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  1. The Significance of §§76 and 77 Of the Critique of Judgment for the Development of Post-Kantian Philosophy.Eckhart Förster, Karen Ng & Matthew Congdon - 2010 - Graduate Faculty Philosophy Journal 31 (2):323-347.
  2. Kant on the Human Standpoint.Béatrice Longuenesse - 2005 - Cambridge University Press.
    In this collection of essays Béatrice Longuenesse considers the three aspects of Kant's philosophy, his epistemology and metaphysics of nature, his moral philosophy and his aesthetic theory, under one unifying standpoint: Kant's conception of our capacity to form judgements. She argues that the elements which make up our cognitive access to the world - what Kant calls the 'human point of view' - have an equally important role to play in our moral evaluations and our aesthetic judgements. Her discussion ranges (...)
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  3. The Bloomsbury Companion to Kant.Dennis Schulting (ed.) - 2015 - Bloomsbury Academic.
  4. Biological Roots of Kant’s Concept of Culture.Igor Eterovic - 2013 - In Margit Ruffing, Claudio La Rocca, Alfredo Ferrarin & Stefano Bacin (eds.), Kant Und Die Philosophie in Weltbürgerlicher Absicht: Akten des Xi. Kant-Kongresses 2010. De Gruyter. pp. 389-402.
  5. Connecting Nature and Freedom in Kant's Third Critique.Thomas Donaldson - unknown
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  6. Dieter Henrich, Aesthetic Judgment and the Moral Image of the World. [REVIEW]Gordon Brittan Jr - 1995 - Philosophy in Review 15 (1):44-46.
  7. The Pleasures of Goodness: Peircean Aesthetics in Light of Kant's Critique of the Power of Judgment: Os Prazeres Do Bem: A Estética Peirciana À Luz da Crítica da Faculdade Do Juízo de Kant.Richard Atkins - 2008 - Cognitio 9 (1).
  8. An Introduction to Kant's Critique of Judgement.Douglas Burnham - 2000
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  9. Kant’s Concept of the Technique of Nature in the Critique of the Power of Judgment: Série 2.Silvia de Bianchi - 2011 - Kant E-Prints 6:12-28.
    a relação entre razão e natureza envolve um dos principais aspectos da crítica da teleologia de Kant. Visando destacar esta relação, investigarei o conceito de técnica da natureza, tal como introduzida na Crítica da faculdade de julgar. De acordo com Kant, a técnica da natureza permite as leis da razão a representarem o acordo dos princípios transcendentais da razão com a natureza. Deste modo, o conceito da técnica da natureza assume um papel prolífico ao expor, através de uma analogia com (...)
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  10. Kant's Kritik of Judgment.J. E. Creighton - 1893 - Philosophical Review 2 (1):79-81.
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  11. Susan Meld Shell and Richard Velkley , Kant’s Observations and Remarks: A Critical Guide . Reviewed By.Michael Deckard - 2014 - Philosophy in Review 34 (5):268-271.
  12. Kant and the Ends of Criticism.Gary Banham - 2003 - In John J. Joughin & Simon Malpas (eds.), The New Aestheticism. Manchester University Press.
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  13. Fichte's First Reading of Kant's' Kritik der Urteilskraft'as Seen in Some Twentieth Century Studies.F. Fabbianelli - 1996 - Giornale Critico Della Filosofia Italiana 16 (2):266-280.
  14. "Deconstruction as Critique of Ideology: Paul de Man's Reading of" The Critique of Judgement".Sonia Arribas - 2006 - Contrastes: Revista Internacional de Filosofía 11:29-44.
  15. Kant's Aesthetics: A New Perspective.Gernot Böhme - 1995 - Thesis Eleven 43 (1):100-119.
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  16. Kant and the Claims of Taste. By Paul Guyer.James Collins - 1979 - Modern Schoolman 57 (1):74-75.
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  17. L. W. Beck’s Proposal of Meta-Critique and the “Critique of Judgment”.George J. Agich - 1983 - Kant-Studien 74 (3):261-270.
  18. Der Begriff der Zufälligkeit in der Kritik der Urteilskraft.Ingrid Bauer-Drevermann - 1965 - Kant-Studien 56 (3-4):497-504.
  19. Die logischen formen praktischer sätze in kants ethik.Günther Patzig - 1965 - Kant-Studien 56 (3-4):237-252.
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  20. Zustand Und Zukunft der Akademie-Ausgabe von Kants Gesammelten Schriften.Thomas Sturm - 1999 - Kant-Studien 90 (1):100-106.
    The article reports discussions at an international conference of leading Kant scholars held at the University of Marburg (Germany) in 1998. The conference was concerned with both the current state and the need for revisions of the Academy edition of Kant's Gesammelte Schriften as well. As became clear, a complete revision is necessary in the case of Vols. XX-XXIV and XXVII-XXIX, since these can hardly be used for research. Improvements of various extent and content should be attempted in other volumes (...)
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  21. Manfred Kuehn: Kant - A Biography. [REVIEW]Thomas Sturm - 2004 - Philosophical Quarterly 54 (216):476-479.
    Review of Manfred Kuehn's outstanding biography on Immanuel Kant. A critical point I raise concerns Kuehn's discussion of Kant's relation to Hume. Scholars are divided over the questions of (a) whether Hume was an actual inspiration for Kant’s Critical philosophy, (b) whether Kant’s defense really addresses Hume’s problem of causality, and, of course, (c) whether Kant’s arguments provide a satisfactory solution to the problem. Sometimes these questions are not clearly distinguished by interpreters, part of the reason Kant scholarship appears so (...)
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  22. Law and Peace in Kant’s Philosophy / Recht Und Frieden in der Philosophie Kants.Kant-Gesellschaft E. V. Walter de Gruyter (ed.) - 2008
  23. China, Nature, and the Sublime in Kant.Eric S. Nelson - 2010 - In Stephen R. Palmquist (ed.), Cultivating Personhood: Kant and Asian Philosophy. Walter de Gruyter. pp. 333--348.
  24. Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part 1: Natural Beauty.M. Budd - 1998 - British Journal of Aesthetics 38 (1):1-18.
  25. Musik und Zeit bei Kant.Susanne Herrmann-Sinai - 2009 - Kant-Studien 100 (4):427-453.
    There are two ways of dealing with Kant's derogatory position on music. Either it is claimed that Kant's opinion is a result of biographical factors, or Kant is regarded as a mere predecessor of a more successful music aesthetics. While the first way mistakes Kant's personal preferences for a philosophical argument about the nature of sound, the second approach underestimates the close connection between his music aesthetics and his whole philosophical system. Against these approaches the article defends the proposition that (...)
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  26. Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part II: Natural Beauty and Morality.Malcolm Budd - 1998 - British Journal of Aesthetics 38 (2):117-126.
  27. Two Cheers for Post-Kantianism: A Response to Karl Ameriks.Daniel Breazeale - 2003 - Inquiry: An Interdisciplinary Journal of Philosophy 46 (2):239 – 259.
    Karl Ameriks has recently devoted an entire volume to defending what he calls "orthodox" Kantianism against what he judges to be the "errors" of such post-Kantian idealists as K. L. Reinhold and J. G. Fichte and to exposing what he claims is the frequently unnoticed but always deleterious influence of post-Kantianism upon certain prominent strands of contemporary philosophy. In response, this paper challenges Ameriks' interpretation of Kantianism itself and of the "post-Kantian project", as well as his construal of transcendental idealism. (...)
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  28. Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part I: Natural Beauty.Malcolm Budd - 1998 - British Journal of Aesthetics 38 (1):1-18.
  29. The Aesthetic Appreciation of Nature: Essays on the Aesthetics of Nature.Malcolm Budd - 2002 - Oxford University Press.
    The aesthetics of nature has over the last few decades become an intense focus of philosophical reflection, as it has been ever more widely recognised that it is not a mere appendage to the aesthetics of art. Everyone delights in the beauty of flowers, and some are thrilled by the immensity of mountains or of the night sky. But what is involved in serious aesthetic appreciation of the natural world? Malcolm Budd presents four interlinked studies in the aesthetics of nature, (...)
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  30. The Kantian Sublime: From Morality to Art.Paul Crowther - 1989 - Oxford University Press.
    With this, the first volume in the Oxford Philosophical Monographs series, Paul Crowther breaks new ground by providing what is probably the first study in any language to be devoted exclusively to Kant's theory of the sublime. It fills a gap in an area of scholarship where Kant makes crucial links between morality and aesthetics and will be particularly useful for Continental philosophers, among whom the Kantian sublime is currently receiving widespread discussion in debates about the nature of postmodernism. Crowther's (...)
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  31. Review of Angelica Nuzzo, Kant and the Unity of Reason[REVIEW]Cinzia Ferrini - 2006 - Notre Dame Philosophical Reviews 2006 (1).
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  32. The Organism as the Judgment of God: Aristotle, Kant and Deleuze on Nature (That is, on Biology, Theology and Politics).John Protevi - manuscript
    God has been called many things, but perhaps nothing so strange as the name of “lobster” which he receives in A Thousand Plateaus.1 Is this simple profanation a pendant to the gleeful anti-clericalism of Deleuze2, for whom there is no insult so wretched as that of “priest”?3 Certainly, on one level. But it is also a clue to Deleuze’s ability to use a traditional concern of theology, the name of God, to intervene in the most basic questions of Western philosophy, (...)
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  33. Beautiful Surfaces: Kant on Free and Adherent Beauty in Nature and Art.Alexander Rueger - 2008 - British Journal for the History of Philosophy 16 (3):535 – 557.
  34. Kant and the Aesthetics of Nature.Alexander Rueger - 2007 - British Journal of Aesthetics 47 (2):138-155.
    I try to identify the characteristic and distinguishing features of a theory of natural beauty (as opposed to the sublime) that can be found in Kant's Critique of Judgement. Lest this may seem superfluous, I argue first that, contrary to a common view, Kant's theory does not take the experience of beauty in nature as theoretically basic and that he does not deal with beauty in art only as a derivative case of aesthetic experience. I then try to understand what (...)
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Kant: Critique of the Power of Judgment
  1. Organismen und die Rationalität moralischen Handelns. Kants Biologie im Übergang zwischen Theorie und Praxis.Julius Alves - 2019 - Frankfurt am Main, Deutschland: Klostermann.
    Passt der Mensch als moralischer Akteur in die Welt? Während in früheren Ansätzen Kants nur der aus den Bedürfnissen der Praxis gespeiste Glaube blieb, hofft er in der "Kritik der Urteilskraft" zeigen zu können, dass sich die Überzeugung von einer moralkompatiblen Welt unabhängig rechtfertigen lässt – aus Ästhetik und Biologie. Der Autor liefert zunächst eine systematische Analyse von Kants Problemstellung: Was motiviert die Suche nach einem solchen Übergang zwischen Theorie und Praxis und was kommt als Lösung infrage? Dann schlägt er (...)
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  2. Kant and the Need for Orientational and Contextual Thinking: Applying Reflective Judgement to Aesthetics and to the Comprehension of Human Life.Rudolf A. Makkreel - 2021 - Kantian Review 26 (1):53-78.
    This essay explores the relation between worldly orientation and rational comprehension in Kant. Both require subjective grounds of differentiation that were eventually developed into a contextualizing principle for reflective judgement. This kind of judgement can proceed either inductively to find new universals or by analogy to symbolically link different objective spheres. I will argue that the basic orientational function of reflective judgement is to modally differentiate the formal horizonal contexts of field, territory, domain and habitat laid out in the Introduction (...)
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  3. The Relationship Between the Supersensible and the Noumenon in Kant’s Critique of Judgment.Joshua R. Brotherton - 2019 - Heythrop Journal.
  4. Aesthetic Normativity and the Acquisition of Empirical Concepts.Ido Geiger - 2020 - Con-Textos Kantianos 1 (12):71-104.
    In the Introduction to the Critique of the Power of Judgment, Kant claims that the Critique of Pure Reason accounted for the necessary conditions of experience and knowledge in general, but that it was not a complete transcendental account of the possibility of a particular empirical experience of objects and knowledge of empirical laws of nature. To fill this gap the third Critique puts forward, as an additional transcendental condition, the regulative principle of the purposiveness of nature. In this paper, (...)
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  5. Kant’s Aesthetic Theory: Key Issues. An Introduction by the Guest Editor of the Special Issue.João Lemos - 2020 - Con-Textos Kantianos 1 (12):43-51.
    This introduction presents an overview of the special issue of Con-Textos Kantianos devoted to Kant’s aesthetic theory. The articles in this issue have been organized into two sections: those written by keynote-authors, and those written in response to the general call for papers. Within each of these two sections, articles have been organized thematically, although the philosophical traditions that they engage with, as well as points of contact between articles, have also been considered. In the first section, keynote-authors address questions (...)
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  6. Affinity, Judgement, Things in Themselves.Alistair Welchman - 2000 - In Andrea Rehberg & Rachel Jones (eds.), The Matter of Critique: Readings in Kant's Philosophy. Manchester, UK: pp. 202-221.
    In this paper I offer a reading of the 1790 Introduction to the Critique of Judgement intended to show that the Critique of Judgement itself attempts to make good a serious deficit in the argumentation of the Critique of Pure Reason. In effect, the conditions outlined in the Critique of Pure Reason could be fulfilled without experience being constituted. There must therefore be additional conditions for the possibility of experience. And an account of these is to be found in the (...)
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  7. Review Of: Douglas Burnham’s An Introduction to Kant’s Critique of Judgement (Edinburgh: Edinburgh University Press, 2000). [REVIEW]Stephen R. Palmquist - 2005 - Kant-Studien 96 (2):255-257.
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  8. Thomas Hilgers, "Aesthetic Disinterestedness: Art, Experience, and the Self." Reviewed By. [REVIEW]Samantha Matherne - 2020 - Philosophy in Review 40 (2):53-55.
  9. Kant on Nonhuman Animals and God.Ina Goy - 2020 - In John Callanan & Lucy Allais (eds.), Kant and Animals. Oxford: Oxford University Press. pp. 89-104.
    This chapter examines Kant's account of the nature of nonhuman and human animals in the "Critique of the Power of Judgement". It discusses how Kant thought that a complete account of the forms of explanation commit one to belief in God. It concludes, firstly, that Kant's account implies an unhealthy anthropocentrism and an Enlightenment prejudice in the form of the overestimation of reason, and secondly, that the Kantian model of God lacks one of the main characteristics of the Christian conception (...)
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  10. The Error in the “Groundwork”: Kant’s Revision of the Imperatives and Prudence as Technical Ability.Stefano Bacin - 2019 - Studia Kantiana 17 (1):29-48.
    The paper examines Kant’s self-criticism to the account of hypothetical imperatives given in the "Groundwork for the Metaphysics of Morals". Following his corrections in the introductions to the third "Critique", the paper traces the consequences of that change in his later writings, specifically with regard to the status of prudence. I argue that the revision of the account of hypothetical imperatives leads to differentiate, and ultimately separate, two functions in prudence: the setting of ends through maxims, and the pragmatic rules (...)
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  11. The Immersion Method II (Logic & Malcolm X).Virgil W. Brower - 2012 - Inside Higher Ed, May 3.
  12. Kant on Aesthetic Autonomy and Common Sense.Samantha Matherne - 2019 - Philosophers' Imprint 19.
    Recently, Kant’s account of aesthetic autonomy has received attention from those interested in a range of issues in aesthetics, including the subjectivity of aesthetic judgment, quasi-realism, aesthetic testimony, and aesthetic normativity. Although these discussions have shed much light on the implications of Kant’s account of aesthetic autonomy, the phenomenon of aesthetic autonomy itself tends to be under-described. Commentators often focus on the negative aspect of this phenomenon, i.e., the sense in which an aesthetic judgment cannot be grounded on the testimony (...)
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  13. Self-Standing Beauty: Tracing Kant’s Views on Purpose-Based Beauty.Emine Hande Tuna - 2019 - Southwest Philosophy Review 35 (1):7-16.
    In his recent article, “Beauty and Utility in Kant’s Aesthetics: The Origins of Adherent Beauty,” Robert Clewis aims to offer a fresh perspective on Kant’s views on the relation between beauty and utility. While, admittedly, a fresh approach is hard to come by, given the extensive treatment of the topic, Clewis thinks that a study of its historical context and origins might give us the needed edge. The most interesting and novel aspect of Clewis’s discussion is his detailed treatment of (...)
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  14. Cognitive Interpretation of Kant’s Theory of Aesthetic Ideas.Mojca Kuplen - 2019 - Estetika 56 (12):48-64.
    The aim of my paper is to argue that Kant’s aesthetic ideas can help us to overcome cognitive limitations that we often experience in our attempts to articulate the meaning of abstract concepts. I claim that aesthetic ideas, as expressed in works of art, have a cognitive dimension in that they reveal the introspective, emotional, and affective aspects that appear to be central to the content of abstract phenomena.
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  15. Discussion Topics in the History of the Development of Immanuel Kant’s Third «Critique».Vitali Terletsky - 2018 - Sententiae 37 (2):49-61.
    This paper deals with the so-called “external history” of the origin of Critique of the power of judgment that is based primarily on the philosopher’s correspondence in the period between May 1787 and October 1789. Two letters from Kant to Reinhold (28.12.1787 and 12.05.1789) as well as modifications in the interpretation of the term “aesthetics” in the first Critique (KrVA 22, B 35-36) are crucial for the evolution of the project Critique of Taste in the book Critique of the Power (...)
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  16. Kant on the Peculiarity of the Human Understanding and the Antinomy of the Teleological Power of Judgment.Idan Shimony - 2018 - In Violetta L. Waibel, Margit Ruffing & David Wagner (eds.), Natur und Freiheit: Akten des XII. Internationalen Kant-Kongresses. Berlin, Germany: De Gruyter. pp. 1677–1684.
    Kant argues in the Critique of the Teleological Power of Judgment that the first stage in resolving the problem of teleology is conceiving it correctly. He explains that the conflict between mechanism and teleology, properly conceived, is an antinomy of the power of judgment in its reflective use regarding regulative maxims, and not an antinomy of the power of judgment in its determining use regarding constitutive principles. The matter in hand does not concern objective propositions regarding the possibility of objects (...)
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