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  1. Revisiting Kant’s Deduction of Taste.Ryan S. Kemp - forthcoming - History of Philosophy Quarterly.
  2. Analytic of Teleological Judgment.Dennis Schulting & Chris Onof - forthcoming - In Sorin Baiasu & Mark Timmons (eds.), The Kantian Mind. Routledge.
  3. Kant and the Need for Orientational and Contextual Thinking: Applying Reflective Judgement to Aesthetics and to the Comprehension of Human Life.Rudolf A. Makkreel - 2021 - Kantian Review 26 (1):53-78.
    This essay explores the relation between worldly orientation and rational comprehension in Kant. Both require subjective grounds of differentiation that were eventually developed into a contextualizing principle for reflective judgement. This kind of judgement can proceed either inductively to find new universals or by analogy to symbolically link different objective spheres. I will argue that the basic orientational function of reflective judgement is to modally differentiate the formal horizonal contexts of field, territory, domain and habitat laid out in the Introduction (...)
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  4. Aesthetic Normativity and the Acquisition of Empirical Concepts.Ido Geiger - 2020 - Con-Textos Kantianos 1 (12):71-104.
    In the Introduction to the Critique of the Power of Judgment, Kant claims that the Critique of Pure Reason accounted for the necessary conditions of experience and knowledge in general, but that it was not a complete transcendental account of the possibility of a particular empirical experience of objects and knowledge of empirical laws of nature. To fill this gap the third Critique puts forward, as an additional transcendental condition, the regulative principle of the purposiveness of nature. In this paper, (...)
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  5. Kant on Nonhuman Animals and God.Ina Goy - 2020 - In John Callanan & Lucy Allais (eds.), Kant and Animals. Oxford: Oxford University Press. pp. 89-104.
    This chapter examines Kant's account of the nature of nonhuman and human animals in the "Critique of the Power of Judgement". It discusses how Kant thought that a complete account of the forms of explanation commit one to belief in God. It concludes, firstly, that Kant's account implies an unhealthy anthropocentrism and an Enlightenment prejudice in the form of the overestimation of reason, and secondly, that the Kantian model of God lacks one of the main characteristics of the Christian conception (...)
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  6. Kant’s Aesthetic Theory: Key Issues. An Introduction by the Guest Editor of the Special Issue.João Lemos - 2020 - Con-Textos Kantianos 1 (12):43-51.
    This introduction presents an overview of the special issue of Con-Textos Kantianos devoted to Kant’s aesthetic theory. The articles in this issue have been organized into two sections: those written by keynote-authors, and those written in response to the general call for papers. Within each of these two sections, articles have been organized thematically, although the philosophical traditions that they engage with, as well as points of contact between articles, have also been considered. In the first section, keynote-authors address questions (...)
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  7. Thomas Hilgers, "Aesthetic Disinterestedness: Art, Experience, and the Self." Reviewed By. [REVIEW]Samantha Matherne - 2020 - Philosophy in Review 40 (2):53-55.
  8. Organismen und die Rationalität moralischen Handelns. Kants Biologie im Übergang zwischen Theorie und Praxis.Julius Alves - 2019 - Frankfurt am Main, Deutschland: Klostermann.
    Passt der Mensch als moralischer Akteur in die Welt? Während in früheren Ansätzen Kants nur der aus den Bedürfnissen der Praxis gespeiste Glaube blieb, hofft er in der "Kritik der Urteilskraft" zeigen zu können, dass sich die Überzeugung von einer moralkompatiblen Welt unabhängig rechtfertigen lässt – aus Ästhetik und Biologie. Der Autor liefert zunächst eine systematische Analyse von Kants Problemstellung: Was motiviert die Suche nach einem solchen Übergang zwischen Theorie und Praxis und was kommt als Lösung infrage? Dann schlägt er (...)
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  9. The Error in the “Groundwork”: Kant’s Revision of the Imperatives and Prudence as Technical Ability.Stefano Bacin - 2019 - Studia Kantiana 17 (1):29-48.
    The paper examines Kant’s self-criticism to the account of hypothetical imperatives given in the "Groundwork for the Metaphysics of Morals". Following his corrections in the introductions to the third "Critique", the paper traces the consequences of that change in his later writings, specifically with regard to the status of prudence. I argue that the revision of the account of hypothetical imperatives leads to differentiate, and ultimately separate, two functions in prudence: the setting of ends through maxims, and the pragmatic rules (...)
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  10. The Relationship Between the Supersensible and the Noumenon in Kant’s Critique of Judgment.Joshua R. Brotherton - 2019 - Heythrop Journal.
  11. Cognitive Interpretation of Kant’s Theory of Aesthetic Ideas.Mojca Kuplen - 2019 - Estetika 56 (12):48-64.
    The aim of my paper is to argue that Kant’s aesthetic ideas can help us to overcome cognitive limitations that we often experience in our attempts to articulate the meaning of abstract concepts. I claim that aesthetic ideas, as expressed in works of art, have a cognitive dimension in that they reveal the introspective, emotional, and affective aspects that appear to be central to the content of abstract phenomena.
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  12. Kant on Aesthetic Autonomy and Common Sense.Samantha Matherne - 2019 - Philosophers' Imprint 19.
    Recently, Kant’s account of aesthetic autonomy has received attention from those interested in a range of issues in aesthetics, including the subjectivity of aesthetic judgment, quasi-realism, aesthetic testimony, and aesthetic normativity. Although these discussions have shed much light on the implications of Kant’s account of aesthetic autonomy, the phenomenon of aesthetic autonomy itself tends to be under-described. Commentators often focus on the negative aspect of this phenomenon, i.e., the sense in which an aesthetic judgment cannot be grounded on the testimony (...)
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  13. Self-Standing Beauty: Tracing Kant’s Views on Purpose-Based Beauty.Emine Hande Tuna - 2019 - Southwest Philosophy Review 35 (1):7-16.
    In his recent article, “Beauty and Utility in Kant’s Aesthetics: The Origins of Adherent Beauty,” Robert Clewis aims to offer a fresh perspective on Kant’s views on the relation between beauty and utility. While, admittedly, a fresh approach is hard to come by, given the extensive treatment of the topic, Clewis thinks that a study of its historical context and origins might give us the needed edge. The most interesting and novel aspect of Clewis’s discussion is his detailed treatment of (...)
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  14. Niebo gwiaździste nad Królewcem a prawo moralne. Dyskusja Gadamera z estetyką Kanta wokół kwestii doświadczenia piękna i jego odniesienia do etyki.Paweł Dybel - 2018 - Diametros 55:112-131.
    In the article, I engage with H.G.Gadamer’s reading of Kant’s aesthetic theory. Gadamer accused Kant of subjectivizing the aesthetic experience so that it would be reduced to the free play of the cognitive faculties of the subject. Consequently, the ethical dimension of aesthetic experience that played such an important role in the preceding tradition of European humanism has been lost. Yet, this charge of Gadamer is not quite right. The connection between the experience of beauty and ethics has been maintained (...)
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  15. Hegel’s “Idea of Life” and Internal Purposiveness.Daniel Lindquist - 2018 - Hopos: The Journal of the International Society for the History of Philosophy of Science 8 (2):376-408.
    The first part of the final section of Hegel's Science of Logic, the section on "The Idea", is titled "Life". Logic being the science of thought for Hegel, this section presents Hegel's account of the form of thought peculiar to thinking about living beings as living. Hegel's full account of this form of thought holds that a living being is (1) a functionally organized totality of members (2) that maintains itself in and through its environment (3) in the manner of (...)
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  16. The Sublime.Melissa McBay Merritt - 2018 - New York: Cambridge University Press.
    This Element considers Kant's account of the sublime in the context of his predecessors both in the Anglophone and German rationalist traditions. Since Kant says with evident endorsement that 'we call sublime that which is absolutely great' and nothing in nature can in fact be absolutely great, Kant concludes that strictly speaking what is sublime can only be the human calling to perfect our rational capacity according to the standard of virtue that is thought through the moral law. The Element (...)
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  17. The Origins of the Transcendental Justification of Taste: Kant’s Several Views on the Status of Beauty.Esther Pedersen - 2018 - Nordic Journal of Aesthetics 26 (54).
    The article follows Kant’s different views on aesthetics ranging from the pre-critical period to the Critique of the Power of Judgement. It argues that John Zammito’s psychological explanation of why Kant in the third Critique developed an argument for the transcendental justification of judgements of taste is unconvincing. As an alternative, the article shows how Kant in his published pre-critical discussions of aesthetics was relying upon empiricist sources while he in private comments turned to consider the culture critique of Rousseau. (...)
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  18. Pleasure and Purpose in Kant’s Theory of Taste.Alexander Rueger - 2018 - Kant-Studien 109 (1):101-123.
    In the Critique of Judgment Kant repeatedly points out that it is only the pleasure of taste that reveals to us the need to introduce a third faculty of the mind with its own a priori principle. In order to elucidate this claim I discuss two general principles about pleasure that Kant presents, the transcendental definition of pleasure from § 10 and the principle from the Introduction that connects pleasure with the achievement of an aim. Precursors of these principles had (...)
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  19. Kant on the Peculiarity of the Human Understanding and the Antinomy of the Teleological Power of Judgment.Idan Shimony - 2018 - In Violetta L. Waibel, Margit Ruffing & David Wagner (eds.), Natur und Freiheit: Akten des XII. Internationalen Kant-Kongresses. Berlin, Germany: De Gruyter. pp. 1677–1684.
    Kant argues in the Critique of the Teleological Power of Judgment that the first stage in resolving the problem of teleology is conceiving it correctly. He explains that the conflict between mechanism and teleology, properly conceived, is an antinomy of the power of judgment in its reflective use regarding regulative maxims, and not an antinomy of the power of judgment in its determining use regarding constitutive principles. The matter in hand does not concern objective propositions regarding the possibility of objects (...)
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  20. Discussion Topics in the History of the Development of Immanuel Kant’s Third «Critique».Vitali Terletsky - 2018 - Sententiae 37 (2):49-61.
    This paper deals with the so-called “external history” of the origin of Critique of the power of judgment that is based primarily on the philosopher’s correspondence in the period between May 1787 and October 1789. Two letters from Kant to Reinhold (28.12.1787 and 12.05.1789) as well as modifications in the interpretation of the term “aesthetics” in the first Critique (KrVA 22, B 35-36) are crucial for the evolution of the project Critique of Taste in the book Critique of the Power (...)
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  21. Why Didn’T Kant Think Highly of Music?Emine Hande Tuna - 2018 - In Violetta Waibel & Margit Ruffing (eds.), Natur und Freiheit: Akten des XII. Internationalen Kant-Kongresses. Berlin, Germany: De Gruyter. pp. 3141-3148.
    In this paper, in answering the question why Kant didn’t think very highly of music, I argue that for Kant (i) music unlike other art forms, lends itself more easily to combination judgments involving judgments of sense, which increases the propensity to make aesthetic mistakes and is ill-suited as an activity for improving one’s taste; (ii) music expresses aesthetic ideas and presents rational ideas only by taking advantage of existing associations while other art forms do so by breaking with the (...)
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  22. God's Mind in the 3rd Critique.Reed Winegar - 2018 - In Violetta Waibel (ed.), Freiheit und Natur. Akten des XII. Kant-Kongresses. de Gruyter.
    Kant’s 3rd Critique claims that the concept of purposiveness bridges the chasm between nature and freedom. This concept derives from the reflecting power of judgment’s demand for a system of particular laws. The published Introduction represents this system as grounded on the Idea of a divine understanding. According to Tuschling, this divinity is the intuitive understanding of §§76-77. According to Allison, this divinity is discursive and purposive and, thus, numerically distinct from §§76-77’s intuitive understanding. I argue that this debate between (...)
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  23. Kant’s Critique of Religion: Epistemic Sources of Secularism.Sorin Baiasu - 2017 - Diametros 54:7-29.
    The secular interpretation of Kant is widespread and Kant is viewed as the most prestigious founding father of liberal secularism. At the same time, however, commentators note that Kant’s position on secularism is in fact much more complex, and some go as far as to talk about an ambiguous secularism in his work. This paper defends a refined version of the secular interpretation. According to this refined version, Kant can offer a limited, political secularism on the basis of a simple (...)
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  24. Dutifully Wishing: Kant’s Re-Evaluation of a Strange Species of Desire.Alexander T. Englert - 2017 - Kantian Review 22 (3):373-394.
    Kant uses ‘wish’ as a technical term to denote a strange species of desire. It is an instance in which someone wills an object that she simultaneously knows she cannot bring about. Or in more Kantian garb: it is an instance of the faculty of desire’s (or will’s) failing insofar as a desire (representation) cannot be the cause of the realization of its corresponding object in reality. As a result, Kant originally maintained it to be antithetical to morality, which deals (...)
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  25. One Act or Two? Hannah Ginsborg on Aesthetic Judgement.Paul Guyer - 2017 - British Journal of Aesthetics 57 (4):407-419.
    Hannah Ginsborg rejects my ‘two-acts’ interpretation of Kant’s conception of aesthetic judgement as untrue to Kant’s text and as philosophically problematic, especially because it entails that every object must be experienced as beautiful. I reject her criticisms, and argue that it is her own ‘one-act’ interpretation that is liable to these criticisms. But I also suggest that her emphasis on Kant’s ‘transcendental explanation’ of pleasure as a self-maintaining mental state suggests an alternative to the common view that pleasure is a (...)
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  26. The Old and New Critique of Pure Reason Based on Immanuel Kant and Jakob Friedrich Fries.Tomasz Kubalica - 2017 - In Dariusz Kubok (ed.), Thinking Critically: What Does It Mean?: The Tradition of Philosophical Criticism and its Forms in the European History of Ideas. De Gruyter. pp. 111-126.
  27. Review of Michel Chaouli, Thinking with Kant's Critique of Judgment. [REVIEW]Samantha Matherne - 2017 - Notre Dame Philosophical Reviews 5.
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  28. The Normativity of Nature: Essays on Kant's “Critique of Judgement.”. [REVIEW]Samantha Matherne - 2017 - Philosophical Review 126 (2):281-285.
  29. Art and Ethics in a Material World: Kant's Pragmatist Legacy. [REVIEW]Samantha Matherne - 2017 - Philosophical Quarterly 67 (266):189-192.
  30. Immediate Judgment and Non-Cognitive Ideas: The Pervasive and Persistent in the Misreading of Kant’s Aesthetic Formalism.Jennifer A. McMahon - 2017 - In Matthew Altman (ed.), Palgrave Kant Handbook. New York and Basingstoke: Palgrave Macmillan. pp. 425-446.
    The key concept in Kant’s aesthetics is “aesthetic reflective judgment,” a critique of which is found in Part 1 of the Critique of the Power of Judgment (1790). It is a critique inasmuch as Kant unravels previous assumptions regarding aesthetic perception. For Kant, the comparative edge of a “judgment” implicates communicability, which in turn gives it a public face; yet “reflection” points to autonomy, and the “aesthetic” shifts the emphasis away from objective properties to the subjective response evoked by the (...)
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  31. What Was Kant’s Contribution to the Understanding of Biology?Idan Shimony - 2017 - Kant Yearbook 9 (1):159-178.
    Kant’s theory of biology in the Critique of the Power of Judgment may be rejected as obsolete and attacked from two opposite perspectives. In light of recent advances in biology one can claim contra Kant, on the one hand, that biological phenomena, which Kant held could only be explicated with the help of teleological principles, can in fact be explained in an entirely mechanical manner, or on the other, that despite the irreducibility of biology to physico-mechanical explanations, it is nonetheless (...)
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  32. Freedom of Speech, Freedom of Self-Expression, and Kant’s Public Use of Reason.Geert Van Eekert - 2017 - Diametros 54:118-137.
    This article turns to early modern and Enlightenment advocates of tolerance in order to discover and lay bare the line of argument that informed their commitment to free speech. This line of argument will subsequently be used to assess the shift from free speech to the contemporary ideal of free self-expression. In order to take this assessment one step further, this article will finally turn to Immanuel Kant’s famous defense of the public use of reason. In the wake of Katerina (...)
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  33. Kant on God’s Intuitive Understanding: Interpreting CJ §76’s Modal Claims.Reed Winegar - 2017 - Kantian Review 22 (2):305-329.
    In §76 of the 3rd Critique, Kant claims that an intuitive understanding would represent no distinction between possible and actual things. Prior interpretations of §76 take Kant to claim that an intuitive understanding would produce things merely in virtue of thinking about them and, thus, could not think of merely possible things. In contrast, I argue that §76’s modal claims hinge on Kant’s suggestion that God represents things in their thoroughgoing determination, including in their connection to God’s actual will. I (...)
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  34. Normativity and Purposiveness.Angela Breitenbach - 2016 - British Journal of Aesthetics 56 (4):405-408.
    First, I raise two objections against Ginsborg’s interpretation of natural teleology. I argue that Ginsborg’s notion of primitive normativity is too thin to account for Kant’s more substantive conception of the organism. Furthermore, I question whether Kant has room for a notion of purposiveness that is entirely divorced from intentional activity. Second, I ask about the implications of Ginsborg’s account of the relationship between aesthetic judgement and cognition. I suggest that her reading can easily be extended to allow for aesthetic (...)
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  35. Causation in Reflective Judgment.Michael Kurak - 2016 - Kant Studies Online (1):12-41.
    The existing body of scholarship on Kant’s Critique of Judgment is rife with disagreement. At the centre of much of this disagreement is the issue of precisely what Kant understands to be taking place in a harmonization of the cognitive faculties. Is aesthetic reflective judgment to be identified with, or separated from, this harmonious state of the faculties of imagination and understanding? If aesthetic judgment is identified with this state, as is argued herein, then upon what is a judgment of (...)
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  36. Disinterest and Truth: On Heidegger’s Interpretation of Kant’s Aesthetics.Ingvild Torsen - 2016 - British Journal of Aesthetics 56 (1):15-32.
    In this article, I aim to interpret and contextualize Heidegger’s short interpretation of Kant’s Critique of the Power of Judgement. I provide a more accurate picture of Heidegger’s interpretation of Kant, showing that his reading is both appreciative and original, if speculative. I argue that Heidegger’s analysis of Kant’s aesthetics is surprisingly at odds with his general characterization and criticism of modern aesthetics. The latter can be captured by two basic theses—art is determined by a subject’s experience and art reveals (...)
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  37. Beauty in Proofs: Kant on Aesthetics in Mathematics.Angela Breitenbach - 2015 - European Journal of Philosophy 23 (4):955-977.
    It is a common thought that mathematics can be not only true but also beautiful, and many of the greatest mathematicians have attached central importance to the aesthetic merit of their theorems, proofs and theories. But how, exactly, should we conceive of the character of beauty in mathematics? In this paper I suggest that Kant's philosophy provides the resources for a compelling answer to this question. Focusing on §62 of the ‘Critique of Aesthetic Judgment’, I argue against the common view (...)
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  38. “The Place of the Sublime in Kant’s Project”.Robert Clewis - 2015 - Studi Kantiani 28:149-68.
    I emphasize the harmony between the sublime and the underlying concept of the purposiveness of nature, i.e. that the sublime is purposive through its initial contrapurposiveness. One favorable outcome of this reading is that it locates further unity in the Critique of Judgment, e.g. it helps make sense of why, besides historical reasons, Kant may have turned to the sublime in the first place in the “Critique of the Aesthetic Power of Judgment” (Part One of the CJ). I question some (...)
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  39. Jan Völker: Ästhetik der Lebendigkeit. Kants dritte Kritik.Thomas Hanke - 2015 - Kant-Studien 106 (4):709-713.
    Name der Zeitschrift: Kant-Studien Jahrgang: 106 Heft: 4 Seiten: 709-713.
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  40. Cognitive Function of Beauty and Ugliness in Light of Kant’s Theory of Aesthetic Ideas.Mojca Küplen - 2015 - In Andras Benedek and Kristof Nyiri (ed.), Beyond Words: Pictures, Parables, Paradoxes (Series Visual Leaning, vol. 5). Peter Lang Publisher. pp. 209-216.
  41. Love for Natural Beauty as a Mark of a Good Soul: Kant on the Relation Between Aesthetics and Morality.Mojca Küplen - 2015 - In Ferenc Horcher (ed.), Is a Universal Morality possible? L’Harmattan Publishing. pp. 115-127.
    Ralph Waldo Emerson once wrote: “In the tranquil landscape, and especially in the distant line of the horizon, man beholds somewhat as beautiful as his own nature” (2003. 39). Th e poet captures nicely an idea, dominant in the contemporary environmental aesthetics, namely, that aesthetic appreciation of nature is intimately connected with the moral nature within us. Many of us have experienced when in contact with nature that its beauty moves us in a way that goes deeper than its initial (...)
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  42. Kant's Critique of Baumgarten's Aesthetics.J. Colin McQuillan - 2015 - Idealistic Studies 45 (1).
    This article considers three objections Immanuel Kant raises against Alexander Baumgarten’s plan for a science of aesthetics at different points in his career. Although Kant’s objections appear to be contradictory, this article argues that the contradiction is the result of an anachronism in the composition of Kant’s Logic. When the contradiction is resolved, it becomes apparent that Kant’s main reason for rejecting Baumgarten’s aesthetics during the pre-critical period—the lack of a priori principles for a critique of taste—loses its force after (...)
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  43. Sensibility and Organic Unity: Kant, Goethe, and the Plasticity of Cognition.Dalia Nassar - 2015 - Intellectual History Review 25 (3):311-326.
    In this paper, I trace a ‘leading thread’ from Kant’s Critique of Judgment to Goethe that involves a shift from a conceptual framework, in which a priori concepts furnish necessity and thereby science, to a framework in which sensible experience plays a far more significant and determining role in the formation of knowledge. Although this shift was not enacted by Kant himself, his elaboration of organic unity or organisms paved the way for this transformation. By considering both the methodological difficulties (...)
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  44. The Normativity of Nature: Essays on Kant's Critique of Judgment.Hannah Ginsborg - 2014 - Oxford University Press.
    Hannah Ginsborg presents fourteen essays which establish Kant's Critique of Judgment as a central contribution to the understanding of human cognition. The papers bring out the significance of Kant's philosophical notion of judgment, and use it to address interpretive issues in Kant's aesthetics, theory of knowledge, and philosophy of biology.
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  45. Kant on Intentionality, Magnitude, and the Unity of Perception.Sacha Golob - 2014 - European Journal of Philosophy 22 (4):505-528.
    This paper addresses a number of closely related questions concerning Kant's model of intentionality, and his conceptions of unity and of magnitude [Gröβe]. These questions are important because they shed light on three issues which are central to the Critical system, and which connect directly to the recent analytic literature on perception: the issues are conceptualism, the status of the imagination, and perceptual atomism. In Section 1, I provide a sketch of the exegetical and philosophical problems raised by Kant's views (...)
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  46. Is the Categorical Imperative the Highest Principle of Both Pure Practical and Theoretical Reason?Heiner F. Klemme - 2014 - Kantian Review 19 (1):119-126.
    In her new book, Patricia Kitcher supports Onora O'Neill's view that the categorical imperative is the highest principle of both practical and theoretical reason. I claim that neither O'Neill's original interpretation nor Kitcher's additional evidence in favour of it are convincing. At its core, this misconception of Kant's position consists in the identification of self-referential critique of reason with the concept of autonomy. It will be shown that the (Kant) of both practical and theoretical reason is not the categorical imperative, (...)
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  47. Mikä olikaan Arvostelukyvyn kritiikin aihe?Hemmo Laiho - 2014 - Ajatus 71:11-39.
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  48. Kant and the Art of Schematism.Samantha Matherne - 2014 - Kantian Review 19 (2):181-205.
    In the Critique of Pure Reason, Kant describes schematism as a (A141/B180–1). While most commentators treat this as Kant's metaphorical way of saying schematism is something too obscure to explain, I argue that we should follow up Kant's clue and treat schematism literally as Kunst. By letting our interpretation of schematism be guided by Kant's theoretically exact ways of using the term Kunst in the Critique of Judgment we gain valuable insight into the nature of schematism, as well as its (...)
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  49. Transcendental Presuppositions and Ideas of Reason.Peter McLaughlin - 2014 - Kant-Studien 105 (4):554-572.
    Name der Zeitschrift: Kant-Studien Jahrgang: 105 Heft: 4 Seiten: 554-572.
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  50. Zu Eckart Försters Die 25 Jahre der Philosophie. Eine systematische Rekonstruktion. [REVIEW]Reinhard Brandt - 2013 - Kant-Studien 104 (3):367-385.
    : Although Eckart Förster’s work contains many advanced scholarly accounts, it also has weaknesses. As Förster’s central attempt to make Goethe a Spinozan unfortunately ended in failure, we must recur to previous research. The same holds for several of the interpretations of Kant.
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