Margaret Cavendish

Margaret Cavendish (1623-73) held a number of surprising philosophical views. These included a materialist panpsychism, and some views in what we might call environmental ethics. Panpsychism, though certainly not unheard of, is still often a surprising view. Views in environmental ethics - even just views that involve a measure of environmental concern - are unusual to find in early modern European philosophy. Cavendish held both of these surprising views. One might suspect that panpsychism provides some reasons for environmental concern. I (...) argue, however, that Cavendish did not derive her environmental ethics from her panpsychism. If there is a connection, it is a developmental one, leading from the ethics to the panpsychism. The investigation of these issues also provides an occasion for thinking more generally about how Cavendish's views fit together, and whether she developed a systematic philosophy in the manner of several of her contemporaries. (shrink)

Draft for the Oxford Handbook of Margaret Cavendish (edited by Julie Crawford with Jacqueline Broad). -/- This chapter looks at Margaret Cavendish's treatment of the supernatural, beginning by asking how she distinguishes the natural from the supernatural, and then by examining her treatment of a series of alleged supernatural beings: fairies, ghosts, witches, the human supernatural soul, angels, and God. Throughout, it argues that Cavendish's approach to the supernatural is often similar to Thomas Hobbes's.

In this paper, I compare Margaret Cavendish’s argument for the view that colours of objects are inseparable from their ‘physical’ qualities with George Berkeley’s argument for the view that secondary qualities of objects are inseparable from their primary qualities. By reconstructing their respective arguments, I show that both thinkers rely on the ‘inconceivability principle’: the claim that inconceivability entails impossibility. That is, both premise their arguments on the claim that it is impossible to conceive of an object that has size (...) and shape but no colour. I argue that Cavendish, like Berkeley, accepts the inconceivability principle on the grounds that it is impossible to conceive of something that could not, in principle, be perceived and, in turn, that something imperceptible could not possibly exist. As such, I argue that both Cavendish and Berkeley are committed to an ‘empiricist’ modal epistemology: one wherein our knowledge of what it is possible to perceive informs us about what could possibly exist. For this reason, I conclude that there is more empiricism in Cavendish’s epistemology than secondary literature to date suggests. (shrink)

This essay focuses on theories of creativity from six historical figures, while noting comparisons to several others. In Ancient Greece: (i) Plato advances the thesis that the poet is a passive vessel inspired by a muse. (ii) Aristotle replies with the antithesis that the poet creates through skilled activity. (iii) Longinus provides the synthesis. Plato is right that poets are passively inspired with original ideas – though the source is natural genius instead of some muse. But Aristotle is also right (...) that the poet must actively employ skill. In early modern Europe: (iv) Margaret Cavendish argues that through creativity women can enjoy some freedom and happiness despite oppression. (v) Alexander Gerard and Immanuel Kant both inherit the Longinian synthesis. Gerard says we form original ideas through remote associations. (vi) Kant notices that although the genius must be passive in the origination of ideas, she must also be active in the very same process, because she merits acclaim for her originality. Kant designs his theory of genius to resolve this Paradox of Creative Agency. (shrink)

In this paper, I present three claims belonging to Cavendish’s theory of the passions. First, positive and negative passions are species of love and hate. Second, love and hate involve pleasure and pain. Third, pleasure and pain are regular and irregular, where these notions are to be understood in teleological terms. From these commitments, it follows that hate is irregular. I argue that this consequence is a problematic one for Cavendish. After defending my reading through a consideration of Cavendish’s reflections (...) on mental health and disorder, I explore ways in which she might revise her commitments to avoid the problem. Throughout the paper, I demonstrate the extent to which Cavendish’s theory of the passions draws on Aristotelian and Augustinian ideas that loomed large in late sixteenth- and early seventeenth-century writings on the topic. (shrink)

Original, ingenuous, and heterodox the philosopher Margaret Cavendish (1661-1717) is one of the most important writers and thinkers of the seventeenth century. Almost entirely self-taught, as well as engaging deeply with the philosophical currents of her time she wrote on a rich array of topics including gender, science and manners. Her utopian novel, The Blazing World, is one of the earliest works of science fiction. In this outstanding introduction to Cavendish's philosophy Alison Peterman explores the full span of Cavendish's work. (...) She begins by examining Cavendish's metaphysics, in particular her view that matter is divisible, sensitive and rational and that the only kind of change is motion, contrasting Cavendish's approach with that of other 'mechanical' philosophers Descartes, Hobbes, Boyle and Gassendi. Peterman then assesses Cavendish's arguments concerning order and causation in nature, particularly her view that order can only be explained if nature is whole and that matter has 'sense' and 'reason', before turning to her theory of the human mind and perception, knowledge and scientific method. Finally, she explains and assesses Cavendish's ethics and politics, returning to her distinction between the natural and artificial and how her moral and political views are evident in her poetry, fiction, plays and other literary writings. Including a chronology, glossary of key terms, and suggestions for further reading at the end of each chapter, Cavendish is an ideal starting point for anyone coming to Cavendish's philosophy for the first time. It will also be of great interest to those studying seventeenth century philosophy, metaphysics, the history and philosophy of science, and women philosophers in early modern philosophy. (shrink)

Margaret Cavendish’s conception of memory has received little scholarly attention. Here, I taxonomize various notions of memory within her system, focusing primarily on a crucial distinction between what she calls ‘memory’ and what she calls ‘remembrance.’ I argue that Cavendish considers remembrance a more general and pervasive action in nature than memory. Memory, an action uniquely associated with animal creatures, refers to the animal’s reason storing past sense perceptions and conceptions such as thoughts, ideas, imaginations, etc. Remembrances, or voluntary repetitions (...) of past motions, manifest in two varieties. In the first, the animal retrieves perceptions or conceptions stored in memory. In the second, which all creatures exhibit, a creature’s parts voluntarily repeat past actions via custom or habit, such as in respiration and photosynthesis. These remembrances do not rely on anything stored in memory but derive directly from what Cavendish calls a creature’s ‘self-knowledge.’. (shrink)

We examine Margaret Cavendish’s ecological views and argue that, in the Appendix to her final published work, Grounds of Natural Philosophy (1668), Cavendish is defending a normative account of the way that humans ought to interact with their environment. On this basis, we argue that Cavendish is committed to a form of what, for the purposes of this paper, we call ‘deep ecology,’ where that is understood as the view that humans ought to treat the rest of nature as something (...) of intrinsic value. The reading of Cavendish we defend in this paper also commits her to a naturalistic account of ‘moral facts’ about how humans ought to interact with their environment. That is, on our reading of Cavendish, ‘moral facts’ (i.e., facts about how we ought and ought not to behave, and what it is right or wrong for us to do) are grounded in facts about nature—and, in Cavendish’s case, its (ir)regularity. Such facts are hypothetical, rather than categorical: they are facts about how we ought to act if we wish to attain happiness or flourishing. We thus contend that Cavendish anticipates, at least loosely speaking, movements in both deep ecology and in naturalistic meta-ethics that came to prominence well after the time in which she was writing. (shrink)

Stewart Duncan’s excellent book Materialism from Hobbes to Locke offers an insightful study of the debates concerning materialism during the seventeenth century. When we hear the expression ‘materialism’, we often associate with it the question of whether the human mind is an entirely material entity. Although the question of whether the human mind is material plays an important role throughout the seventeenth-century debates examined in this book, Duncan offers a broader understanding of materialism that is not restricted to the human (...) mind. According to Duncan, materialism is ‘a view about some object or a group of objects. Often that object is the human mind’ (2), but materialism can also concern other objects such as animal minds or God. This leads Duncan to introduce materialism as ‘the view that the thing in question is wholly material, and has no immaterial part’ (2). He deliberately leaves open what it means to be material, because different philosophers featured in his book disagree about this question. (shrink)

Sometimes we love and hate the same thing at the same time. Margaret Cavendish (1623-1673)—the maverick early modern materialist—appeals to this type of passionate conflict to argue that the mind is a material thing. When our passions conflict, the mind or reason conflicts with itself. From this Cavendish infers that the mind has parts and, therefore, is material. Cavendish says this argument is among the best proofs of the mind’s materiality. And yet, the existing scholarship on Cavendish lacks the kind (...) of detailed reconstruction required to evaluate this argument’s merits. In this paper, I provide just such a reconstruction. I also show that Cavendish’s argument is an effective intervention in her dispute with René Descartes and Henry More about the (im)materiality of the mind. (shrink)

Margaret Cavendish (1623-1673) argues that when someone throws a ball, their hand does not cause the ball to move. Instead, the ball moves itself. In this chapter, I reconstruct Cavendish’s argument that material things—like the ball—are self-moving. Cavendish argues that body-body interaction is unintelligible. We cannot make sense of interaction in terms of the transfer of motion nor the more basic idea that one body acts in another body. Assuming something moves bodies around, Cavendish concludes that bodies move themselves. Still, (...) Cavendish needs to explain why bodies appear to causally interact even if they do not really. Balls do not usually throw themselves without a helping hand. I offer a new reading of the way bodies respond to their external circumstances in terms of prerequisites or enabling conditions. (shrink)

The landscape of historical research on early modern philosophy has changed dramatically since the publication of Eileen O'Neill's landmark essay, “Disappearing Ink: Early Modern Women Philosophers and Their Fate in History” (O'Neill 1997). In the past thirty years, increasing quantities of scholarly attention have shifted toward retrieving and reassessing the contributions of marginalized voices throughout the history of philosophy. Few interventions are as impactful within this growing field as Marcy Lascano's recent monograph comparing the metaphysical systems of Margaret Cavendish (1623–1673) (...) and Anne Conway (1631–1679). Lascano identifies three core metaphysical themes that are shared between both figures: monism, vitalism, and self-motion. In addition to these core themes, she presents a few more points of comparison—such as their shared dissatisfactions with mechanical philosophy—as well as some points of disconnect—such as the differing roles of God and teleology in their frameworks. Readers will find a clear overview of both authors’ metaphysical frameworks presented within a helpful model for comparative interpretation in ameliorative historical research. ... (shrink)

Margaret Cavendish (1623-1673) only began receiving sustained attention by historians of philosophy in recent decades, but she is being rapidly integrated into the early modern philosophical canon. This essay explores one dimension of teaching Cavendish that presents difficulties for introductory philosophy students: her criticisms of experimental philosophy. Section one explains how I integrate Cavendish into the narrative of my course, identifying both historical and thematic strategies for including her in introductory philosophy courses. Section two describes methods for teaching Cavendish’s natural (...) philosophy and identifies a pedagogical challenge to presenting her criticisms of experimental philosophy. In their first exposure to Cavendish, students may conclude that her writings are anti-scientific. Section three explains how I addressed this pedagogical challenge by restructuring my course narrative around Cavendish’s early poetry and recent debates concerning scientific realism. Ultimately, teaching Cavendish through the lens of scientific anti-realism makes it easier to integrate her writings into introductory philosophy courses while giving students tools for contextualizing her natural philosophy among historical and present-day scientific practices. (shrink)

In this paper I investigate where the boundaries of conscious mental life lie in Cavendish’s theory, and why. Cavendish argues for a wholly material yet wholly thinking universe. She claims that all matter is capable of “self-knowledge” and “perception” (OEP, p. 138), so that every part of nature “must have its own knowledge and perception, according to its own particular nature” (OEP, p. 141). It is unclear, however, whether the universal capacity of matter to know and perceive also implies the (...) presence of consciousness. I show that Cavendish’s use of the notions of “self-knowledge” and “perception” implies the attribution of consciousness to all bodies. I identify one condition under which the ubiquitous presence of consciousness is intuitively required in Cavendish’s system: namely the presence of intentional agency in every part of nature, which Cavendish conceives as necessary, alongside the capacity of self-motion, to account for the orderly behavior of any body. (shrink)

Margaret Cavendish’s views about the nature of bodies and perception leave her with a potentially problematic implication: that light has no role in visual perception. For her, perception occurs through the self-motion of animate matter, not through a mechanical system that appeals to local motions and collisions of contiguous bodies. This means that motion is not transferred from external objects with light playing a mediating role; the matter of our eyes simply moves itself to copy the sensible qualities of external (...) bodies. However, Cavendish cannot ignore the simple empirical fact that we appear to have visual perceptions in the presence of light but not in the presence of darkness. Light must play some role. I argue that light for Cavendish plays an intermediary role but does not transfer motions as the mechanical model suggests. Rather, light behaves like our eyes by moving itself to form copies of external objects. Our eyes then see these copies. For Cavendish, we are directly acquainted with a “veil of light” rather than the objects themselves. (shrink)

In my contribution to this Concise Collection on Margaret Cavendish, I focus on teaching Cavendish’s work in the context of philosophy (and, more specifically, Early Modern Philosophy). I have three aims. First, to explain why teaching women from philosophy’s history is crucially important to the discipline. Second, to outline my own reflections on teaching Cavendish’s philosophy. Third, to defend a specific claim about the benefits of teaching Cavendish to philosophy students; namely, that introducing biographical detail alongside philosophical ideas enriches the (...) learning experience. (shrink)

In The Metaphysics of Margaret Cavendish and Anne Conway, Marcy P. Lascano holds up the metaphysical views of two early modern women philosophers alongside one another in order to demonstrate that...

Perception plays a central and wide‐ranging role in the philosophy of Margaret Cavendish. In this paper, I argue that Cavendish holds a naïve realist theory of perception. The case draws on what Cavendish has to say about perceptual presentation, the role of sympathy in experience, the natures of hallucination and of illusion, and the individuation of kinds. While Cavendish takes perception to have representational content, I explain how this is consistent with naïve realism. In closing, I address challenges to the (...) interpretation, one of which turns on whether Cavendish allows for action at a distance. I argue that she does. (shrink)

Motion—and, in particular, local motion or change in location—plays a central role in Kenelm Digby’s natural philosophy and in his arguments for the immateriality of the soul. Despite this, Digby’s account of what motion consists in has yet to receive much scholarly attention. In this paper, I advance a novel interpretation of Digby on motion. According to it, Digby holds that for a body to move is for it to divide from and unify with other bodies. This is a view (...) of motion—as change in relations of parthood—that Alison Peterman attributes to Digby’s contemporary and acquaintance, Margaret Cavendish. Having shown that Digby’s presentation of the view predates Cavendish’s by more than a decade, I make a case that Digby’s work influenced Cavendish’s on this topic. In developing and defending my reading, I consider to what extent the Digbean account of motion and the arguments for it accord with the ideals of the mechanical philosophy emerging in the early modern period. (shrink)

I examine Alan Moore and Kevin O’Neill’s adaptation of Margaret Cavendish’s Blazing World in the comic series The League of Extraordinary Gentlemen. I interpret philosophical aspects of Cavendish’s fictional landscape, including her vitalist materialism and naturalized talking animals, as they appear in series The League of Extraordinary Gentlemen, rendered through 3-D images and corresponding 3-D glasses worn by readers. Through this world adaptation, Moore and O’Neill onboard themes of naturalness, experimentation, technology-aided perceptual processes, and travel to intersecting worlds to enhance (...) The League of Extraordinary Gentlemen’s commentary on the formative influence of fiction on authors and audiences. (shrink)

In this article, I will be looking at the person and works of Margaret Cavendish (1623–1673), an aristocrat and author whose philosophical texts and poetry defended the rational capacity of nonhuman animals. Generally, society in 17th-century England did not consider nonhuman animals to have any intelligence or emotional capacity and treated them accordingly. In her works, Cavendish sheds a light on these commonly accepted views, providing arguments against them and indicating their inconsistencies.

Nos proponemos estudiar las objeciones de Cavendish hacia la filosofía experimental desde una perspectiva no dicotómica para mostrar que, lejos de establecer un enfrentamiento entre la filosofía contemplativa y la experimental, la razón y la sensación, o la naturaleza y el arte, la autora plantea una cooperación organizada entre estos aspectos. La postura de Cavendish puede comprenderse adecuadamente si se tiene en cuenta que su epistemología se arraiga en su metafísica, en la que los grados de la materia y los (...) distintos seres vivos que conforman el universo ocupan un lugar determinado y cumplen cierta función conformando una totalidad orgánica y armónica. (shrink)

This chapter examines the epistemologies of Margaret Cavendish, Mary Astell, and Mary Shepherd. Cavendish argues that minds come to have knowledge via two routes: sensory perception and reason. For Cavendish, these two faculties of knowledge differ not in kind but in degree: they work to produce ideas in the same way, but ideas that come from reason are less trustworthy than those from the senses. While Astell also acknowledges a distinction between sense perception and reason as faculties of cognition, she (...) claims that ideas that come from the senses cannot properly be called knowledge. In contrast, reason traffics in ideas that are wholly non-sensory and allow for a level of certainty that counts as knowledge in the strict sense. Shepherd locates a position that lies in between that of Cavendish and Astell. Like Astell, Shepherd argues that we have limited knowledge from sense perception, and we have absolutely certain knowledge of some things through a non-sensory faculty of reason – for example, that changes in a body cannot occur without a cause, and that things cannot be annihilated or come from nothing. However, for Shepherd, the scope of human knowledge is quite limited. (shrink)

Theories of perception are at the core of many of the most renowned seventeenth and eighteenth century European philosophical systems. Work on perception is less common in the writings of women philosophers of this period, and yet, like their male peers, early modern women philosophers are responsible for innovative accounts of our perceptual relation with the natural world. With special attention to the work of Margaret Cavendish and Mary Shepherd, this essay explores some notable features of theories of perception developed (...) by women between the mid-seventeenth and the early nineteenth centuries with the aim of elucidating how women’s contributions to this cardinal area of early modern study expanded the diversity of views on offer. (shrink)

This paper argues that Margaret Cavendish is a metaphysical deflationist about life. That is, it claims that, in Cavendish's mature philosophy, life is no metaphysical kind. From this it also follows that claims about matter being alive play no role in Cavendish's (natural) philosophy. On my reading, living is identical with (natural) being, Cavendish has no problem of life, and the label of vitalism is explanatorily vacuous as applied to her philosophy.

A central theme in the scholarly literature on Enlightenment Europe concerns the increased focus on the role of reason in the development of European thought, especially in the development of the new science by the natural philosophers. As a consequence, there is a tendency in both philosophical scholarship and teaching to bind philosophy and science tightly together. While there is certainly much that is correct in this approach, one motivation for pluralizing philosophy’s past is that this story leaves out a (...) great deal that is important in Enlightenment views of reason. We argue, using as an example the work of figures like Margaret Cavendish, that reason was significantly broader in scope—and that developments in science were paralleled by equally important advances in music, art, literature, medicine, philosophy, and other areas. In recognizing the lack of a sharp boundary between these areas, an inclusive canon of Enlightenment philosophy gives us this richer notion of reason. Integrating figures such as Cavendish into the canon helps us to see that the narrow focus on the scientific version of reason within Enlightenment scholarship creates a false distinction between science and the humanities and misses out on the humanistic ends for which we engage in philosophy. (shrink)

This book is an examination of the metaphysical systems of Margaret Cavendish and Anne Conway, who share many superficial similarities. By providing a detailed analysis of their views on substance, monism, self-motion, individuation, and identity over time, as well as causation, perception, and freedom, it demonstrates the interesting ways in which their accounts differ. Seeing their systems in tandem highlights the originality of each philosopher. In addition to providing the details of their metaphysical views, the book also shows how they (...) put these views to use: for Cavendish in grounding her natural philosophy and for Conway in developing her theodicy. The account of Cavendish is more naturalistic than current interpretations. It argues that God plays no substantive role in Cavendish’s philosophy. The book provides an account of Cavendish’s matter and her biological holism. It shows how sensitive and rational matter are expressed differently in different natural kinds. It provides the first account of Cavendish’s views on individuation and identity over time and a detailed account of her views on causation, arguing that nature is the only principal cause. The book also provides an account of Conway’s spiritual substance, arguing that it is a unique type of substance. It discusses Conway’s two types of motions and causation. In addition, a detailed account of her view of motion as a mode of body, and how it is transferred, is provided. Finally, the book concludes that Conway’s metaphysics and morality are inseparable and that she holds a type of perfectionism. (shrink)

Este artículo analiza la posición de Margaret Cavendish sobre la realidad y la ficción en los sueños y su papel dentro del escepticismo moderado de su filosofía. Cavendish sostiene que no hay distinción entre las representaciones que se tienen en los sueños y en la vigilia, no considera que la diferencia entre la realidad y la ficción sea tajante o relevante; de modo que, si bien promueve un discurso filosófico que articula la razón que busca conocer la realidad y la (...) fantasía (fancy) que construye ficciones, considera que solo las fantasías poéticas “elevadas” son competentes para la con-strucción de este discurso. (shrink)

This article discusses Margaret Cavendish's position on reality and fiction in dreams and her role within the moderate skepticism of her philosophy. While Cavendish argues that there is no distinction between dream-like and waking depictions, she does not consider the difference between fact and fiction to be sharp or relevant. We will argue that, although Cavendish promotes a philosophical discourse that articulates reason –that seeks to know reality— and fancy —which constructs fictions—, considers that only "elevated" poetic fantasies are competent (...) for the construction of this discourse. (shrink)

In this paper I investigate where the boundaries of conscious mental life lie in Cavendish’s theory, and why. Cavendish argues for a wholly material yet wholly thinking universe. She claims that all matter is capable of “self-knowledge” and “perception” (OEP, p. 138), so that every part of nature “must have its own knowledge and perception, according to its own particular nature” (OEP, p. 141). It is unclear, however, whether the universal capacity of matter to know and perceive also implies the (...) presence of consciousness. I show that Cavendish’s use of the notions of “self-knowledge” and “perception” implies the attribution of consciousness to all bodies. I identify one condition under which the ubiquitous presence of consciousness is intuitively required in Cavendish’s system: namely the presence of intentional agency in every part of nature, which Cavendish conceives as necessary, alongside the capacity of self-motion, to account for the orderly behavior of any body. (shrink)

In Part 1, we explored how Berkeley drew from Homeric literature and used literary techniques such as satire to challenge his “freethinking” philosophical opponents in “The Pineal Gland” story published in The Guardian in 1713. Echoing the grand tours Berkeley undertook in subsequent years, Part 1 and 2 both present a “gland tour” of some motivations, influences and legacies of Berkeley's text. In particular, Part 2, explores a line of literary influence beginning with Margaret Cavendish and extending through Gabriel Daniel, (...) Berkeley and Alexander Pope. In doing so, we present anticipations of features of Berkeley's story in the writings of Margaret Cavendish amid a discussion of Berkeley's complex attitudes towards women. The paper also argues that Berkeley's story represents an underappreciated yet significant milestone in the history of speculative fiction. (shrink)

Margaret Cavendish’s views about the nature of bodies and perception leave her with a potentially problematic implication: that light has no role in visual perception. For her, perception occurs through the self-motion of animate matter, not through a mechanical system that appeals to local motions and collisions of contiguous bodies. This means that motion is not transferred from external objects with light playing a mediating role; the matter of our eyes simply moves itself to copy the sensible qualities of external (...) bodies. However, Cavendish cannot ignore the simple empirical fact that we appear to have visual perceptions in the presence of light but not in the presence of darkness. Light must play some role. I argue that light for Cavendish plays an intermediary role but does not transfer motions as the mechanical model suggests. Rather, light behaves like our eyes by moving itself to form copies of external objects. Our eyes then see these copies. For Cavendish, we are directly acquainted with a “veil of light” rather than the objects themselves. (shrink)

We argue that, while Cavendish did express orthodox piety, she is likely to have been read by her contemporaries as heterodox and deistic at best, atheistic at worst. Furthermore, they would have been right: it is seemingly impossible to reconcile her metaphysical and epistemological views with particular providence, miracles, the incarnation and revelation. We proceed by outlining her general metaphysical position (section 1) before looking in some detail at her discussion of immaterial beings (section 2). We then consider the implications (...) of these views for certain orthodox Christian doctrines (section 3). (shrink)

In this paper, I offer a new interpretation of Margaret Cavendish’s remarks on beauty. According to it, Cavendish takes beauty to be a real, response-independent quality of objects. In this sense, Cavendish is an aesthetic realist. This position, which remains constant throughout her philosophical writings, contrasts with the non-realist views that were soon after to dominate philosophical reflections on matters of taste in the early modern period. It also, I argue, contrasts with the realism of Cavendish’s contemporary, Henry More. While (...) there are passages in Cavendish’s work that might seem to count against my reading—specifically, passages on disagreement in aesthetic judgement, on the power of beauty to elicit the passions, and on our inability to specify the nature of beauty—I show that, when situated against the background of Cavendish’s broader metaphysical and epistemological views, those passages in fact support the realist interpretation. (shrink)

The nature of light is a focus of Thomas Hobbes’s natural philosophical project. Hobbes’s explanation of the light of lucid bodies differs across his works, from dilation and contraction in Elements of Law to simple circular motions in De corpore. However, Hobbes consistently explains perceived light by positing that bodily resistance generates the phantasm of light. In Letters I.XIX–XX of Philosophical Letters, fellow materialist Margaret Cavendish attacks the Hobbesian understanding of both lux and lumen by claiming that Hobbes has illicitly (...) made abstractions from matter. In this paper, I argue that Cavendish’s criticisms rely on an incorrect understanding of the nature of Hobbesian geometry and the role it plays in Hobbes’s natural philosophy. Rather than understanding geometry as wholly abstract, Hobbes attempts to ground geometry in different ways of considering bodies and their motions. Furthermore, Hobbes’s own criticisms of abstraction suggest that he would share many of the worries she raises but deny that he falls prey to them. (shrink)

Henry More argues that materialism cannot account for cases where a single subject or perceiver has multiple perceptions simultaneously. Since we clearly do have multiple perceptions at the same time--for example, when we see, hear, and smell simultaneously--More concludes that we are not wholly material. In response to More's argument, Margaret Cavendish adopts a two-fold strategy. First, she argues that there is no general obstacle to mental unification in her version of materialism. Second, Cavendish appeals to the mind or rational (...) matter--terms she often uses interchangeably—to explain the integration of sensory input from multiple senses. When the mind integrates perceptions across modalities, the different parts of rational matter share their knowledge so that they all come to perceive alike. When rational parts successfully communicate their knowledge, each part knows what all the others know. They pool their knowledge; they perceive alike. Thus, when someone hears, sees, and tastes, each part of her mind hears, sees, and tastes alike, in parallel and in unison. The Cavendishian mind, in short, approximates simplicity by achieving uniformity or homogeneity of perceptions across its parts. (shrink)

Margaret Cavendish is a vitalist, materialist, and monist. She holds that human beings and other natural kinds are parts of the one material entity she calls “nature.” While she thinks that human beings may not be superior to other animals in many ways, she does argue that human beings have a type of knowledge and perception that is unique to their kind, that they strive for the continuance of their being, and that they join together into societies in order to (...) achieve a more peaceful existence. In what follows, we will give a brief overview of Cavendish’s metaphysics of nature, and then turn to her metaphysics of human beings. We will consider the formation of human beings, how their perception and knowledge differ from other nonhuman animals, how human beings are individuated, and in what sense they can be immortal. Finally, we will turn to her social and political views of human beings. In the end, we will argue, contra current scholarship, that Cavendish’s views about the social nature of the human beings mirror her views about the metaphysical structure of nature. In particular, we show that Cavendish embraces both natural and social hierarchy as well as a form of sexual equality that we dub “Platonic feminism.”. (shrink)

Theories about what a mind is entail views about who (or what) has a mind and vice versa. This chapter reframes the classic problem of how the mind interacts with the body in terms of the question of mental attribution: Which bodies have minds? Critical social theorists’ descriptions of mental attribution associated with the bodies of women, Black people, colonized people, laborers, and others, reveals three metaphysical components of mental attribution that are respectively associated with experiences of immanence and non-being, (...) dehumanization, and objectification and hypermateriality: (1) the ratio component, (2) the comparison component, and (3) the constitution component. A theory’s approach to each of these components collectively forms its “attribution pattern.” Physicalist panpsychisms provide ready examples of attribution patterns that apply to the set of all bodies that exist. Russellian panpsychism illustrates a “selective” attribution pattern that attributes minds (or mentality) only to certain bodies, while Cavendishian panpsychism exhibits an “unrestricted” attribution pattern that attributes a mind to each and every body. These contrary views help to establish a taxonomy of mental attribution patterns that promises to inspire fresh theories of mind and liberatory configurations of the social. (shrink)

In this work, I offer an interpretation of the principle of individuation and the ontological status of individual bodies in the work of Margaret Cavendish. By proposing an alternative to the mechanical model of natural philosophy, Cavendish must approach the metaphysics of matter from a different angle. Such a perspective can offer fruitful elements to understand the complex and diverse landscape of natural philosophy in Early Modern Philosophy. I contextualize Cavendish’s natural philosophy and its relation to the developments of other (...) early modern approaches. Section 1 is dedicated to an overview of Cavendish’s natural philosophy. In Sect. 2, I present the difficulty concerning the individuation of bodies in modern philosophy in order to reveal the background in which Cavendish develops her position. Before turning to the analysis of the central passages in which Cavendish explores the problem of individuation, in Sect. 4, I introduce the basic tenets of her metaphysics in Sect. 3. Finally, in Sect. 5, I turn to motion and its causes, given its fundamental role in individuation. (shrink)

This paper reconstructs Margaret Cavendish’s theory of the metaphysics of artifacts. It situates her anti-mechanist account of artifactual production and the art-nature distinction against a background of Aristotelian, Scholastic, and mechanist theories. Within this broad context, it considers what Cavendish thinks artisans can actually do, grounding her terminological stipulation that there is no genuine generation in nature in a commitment to natural and artistic production as the mere rearrangement of bodies. Bodies themselves are identified, in a conceptually Ockhamist manner, with (...) their figures, so that the resulting theory of mere rearrangement is Scholastically respectable. The paper also offers literal interpretations, focused narrowly on the philosophical content of her theories of art and artifacts, of her claims that art concerns only “nature’s sporting or playing actions”, that its products are “deformed and defective”, and that they are “at best …mixt or hermaphroditical.". (shrink)

Margaret Cavendish was a philosopher and writer active in mid-seventeenth century England. She is important not just as one of the first women active in philosophy in early modern age but as the expounder of an original scientific theory based on vitalism and materialism, by which she rejected the mechanical philosophy of Descartes and Hobbes and the experimental philosophy of Boyle and Hooke. Also, while not developing a theory of gender equality, she envisaged a form of emancipation of women based (...) on intellectual activity as a way to social recognition and to the exercise of influence on society and politics. (shrink)