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  1. George J. Agich (1983). L. W. Beck's Proposal of Meta-Critique and the “Critique of Judgment”. Kant-Studien 74 (3):261-270.
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  2. Sonia Arribas (2006). "Deconstruction as Critique of Ideology: Paul de Man's Reading of" The Critique of Judgement". Contrastes: Revista Internacional de Filosofía 11:29-44.
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  3. Richard Atkins (2008). The Pleasures of Goodness: Peircean Aesthetics in Light of Kant's Critique of the Power of Judgment: Os Prazeres Do Bem: A Estética Peirciana À Luz da Crítica da Faculdade Do Juízo de Kant. Cognitio 9 (1).
  4. Gary Banham (2003). Kant and the Ends of Criticism. In John J. Joughin & Simon Malpas (eds.), The New Aestheticism. Manchester University Press
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  5. Ingrid Bauer-Drevermann (1965). Der Begriff der Zufälligkeit in der Kritik der Urteilskraft. Kant-Studien 56 (3-4):497-504.
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  6. J. H. Bernard (1893). Kant's Kritik of Judgment. Philosophical Review 2 (1):79-81.
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  7. Gernot Böhme (1995). Kant's Aesthetics: A New Perspective. Thesis Eleven 43 (1):100-119.
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  8. Daniel Breazeale (2003). Two Cheers for Post-Kantianism: A Response to Karl Ameriks. Inquiry 46 (2):239 – 259.
    Karl Ameriks has recently devoted an entire volume to defending what he calls "orthodox" Kantianism against what he judges to be the "errors" of such post-Kantian idealists as K. L. Reinhold and J. G. Fichte and to exposing what he claims is the frequently unnoticed but always deleterious influence of post-Kantianism upon certain prominent strands of contemporary philosophy. In response, this paper challenges Ameriks' interpretation of Kantianism itself and of the "post-Kantian project", as well as his construal of transcendental idealism. (...)
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  9. Gordon Brittan Jr (1995). Dieter Henrich, Aesthetic Judgment and the Moral Image of the World. [REVIEW] Philosophy in Review 15 (1):44-46.
  10. M. Budd (1998). Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part 1: Natural Beauty. British Journal of Aesthetics 38 (1):1-18.
  11. Malcolm Budd (2002). The Aesthetic Appreciation of Nature: Essays on the Aesthetics of Nature. Oxford University Press.
    The aesthetics of nature has over the last few decades become an intense focus of philosophical reflection, as it has been ever more widely recognised that it is not a mere appendage to the aesthetics of art. Everyone delights in the beauty of flowers, and some are thrilled by the immensity of mountains or of the night sky. But what is involved in serious aesthetic appreciation of the natural world? Malcolm Budd presents four interlinked studies in the aesthetics of nature, (...)
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  12. Malcolm Budd (1998). Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part I: Natural Beauty. British Journal of Aesthetics 38 (1):1-18.
  13. Malcolm Budd (1998). Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part II: Natural Beauty and Morality. British Journal of Aesthetics 38 (2):117-126.
  14. Douglas Burnham (2000). An Introduction to Kant's Critique of Judgement. Monograph Collection (Matt - Pseudo).
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  15. James Collins (1979). Kant and the Claims of Taste. By Paul Guyer. Modern Schoolman 57 (1):74-75.
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  16. Matthew Congdon (2010). The Significance of §§76 and 77 Of the Critique of Judgment for the Development of Post-Kantian Philosophy (Part 2). Graduate Faculty Philosophy Journal 31 (2):323-347.
  17. Paul Crowther (1989). The Kantian Sublime: From Morality to Art. Oxford University Press.
    With this, the first volume in the Oxford Philosophical Monographs series, Paul Crowther breaks new ground by providing what is probably the first study in any language to be devoted exclusively to Kant's theory of the sublime. It fills a gap in an area of scholarship where Kant makes crucial links between morality and aesthetics and will be particularly useful for Continental philosophers, among whom the Kantian sublime is currently receiving widespread discussion in debates about the nature of postmodernism. Crowther's (...)
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  18. Silvia de Bianchi (2011). Kant’s Concept of the Technique of Nature in the Critique of the Power of Judgment: Série 2. Kant E-Prints 6:12-28.
    a relação entre razão e natureza envolve um dos principais aspectos da crítica da teleologia de Kant. Visando destacar esta relação, investigarei o conceito de técnica da natureza, tal como introduzida na Crítica da faculdade de julgar. De acordo com Kant, a técnica da natureza permite as leis da razão a representarem o acordo dos princípios transcendentais da razão com a natureza. Deste modo, o conceito da técnica da natureza assume um papel prolífico ao expor, através de uma analogia com (...)
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  19. Michael Deckard (2014). Susan Meld Shell and Richard Velkley , Kant’s Observations and Remarks: A Critical Guide . Reviewed By. Philosophy in Review 34 (5):268-271.
  20. Thomas Donaldson, Connecting Nature and Freedom in Kant's Third Critique.
  21. Igor Eterovic (2013). Biological Roots of Kant’s Concept of Culture. In Margit Ruffing, Claudio La Rocca, Alfredo Ferrarin & Stefano Bacin (eds.), Kant Und Die Philosophie in Weltbürgerlicher Absicht: Akten des Xi. Kant-Kongresses 2010. De Gruyter 389-402.
  22. F. Fabbianelli (1996). Fichte's First Reading of Kant's' Kritik der Urteilskraft'as Seen in Some Twentieth Century Studies. Giornale Critico Della Filosofia Italiana 16 (2):266-280.
  23. Cinzia Ferrini (2006). Review of Angelica Nuzzo, Kant and the Unity of Reason. [REVIEW] Notre Dame Philosophical Reviews 2006 (1).
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  24. Susanne Herrmann-Sinai (2009). Musik und Zeit bei Kant. Kant-Studien 100 (4):427-453.
    There are two ways of dealing with Kant's derogatory position on music. Either it is claimed that Kant's opinion is a result of biographical factors, or Kant is regarded as a mere predecessor of a more successful music aesthetics. While the first way mistakes Kant's personal preferences for a philosophical argument about the nature of sound, the second approach underestimates the close connection between his music aesthetics and his whole philosophical system. Against these approaches the article defends the proposition that (...)
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  25. Béatrice Longuenesse (2005). Kant on the Human Standpoint. Cambridge University Press.
    In this collection of essays Béatrice Longuenesse considers the three aspects of Kant's philosophy, his epistemology and metaphysics of nature, his moral philosophy and his aesthetic theory, under one unifying standpoint: Kant's conception of our capacity to form judgements. She argues that the elements which make up our cognitive access to the world - what Kant calls the 'human point of view' - have an equally important role to play in our moral evaluations and our aesthetic judgements. Her discussion ranges (...)
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  26. Eric S. Nelson (2010). China, Nature, and the Sublime in Kant. In Stephen R. Palmquist (ed.), Cultivating Personhood: Kant and Asian Philosophy. Walter de Gruyter 333--348.
  27. Günther Patzig (1965). Die logischen formen praktischer sätze in kants ethik. Kant-Studien 56 (3-4):237-252.
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  28. John Protevi, The Organism as the Judgment of God: Aristotle, Kant and Deleuze on Nature (That is, on Biology, Theology and Politics).
    God has been called many things, but perhaps nothing so strange as the name of “lobster” which he receives in A Thousand Plateaus.1 Is this simple profanation a pendant to the gleeful anti-clericalism of Deleuze2, for whom there is no insult so wretched as that of “priest”?3 Certainly, on one level. But it is also a clue to Deleuze’s ability to use a traditional concern of theology, the name of God, to intervene in the most basic questions of Western philosophy, (...)
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  29. Alexander Rueger (2008). Beautiful Surfaces: Kant on Free and Adherent Beauty in Nature and Art. British Journal for the History of Philosophy 16 (3):535 – 557.
  30. Alexander Rueger (2007). Kant and the Aesthetics of Nature. British Journal of Aesthetics 47 (2):138-155.
    I try to identify the characteristic and distinguishing features of a theory of natural beauty (as opposed to the sublime) that can be found in Kant's Critique of Judgement. Lest this may seem superfluous, I argue first that, contrary to a common view, Kant's theory does not take the experience of beauty in nature as theoretically basic and that he does not deal with beauty in art only as a derivative case of aesthetic experience. I then try to understand what (...)
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  31. Dennis Schulting (ed.) (2015). The Bloomsbury Companion to Kant. Bloomsbury.
  32. Thomas Sturm (2004). Manfred Kuehn: Kant - A Biography. [REVIEW] Philosophical Quarterly 54:476-479.
    Review of Manfred Kuehn's outstanding biography on Immanuel Kant. A critical point I raise concerns Kuehn's discussion of Kant's relation to Hume. Scholars are divided over the questions of (a) whether Hume was an actual inspiration for Kant’s Critical philosophy, (b) whether Kant’s defense really addresses Hume’s problem of causality, and, of course, (c) whether Kant’s arguments provide a satisfactory solution to the problem. Sometimes these questions are not clearly distinguished by interpreters, part of the reason Kant scholarship appears so (...)
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  33. Thomas Sturm (1999). Zustand Und Zukunft der Akademie-Ausgabe von Kants Gesammelten Schriften. Kant-Studien 90 (1):100-106.
    The article reports discussions at an international conference of leading Kant scholars held at the University of Marburg (Germany) in 1998. The conference was concerned with both the current state and the need for revisions of the Academy edition of Kant's Gesammelte Schriften as well. As became clear, a complete revision is necessary in the case of Vols. XX-XXIV and XXVII-XXIX, since these can hardly be used for research. Improvements of various extent and content should be attempted in other volumes (...)
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  34. Kant-Gesellschaft E. V. Walter de Gruyter (ed.) (2008). Law and Peace in Kant’s Philosophy / Recht Und Frieden in der Philosophie Kants.
  35. Rachel Zuckert (2007). Kant's Rationalist Aesthetics. Kant-Studien 98 (4):443-463.
    It is quite standard, even banal, to describe Kant's project in the Critique of Pure Reason [KrV] as a critical reconciliation of rationalism and empiricism, most directly expressed in Kant's claim that intuitions and concepts are two distinct, yet equally necessary, and necessarily interdependent sources of cognition. Similarly, though Kant rejects both the rationalist foundation of morality in the concept of perfection and that of the empiricists in feeling or in the moral sense, one might broadly characterize Kant's moral philosophy (...)
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Kant: Critique of the Power of Judgment
  1. Henry E. Allison (2001). Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment. Cambridge University Press.
    This book constitutes one of the most important contributions to recent Kant scholarship. In it, one of the pre-eminent interpreters of Kant, Henry Allison, offers a comprehensive, systematic, and philosophically astute account of all aspects of Kant's views on aesthetics. The first part of the book analyses Kant's conception of reflective judgment and its connections with both empirical knowledge and judgments of taste. The second and third parts treat two questions that Allison insists must be kept distinct: the normativity of (...)
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  2. Henry E. Allison (1997). Beauty and Duty in Kant's Critique of Judgement. Kantian Review 1 (1):53-81.
    At the end of §40 of the Critique of Judgement, after a discussion of the sensus communis and its connection with taste, Kant writes:If we could assume that the mere universal communicability as such of our feeling must already carry with it an interest for us , then we could explain how it is that we require from everyone as a duty, as it were , the feeling in a judgment of taste.
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  3. Henry E. Allison (1992). Kant's Antinomy of Teleological Judgment. Southern Journal of Philosophy 30 (S1):25-42.
  4. Karl Ameriks (2003). Interpreting Kant's Critiques. Oxford University Press.
    Karl Ameriks here collects his most important essays to provide a uniquely detailed and up-to-date analysis of Kant's main arguments in all three major areas of his work: theoretical philosophy (Critique of Pure Reason), practical philosophy (Critique of Practical Reason), and aesthetics (Critique of Judgment). Guiding the volume is Ameriks's belief that one cannot properly understand any one of these Critiques except in the context of the other two. The essays can be read individually, but read together they offer a (...)
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  5. Karl Ameriks (1995). Review: Guyer, Paul, Kant and the Experience of Freedom. [REVIEW] Philosophy and Phenomenological Research 55 (2):361 - 367.
  6. Karl Ameriks (1983). Kant and the Objectivity of Taste. British Journal of Aesthetics 23 (1):3-17.
  7. Karl Ameriks (1980). Kant and the Claims of Taste. [REVIEW] New Scholasticism 54 (2):241-249.
  8. Richard E. Aquila (2004). Interpreting Kant's Critiques. International Philosophical Quarterly 44 (4):591-593.
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  9. M. Arnold (2003). Harmonious Mood of Enlightened Burghers-The Relation Between Politics and Aesthetics in Immanuel Kant's' Kritik der Urteilskraftl'. Kant-Studien 94 (1):24-50.
  10. Markus Arnold (2003). Die Harmonische Stimmung Aufgeklärter Bürger. Zum Verhältnis von Politik Und Ästhetik in Immanuel Kants Kritik der Urteilskraft. Kant-Studien 94 (1):24-50.
    Although Kant had to write his Critique of Judgement with an eye to the Prussian censorship, he nevertheless valued in his aesthetic theory the achievements of the French Revolution. Therefore, the purpose of the article is to analyze the underlying political philosophy of Immanuel Kant's third Critique in the context of the aesthetic theories of his time. The paper presents a brief account of his aesthetic theory (especially of his concepts of "harmony" and "free interplay" between the cognitive faculties) and (...)
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  11. Gary Banham (2000). Kant and the Ends of Aesthetics. Macmillan.
    This is a book focused primarily on reading the *Critique of Judgment* but which takes the central topics of it to be central to understanding the Critical Philosophy generally. It distinguishes types of aesthetics and teleology and in the process suggests an ambitious reconstruction of the landscape of Kant's architectonic.
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  12. Gary Banham, Dennis Schulting & Nigel Hems (eds.) (2012). The Continuum Companion to Kant. Continuum.
    The first genuine and comprehensive English-language handbook to the study of Kant's philosophy, containing sections on Kant's key works, the philosophical and historical contexts of his philosophy, essays on the reception and influence of the Kantian philosophy, a lexical A-Z list of lemmata addressing central themes and concepts of Kant's thought and an extensive English-language bibliography of secondary literature.
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  13. Anne Margaret Baxley (2005). The Practical Significance of Taste in Kant's "Critique of Judgment": Love of Natural Beauty as a Mark of Moral Character. Journal of Aesthetics and Art Criticism 63 (1):33–45.
  14. Paul Bommersheim (1919). Der Begriff der organischen Selbstregulation in Kants Kritik der Urteilskraft. Kant-Studien 23 (1-3):209-220.
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  15. Bernard Bourgeois (1993). The Beautiful and the Good According to Kant (Translated by Charles Wolfe). Graduate Faculty Philosophy Journal 16 (2):359-373.
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