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1 — 50 / 119
  1. added 2019-01-28
    The Stability of Laughter. The Problem of Joy in Modernist Literature.James Nikopoulos - 2019 - New York, USA: Routledge.
    A "sad and corrupt" age, a period of "crisis" and "upheaval"—what T.S. Eliot famously summed up as "the panorama of futility and anarchy which is contemporary history." Modernism has always been characterized by its self-conscious sense of suffering. Why, then, was it so obsessed with laughter? From Baudelaire, Nietzsche, Bergson and Freud to Pirandello, Beckett, Hughes, Barnes, and Joyce, no moment in cultural history has written about laughter this much. James Nikopoulos investigates modernity’s paradoxical relationship with mirth. Why was the (...)
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  2. added 2018-11-27
    Imagining the Truth: An Account of Tragic Pleasure.James Shelley - 2003 - In Matthew Kieran & Dominic McIver Lopes (eds.), Imagination, Philosophy, and the Arts. London and New York: pp. 177-185.
    The problem of tragedy is the problem of explaining why tragedy gives us the pleasure that it does, given that it has the content that it has. I propose a series of constraints that any adequate solution to the problem must satisfy. Then I develop a solution to the problem that satisfies those constraints. But I do not claim that the solution I develop uniquely satisfies the constraints I propose. I aim merely to narrow the field of contending solutions, and (...)
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  3. added 2018-11-23
    Oscar Wilde on the Theory of the Author.Andrea Selleri - 2018 - Philosophy and Literature 42 (1):49-66.
    That Oscar Wilde was a central figure for aestheticism needs no arguing; that he should be taken seriously as an aesthetician is perhaps a less obvious matter. While much of his work concerns itself with the traditional purview of aesthetics as a philosophical discipline, commentators have rarely granted his writings that attention to ideas qua ideas that marks off a philosophical interest in a writer's oeuvre from other types of analysis. A number of attempts to tackle Wilde's pronouncements in a (...)
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  4. added 2018-04-15
    Inner Virtue.Nicolas Bommarito - 2018 - New York, USA: Oxford University Press.
    What does it mean to be a morally good person? It can be tempting to think that it is simply a matter of performing certain actions and avoiding others. And yet there is much more to moral character than our outward actions. We expect a good person to not only behave in certain ways but also to experience the world in certain ways within.
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  5. added 2018-03-08
    Catharsis and Vicarious Fear.Bence Nanay - 2018 - European Journal of Philosophy 26 (4):1371-1380.
    The aim of this paper is to give a new interpretation of Aristotle's account of the emotions evoked in the course of engaging with tragic narratives that would give rise to a coherent account of catharsis. Very briefly, the proposal is that tragedy triggers vicarious emotions and catharsis is the purgation of such emotions. I argue that this interpretation of “fear and pity” as vicarious emotions is consistent with both Aristotle's account of emotions and his account of catharsis and also (...)
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  6. added 2018-02-17
    Art and Morality.José Luis Bermúdez & Sebastian Gardner (eds.) - 2003 - Routledge.
    _Art and Morality_ is a collection of groundbreaking new papers on the theme of aesthetics and ethics, and the link between the two subjects. A group of distinguished contributors tackle the important questions that arise when one thinks about the moral dimensions of art and the aesthetic dimension of moral life. The volume is a significant contribution to philosophical literature, opening up unexplored questions and shedding new light on more traditional debates in aesthetics. The topics explored include: the relation of (...)
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  7. added 2017-12-19
    Sarcasm Definition and Examples in Literature and Everyday Life.Gregory Woods - manuscript
    The following articke studies the definitions of sarcasm, its usage in literature, in educational system, and its pros and cons.
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  8. added 2017-09-07
    Plato’s Mimetic Art: The Power of the Mimetic and Complexity of Reading Plato.Gene Fendt - 2010 - Proceedings of the American Catholic Philosophical Association 84:239-252.
    Plato’s dialogues are self-defined as works of mimetic art, and the ancients clearly consider mimesis as working naturally before reason and beneath it. Such aview connects with two contemporary ideas—Rene Girard’s idea of the mimetic basis of culture and neurophysiological research into mirror neurons. Individualityarises out of, and can collapse back into our mimetic origin. This para-rational notion of mimesis as that in which and by which all our knowledge is framed requires we not only concern ourselves with Socrates’s arguments (...)
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  9. added 2017-09-07
    The Problem of Reading Confessions: Augustine’s Double Argument Against Drama.Gene Fendt - 1998 - Proceedings of the American Catholic Philosophical Association 72:171-184.
    In Augustine's Confessions we can find two arguments against drama. One is entirely Platonic, echoing the problems raised in Republic 2 and 3 that representations of evil encourage moral turpitude. The other, an echo of Republic 10, is much more visible in Confessions, and Augustine is more perspicuous than Plato in laying out the difficulty; it has to do with the immoral effect of suffering grief at staged sufferings, where we are moved neither to escape the suffering nor to aid (...)
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  10. added 2017-09-03
    Walton's Quasi-Emotions Do Not Go Away.Miguel F. Dos Santos - 2017 - Journal of Aesthetics and Art Criticism 75 (3):265-274.
    The debate about how to solve the paradox of fiction has largely been a debate between Kendall Walton and the so-called thought theorists. In recent years, however, Jenefer Robinson has argued, based on her affective appraisal theory of emotion, for a noncognitivist solution to the paradox as an alternative to the thought theorists’ solution and especially to Walton's controversial solution. In this article, I argue that, despite appearances to the contrary, Robinson's affective appraisal theory is compatible with Walton's solution, at (...)
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  11. added 2017-02-06
    Feeling Our Feelings: What Philosophers Think and People Know (Review).Suzanne Smith - 2010 - Philosophy and Literature 34 (1):pp. 263-265.
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  12. added 2017-01-28
    Moral Dispositions and the Psychology of Fiction.Jeffrey Thomas Dean - 1999 - Dissertation, The University of Wisconsin - Madison
    In this essay, I defend a particular view of how fiction affects our conception of the real world, our emotions, and our moral dispositions. Moreover, I aim to show how each of these elements are interconnected, such that an adequate understanding of one entails an adequate understanding of the others. In particular, I argue that fiction is especially adept at modifying the conceptual schemas that shape our classifications of and responses to persons, actions, and events in the real world. I (...)
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  13. added 2017-01-28
    "Fiction and Emotion: A Study in Aesthetics and the Philosophy of Mind": Bijoy H. Boruah. [REVIEW]Alex Neill - 1990 - British Journal of Aesthetics 30 (1):76.
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  14. added 2017-01-27
    Fiction, Pity, Fear, and Jealousy + a Reply to Neill,Alex Article on Fiction and the Emotions.Colin Radford - unknown
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  15. added 2017-01-24
    Pleurer À Chaudes Larmes de Crocodile.Carola Barbero - 2013 - Philosophiques 40 (1):45.
    Carola Barbero | : Je m’intéresse dans cet article aux émotions que nous ressentons lorsque nous lisons une oeuvre de fiction. Certains philosophes pensent que notre implication émotionnelle dans la fiction constitue un paradoxe, et implique soit une forme d’irrationalité, soit la participation à un jeu de « faire semblant ». Ici, je soutiendrai qu’une Théorie de l’Objet à la Meinong, en défendant une approche réaliste des émotions liées la fiction, permet de résoudre adéquatement ce paradoxe de la fiction. | (...)
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  16. added 2017-01-19
    The Art of Distancing: How Formal Devices Manage Our Emotional Responses to Literature.Jenefer Robinson - 2004 - Journal of Aesthetics and Art Criticism 62 (2):153–162.
  17. added 2016-12-08
    Mirrors to One Another: Emotion and Value in Jane Austen and David Hume.E. M. Dadlez - 2009 - Wiley-Blackwell.
    A compelling exploration of the convergence of Jane Austen’s literary themes and characters with David Hume’s views on morality and human nature. Argues that the normative perspectives endorsed in Jane Austen's novels are best characterized in terms of a Humean approach, and that the merits of Hume's account of ethical, aesthetic and epistemic virtue are vividly illustrated by Austen's writing. Illustrates how Hume and Austen complement one another, each providing a lens that allows us to expand and elaborate on the (...)
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  18. added 2016-12-08
    The Architecture of the Imagination: New Essays on Pretence, Possibility, and Fiction.Shaun Nichols (ed.) - 2006 - Oxford University Press UK.
    This volume presents new essays on the propositional imagination by leading researchers. The propositional imagination---the mental capacity we exploit when we imagine that everyone is colour-blind or that Hamlet is a procrastinator---plays an essential role in philosophical theorizing, engaging with fiction, and indeed in everyday life. Yet only recently has there been a systematic attempt to give a cognitive account of the propositional imagination. These thirteen essays, specially written for the volume, capitalize on this recent work, extending the theoretical picture (...)
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  19. added 2016-11-07
    Literature and Readers' Empathy: A Qualitative Text Manipulation Study.Anezka Kuzmicova, Anne Mangen, Hildegunn Støle & Anne Charlotte Begnum - forthcoming - Language and Literature 26.
    Several quantitative studies (e.g. Kidd & Castano, 2013a; Djikic et al., 2013) have shown a positive correlation between literary reading and empathy. However, the literary nature of the stimuli used in these studies has not been defined at a more detailed, stylistic level. In order to explore the stylistic underpinnings of the hypothesized link between literariness and empathy, we conducted a qualitative experiment in which the degree of stylistic foregrounding was manipulated. Subjects (N = 37) read versions of Katherine Mansfield's (...)
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  20. added 2016-11-07
    Empathy at the Confluence of Neuroscience and Empirical Literary Studies.Michael Burke, Anezka Kuzmicova, Anne Mangen & Theresa Schilhab - 2016 - Scientific Study of Literature 6 (1):6-41.
    The objective of this article is to review extant empirical studies of empathy in narrative reading in light of (i) contemporary literary theory, and (ii) neuroscientific studies of empathy, and to discuss how a closer interplay between neuroscience and literary studies may enhance our understanding of empathy in narrative reading. An introduction to some of the philosophical roots of empathy is followed by tracing its application in contemporary literary theory, in which scholars have pursued empathy with varying degrees of conceptual (...)
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  21. added 2016-05-05
    Hermione's Sophism: Ordinariness and Theatricality in The Winter's Tale.Judith Wolfe - 2015 - Philosophy and Literature 39 (1):83-105.
    For both Rush Rhees and Stanley Cavell, Wittgenstein’s late investigations into language and language games are caught up with a profound underlying concern about the possibility of discourse itself. Rhees and Cavell isolate two such conditions, which are closely related.The first, emphasized by Cavell, is what he calls “acknowledgment.” In his seminal essay “Knowing and Acknowledging”, Cavell engages traditional skeptical arguments against the possibility of knowing other minds. Unlike most philosophers, however, Cavell does not attempt to repudiate the skeptic’s concerns (...)
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  22. added 2016-02-29
    A Defense of Taking Some Novels As Arguments.Gilbert Plumer - 2015 - In B. J. Garssen, D. Godden, G. Mitchell & A. F. Snoeck Henkemans (eds.), Proceedings of the 8th International Conference of the International Society for the Study of Argumentation [CD-ROM]. Amsterdam: Sic Sat. pp. 1169-1177.
    This paper’s main thesis is that in virtue of being believable, a believable novel makes an indirect transcendental argument telling us something about the real world of human psychology, action, and society. Three related objections are addressed. First, the Stroud-type objection would be that from believability, the only conclusion that could be licensed concerns how we must think or conceive of the real world. Second, Currie holds that such notions are probably false: the empirical evidence “is all against this idea…that (...)
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  23. added 2016-02-25
    Philosophy, Literature, and Emotional Engagement: A Response to Nanay.Robbie Kubala - 2015 - Journal of Aesthetics and Art Criticism 73 (2):196-200.
    In a recent paper, Bence Nanay has argued against what he calls the Discontinuity Thesis: the claim that literature (along with all other nonabstract art forms) can never count as genuine philosophizing. I first claim that Nanay’s argument either proves too much or rests on heavy-duty premises that he does not adequately defend. I then present my own strategy for resisting Discontinuity, which argues that the proper response to both literature and philosophy can include emotional engagement coupled with reflection.
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  24. added 2016-01-21
    Celan's Song: Pictures, Poetry and Epistemic Value.A. E. Denham - 2015 - In John Gibson (ed.), The Philosophy of Poetry. Oxford University Press.
  25. added 2016-01-05
    Beyond Narrative: Poetry, Emotion and the Perspectival View.Karen Simecek - 2015 - British Journal of Aesthetics 55 (4):497-513.
    The view that narrative artworks can offer insights into our lives, in particular, into the nature of the emotions, has gained increasing popularity in recent years. However, talk of narrative often involves reference to a perspective or point of view, which indicates a more fundamental mechanism at work. In this article, I argue that our understanding of the emotions is incomplete without adequate attention to the perspectival structures in which they are embedded. Drawing on Bennett Helm’s theory of emotion, I (...)
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  26. added 2016-01-04
    Giacinto Ricci Signorini tra scuola, poesia e psicologia.Rossano Pancaldi - 2014 - Otto/Novecento (2):5-43.
  27. added 2015-09-09
    Passions of the Intellect: A Study of Polemics.Andreas Dorschel - 2015 - Philosophy 90 (4):679-684.
    Polemics are a sort of critique typically suffused with inimical emotions and passions. But how are these emotions and passions to be construed? Neither authorial expression nor actual arousal properly account for their rôle in polemics. Rather, the polemicist must stage an unequal battle between a polemical self and the polemical target vis-à-vis an anticipated audience, skilfully handling, through his words, the emotions ascribed to each of them.
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  28. added 2015-08-30
    Projective Properties and Expression in Literary Appreciation.Elisa Galgut - 2010 - Journal of Aesthetics and Art Criticism 68 (2):143-153.
    The paper defends Wollheim’s account of aesthetic expressive perception by showing that it may fruitfully be extended to artistic genres other than painting. The paper hopes to show the richness of Wollheim’s theory of expressive projection as an account of aesthetic perception. In investigating the application of Wollheim’s account of artistic expression to literature, I shall illustrate how understanding expression as the result of the projective activity of the writer is a useful way of understanding some of the expressive properties (...)
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  29. added 2015-06-25
    Zur Interpretation der Emotionen Fiktiver Figuren in Fiktionaler Literatur: Eine Systematische Analyse Anhand von Flauberts "Madame Bovary".Wolfgang Detel - 2015 - In Jan Borkowski, Stefan Descher, Felicitas Ferder & Philipp David Heine (eds.), Literatur interpretieren: Interdisziplinäre Beiträge zur Theorie und Praxis. Mentis. pp. 277-314.
    Die Hypothese meines Beitrags ist, dass Interpretationen fiktionaler Romane zum Teil rationale Erklärungen der emotionalen Zustände fiktiver Romanfiguren sein sollten. Der Hintergrund dieser Hypothese ist zum einen die generelle Definition von Interpretationen als rationalen Erklärungen und zum anderen die neue Theorie der affektiven Intentionalität von Gefühlen (eine Variante der kognitiven Gefühlstheorie). Diese Theorie unterscheidet mehrere Komponenten von Gefühlen und weist nach, dass eine überwiegend rationale Vernetzung dieser Komponenten eine notwendige Bedingung für ihre Interpretation ist (Abschnitt 1). Dieser methodische Zugriff lässt (...)
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  30. added 2015-06-13
    Professor.John Gibson - forthcoming - In Noël Carroll & John Gibson (eds.), The Routledge Companion to Philosophy of Literature. Routledge.
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  31. added 2015-06-13
    Empathy.John Gibson - 2015 - In Noël Carroll & John Gibson (eds.), The Routledge Companion to Philosophy of Literature. Routledge. pp. 200-219.
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  32. added 2015-04-05
    Sympathy For The Devil. The Paradox Of Emotional Response To Fiction.Gemma Manresa - 2012 - American Society for Aesthetics Graduate E-Journal 4 (1):29-30.
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  33. added 2015-04-05
    Fiction, Belief and Emotive Response.Sarah Elizabeth Worth - 1997 - Dissertation, State University of New York at Buffalo
    There is an apparent inconsistency between the ways which we respond emotively to real and to mimetic presentations. Since emotive responses are normally influenced by a certain belief state that we hold regarding particular circumstances in conjunction with real events, it should follow that we only respond emotively to those events which we believe to be real. This is not, however, the case. We very often respond emotively to situations which we have no reason to believe are actual. That is, (...)
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  34. added 2015-03-20
    Pleurer et rire pour de vrai.Maurizio Ferraris - 2013 - Philosophiques 40 (1):23-44.
    Maurizio Ferraris | : L’une des réponses au paradoxe de la fiction consiste à dire que les émotions que nous éprouvons face aux oeuvres de fiction ne sont pas véritables. Mais qu’est-ce que pleurer ou rire pour de vrai ? En fait, presque toutes les formes de rire ou de larmes, et de réactions émotionnelles, sont compatibles avec la fiction, y compris celles qui sont des émotions vraies. Ce qui pose problème dans le paradoxe est la prémisse selon laquelle nos (...)
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  35. added 2015-03-18
    Fiction and the Emotions.Alex Neill - 1993 - American Philosophical Quarterly 30 (1):1 - 13.
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  36. added 2015-03-17
    Walton on Imagination, Belief and Fiction.Christopher New - 1996 - British Journal of Aesthetics 36 (2):159-165.
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  37. added 2015-01-08
    The Value of Being: Thoreau on Appreciating the Beauty of the World.Rick Anthony Furtak - 2012 - In Rick A. Furtak, Jonathan Ellsworth & James D. Reid (eds.), Thoreau's Importance for Philosophy (Fordham, 2012). pp. 112-126.
  38. added 2014-11-11
    Genuine Rational Fictional Emotions.Tamar Szabó Gendler & Karson Kovakovich - 2006 - In Matthew Kieran (ed.), Contemporary Debates in Aesthetics and the Philosophy of Art. Blackwell. pp. 241-253.
    The “paradox of fictional emotions” involves a trio of claims that are jointly inconsistent but individually plausible. Resolution of the paradox thus requires that we deny at least one of these plausible claims. The paradox has been formulated in various ways, but for the purposes of this chapter, we will focus on the following three claims, which we will refer to respectively as the Response Condition, the Belief Condition and the Coordination Condition.
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  39. added 2014-04-17
    That Obscure Object of Desire: Pleasure in Painful Art.Jonathan Gilmore - 2013 - In Jerrold Levinson (ed.), Suffering Art Gladly: The Paradox of Negative Emotions in Art. Palgrave/Macmillan.
  40. added 2014-04-02
    Fear and Belief.Alex Neill - 1995 - Philosophy and Literature 19 (1):94-101.
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  41. added 2014-04-02
    Emotional Responses to Fiction: Reply to Radford.Alex Neill - 1995 - Journal of Aesthetics and Art Criticism 53 (1):75-78.
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  42. added 2014-04-02
    Fiction, Pity, Fear, and Jealousy.Colin Radford - 1995 - Journal of Aesthetics and Art Criticism 53 (1):71-75.
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  43. added 2014-04-02
    Fiction and Emotion: A Study in Aesthetics and the Philosophy of Mind.Bijoy H. Boruah - 1988 - Oxford University Press.
    Why do people respond emotionally to works of fiction they know are make-believe? Boruah tackles this question, which is fundamental aesthetics and literary studies, from a totally new perspective. Bringing together the various answers that have been offered by philosophers from Aristotle to Roger Scruton, he shows that while some philosophers have denied any rational basis to our emotional responses to fiction, others have argued that the emotions evoked by fiction are not real emotions at all. In response to this, (...)
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  44. added 2014-04-01
    Wuthering Heights: The Romantic Ascent.Martha Craven Nussbaum - 1996 - Philosophy and Literature 20 (2):362-382.
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  45. added 2014-04-01
    Emotion and Fictional Beings.Eddy M. Zemach - 1996 - Journal of Aesthetics and Art Criticism 54 (1):41-48.
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  46. added 2014-03-30
    The Fiction of Paradox: Really Feeling for Anna Karenina.Daniéle Moyal-Sharrock - 2009 - In Ylva Gustafsson, Camilla Kronqvist & Michael McEachrane (eds.), Emotions and Understanding: Wittgensteinian Perspectives. Palgrave-Macmillan.
    How is it that we can be moved by what we know does not exist? In this paper, I examine the so-called 'paradox of fiction', showing that it fatally hinges on cognitive theories of emotion such as Kendall Walton's pretend theory and Peter Lamarque's thought theory. I reject these theories and acknowledge the concept-formative role of genuine emotion generated by fiction. I then argue, contra Jenefer Robinson, that this 'éducation sentimentale' is not achieved through distancing, but rather through the engagement (...)
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  47. added 2014-03-29
    Catharsis.Jonathan Lear - 2010 - In Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature. Wiley-Blackwell.
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  48. added 2014-03-29
    Feeling Fictions.Roger Scruton - 2010 - In Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature. Wiley-Blackwell.
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  49. added 2014-03-29
    Emotion and the Understanding of Narrative.Jenefer Robinson - 2010 - In Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature. Wiley-Blackwell.
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  50. added 2014-03-29
    Passion, Counter-Passion, Catharsis : Beckett and Flaubert on Feeling Nothing.Joshua Landy - 2010 - In Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature. Wiley-Blackwell.
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1 — 50 / 119