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  1. added 2019-02-11
    The Relationship Between Perception with Aesthetic Experience and Beauty in Leibniz;s Aesthetics.Davoud Mirzaei, Ali Salmani & Reza Mahoozi - 2018 - Journal of Philosophical Investigations at University of Tabriz 12 (23):175-194.
    Leibniz’s account of perception for understanding of German rationalistic aesthetic tradition in 18 century is very crucial and important. His account of sense qualities has a Cartesian framework and it is so central to his views on aesthetic experience. He explains the concept of perfection and pleasure based on the clear but confused nature of perception. Accordingly, he defines beauty as follows: perfection is the ability or power to unite multiple properties into one; pleasure is feeling perfection in things. Beauty, (...)
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  2. added 2019-02-11
    La Irreductible Percepció Sensible I L’Apreciació de la Bellesa Artística En Leibniz.Maria Ramon Cubells Bartolomé - 2017 - Enrahonar: Quaderns de Filosofía 59:111-127.
    https://revistes.uab.cat/enrahonar/article/view/v59-bartolome.
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  3. added 2019-02-11
    From Leibniz to architecture.Maritza Granados Manjarrés - 2016 - Aisthesis 60.
    El artículo busca hacer un traslado de la filosofía leibniziana al mundo de la arquitectura a través de la ley de la continuidad, planteando una serie de cinco leyes o condiciones que posibilitan dicho traslado y que a su vez fundan una teoría sobre cómo puede ser entendido el espacio arquitectónico a la luz de la filosofía. Además de la continuidad, el artículo aborda el problema del pliegue y su condición de dispositivo que puede ser entendido como el detonante primordial (...)
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  4. added 2019-02-11
    La teoría de los tipos de representación en Leibniz y sus principales influencias en la estética y la lógica de la Ilustración alemanaThe view of the types of representation in Leibniz and their main influences.Manuel Sánchez-Rodríguez - 2013 - Cultura:271-295.
    Aunque no es posible ofrecer aquí un análisis detallado de las diferentes cues tionesimplicadas en la teoría de las representaciones en la Modernidad, sí pode mos atender auno de sus aspectos más relevantes, presente en la exposición de Leibniz, Wolff,Baumgarten y Kant, a saber: el reconocimiento progresivo y la vin dicación de unconocimiento específicamente sensible como un tipo específico de conocimiento en lafilosofía escolar alemana del siglo XVIII. A pesar de que Leibniz atribuye al conocimiento claro y confuso el grado (...)
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  5. added 2018-12-24
    Leibniz and Aesthetic.Clifford Brown - 1967 - Philosophy and Phenomenological Research 28 (1):70-80.
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  6. added 2018-07-23
    Leibniz, ou l'origine de l'esthétique descendante.Thierry Lenain - 1984 - Studia Leibnitiana 16:168.
    Die leibnizsche Metaphysik stellt die Frage nach dem Verhältnis der Welt zu der ihr zugrundeliegenden göttlichen Vorlage auf eine ganz neue Weise und weist somit die Arbeit des Bewußseins und dessen Ringen um den Sinn in eine Richtung, die neuzeitliches Denken in vielem vorwegnimmt. Es geht nicht mehr darum, sich vom Sinnlichen aus zum Gedanklichen emporzuarbeiten, sondern, ausgehend von den Grundsätzen, die die Wahrnehmung bestimmen, soll sich der Geist um eine eigentliche Talfahrt bemühen, einen Abstieg in die Tiefen des Sinnlichen. (...)
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  7. added 2017-12-30
    Leibniz's Monadological Positive Aesthetics.Pauline Phemister & Lloyd Strickland - 2015 - British Journal for the History of Philosophy 23 (6):1214-1234.
    One of the most intriguing – and arguably counter-intuitive – doctrines defended by environmental philosophers is that of positive aesthetics, the thesis that all of nature is beautiful. The doctrine has attained philosophical respectability only comparatively recently, thanks in no small part to the work of Allen Carlson, one of its foremost defenders. In this paper, we argue that the doctrine can be found much earlier in the work of Gottfried Wilhelm Leibniz who devised and defended a version of positive (...)
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  8. added 2017-12-30
    Logica Naturalis, Healthy Understanding and the Reflecting Power of Judgment in Kant’s Philosophy.Manuel Sánchez Rodríguez - 2012 - Kant-Studien 103 (2).
    The aim of this article is to explore historically the origin of the difficulty of founding the reflecting power of judgment as Kant outlines it in the Preface to the third Critique. Despite that a foundation of the power of judging in the system of Transcendental Philosophy was only established in 1790, we must interpret it as a critical solution for an old problem, which Kant had already recognized around 1770. Through his comprehension of the meaning of healthy understanding he (...)
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  9. added 2017-12-30
    Diotima's Children: German Aesthetic Rationalism From Leibniz to Lessing (Review).Ursula Goldenbaum - 2011 - Journal of the History of Philosophy 49 (2):258-259.
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  10. added 2017-12-30
    Diotima's Children: German Aesthetic Rationalism From Leibniz to Lessing by Beiser, Frederick C.Joseph Cannon - 2010 - Journal of Aesthetics and Art Criticism 68 (4):420-422.
  11. added 2017-12-30
    Musical Scales and Intervals by Leibnitz with Consideration of Texts Not yet Published.Walter Buehler - 2010 - Studia Leibnitiana 42 (2):129-161.
  12. added 2017-12-30
    Ethical Form of Music. Observations on Leibniz's Concept of Harmony.G. Erle - 2004 - Verifiche: Rivista Trimestrale di Scienze Umane 33 (1-2):3-24.
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  13. added 2017-12-30
    A Criticism of Leibniz's Theory of Consonance.Eugene G. Bugg - 1963 - Journal of Aesthetics and Art Criticism 21 (4):467-472.
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  14. added 2017-12-30
    A Criticism of Leibniz's Theory of Consonance.Eugene G. Bugg - 1962 - Journal of Aesthetics and Art Criticism 20 (3):295-299.
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  15. added 2017-12-07
    Logica Naturalis, Healthy Understanding and the Reflecting Power of Judgment in Kant’s Philosophy: The Source of the Problem of Judgment in the Leibniz-Wolffian Logic and Aesthetics.Manuel Sánchez Rodríguez - 2012 - Kant-Studien 103 (2):188-206.
    : The aim of this article is to explore the origin of the difficulty of founding the reflecting power of judgment as Kant outlines it in the Preface of the third Critique. Although a foundation for this faculty was only established in 1790, we must interpret it as a critical solution to an old problem, which Kant had already recognized around 1770. Through his comprehension of the meaning of healthy understanding and native wit he already confirms the impossibility of determining (...)
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  16. added 2017-12-07
    Expresión, acontecimiento y armonía: aproximación a la concepción leibniziana de lo bello.Andrés Rodríguez Pérez - 2011 - Cuadrante Phi.
    This article will describe Leibniz's conception of beauty looking to develop a leibnizian concept of art. It seeks to develop a concept of art according to which in fact and through a leibnizian perspective, the work of art lasts no more than its materials having no proper unity and due to the absence of a dominant singularity capable to gives it implied harmony. Also, from this perspective, de jure, the work is preserved, due to it is always possible to assume (...)
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  17. added 2017-12-07
    Diotima's Children: German Aesthetic Rationalism From Leibniz to Lessing.Kai Hammermeister - 2011 - British Journal for the History of Philosophy 19 (2):353-355.
    (2011). Diotima's Children: German Aesthetic Rationalism from Leibniz to Lessing. British Journal for the History of Philosophy: Vol. 19, No. 2, pp. 353-355.
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  18. added 2017-12-07
    Antizipation in Kunst und Wissenschaft. Ein interdisziplinäres Erkenntnisproblem und seine Begründung bei Leibniz.Friedrich Gaede & Constanze Peres - 2000 - Studia Leibnitiana 32 (2):244-247.
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  19. added 2017-12-07
    A Criticism of Leibniz's Theory of Consonance.Eugene G. Bugg - 1962 - Journal of Aesthetics and Art Criticism 20 (3):295-299.
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