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  1. Review of Gregory Currie , Narratives and Narrators: A Philosophy of Stories. [REVIEW]Catharine Abell - 2011 - Philosophy in Review 31 (5):324-326.
  2. Dante's Understanding of the Two Ends of Human Desire and the Relationship Between Philosophy and Theology.Jason Aleksander - 2011 - Journal of Religion 91 (2):158-187.
    I discuss Dante’s understanding that human existence is “ordered by two final goals” and how this understanding defines philosophy’s and theology’s respective scopes of authority in guiding human conduct. I show that, while Dante devalues the philosophical authority associated with the traditional Aristotelian emphasis on the significance of contemplative activity, he does so in order to highlight philosophy’s ethico-political authority to guide human conduct toward its “earthly beatitude.” Moreover, I argue that, although Dante subordinates earthly beatitude to spiritual beatitude, he (...)
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  3. The Aporetic Ground of Revelation’s Authority in the Divine Comedy and Dante’s Demarcation and Defense of Philosophical Authority.Jason Aleksander - 2010 - Essays in Medieval Studies 26:1-14.
    I discuss Dante’s understanding that human existence is “ordered by two final goals” and how, for Dante, this understanding defines philosophy’s and revelation’s respective scopes of authority in guiding human conduct. Specifically, I show that, although Dante subordinates our earthly beatitude to spiritual beatitude in a way that seems to suggest the subordination of the authority of philosophy to that of revelation, he in fact limits philosophy’s scope to an arena in which its authority is not only legitimate but also (...)
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  4. Lisibilité / Lesbarkeit.Emmanuel Alloa & Muriel Pic - 2012 - MSH Paris - Trivium. Revue franco-allemande de sciences humaines et sociales.
    Seit über 30 Jahren gibt es in den deutschen wie französischen Kultur- und Geisteswissenschaften das Bestreben, den Begriff der »Lesbarkeit« von seiner engen Bindung an den geschriebenen Text zu emanzipieren. Die vorliegende Ausgabe von Trivium lässt einige der maßgeblichen Stimmen in dieser Debatte zu Wort kommen. Auf der gemeinsamen Schnittfläche von Mikrohistorie, Semiologie, Psychoanalyse, Kulturgeschichte, Physiognomie und Mantik zeichnet sich ein neues und zugleich altes Verständnis des Lesens ab. Wenn sich in der Moderne die Frage nach dem Lesen von Spuren (...)
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  5. How is Philosophy Possible? Blanchot on Secrecy, Ambiguity and the Care for Death.Ammon Allred - 2010 - International Journal of Philosophical Studies 18 (2):149-175.
    I examine the contribution that the first part of Maurice Blancot's recit Death Sentence makes to his understanding of the relationship between philosophy and literature. I use a reading of the Kantian, transcendental account of literature in “How is Literature Possible” as the starting point for an analysis of the way in which Blanchot uses secrets in describing J.'s death in Death Sentence, linking secrecy up with the imaginary, ambiguity and dissimulation. The purpose for this refinement is to challenge the (...)
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  6. Victorian Interpretation.Suzy Anger - 2005 - Cornell University Press.
    Victorian scriptural hermeneutics : history, intention, and evolution -- Intertext 1 : Victorian legal interpretation -- Carlyle : between biblical exegesis and romantic hermeneutics -- Intertext 2 : Victorian science and hermeneutics : the interpretation of nature -- George Eliot's hermeneutics of sympathy -- Intertext 3 : Victorian literary criticism -- Subjectivism, intersubjectivity, and intention : Oscar Wilde and literary hermeneutics.
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  7. A Theory of Literary Interpretation: The Problem of Intentionalism.Matthew Arant - 2002 - Dissertation, The University of Iowa
    Are the intentions of the author relevant to literary criticism? Do the author's intentions determine the meaning of the literary work of art, or provide a standard by which its merit may be judged? ;On the one hand, the intentionalist says that the meaning of a literary work is what its author meant, and that at least one measure of the work is the extent to which it instantiates the author's intentions. ;On the other hand, the anti-intentionalist says that the (...)
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  8. Conflicting Readings: Variety and Validity in Interpretation.Paul Armstrong - 1991 - Journal of Aesthetics and Art Criticism 49 (4):386-388.
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  9. Kierkegaard, Paraphrase, and the Unity of Form and Content.Antony Aumann - 2013 - Philosophy Today 57 (4):376-387.
    On one standard view, paraphrasing Kierkegaard requires no special literary talent. It demands no particular flair for the poetic. However, Kierkegaard himself rejects this view. He says we cannot paraphrase in a straightforward fashion some of the ideas he expresses in a literary format. To use the words of Johannes Climacus, these ideas defy direct communication. In this paper, I piece together and defend the justification Kierkegaard offers for this position. I trace its origins to concerns raised by Lessing and (...)
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  10. "Religion as Art: An Interpretation": Thomas R. Martland. [REVIEW]Michael Austin - 1982 - British Journal of Aesthetics 22 (1):82.
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  11. Literature & Revelation: Notes for PHL923.Paul Bali - manuscript
    marginal notes on Jung, Sartre, Valéry, Tolkien, Borges, and more; with woven-in autobiography.
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  12. Adab Chīst?Muḥammad ʻAlī[from old catalog] Bāmdād - 1964
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  13. The Descent of Winter: William Carlos Williams Under the Influence of Paris.Phillip Barron - 2016 - S.Ph. Essays and Explorations 1 (2).
    The influence of surrealism and Philippe Soupault on William Carlos Williams' poetry.
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  14. The Performance of Reading. [REVIEW]Christopher Bartel - 2010 - Philosophical Quarterly 60 (238):220-222.
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  15. Book Review: Literary Criticism, an Autopsy. [REVIEW]Mark Bauerlein - 1998 - Philosophy and Literature 22 (2).
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  16. Literary Potential: The Release of Criticism.Andrew Benjamin - 2006 - In David Rudrum (ed.), Literature and Philosophy: A Guide to Contemporary Debates. Palgrave-Macmillan.
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  17. Literary Biography: The Cinderella Story of Literary Studies.Michael Benton - 2005 - Journal of Aesthetic Education 39 (3):44-57.
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  18. The Hebrew Bible in Literary CriticismThe Literary Guide to the BibleLiterary Approaches to Biblical Interpretation.Adele Berlin, Alex Preminger, Edward L. Greenstein, Robert Alter, Frank Kermode & Tremper Longman - 1989 - Journal of the American Oriental Society 109 (4):673.
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  19. Good Paperwork, Bad Intentions: A Small Note on Documentalita.Francesco Berto - 2012 - Rivista di Estetica 50:29-35.
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  20. Literatur interpretieren: Interdisziplinäre Beiträge zur Theorie und Praxis.Jan Borkowski, Stefan Descher, Felicitas Ferder & Philipp David Heine (eds.) - 2015 - Mentis.
    Was heißt es, einen literarischen Text zu interpretieren? Wie können Interpretationen begründet werden? Können wir mit Interpretationen Anspruch auf Erkenntnis erheben? Können Interpretationen wahr sein? In welcher Weise fließt das Wissen von Interpreten in ihre Interpretationen ein? Aus der Perspektive verschiedener Disziplinen suchen die Beiträge dieses Bandes Antworten auf diese und andere fundamentale Fragen, die sich mit der Interpretation von Literatur verbinden. Der einleitende Beitrag gibt einen Überblick über wichtige Themen und Probleme, die gegenwärtig im Hinblick auf die Theorie und (...)
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  21. The Interpretation of Art.Peter Bornedal - 1996 - Upa.
    This book provides more than a historical account of the development of criticism. It examines the epistemology of criticism, and pursues how criticism on a fundamental structural level develops and changes. The work focuses on the transformation of the critical theories of Classicism and Romanticism.
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  22. A Theater of Ideas: Performance and Performativity in Kierkegaard’s Repetition.Martijn Boven - 2018 - In Eric Jozef Ziolkowski (ed.), Kierkegaard, Literature, and the Arts. Evanston, IL, USA: pp. 115-130.
    In this essay, I argue that Søren Kierkegaard’s oeuvre can be seen as a theater of ideas. This argument is developed in three steps. First, I will briefly introduce a theoretical framework for addressing the theatrical dimension of Kierkegaard’s works. This framework is based on a distinction between“performative writing strategies” and “categories of performativity.” As a second step, I will focus on Repetition: A Venture in Experimenting Psychology, by Constantin Constantius, one of the best examples of Kierkegaard’s innovative way of (...)
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  23. Metaphor and Metamorphosis: Paul Ricoeur and Gilles Deleuze on the Emergence of Novelty.Martijn Boven - 2016 - Dissertation, University of Groningen
    This dissertation focuses on the problem of novelty as seen from the perspective of two French philosophers: Paul Ricoeur and Gilles Deleuze. As such, a new interpretation of the works of these two philosophers is developed. I argue that two models can be derived from their works: a model that strives to make tensions productive (based on Ricoeur) and a model that aims to organize encounters between bodies (taken from Deleuze). These models are developed on their own terms without superimposing (...)
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  24. Review of Chris Danta's Literature Suspends Death: Sacrifice and Storytelling in Kierkegaard, Kafka and Blanchot. [REVIEW]Martijn Boven - 2012 - Radical Philosophy 174 (july/august):51-53.
    In 'Literature Suspends Death: Sacrifice and Storytelling in Kierkegaard, Kafka and Blanchot' Chris Danta takes Genesis 22 as the starting point for an investigation of the role of literary imagination. His aim is to read the Genesis story from a literary-theoretical perspective in order to show how it can 'illuminate the secular situation of the literary writer.' To do this, Danta stages a fruitful confrontation between Søren Kierkegaard as defender of religion and inwardness and Franz Kafka and Maurice Blanchot as (...)
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  25. Wat vastgelegd is, misleidt ons: de Cahiers van Paul Valéry.Martijn Boven - 2008 - Deus Ex Machina 127:5-6.
    Paul Valéry is de dichter die zwijgt; de denker die weigert filosoof te zijn; de schrijver die de taal in staat van beschuldiging stelt; de expert die volhoudt een amateur te zijn; de mysticus die zijn heil zoekt bij de wiskunde; de stamelaar die aan een kwaal van precisie lijdt; de Narcissus die misschien toch liever Orpheus had willen zijn. Hij is de chroniqueur van het denken en de meester van de tegenspraak. Ik probeer me hem voor te stellen. Het (...)
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  26. Mere Reading.Eva T. H. Brann - 1996 - Philosophy and Literature 20 (2):383-397.
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  27. On Meaning in Literature.R. L. Brett - 1952 - Philosophy 27 (102):228 - 237.
    In his recent book, English Poetry; A Critical Introduction , Mr. F. W. Bateson makes the observation that as romantic criticism is now dead it should receive “decent and final interment.” By “romantic” criticism he seems to have in mind either what he calls the Pure Sound theory of poetry, which would have us believe that meaning has nothing to do with poetry, that poetry makes nothing but an emotional or physiological impact upon us; or the suggestion theory which argues (...)
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  28. The Issue in Literary Criticism.Myron Franklin Brightfield - 1932 - New York: Greenwood Press.
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  29. Radically Misinterpreting Radical Interpretation.Jeffrey Buechner - 1987 - Journal of Aesthetics and Art Criticism 45 (4):409-410.
  30. Interpretation als Erkenntnis.Axel Bühler - 2015 - In Jan Borkowski, Stefan Descher, Felicitas Ferder & Philipp David Heine (eds.), Literatur interpretieren: Interdisziplinäre Beiträge zur Theorie und Praxis. Mentis. pp. 173-189.
    Welche Anforderungen können an Interpretationen gestellt werden, wenn sie Erkenntnisse vermitteln sollen? In diesem Aufsatz führe ich sieben solcher Anforderungen auf und erläutere sie knapp: (1) Eine Interpretation soll mit dem Anspruch auf empirische Erkenntnis verbunden sein. (2) Sie befasst sich mit einem historischen Einzelfall. (3) Sie erklärt die Beschaffenheit von Texten psychologisch mit Absichten und Überzeugungen. (4) Diese Absichten und Überzeugungen haben Inhalte, sind über etwas. (5) Interpretationen sind im Sinne des Metaphysischen Realismus aufzufassen. (6) Die Tätigkeit der Texthervorbringung (...)
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  31. The Intentional Fallacy.Laurie Calhoun - 1994 - Philosophy and Literature 18 (2):337-338.
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  32. Moral and Epistemic Ambiguity in Oedipus Rex.Havi Carel - 2006 - Janus Head 9 (1):91-109.
    This paper challenges the accepted interpretation of Oedipus Rex, which takes Oedipus’ ignorance of the relevant facts to be an established matter. I argue that Oedipus’ epistemic state is ambiguous, and that this in turn generates a moral ambiguity with respect to his actions. Because ignorance serves as a moral excuse, my demonstration that Oedipus was not ignorant bears significantly on the moral meaning of the play. I next propose to anchor this ambiguity in the Freudian notion of the unconscious, (...)
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  33. Interpretation and Intention: The Debate Between Hypothetical and Actual Intentionalism.NoËl Carroll - 2000 - Metaphilosophy 31 (1&2):75-95.
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  34. Art, Mind, and Intention.Noël Carroll - 2007 - Philosophy and Literature 31 (2):394-404.
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  35. The Intentional Fallacy: Defending Myself.Noel Carroll - 1997 - Journal of Aesthetics and Art Criticism 55 (3):305-309.
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  36. Why Intentionalism Won't Go Away.Anthony J. Cascardi & Denis Dutton - unknown
    Considering the philosophic intelligence that has set out to discredit it, intentionalism in critical interpretation has shown an uncanny resilience. Beginning perhaps most explicitly with the New Criticism, continuing through the analytic tradition in philosophy, and culminating most recently in deconstructionism, philosophers and literary theorists have kept under sustained attack the notion that authorial intention can provide a guide to interpretation, a criterion of textual meaning, or a standard for the validation of criticism. Yet intentionalist criticism still has avid theoretical (...)
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  37. Literary Intentionalism: A File in the Ointment?Timothy Chambers - 2005 - Diálogos. Revista de Filosofía de la Universidad de Puerto Rico 40 (86):157-164.
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  38. Review of Terry Eagleton's On Evil. [REVIEW]Subhasis Chattopadhyay - 2016 - Prabuddha Bharata or Awakened India 121 (March (3)):383-385.
    Terry Eagleton has been reviewed in the light of theism; especially Christianity which he had earlier disowned.
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  39. Vedanta and Cosmopolitanism in Contemporary Indian Poetry.Subhasis Chattopadhyay - 2016 - Prabuddha Bharata or Awakened India 121 (September):648-55.
    Bashabi Fraser is known the world over as a Scottish-Bengali aka diasporic writer. Further she has also been slotted as a feminist scholar with a huge corpus on Tagore. This essay proves the fallacy of such pigeon-holeing of Fraser and shows that she is as mainstream as Yeats and even before that, like unto Blake. The essay also makes a point for rejecting every other mode of poetry except the Romantic mode. It established the Vedantic nature of the poetic genius. (...)
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  40. Intention and Interpretation in Criticism.Frank Cioffi - 1963 - Proceedings of the Aristotelian Society 64:85 - 106.
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  41. Don Quixote and the ‘Intentionalist Fallacy’.A. J. Close - 1972 - British Journal of Aesthetics 12 (1):19-39.
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  42. Literary Criticism and Process Thought.C. Carter Colwell - 1972 - Process Studies 2 (3):183-192.
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  43. Preference and Persuasion in Literary Criticism, with Special Reference to Cleanth Brooks.Frederick W. Conner - 1976 - Journal of Aesthetic Education 10 (2):5.
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  44. Publishing on Ice.Eve Coppinger - 2011 - Constellations (University of Alberta Student Journal) 2 (2):118-124.
    This article examines a particular shipboard newspaper situated within the centuries- long hunt for the Northwest Passage. The newspaper existed in both an original handwritten form produced on a ship in the Arctic and as a printed edition in London. An examination of the newspaper in both versions suggests the ways in which the same text can be transformed by variations on its physical form, its readers, and its temporal situation. This study shows the ways that a focus on print (...)
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  45. The Literary Writer as Reformer.Ramona Cormier - 1979 - Journal of Aesthetics and Art Criticism 38 (1):75-80.
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  46. Psychocriticism and Literary Judgement.John Cruickshank - 1964 - British Journal of Aesthetics 4 (2):155-159.
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  47. Understanding Fiction: Knowledge and Meaning in Literature.Jürgen Daiber, Eva-Maria Konrad, Thomas Petraschka & Hans Rott (eds.) - 2012 - Mentis.
    The book addresses the questions how literature can convey knowledge and how literary meaning can arise in the face of the fact that fictional texts waive the usual claim to truth. Based on the interdisciplinary cooperation of literary scholars and analytic philosophers, the present anthology attempts a) to analyze the possibility and conditions of gaining knowledge through literature, and b) to apply, in a fruitful way, philosophical theories of meaning and interpretation to the constitution of meaning within the language of (...)
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  48. Truth and Consequences: Intentions, Conventions, and the New Thematics.Reed Way Dasenbrock - 2000 - Pennsylvania State University Press.
    Contemporary literary theory takes truth and meaning to be dependent on shared conventions in a community of discourse and views authors’ intentions as irrelevant to interpretation. This view, argues Reed Way Dasenbrock, owes much to Anglo-American analytic philosophy as developed in the 1950s and 1960s by such thinkers as Austin and Kuhn, but it ignores more recent work by philosophers like Davidson and Putnam, who have mounted a counterattack on this earlier conventionalism. This book draws on current analytic philosophy to (...)
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  49. Leonard Cohen and Philosophy: Various Positions. [REVIEW]Montgomery David - 2016 - CAML Review/Revue de L'ACBM 44 (2):57-61.
  50. The Performance of Reading: An Essay in the Philosophy of Literature by Kivy, Peter.David Davies - 2008 - Journal of Aesthetics and Art Criticism 66 (1):89–91.
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