Marcilio Ficino

The trends of Platonism which proved to be the most influential throughout the Renaissance were born roughly around the same period as the Greek corpus attributed to the Egyptian sage Hermes Trismegistus. They resulted from the rich intermingling of Greek philosophy with other Near Eastern cultures since the time of Alexander the Great. It is not by chance, then, that their fortunes were bound together until the Early Modern period. Legend has it that Cosimo de’ Medici was highly impressed by (...) the Platonic wisdom of the Greek émigrés visiting Florence in 1439, during the Council of Union between the Eastern and Western Churches, and particularly by the eminent philosopher George Gemistos Plethon. More than twenty years later, Cosimo entrusted a young Marsilio Ficino with the task of translating into Latin a Greek manuscript of Plato’s dialogues, possibly bequeathed by the Byzantine emperor, if not by Plethon himself. Before completing his rendering of the first series of ten dialogues, Ficino presented his elderly patron with the Pimander, a translation of fifteen Greek treatises on theology and occult lore by the “thrice greatest” Mercury or Hermes, believed to be the first in a venerable tradition of ancient sages which culminated in Plato. Certainly, these and similar newly recovered collections helped to shape and enrich the intellectual life of the emergent Renaissance. Their novelty and relevance, however, tended to be overstated in some historiographical perspectives. Fortunately, profound critical studies of the various sources from the Platonic, Neoplatonic, and Hermetic traditions have multiplied since the 19th century, gradually providing a clearer picture of the extent and nature of their influence on Renaissance and Early Modern scholars. Some of the most interesting topics discussed currently regard the lines of continuity between the medieval and Renaissance receptions of Platonism and Hermetism. Indeed, the Latin, Arabic, Hebrew, and Byzantine Middle Ages offer an immense repository of Platonic and Hermetic wisdom to Renaissance humanists and philosophers, which includes new theoretical and practical approaches, interpretative methods, translations, and commentaries. Only after elucidating these elements of continuity and change can one adequately ponder the distinctive character and originality of Renaissance Platonists and Hermeticists. Another hotly debated issue since Lynn Thorndike’s pioneering studies is the role of these ancient and medieval traditions in the development of experimental sciences and the emergence of the scientific revolution around the 16th and 17th centuries. (shrink)

In light of new textual evidence in a manuscript from Toledo (BCT, MS 19, 26), the present work intends to determine the scope of Nicholas de Cusa’s influence on Giovanni Pico della Mirandola around the problem of the unity of truth and the diversity of philosophies. In his Individuum und Kosmos in der Philosophie der Renaissance (1927), Ernst Cassirer held the capital role of Cusanus’ philosophy in the configuration of the philosophical turn in Florentine Humanism during the second half of (...) the Quattrocento. In the 1960s, historians of the stature of Eugenio Garin and Paul Oskar Kristeller objected Cassirer's assertions, going so far as to affirm that there was practically no influence by Cusanus on Marsilio Ficino and Giovanni Pico. In the case of the latter, more recent studies tended to balance the issue, pointing out several possible links between both authors, particularly through the physician and bibliophile Pierleone da Spoleto, who owned many works by the German cardinal. Some sections of Pico's Oratio, Conclusiones and other texts will be analyzed in comparison with those treatises by Cusanus which he most likely knew. For both authors, it is the unity of the incomprehensible truth that brings forth the different modes of philosophizing in the plurality of thought traditions. Resumen: A la luz de nuevas evidencias textuales en un manuscrito de Toledo (BCT, MS 19, 26), el presente trabajo se propone investigar los alcances de la influencia de Nicolás de Cusa sobre Giovanni Pico della Mirandola en torno del problema de la unidad de la verdad y la diversidad de las filosofías. En su obra de 1927, Individuum und Kosmos in der Philosophie der Renaissance, Ernst Cassirer sostenía el rol capital de la filosofía de Nicolás de Cusa en la configuración del humanismo filosófico florentino de la segunda mitad del Quattrocento. En la década del 60, historiadores de la talla de Eugenio Garin y Paul Oskar Kristeller matizaron las afirmaciones de Cassirer hasta afirmar una influencia prácticamente nula del Cusano sobre Marsilio Ficino y Giovanni Pico. En el caso de este último, estudios más recientes tendieron a equilibrar la cuestión, señalando varios posibles puntos de contacto entre ambos autores, particularmente por intermedio del médico y bibliófilo Pierleone da Spoleto, que poseía muchas obras del cardenal alemán. Se analizarán algunas secciones de la Oratio, de las Conclusiones y de otros textos de Pico en comparación con aquellos tratados del Cusano que muy probablemente haya conocido. Para ambos autores, es la unidad de la incomprensible verdad la que suscita los diversos modos del filosofar en la pluralidad de tradiciones de pensamiento. (shrink)

« Non stultam concludentes ». Giordano Bruno and the recourrence of David de Dinant between « De la causa » and « De vinculis in genere » · This research retraces and analyses the use by Giordano Bruno of his indirect source, David de Dinant, recurrent in the ontological reflection developed in De la causa, principio et Uno and in De vinculis in genere. By examining the texts of Bruno’s direct sources, such as Albertus Magnus, Thomas Aquinas, Nicolas of Cues (...) and Marsilio Ficino, this research reconstructs, first of all, the channels through which Bruno reads and transposes the heretical and censured doctrine of David de Dinant. Secondly, this research examines Bruno’s reformulation of some of the major questions discussed by his indirect source : 1) the link or identity and unity of hyle and mens, matter and form, power and act ; 2) the accidental nature of sensible forms and the eternity or the permanence of an infinite being and substance that is not subject to change. Finally, the research shows how Bruno’s use of the doctrine of David de Dinant, and with it of the pre-Socratic, Eleatic and atomistic philosophies, represents an attempt to think a philosophical and ontological alternative to the Aristotelian theological-metaphysical scholastic-thomistic structure. (shrink)

Profonda magia è un percorso a ritroso nella filosofia naturale e politica di Giordano Bruno, che ricostruisce la nozione di vincolo dagli ultimi scritti magici ai dialoghi italiani e alle prime opere latine. L’esigenza che muove la ricerca è quella di rintracciare nell’esperienza intellettuale e biografica del Nolano quale sia e come si costituisca la relazione tra filosofia naturale e politica. L’autore indaga se la riflessione politica possa essere slegata dallo studio della natura, o se trovi piuttosto la sua origine (...) e il suo sviluppo nel cuore stesso della physis. Per compiere quest’operazione egli isola e analizza quale sia la funzione che la nozione di vincolo assume tra la riflessione filosofico naturalistica e politico-antropologica. Ne risulta una ridefinizione della magia che è profonda non perché tesa verso il prodigioso, l’occulto e il soprannaturale, ma perché è la natura stessa, forza vincolante che lega e riconduce i suoi molteplici volti alla sua infinita unità. (shrink)

Il volume ripercorre lo sviluppo del pensiero del giovane Nicola Cusano dalla frequentazione del maestro albertista Eimerico da Campo presso l’Università di Colonia (1425) e dal confronto con le posizioni filosofiche dei domenicani dello Studium coloniense, fino agli anni della maturità a Roma (1450). Il saggio illustra il contesto storico-culturale della genesi del De docta ignorantia, testo che suggella la presa di distanza di Cusano dal proprio passato universitario ma anche, al contempo, la sua insoddisfazione nei confronti dell’umanesimo diffuso in (...) Italia negli anni del Concilio di Ferrara-Firenze; e lo segue nella sua ‘caccia della Sapienza’, nell’incontro con differenti tradizioni e contesti, fino alla formulazione dell’ideale del ‘Socrate cristiano’ nell’Idiota. Il volume, riccamente documentato anche sul piano della storia delle interpretazioni e degli studi su Cusano, contribuisce a far luce sulla formazione del suo pensiero e sulle questioni che ne hanno segnato la vita. (shrink)

In this article, I retrace the genesis of Marsilio Ficino’s engagement with the Roman poet and philosopher Titus Lucretius Caro. I show that one of the reasons for Ficino’s early interest in and positive assessment of Lucretius’ philosophy was his favourable attitude toward atomistic notions in the early stages of his intellectual life. Having become acquainted with atomistic ideas through Platonic sources, the young Ficino initially considered atomism – and especially Lucretius’ version of it – perfectly compatible with his own (...) finalistic view of nature and a vitalistic conception of matter. Over time, however, Ficino reconsidered his position and recognized that finalism and vitalism were not compatible with Lucretius’ materialist view. Only then did he begin his fierce attacks on the Latin philosopher, most notably in his Theologia Platonica. (shrink)

Is it correct to accept an anthopological dimension in Baruch Spinoza’s doctrine? Regardless of the answer we may suggest for this point, how could be this connected to the prevailing Humanism of the immediately previous period in which our author lived? Our proposal points to a positive stance in relation to the presence of an anthropological perspective in Spinoza’s thought; perspective that may be seen as a reaction to that kind of Renaissance humanism that sees the human being in Nature (...) a privileged kind. Therefore, in this paper we are going to analyse the way the concept of man evolves from this to the Spinozian formulation as a foundation in which it can be possible to accept the study of a certain Anthropology in his work. (shrink)

In his article on the foundations of Ficino’s ideas on magic, James Hankins observes that, where Ficino justifies non-material causation in the universe, he is heavily indebted to Avicenna. As Hankins also points out, this Avicennan idea clearly violates the Aristotelian maxim that ‘physical causation requires contact’. Because Avicenna holds the view that the soul is neither a physical entity nor simply the form of body, Avicenna’s consent to the soul to manipulate material objects means assignment of the soul to (...) perform actions upon physical nature. According to Hankins, this consent resorts to a vertical connectivity between physical objects and the human soul. However, we do not see in Hankins’s argument how this connection can occur according to Avicenna and on what grounds Avicenna lets the soul cause changes on material objects. How does this non-material causation take place? (shrink)

This essay explores the legacy of the Platonic philosophy at the end of the sixteenth century, when the Catholic Church switched from a tolerant approach to a rejection of the heterodox elements of the prisca theologia, and provides an analysis of Ciro Spontoni’s Corona del principe (1590) and Dodici libri del governo di Stato (1599). This two works clearly witnessed this change in the contemporary cultural climate, as Katinis shows highlighting the contrast between the massive presence of Platonism and Hermeticism (...) in the Corona and the exclusion of them from the Dodici libri. Furthermore, the essay examines the relationship between Spontoni’s political arguments and their sources. The essay addresses the major contemporary trends, including Platonism, Aristotelianism, Machiavellism, and Hermeticism, and pays particular attention to Marsilio Ficino’s commentary of Plato’s Republic, translated in vernacular by Spontoni himself and published with his Corona del principe. (shrink)

The notion of human dignity stands at the core of contemporary debates on rights, politics, and ethics. Many scholars consider the Renaissance discourse on dignity as one of its main contributions to the transition from the Middle Ages to modernity. This article examines the role of human dignity in the philosophies of Marsilio Ficino and Giovanni Pico della Mirandola. In their works human dignity relates both to freedom and to a Neo-Platonic ontology, which raises the question of how they reconcile (...) these two possibly contradictory elements. I show that starting from the insight that human beings are “naturally” free and able to make right choices, Ficino and Pico argue that human dignity consists in the ability of humans to understand what is good and to act accordingly. I thus defend the thesis that their conception of human dignity is not modern because it liberates human beings from the “history of being” but rather because it paves the way for their liberation to become rational beings. (shrink)

This contribution focuses on Ficino's letters and woks in which he defends the art of medicine and its value for the human beings.

The relationship between body and mind was traditionally discussed in terms of immortality of the intellect, because immateriality was one necessary condition for the mind to be immortal. This appeared to be an issue of metaphysics and religion. But to the medieval and Renaissance thinkers, the essence of mind is thinking activity and hence an epistemological feature. Starting with John Searle’s worries about the existence of consciousness, I try to show some parallels with the Aristotelian Pietro Pomponazzi (1462–1525), and eventually (...) show the Neoplatonic approach in Marsilio Ficino (1433–1499). The guiding question is: how can one philosophically address the problem of cognition in terms of corporeality and incorporeality? Searle maintains there is mind, although essentially related to a biological basis, and he is comparable to the Renaissance thinkers for his taking the interaction of the mental and the corporeal seriously. (shrink)

The ancient Neoplatonic doctrine that the rational soul has one or more vehicles—bodies of a semi-material nature which it acquires during its descent through the spheres—plays a crucial part in Marsilio Ficino’s philosophical system, especially in his theory of sense-perception and in his account of the afterlife. Of the soul’s three vehicles, the one made of more or less rarefied air is particularly important, according to Ficino, during the soul’s embodied existence, for he identifies it with the spiritus, the pneumatic (...) substance based in the brain which was believed to serve as an instrument for perception and imagination. He refers to the vehicles in his arguments against the theory of the transmigration of souls into the bodies of animals, claiming that the imaginative suffering experienced after death by souls in their aerial bodies are much more acute than the physical pain they might feel in bodies made of flesh and blood. Since the power of the imagination, for Ficino, is stronger than that of the four senses, the soul’s perceptive activity is more intense after death, when it has lost its earthly body and lives instead in a body made of air. The vehicles, moreover, provided Ficino with evidence for the individual immortality of souls, a doctrine that he was attempting to demonstrate philosophically against the position of Averroes and his followers. In his view, the vehicles ensured the survival after death of two faculties which were intimately connected to personal identity: the imagination and memory. By pointing out the role of the vehicles in transporting the soul’s innermost representations and memories through the universe, Ficino was able to show that the distinguishing traits of our personality are not lost with bodily death, but survive along with the vehicle that carries them. (shrink)

A Confederacy of Dunces (Confederacy) by John Kennedy Toole portrays an interplay between competing definitions of humanism. The one school of humanism—called by some the Modernist Paradigm—saw the Italian Renaissance as the origin of nineteenth- and twentieth-century modernist views that celebrated science, technology, and individual human freedom. The other school, led by Paul Oskar Kristeller, sought to historicize humanism by establishing that Renaissance writers and thinkers were generally conservative and preserved the philosophical ideas of the medieval era. Kristeller was the (...) President of the Renaissance Society of America and was at the height of his influence at Columbia University during the late 1950s, when Toole studied for his Master’s degree there. The main character in Confederacy, Ignatius J. Reilly, presents a parody of Kristeller’s position, which he uses to critique modern society. Ignatius also plays the part of a child of the planetary god Saturn, both by acting out the ancient astrological tradition of associating Saturn with misfortune and disorder and by being a parody of the Renaissance concept of the Genius as a Child of Saturn begun by the Renaissance philosopher whom Kristeller studied most, Marsilio Ficino. Ignatius’s worldview is an antithesis of the Modernist Paradigm. Confederacy is critical of both Modernist humanism with its attendant materialism and its antithesis—Ignatius’s dysfunctional version of Kristeller’s Renaissance philosophy. When the community expels Ignatius as a scapegoat, Toole appears to gesture toward a dialectical synthesis of the two concepts of humanism in the novel’s happy ending. (shrink)

British Journal for the History of Philosophy, Ahead of Print.

Paul Richard Blum Et nuper Plethon – Ficino's Praise of Georgios Gemistos ABSTRACT Most authors who refer to Marsilio Ficino's famous Prooemium to his translation of Plotinus, addressed to Lorenzo de'Medici, discuss the alleged foundation of the Platonic Academy in Florence, but rarely continue reading down the same page, where – for a second time – Georgios Gemistos Plethon is mentioned. The passage contains more than one surprising claim: 1. Pletho is a reliable interpreter of Aristotle. 2. Pletho and Pico (...) are the most recent Aristotelians, more precisely, they are the latest candle bearers of true Aristotelian tradition. 3. Pletho, alongside with the other authors mentioned, is religiously orthodox. In this paper I show that these statements are contrafactual, and discuss the reasons for Ficino's attempt at making Plethon and Pico his allies. Ficino suggests that Pico and Pletho are representatives of such "philosophic religion" that eventually might convert the Aristotelians to the same piety that unites Pico, Plethon, and the Platonizing interpreters of Aristotle. Pletho's agenda was to restore ancient pagan wisdom in order not to supplant Christianity. Ficino's device to counter corrupt Aristetelianism is to create a counter-tradition, that parallels Platonism, namely the pious reading of Aristotle. He employed the figure of young Pico as having urged him to translate Plotinus. Pico serves as a step stone between the Council of Florence, when in 1439 Cosimo encountered Pletho, and the new translation of Plotinus. The divine inspiration, instilled by Pletho and forwarded from Cosimo via Pico to Ficino christianizes the project, which would sound dubitable, if related only to Pletho. Thus Pico was to help saving Ficino's reputation as a religious philosopher. For this purpose, Ficino had to parallel Pletho with the unsuspected Pico, to the effect that Pletho becomes so to say christened. (shrink)

Renaissance Vitruvianism provides a broad context in which to situate the architecture of Tycho Brahe’s Uraniborg, but fails to account for the motivation behind Tycho’s design, for how Tycho knew Vitruvian design principles, and for any of Uraniborg’s specific features. Identifying Uraniborg as a Palladian design fares even worse. Some of Uraniborg’s features can, however, be understood in terms of talismanic ideas such as those circulating in sources such as Agrippa’s De occulta philosophia (which Tycho possessed) and Dee’s Propaedeumata aphoristica. (...) Of the several kinds of talisman possible, those of interest were intended to manipulate astral influences by mathematical resonance. Regardless of whether Tycho believed in talismanic efficacy, his early meteorological convictions make talismanic motifs a plausible inspiration for Uraniborg’s design. (shrink)

This paper is a comparison of some of the central ontological claims on the nature of prime matter of the Renaissance Platonist Marsilio Ficino, and the nature of space of Frane Petrić, the sixteenth century Platonist from the town of Cres. In it I argue that there are two respects in which the natural philosophies of both Platonists resemble one another, especially when it comes to the ontological status of the most basic substrate of the material world. First, both Ficino (...) and Petrić argue for the basic existence of matter and space. Second, both philosophers attribute an “ontological priority” to matter and space over what are seen as the fleeting qualities of the material world. (shrink)

Introduction to Marsilio Ficino's Philosophy (English translation): Intellectual Development: The Discovery of a Philosophical Gift. The Organic Worldview: Man as "Intellectual Hero." Psychology: The Soul as "the Midpoint of Everything." Epistemology: The Mind as "Infinite Power." Metaphysics: The Mind-Soul as "Intellect and Will." Aesthetics: The Soul as "Artist." Reception and Updated Bibliography (selection).

This paper wants to make a contribution to the study of the sources of Marsilio Ficino's Consilio contro la Pestilentia, composed in the Florentine tongue between 1478 and 1479 and published in 1481.

This paper is an examination of the theory of materia prima of the fifteenth century Platonist Marsilio Ficino. It limits its discussion of Ficino's theory to the ontological and epistemic status of prime matter in his Platonic Theology. Ficino holds a "robust" theory of prime matter that makes two fundamental assertions: First, prime matter exists independent of form, and second, it is, at least in principle, intelligible. Ficino's theory of prime matter is framed in this paper with a discussion of (...) the divergence among Scholastic philosophers over the nature of prime matter. (shrink)

This is a study on the relationship between medicine and philosophy in the 14th and 15th century with a focus on the humanist and philosopher Marsilio Ficino and his advice against the plague. The volume also offers a new edition of his "Consilio contra la pestilentia".

In a letter to Lorenzo di Pierfrancesco dei Medici, dating from 1477 to 1478, the Platonist philosopher Marsilio Ficino develops the classical theme of the correspondence between man and cosmos on the basis of the astrological techniques. The inner heaven, a term of the relationship between macrocosm and microcosm, takes the form of what astrologers call the birth theme: the series of astral positions at the moment of birth and related to its place. Taking up Origen’s theme of the inner (...) heavens, he systematically applies the theory of planet-signs to deciphering underlying themes of individual personality. (shrink)