Critical GuideCambridge: Cambridge University Press, 2012 Pp. Xv + 286 ISBN 978-0-521-76942-6 , £55.00. [REVIEW]Brian Watkins - 2013 - Kantian Review 18 (3):487-491.
  41. added 2019-03-20
    Cognitive Interpretation of Kant’s Theory of Aesthetic Ideas.Mojca Kuplen - 2019 - Estetika 56 (12):48-64.
    The aim of my paper is to argue that Kant’s aesthetic ideas can help us to overcome cognitive limitations that we often experience in our attempts to articulate the meaning of abstract concepts. I claim that aesthetic ideas, as expressed in works of art, have a cognitive dimension in that they reveal the introspective, emotional, and affective aspects that appear to be central to the content of abstract phenomena.
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  42. added 2018-12-03
    Niebo gwiaździste nad Królewcem a prawo moralne. Dyskusja Gadamera z estetyką Kanta wokół kwestii doświadczenia piękna i jego odniesienia do etyki.Paweł Dybel - 2018 - Diametros 55:112-131.
    In the article, I engage with H.G.Gadamer’s reading of Kant’s aesthetic theory. Gadamer accused Kant of subjectivizing the aesthetic experience so that it would be reduced to the free play of the cognitive faculties of the subject. Consequently, the ethical dimension of aesthetic experience that played such an important role in the preceding tradition of European humanism has been lost. Yet, this charge of Gadamer is not quite right. The connection between the experience of beauty and ethics has been maintained (...)
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  43. added 2018-09-08
    The Trouble with Kant's Deduction of Judgments of Taste.Miles Rind - 2001 - In Ralph Schumacher, Rolf-Peter Horstmann & Volker Gerhardt (eds.), Kant Und Die Berliner Aufklärung: Akten des Ix. Internationalen Kant-Kongresses. Bd. I: Hauptvorträge. Bd. Ii: Sektionen I-V. Bd. Iii: Sektionen Vi-X: Bd. Iv: Sektionen Xi-Xiv. Bd. V: Sektionen Xv-Xviii. Berlin: De Gruyter. pp. 462-467.
    An abbreviated version of my paper "Can Kants Deduction of Judgments of Taste Be Saved?" Archiv für Geschichte der Philosophie 84.1 (2002): 20-45.
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  44. added 2018-09-06
    Emotional Enlightenment: Kant on Love and the Beautiful.Marguerite La Caze - 2017 - In Geoff Boucher & Henry Martyn Lloyd (eds.), Rethinking the Enlightenment: Between History, Philosophy, and Politics,. Lanham: Lexington Books. pp. 199-219.
    Immanuel Kant is often thought of as an excessively austere figure of the enlightenment, eschewing especially the emotions. Yet his contribution to the enlightenment includes a distinctive sensitivity to the role that love and the beautiful, particularly in nature, play in our ethical lives. There are a number of arguments scattered through Kant’s work that aim to establish a connection between love of the beautiful and morality. My goal is to connect the most significant of these to build a picture (...)
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  45. added 2018-08-17
    Kant's Aesthetic Theory: The Beautiful and Agreeable: Book Reviews. [REVIEW]Keren Gorodeisky - 2010 - British Journal of Aesthetics 50 (3):317-320.
    This is a book review of David Berger's "Kant's Aesthetic Theory: The Beautiful and the Agreeable.".
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  46. added 2018-08-03
    Is There Are a Possibility of an Ugly Aesthetic Idea in Kant's Aesthetics?Mojca Küplen - forthcoming - In Violetta L. Waibel and Margit Ruffing (ed.), Proceedings of the 12. International Kant Congress Nature and Freedom. De Gruyter.
    In Kant’s aesthetic theory, the association of ugliness with aesthetic ideas is not immediately apparent. Even more, it has been argued by most of Kant’s commentators that ugliness cannot express aesthetic ideas. In short, they claim that accordance with taste (i.e. free harmony between imagination and understanding) is a necessary condition for an aesthetic idea to be expressed in a way that makes sense to others. But if production of aesthetic ideas must be restrained by taste in order to have (...)
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  47. added 2018-07-21
    Kant on Beauty and Cognition: The Aesthetic Dimension of Cognition.Alix Cohen - 2018 - In Otávio Bueno, George Darby, Steven French & Dean Rickles (eds.), Thinking about Science and Reflecting on Art: Bringing Aesthetics and the Philosophy of Science Together. London, UK: Routledge. pp. 140-154.
    Kant often seems to suggest that a cognition – whether an everyday cognition or a scientific cognition – cannot be beautiful. In the Critique of Judgment and the Lectures on Logic, he writes: ‘a science which, as such, is supposed to be beautiful, is absurd.’ (CJ 184 (5:305)) ‘The expression "beautiful cognition" is not fitting at all’ (LL 446 (24:708)). These claims are usually understood rather straightforwardly. On the one hand, cognition cannot be beautiful since on Kant’s account, it is (...)
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  48. added 2018-06-11
    Inner Sense, Outer Sense, and Feeling: Hutcheson and Kant on Aesthetic Pleasure.Colin McQuillan - 2017 - In Chris W. Surprenant & Elizabeth Robinson (eds.), Kant and the Scottish Enlightenment. New York: Routledge.
  49. added 2018-05-21
    Subjectivity and Sociality in Kant’s Theory of Beauty.Brent Kalar - 2018 - Kantian Review 23 (2):205-227.
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  50. added 2018-04-16
    The Art of Doing Mathematics.Christian Helmut Wenzel - 2018 - In Berys Gaut & Matthew Kieran (eds.), Creativity and Philosophy. Routledge. pp. 313-330.
    Mathematicians often say that their theorems, proofs, and theories can be beautiful. They say mathematics can be like art. They know how to move creatively and freely in their domains. But ordinary people usually cannot do this and do not share this view. They often have unpleasant memories from school and do not have this experience of freedom and creativity in doing mathematics. I myself have been a mathematician, and I wish to highlight some of the creative aspects in doing (...)
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