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  1. Kant on the Human Standpoint.Béatrice Longuenesse - 2005 - Cambridge University Press.
    In this collection of essays Béatrice Longuenesse considers the three aspects of Kant's philosophy, his epistemology and metaphysics of nature, his moral philosophy and his aesthetic theory, under one unifying standpoint: Kant's conception of our capacity to form judgements. She argues that the elements which make up our cognitive access to the world - what Kant calls the 'human point of view' - have an equally important role to play in our moral evaluations and our aesthetic judgements. Her discussion ranges (...)
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  2. The Bloomsbury Companion to Kant.Dennis Schulting (ed.) - 2015 - Bloomsbury Academic.
  3. Biological Roots of Kant’s Concept of Culture.Igor Eterovic - 2013 - In Margit Ruffing, Claudio La Rocca, Alfredo Ferrarin & Stefano Bacin (eds.), Kant Und Die Philosophie in Weltbürgerlicher Absicht: Akten des Xi. Kant-Kongresses 2010. De Gruyter. pp. 389-402.
  4. Connecting Nature and Freedom in Kant's Third Critique.Thomas Donaldson - unknown
  5. Dieter Henrich, Aesthetic Judgment and the Moral Image of the World. [REVIEW]Gordon Brittan Jr - 1995 - Philosophy in Review 15 (1):44-46.
  6. The Pleasures of Goodness: Peircean Aesthetics in Light of Kant's Critique of the Power of Judgment: Os Prazeres Do Bem: A Estética Peirciana À Luz da Crítica da Faculdade Do Juízo de Kant.Richard Atkins - 2008 - Cognitio 9 (1).
  7. An Introduction to Kant's Critique of Judgement.Douglas Burnham - 2000
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  8. Kant’s Concept of the Technique of Nature in the Critique of the Power of Judgment: Série 2.Silvia de Bianchi - 2011 - Kant E-Prints 6:12-28.
    a relação entre razão e natureza envolve um dos principais aspectos da crítica da teleologia de Kant. Visando destacar esta relação, investigarei o conceito de técnica da natureza, tal como introduzida na Crítica da faculdade de julgar. De acordo com Kant, a técnica da natureza permite as leis da razão a representarem o acordo dos princípios transcendentais da razão com a natureza. Deste modo, o conceito da técnica da natureza assume um papel prolífico ao expor, através de uma analogia com (...)
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  9. Kant's Kritik of Judgment.J. H. Bernard - 1893 - Philosophical Review 2 (1):79-81.
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  10. Susan Meld Shell and Richard Velkley , Kant’s Observations and Remarks: A Critical Guide . Reviewed By.Michael Deckard - 2014 - Philosophy in Review 34 (5):268-271.
  11. Kant and the Ends of Criticism.Gary Banham - 2003 - In John J. Joughin & Simon Malpas (eds.), The New Aestheticism. Manchester University Press.
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  12. Fichte's First Reading of Kant's' Kritik der Urteilskraft'as Seen in Some Twentieth Century Studies.F. Fabbianelli - 1996 - Giornale Critico Della Filosofia Italiana 16 (2):266-280.
  13. "Deconstruction as Critique of Ideology: Paul de Man's Reading of" The Critique of Judgement".Sonia Arribas - 2006 - Contrastes: Revista Internacional de Filosofía 11:29-44.
  14. Kant's Aesthetics: A New Perspective.Gernot Böhme - 1995 - Thesis Eleven 43 (1):100-119.
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  15. Kant and the Claims of Taste. By Paul Guyer.James Collins - 1979 - Modern Schoolman 57 (1):74-75.
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  16. L. W. Beck’s Proposal of Meta-Critique and the “Critique of Judgment”.George J. Agich - 1983 - Kant-Studien 74 (3):261-270.
  17. Der Begriff der Zufälligkeit in der Kritik der Urteilskraft.Ingrid Bauer-Drevermann - 1965 - Kant-Studien 56 (3-4):497-504.
  18. Die logischen formen praktischer sätze in kants ethik.Günther Patzig - 1965 - Kant-Studien 56 (3-4):237-252.
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  19. Zustand Und Zukunft der Akademie-Ausgabe von Kants Gesammelten Schriften.Thomas Sturm - 1999 - Kant-Studien 90 (1):100-106.
    The article reports discussions at an international conference of leading Kant scholars held at the University of Marburg (Germany) in 1998. The conference was concerned with both the current state and the need for revisions of the Academy edition of Kant's Gesammelte Schriften as well. As became clear, a complete revision is necessary in the case of Vols. XX-XXIV and XXVII-XXIX, since these can hardly be used for research. Improvements of various extent and content should be attempted in other volumes (...)
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  20. Manfred Kuehn: Kant - A Biography. [REVIEW]Thomas Sturm - 2004 - Philosophical Quarterly 54 (216):476-479.
    Review of Manfred Kuehn's outstanding biography on Immanuel Kant. A critical point I raise concerns Kuehn's discussion of Kant's relation to Hume. Scholars are divided over the questions of (a) whether Hume was an actual inspiration for Kant’s Critical philosophy, (b) whether Kant’s defense really addresses Hume’s problem of causality, and, of course, (c) whether Kant’s arguments provide a satisfactory solution to the problem. Sometimes these questions are not clearly distinguished by interpreters, part of the reason Kant scholarship appears so (...)
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  21. Law and Peace in Kant’s Philosophy / Recht Und Frieden in der Philosophie Kants.Kant-Gesellschaft E. V. Walter de Gruyter (ed.) - 2008
  22. The Significance of §§76 and 77 Of the Critique of Judgment for the Development of Post-Kantian Philosophy (Part 2).Matthew Congdon - 2010 - Graduate Faculty Philosophy Journal 31 (2):323-347.
  23. China, Nature, and the Sublime in Kant.Eric S. Nelson - 2010 - In Stephen R. Palmquist (ed.), Cultivating Personhood: Kant and Asian Philosophy. Walter de Gruyter. pp. 333--348.
  24. Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part 1: Natural Beauty.M. Budd - 1998 - British Journal of Aesthetics 38 (1):1-18.
  25. Musik und Zeit bei Kant.Susanne Herrmann-Sinai - 2009 - Kant-Studien 100 (4):427-453.
    There are two ways of dealing with Kant's derogatory position on music. Either it is claimed that Kant's opinion is a result of biographical factors, or Kant is regarded as a mere predecessor of a more successful music aesthetics. While the first way mistakes Kant's personal preferences for a philosophical argument about the nature of sound, the second approach underestimates the close connection between his music aesthetics and his whole philosophical system. Against these approaches the article defends the proposition that (...)
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  26. Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part II: Natural Beauty and Morality.Malcolm Budd - 1998 - British Journal of Aesthetics 38 (2):117-126.
  27. Two Cheers for Post-Kantianism: A Response to Karl Ameriks.Daniel Breazeale - 2003 - Inquiry: An Interdisciplinary Journal of Philosophy 46 (2):239 – 259.
    Karl Ameriks has recently devoted an entire volume to defending what he calls "orthodox" Kantianism against what he judges to be the "errors" of such post-Kantian idealists as K. L. Reinhold and J. G. Fichte and to exposing what he claims is the frequently unnoticed but always deleterious influence of post-Kantianism upon certain prominent strands of contemporary philosophy. In response, this paper challenges Ameriks' interpretation of Kantianism itself and of the "post-Kantian project", as well as his construal of transcendental idealism. (...)
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  28. Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part I: Natural Beauty.Malcolm Budd - 1998 - British Journal of Aesthetics 38 (1):1-18.
  29. The Aesthetic Appreciation of Nature: Essays on the Aesthetics of Nature.Malcolm Budd - 2002 - Oxford University Press.
    The aesthetics of nature has over the last few decades become an intense focus of philosophical reflection, as it has been ever more widely recognised that it is not a mere appendage to the aesthetics of art. Everyone delights in the beauty of flowers, and some are thrilled by the immensity of mountains or of the night sky. But what is involved in serious aesthetic appreciation of the natural world? Malcolm Budd presents four interlinked studies in the aesthetics of nature, (...)
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  30. The Kantian Sublime: From Morality to Art.Paul Crowther - 1989 - Oxford University Press.
    With this, the first volume in the Oxford Philosophical Monographs series, Paul Crowther breaks new ground by providing what is probably the first study in any language to be devoted exclusively to Kant's theory of the sublime. It fills a gap in an area of scholarship where Kant makes crucial links between morality and aesthetics and will be particularly useful for Continental philosophers, among whom the Kantian sublime is currently receiving widespread discussion in debates about the nature of postmodernism. Crowther's (...)
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  31. Review of Angelica Nuzzo, Kant and the Unity of Reason[REVIEW]Cinzia Ferrini - 2006 - Notre Dame Philosophical Reviews 2006 (1).
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  32. The Organism as the Judgment of God: Aristotle, Kant and Deleuze on Nature (That is, on Biology, Theology and Politics).John Protevi - manuscript
    God has been called many things, but perhaps nothing so strange as the name of “lobster” which he receives in A Thousand Plateaus.1 Is this simple profanation a pendant to the gleeful anti-clericalism of Deleuze2, for whom there is no insult so wretched as that of “priest”?3 Certainly, on one level. But it is also a clue to Deleuze’s ability to use a traditional concern of theology, the name of God, to intervene in the most basic questions of Western philosophy, (...)
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  33. Beautiful Surfaces: Kant on Free and Adherent Beauty in Nature and Art.Alexander Rueger - 2008 - British Journal for the History of Philosophy 16 (3):535 – 557.
  34. Kant and the Aesthetics of Nature.Alexander Rueger - 2007 - British Journal of Aesthetics 47 (2):138-155.
    I try to identify the characteristic and distinguishing features of a theory of natural beauty (as opposed to the sublime) that can be found in Kant's Critique of Judgement. Lest this may seem superfluous, I argue first that, contrary to a common view, Kant's theory does not take the experience of beauty in nature as theoretically basic and that he does not deal with beauty in art only as a derivative case of aesthetic experience. I then try to understand what (...)
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Kant: Critique of the Power of Judgment
  1. Discussion Topics in the History of the Development of Immanuel Kant’s Third «Critique».Vitali Terletsky - 2018 - Sententiae 37 (2):49-61.
    This paper deals with the so-called “external history” of the origin of Critique of the power of judgment that is based primarily on the philosopher’s correspondence in the period between May 1787 and October 1789. Two letters from Kant to Reinhold (28.12.1787 and 12.05.1789) as well as modifications in the interpretation of the term “aesthetics” in the first Critique (KrVA 22, B 35-36) are crucial for the evolution of the project Critique of Taste in the book Critique of the Power (...)
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  2. Kant on the Peculiarity of the Human Understanding and the Antinomy of the Teleological Power of Judgment.Idan Shimony - 2018 - In Violetta L. Waibel, Margit Ruffing & David Wagner (eds.), Natur und Freiheit: Akten des XII. Internationalen Kant-Kongresses. Berlin, Germany: De Gruyter. pp. 1677–1684.
    Kant argues in the Critique of the Teleological Power of Judgment that the first stage in resolving the problem of teleology is conceiving it correctly. He explains that the conflict between mechanism and teleology, properly conceived, is an antinomy of the power of judgment in its reflective use regarding regulative maxims, and not an antinomy of the power of judgment in its determining use regarding constitutive principles. The matter in hand does not concern objective propositions regarding the possibility of objects (...)
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  3. Hegel’s “Idea of Life” and Internal Purposiveness.Daniel Lindquist - 2018 - Hopos: The Journal of the International Society for the History of Philosophy of Science 8 (2):376-408.
    The first part of the final section of Hegel's Science of Logic, the section on "The Idea", is titled "Life". Logic being the science of thought for Hegel, this section presents Hegel's account of the form of thought peculiar to thinking about living beings as living. Hegel's full account of this form of thought holds that a living being is (1) a functionally organized totality of members (2) that maintains itself in and through its environment (3) in the manner of (...)
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  4. Revisiting Kant’s Deduction of Taste.Ryan S. Kemp - forthcoming - History of Philosophy Quarterly.
  5. Why Didn’T Kant Think Highly of Music?Emine Hande Tuna - forthcoming - In Violetta Waibel & Margit Ruffing (eds.), Natur und Freiheit: Akten des XII. Internationalen Kant-Kongresses 2015. Berlin, Germany: De Gruyter.
    In this paper, in answering the question why Kant didn’t think very highly of music, I argue that for Kant (i) music unlike other art forms, lends itself more easily to combination judgments involving judgments of sense, which increases the propensity to make aesthetic mistakes and is ill-suited as an activity for improving one’s taste; (ii) music expresses aesthetic ideas and presents rational ideas only by taking advantage of existing associations while other art forms do so by breaking with the (...)
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  6. Niebo gwiaździste nad Królewcem a prawo moralne. Dyskusja Gadamera z estetyką Kanta wokół kwestii doświadczenia piękna i jego odniesienia do etyki.Paweł Dybel - 2018 - Diametros 55:112-131.
    In the article, I engage with H.G.Gadamer’s reading of Kant’s aesthetic theory. Gadamer accused Kant of subjectivizing the aesthetic experience so that it would be reduced to the free play of the cognitive faculties of the subject. Consequently, the ethical dimension of aesthetic experience that played such an important role in the preceding tradition of European humanism has been lost. Yet, this charge of Gadamer is not quite right. The connection between the experience of beauty and ethics has been maintained (...)
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  7. Review of Michel Chaouli, Thinking with Kant's Critique of Judgment. [REVIEW]Samantha Matherne - 2017 - Notre Dame Philosophical Reviews 5.
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  8. Pleasure and Purpose in Kant’s Theory of Taste.Alexander Rueger - 2018 - Kant-Studien 109 (1):101-123.
    In the Critique of Judgment Kant repeatedly points out that it is only the pleasure of taste that reveals to us the need to introduce a third faculty of the mind with its own a priori principle. In order to elucidate this claim I discuss two general principles about pleasure that Kant presents, the transcendental definition of pleasure from § 10 and the principle from the Introduction that connects pleasure with the achievement of an aim. Precursors of these principles had (...)
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  9. Immediate Judgment and Non-Cognitive Ideas: The Pervasive and Persistent in the Misreading of Kant’s Aesthetic Formalism.Jennifer A. McMahon - 2017 - In Matthew Altman (ed.), Palgrave Kant Handbook. New York and Basingstoke: Palgrave Macmillan. pp. 425-446.
    The key concept in Kant’s aesthetics is “aesthetic reflective judgment,” a critique of which is found in Part 1 of the Critique of the Power of Judgment (1790). It is a critique inasmuch as Kant unravels previous assumptions regarding aesthetic perception. For Kant, the comparative edge of a “judgment” implicates communicability, which in turn gives it a public face; yet “reflection” points to autonomy, and the “aesthetic” shifts the emphasis away from objective properties to the subjective response evoked by the (...)
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  10. The Sublime.Melissa McBay Merritt - 2018 - New York: Cambridge University Press.
    This Element considers Kant's account of the sublime in the context of his predecessors both in the Anglophone and German rationalist traditions. Since Kant says with evident endorsement that 'we call sublime that which is absolutely great' and nothing in nature can in fact be absolutely great, Kant concludes that strictly speaking what is sublime can only be the human calling to perfect our rational capacity according to the standard of virtue that is thought through the moral law. The Element (...)
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  11. One Act or Two? Hannah Ginsborg on Aesthetic Judgement.Paul Guyer - 2017 - British Journal of Aesthetics 57 (4):407-419.
    Hannah Ginsborg rejects my ‘two-acts’ interpretation of Kant’s conception of aesthetic judgement as untrue to Kant’s text and as philosophically problematic, especially because it entails that every object must be experienced as beautiful. I reject her criticisms, and argue that it is her own ‘one-act’ interpretation that is liable to these criticisms. But I also suggest that her emphasis on Kant’s ‘transcendental explanation’ of pleasure as a self-maintaining mental state suggests an alternative to the common view that pleasure is a (...)
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  12. The Origins of the Transcendental Justification of Taste: Kant’s Several Views on the Status of Beauty.Esther Pedersen - 2018 - Nordic Journal of Aesthetics 26 (54).
    The article follows Kant’s different views on aesthetics ranging from the pre-critical period to the Critique of the Power of Judgement. It argues that John Zammito’s psychological explanation of why Kant in the third Critique developed an argument for the transcendental justification of judgements of taste is unconvincing. As an alternative, the article shows how Kant in his published pre-critical discussions of aesthetics was relying upon empiricist sources while he in private comments turned to consider the culture critique of Rousseau. (...)
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  13. Freedom of Speech, Freedom of Self-Expression, and Kant’s Public Use of Reason.Geert Van Eekert - 2017 - Diametros 54:118-137.
    This article turns to early modern and Enlightenment advocates of tolerance in order to discover and lay bare the line of argument that informed their commitment to free speech. This line of argument will subsequently be used to assess the shift from free speech to the contemporary ideal of free self-expression. In order to take this assessment one step further, this article will finally turn to Immanuel Kant’s famous defense of the public use of reason. In the wake of Katerina (...)
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  14. Kant’s Critique of Religion: Epistemic Sources of Secularism.Sorin Baiasu - 2017 - Diametros 54:7-29.
    The secular interpretation of Kant is widespread and Kant is viewed as the most prestigious founding father of liberal secularism. At the same time, however, commentators note that Kant’s position on secularism is in fact much more complex, and some go as far as to talk about an ambiguous secularism in his work. This paper defends a refined version of the secular interpretation. According to this refined version, Kant can offer a limited, political secularism on the basis of a simple (...)
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  15. What Was Kant’s Contribution to the Understanding of Biology?Idan Shimony - 2017 - Kant Yearbook 9 (1):159-178.
    Kant’s theory of biology in the Critique of the Power of Judgment may be rejected as obsolete and attacked from two opposite perspectives. In light of recent advances in biology one can claim contra Kant, on the one hand, that biological phenomena, which Kant held could only be explicated with the help of teleological principles, can in fact be explained in an entirely mechanical manner, or on the other, that despite the irreducibility of biology to physico-mechanical explanations, it is nonetheless (...)
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  16. The Old and New Critique of Pure Reason Based on Immanuel Kant and Jakob Friedrich Fries.Tomasz Kubalica - 2017 - In Dariusz Kubok (ed.), Thinking Critically: What Does It Mean?: The Tradition of Philosophical Criticism and its Forms in the European History of Ideas. De Gruyter. pp. 111-126.
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