Maurice Merleau-Ponty

George Berkeley's apparently strange view – that nothing exists without a mind except for minds themselves – is notorious. Also well known, and equally perplexing at a superficial level, is his insistence that his doctrine is no more than what is consistent with common sense. It was every bit as crucial for Berkeley that it be demonstrated that the colors are really in the tulip, as that there is nothing that is neither a mind nor something perceived by a mind. (...) In what follows, I shall attempt to re-examine Berkeley's argument in terms of what it appears to have meant to him. I am especially interested in the connection between Berkeley's thought concerning the relation between perception and metaphysics and that of Maurice Merleau-Ponty, with whom, perhaps surprisingly, Berkeley shared a great many intuitions and concerns. Thus part of my objective is to compare and contrast the work of two thinkers who had many common interests, and whose thought frequently led them down similar paths. I shall be especially interested in apparent points of departure, both those that turn out to reflect real divergences and those which reflect confusions of one kind or another. My main objective, however, is not mere textual analysis. Like both Berkeley and Merleau-Ponty, my main hope is to make progress in clarifying how things are. As odd as some of Berkeley's pronouncements may sound to contemporary ears – concerning especially the metaphysical consequences of what he regarded as perceptual facts – I shall argue that, in substance, he was often not far wrong at all – at least as measured by important strands of more contemporary work on the subject. More particularly, I shall contend that for going a long way down an extraordinarily fruitful path which has been subsequently explored more fully by (especially) Martin Heidegger, Merleau-Ponty, Nelson Goodman and Hilary Putnam, Berkeley deserves considerably more credit than he is usually accorded as a progenitor of contemporary approaches to metaphysical issues. (shrink)

In several papers, Mark Wrathall argued that French phenomenologist, Maurice Merleau-Ponty, identifies a sui generis type of grounding, one not reducible to reason or natural causality. Following the Phenomenological tradition, Merleau-Ponty called this form of grounding “motivation,” and described it as the way in which one phenomenon spontaneously gives rise to another through its sense. While Wrathall’s suggestion has been taken up in the practical domain, its epistemic import has still not been fully explored. I would like to take up (...) the epistemic dimension of Wrathall’s thought in this paper. Following Wrathall, I explain how motivation can help us understand the manner in which perceptions ground singular, experiential judgments. But I extend this work in two ways. First, I suggest some additional considerations that support Wrathall’s view. Second, I argue that motivation can also help account for the way perceptions ground general judgments. My aim here will not be so much to rule out other answers to these longstanding epistemological questions, as to show that motivation carves out an attractive epistemological space. (shrink)

Ce texte cherche à interroger l'œuvre de Merleau-Ponty à travers la métaphore de l'écriture: de la Phénoménologie de la perception jusqu'aux dernières notes du Visible et l'invisible, un même réseau conceptuel revient en effet, celui de la trace, du texte, de l'inscription, et nous avons tenté d'en cerner le sens et la fonction. L'écriture, le « texte du monde », c'est d'abord le sol fondamental, l'originaire dont la phénoménologie est en quête, et qu'elle tente de dévoiler sous les idéalités du (...) langage constitué; c'est ensuite, selon la lecture que Merleau-Ponty entreprend de Saussure, l'écart, la différence interne au procès des significations — l'écriture ou la trace n'étant plus alors ce « texte original » auquel il nous faudrait sans cesse revenir, mais l'épaisseur même du langage se reprenant sans cesse. Parce qu'elle est à la fois à la recherche de l'expérience première et qu'elle a renoncé à l'illusion d'une transparence du langage, d'une coïncidence muette, la philosophie est une bien étrange traduction: ce qu'elle écrit à son tour vise à « rendre » le visible ou le sensible, mais ce sensible « n'offre rien qu'on puisse dire si l'on n'est pas philosophe ou écrivain ». The aim of this text is to probe Merleau-Ponty's work through the metaphor of writing from the Phenomenology of Perception to the final notes of The Visible and The Invisible. A common conceptual system reoccurs, of trace, text, and inscription; we have striven to define its meaning and function, Writing, this « world text », is primarily the native ground which phenomenology attempts to reveal through the idealities of constituted language. Secondly, as Merleau-Ponty endeavours to read through Saussure, it would be the space, the internal difference between significations. In this sense, writing or traces would no longer be this original text to which we must endlessly refer, but the density of language itself. Since philosophy is simultaneously seeking out the primordial experience and has shed the illusion of language transparency, and unvoiced coincidence, its role is paradoxical: what it writes aims at restituting the visible or the sensible, though this sensible « offers nothing that could be said by him who his not a philosopher or a writer ». (shrink)

生とは一体何か。また生はどのように現れるのか。それは、現象学において生活（としての）世界（Lebenswelt）として現れる。だが、フッサールが試みる生活世界の存在論は、狭義の生の現象学ではない。加え て、彼は生活世界を自我の超越論的生から理解する。この問題を解決するには、ハイデッガー、M.アンリ、レヴィナスによる様々な生の現象学があるが、それに対して徹底的な反論がある。生の現象学を凌駕するには、メ ルロ＝ポンティと共に、生きることの形而上学を取り上げる必要がある。それは、意識の様々な「段階」（驚き及び認識）、「豊かな矛盾」、「フェール（なす、作る、・・・させる）」（faire）等といった概念を通 じて可能になる。.

I begin by comparing and contrasting Merleau-Ponty’s metaphysical project with the views of philosophers, such as Wolff, Leibniz, Bergson, Sartre, and Heidegger. Focusing on Merleau-Ponty’s most striking “metaphysical question,” the one about “bringing into being” (faire-être), I then show how it contrasts with notions such as being, non-being, and “being-made” (être fait). Responding to three objections to this theory, I, first, show how “making” (faire) is distinct from “acting.” Second, I argue that “bringing into being” is only actualized in “metaphysical (...) consciousness”, when it shifts from wondering before the paradox to realizing that the contradiction can be fruitful. This is a critique of the foundation metaphysics in Aristotle and Plato. Third, I propose four arguments in order to counter the view that Merleau-Ponty’s metaphysics is just the unthinkable blind spot of his thought. I conclude by showing that his emphasis on consciousness allows us to distinguish three meanings of unconsciousness. (shrink)

This paper clarifies Merleau-Ponty’s original account of “higher-order” cognition as fundamentally embodied and enacted. Merleau-Ponty’s philosophy inspired theories that deemphasize overlaps between conceptual knowledge and motor intentionality or, on the contrary, focus exclusively on abstract thought. In contrast, this paper explores the link between Merleau-Ponty’s account of motor intentionality and his interpretations of our capacity to understand and interact productively with cultural symbolic systems. I develop my interpretation based on Merleau-Ponty’s analysis of two neuropathological modifications of motor intentionality, the case (...) of the brain-injured war veteran Schneider, and a neurological disorder known as Gerstmann’s syndrome. Building on my analysis of Schneider’s sensorimotor compensatory performances in relation to his limitations in the domains of algebra, geometry, and language usage, I demonstrate a strong continuity between the sense of embodiment and enaction at all these levels. Based on Merleau-Ponty’s interpretations, I argue that “higher-order” cognition is impaired in Schneider insofar as his injury limits his sensorimotor capacity to dynamically produce comparatively more complex differentiations of any given phenomenal structure. I then show how Merleau-Ponty develops and specifies his interpretation of Schneider’s intellectual difficulties in relation to the ambiguous role of the body, and in particular the hand, in Gerstmann’s syndrome. I explain how Merleau-Ponty defends the idea that sensorimotor and quasi-representational cognition are mutually irreducible, while maintaining that symbol-based cognition is a fundamentally enactive and embodied process. (shrink)

This study aims to corroborate Merleau-Ponty’s interpretations of fundamental ideas from Saussure’s linguistics by linking them to works that were independently elaborated by Jan Mukařovský, Czech structuralist aesthetician and literary theorist. I provide a comparative analysis of the two authors’ theories of language and their interpretations of thought as fundamentally determined by language. On this basis, I investigate how they conceive linguistic innovation and its translation into changes in the constituted language and other social codes and institutions. I explain how (...) they elaborate on Saussure’s idea of language as a system of oppositions by interpreting cultural innovation as a systematic variation of pre-established social norms and, similarly, linguistic innovation as gesturing within language. Connectedly, I show how Mukařovský’s works help clarify Merleau-Ponty’s focus on the gestural dimension of language. By discussing the two thinkers’ arguments in favour of linguistic innovation, I explore what could be called phenomenological limits of structuralism. (shrink)

In The Visible and the Invisible Merleau-Ponty develops a notion of ‘sensible ideas’ that conceives general meaning as inseparable from its realization in sensible particulars. Such ideas – exemplified by music – are to capture the specificity of the meaning produced by embodied agency and serve as the foundation of all cognition. This article argues that, although Merleau-Ponty overgeneralizes their application, sensible ideas are philosophically important in enabling better understanding of the diverse forms and functions embodied-embedded practices and cognition can (...) take. It begins by outlining Merleau-Ponty’s conception of sensible ideas and showing how this late ‘ontological’ view takes up and refines themes from his earlier works. It then assesses sensible ideas’ assumed foundational role by considering several embodied practices, arguing that this does not hold generally and that painting better exemplifies sensible ideas than music. I show that whether a practice is accurately described by sensible ideas depends on how it relates the particular and general, and that sensible ideas have a distinctive philosophical role in understanding the non-identity-based meaning constitution characteristic of some embodied-embedded practices. Finally, a comparison with Kant’s aesthetic ideas is used to clarify the close but non-necessary relation between sensible ideas and art. (shrink)

This study clarifies the need for a renewed account of the body in physiotherapy to fill sizable gaps between physiotherapeutical theory and practice. Physiotherapists are trained to approach bodily functioning from an objectivist perspective; however, their therapeutic interactions with patients are not limited to the provision of natural-scientific explanations. Physiotherapists’ practice corresponds well to theorisation of the body as the bearer of original bodily intentionality, as outlined by Merleau-Ponty and elaborated upon by enactivists. We clarify how physiotherapeutical practice corroborates Merleau-Ponty’s (...) critical arguments against objectivist interpretations of the body; particularly, his analyses demonstrate that norms of optimal corporeal functioning are highly individual and variable in time and thus do not directly depend on generic physiological structures. In practice, objectively measurable physical deviations rarely correspond to specific subjective difficulties and, similarly, patients’ reflective insights into their own motor deficiencies do not necessarily produce meaningful motor improvements. Physiotherapeutical procedures can be understood neither as mechanical manipulations of patients’ machine-like bodies by experts nor as a process of such manipulation by way of instructing patients’ explicit conscious awareness. Rather, physiotherapeutical practice and theory can benefit from the philosophical interpretation of motor disorders as modifications of bodily intentionality. Consequently, motor performances addressed in physiotherapy are interpreted as relational features of a living organism coupled with its environment, and motor disorders are approached as failures to optimally manage the motor requirements of a given situation owing to a relative loss of the capacity to structure one’s relation with their environment through motor action. Building on this, we argue that the process of physiotherapy is most effective when understood as a bodily interaction to guide patients towards discovering better ways of grasping a situation as meaningful through bodily postures and movements. (shrink)

Phenomenology has been adapted for use in qualitative health research, where it’s often used as a method for conducting interviews and analyzing interview data. But how can phenomenologists study subjects who cannot accurately reflect upon or report their own experiences, for instance, because of a psychiatric or neurological disorder? For conditions like these, qualitative researchers may gain more insight by conducting observational studies in lieu of, or in conjunction with, interviews. In this article, we introduce a phenomenological approach to conducting (...) this kind of observational research. The approach relies on conceptual grounding to focus a study on specific aspects of the participants’ experiences. Moreover, the approach maintains the openness to novel discoveries that qualitative research requires while also providing a structured framework for data collection and analysis. To illustrate its practical application, we use examples of hemispatial neglect—a neurologic disorder in which patients characteristically lack awareness of their own illness and bodily capacities. However, the approach that we describe can be applied more broadly to the study of complex illness experiences and other experiential alterations. (shrink)

[In Czech] This article aims to explain how Merleau-Ponty’s phenomenological account of embodiment contributes to the theory and practice of physiotherapy. The mechanistic conception of the body, to which physiotherapy usually refers, assumes a universal model of its functioning and interprets its relationship to the environment causally. In fact, however, it does not allow a satisfactory explanation of the efficiency of the therapeutic methods used in practice. In contrast, Merleau-Ponty’s concept of motor intentionality points to the fact that the body (...) “understands” the practical meaning of a situation. Bodily understanding is then manifested in particular by the ability to adequately differentiate, adapt or vary motor and postural responses to environmental challenges. This change in the conception of embodiment also has important implications for understanding the therapist-patient relationship and the intervention itself. Physiotherapists should draw more on the fact that they are themselves a body and, on this basis, guide the patient’s bodily intentionality towards a more developed understanding of the practical meaning of situations. (shrink)

Philosophical Investigations, EarlyView.

Theodor Adorno’s 1960–1961 lecture course Ontology and Dialectics, recently translated into English, provides the most systematic articulation of his critique of Martin Heidegger. When Adorno deliv...

Philosophy & Social Criticism, Ahead of Print. Theodor Adorno’s 1960–1961 lecture course Ontology and Dialectics, recently translated into English, provides the most systematic articulation of his critique of Martin Heidegger. When Adorno delivered three of the lectures at the Collège de France, Maurice Merleau-Ponty was reportedly scandalised as he was at that time developing his own ontology, informed by Heidegger. However, this article problematises the assumption that Adorno’s negative dialectic and Merleau-Ponty’s late ontology are incompatible. First, Adorno’s criticism of Heidegger’s (...) ontology is delineated, with particular focus on how Adorno argues that Heidegger’s subordination of the human being to being is homologous with the logic of capitalism. Then, we turn to Merleau-Ponty’s own engagement with Heidegger, with particular focus on how Merleau-Ponty cannot be accused of denigrating ontic beings. Finally, it is argued that Merleau-Ponty’s indirect ontology has the same implications as those which allow Adorno to position his dialectical method as politically opposed to Heidegger’s ontology. (shrink)

Philosophy & Social Criticism, Ahead of Print. Theodor Adorno’s 1960–1961 lecture course Ontology and Dialectics, recently translated into English, provides the most systematic articulation of his critique of Martin Heidegger. When Adorno delivered three of the lectures at the Collège de France, Maurice Merleau-Ponty was reportedly scandalised as he was at that time developing his own ontology, informed by Heidegger. However, this article problematises the assumption that Adorno’s negative dialectic and Merleau-Ponty’s late ontology are incompatible. First, Adorno’s criticism of Heidegger’s (...) ontology is delineated, with particular focus on how Adorno argues that Heidegger’s subordination of the human being to being is homologous with the logic of capitalism. Then, we turn to Merleau-Ponty’s own engagement with Heidegger, with particular focus on how Merleau-Ponty cannot be accused of denigrating ontic beings. Finally, it is argued that Merleau-Ponty’s indirect ontology has the same implications as those which allow Adorno to position his dialectical method as politically opposed to Heidegger’s ontology. (shrink)

In the essay “Cézanne’s Doubt,” Merleau-Ponty explores the relationship between Paul Cézanne’s art and his embodiment. The doubt in question is ultimately about the meaning of his disabilities. Should Cézanne’s disabilities or impairments shape how we interpret his art or should they instead be treated as incidental, as a mere biographical datum? Although Merleau-Ponty's essay isn’t intended to be phenomenological, its line of questioning is as much about lived experience as it is about art, art history, and aesthetics. I here (...) offer a reading of “Cézanne’s Doubt” as an exploration of one of the more fundamental issues for phenomenological methodology: the relationship between normality and the normate. I first defend this phenomenological and disability-centric or crip reading of the essay. I then argue that insofar as one takes oneself to be “normal” and insofar as doing so underwrites phenomenological inquiry, the problematic of the normate, not just that of normality, is central to phenomenology. (shrink)

Merleau-Ponty suggests that to perceive is to be “geared into” the world. In perceiving, we are related to a temporally structured modal space of bodily possibilities that is co-constituted by the body and the world. When we perceive, we are “geared into” this structure and responsive to it; when we misperceive, we are not. In misperceiving, we are unaware of our failure to be geared into the world, and in this respect, we lack awareness of what we are doing. In (...) explaining misperception via this lack of self-awareness, Merleau-Ponty anticipates a key feature of M. G. F. Martin's epistemic disjunctivism: the idea that perceptions and misperceptions can be indiscriminable because of a self-awareness we lack, rather than a set of positive phenomenal features that two experiences share. However, because Merleau-Ponty's account of self-awareness imposes relatively few cognitive demands, he is able to explain how adults, infants, and dogs can be self-aware in the same sense, and how they can fail to discriminate between their experiences in the same way. This provides Merleau-Ponty with the resources to answer Susanna Siegel's objection to epistemic disjunctivism on the basis of “cognitively unsophisticated hallucinators.”. (shrink)

Empruntée à Heidegger et devenue méthode d'histoire de la philosophie, la quête d'un impensé est aussi, chez Merleau-Ponty, ce qui anime et caractérise sa propre recherche. Appliquée à Bergson, une telle méthode dévoile un Bergson se faisant, plus riche et plus complexe que ne le laisse supposer le « bersonisme »; elle révèle en outre des aspects essentiels de la pensée de Merleau-Ponty qu'une référence exclusive à la phénoménologie ne pourrait qu'occulter. Heidegger entliehen und zur Methode der Philosophiegeschichte geworden, ist (...) die Suche nach einem Ungedachten auch bei Merleau-Ponty das, was seine eigene Suche vorantreibt und charakterisiert. Auf Bergson bezogen enthüllt eine solche Methode einen Bergson se faisant, der reicher und vielfältiger ist als der « Bergsonismus » es sonst vermuten läßt; Außerdem bringt sie wesentliche Merkmale von Merleau-Pontys Denken ans Licht, die eine exklusive Bezugnahme auf die Phänomenologie nur im Schatten lassen könnte. (shrink)

This paper aims to clarify Merleau-Ponty’s contribution to an embodied-enactive account of mathematical cognition. I first identify the main points of interest in the current discussions of embodied higher cognition and explain how they relate to Merleau-Ponty and his sources, in particular Husserl’s late works. Subsequently, I explain these convergences in greater detail by more specifically discussing the domains of geometry and algebra and by clarifying the role of gestalt psychology in Merleau-Ponty’s account. Beyond that, I explain how, for Merleau-Ponty, (...) mathematical cognition requires not only the presence and actual manipulation of some concrete perceptible symbols but, more strongly, how it is fundamentally linked to the structural transformation of the concrete configurations of symbolic systems to which these symbols appertain. Furthemore, I fill a gap in the literature by explaining Merleau-Ponty’s claim that these structural transformations are operated through motor intentionality. This makes it possible, in turn, to contrast Merleau-Ponty’s approach to ontologically idealistic and realistic views on mathematical objects. On Merleau-Ponty’s account, mathematical objects are relational entities, that is, gestalts that necessarily imply situated cognizers to whom they afford a specific type of engagement in the world and on whom they depend in their eventual structural transformations. I argue that, by attributing a strongly constitutive role to phenomenal configurations and their motor transformation in mathematical thinking, Merleau-Ponty contributes to clarifying the worldly, historical, and socio-cultural aspects of mathematical truths without compromising what we perceive as their universality, certainty, and necessity. (shrink)

In this article we propose to carry out an examination of the notions of ‘other’ based on the philosophical proposals of Maurice Merleau-Ponty and Maurice Blanchot. It seeks to show the common point between both thoughts, from a proposal in which the other is understood as a dislocation, which manifests itself in the way of an opening. For this reason, the notion of opening becomes the central element of this analysis, from which the other manifests itself in an ambiguous way. (...) To this end, the proposals of both authors will be analyzed separately, however, highlighting and relating to each other their respective conceptions of opening and the implications they have regarding the question of the other. (shrink)

This is an advanced introduction to and original interpretation of Merleau-Ponty's greatest work, Phenomenology of Perception. Timothy Mooney provides a clear and compelling exposition of the theory of our projective being in the world, and demonstrates as never before the centrality of the body schema in the theory. Thanks to the schema's motor intentionality our bodies inhabit and appropriate space: our postures and perceptual fields are organised schematically when we move to realise our projects. Thus our lived bodies are ineliminably (...) expressive in being both animated and outcome oriented through-and-through. Mooney also analyses the place of the work in the modern philosophical world, showing what Merleau-Ponty takes up from the Kantian and Phenomenological traditions and what he contributes to each. Casting a fresh light on his magnum opus, this book is essential reading for all those interested in the philosophy and phenomenology of the body. (shrink)

As neither a classical naturalist nor a non-naturalist, Merleau-Ponty appears to be a moderate or liberal naturalist. But can a phenomenologist really be a naturalist, even a liberal one? A lot hinges on how we tease this out, both as to whether it is plausible to claim Merleau-Ponty as a liberal naturalist (I argue it is), and as to whether it is an attractive and coherent position. Indeed, despite its important challenges to orthodox naturalism, there are arguably two traps to (...) avoid. If it becomes too liberal, we get: dualism or an ontological pluralism that is difficult to distinguish from a constructivism; or, in seeking to sidestep that metaphysical dilemma, there is sometimes an insistence on an overly neat methodological separation between description/understanding and explanation that is belied in practice (both scientific and philosophical). It is doubtful that such positions can legitimately claim to be naturalist in orientation, liberal or not. Merleau-Ponty’s philosophy avoids these traps, however, and it is thus a useful resource for contemporary work trying to navigate between scientific naturalism and non-naturalism. (shrink)

Merleau-Ponty claims that the idea of objective knowledge is supported by "our reveries." My aim in this paper is to explore this argument with respect to the idea of health. As a case study, I focus on bioethical issues surrounding return of results of incidental variants with respect to the use of genetic and genomic screening technologies (GSTs) in newborn and pediatric contexts. Drawing on a range of Merleau-Ponty’s texts, I argue that this case suggests the modern idea of health (...) to turn largely on the desire for control over one’s fate. More specifically, this is a desire for control aimed at assuring that the meaning of one’s life will stay the same as indexed by one’s ability expectations. I term this a desire for existential homeostasis. I further contend that the desire for existential homeostasis is underwritten by multiple sorts of privilege and, insofar as it informs health as a reverie, it is a desire that is particularly apt to contribute to and maintain injustice in both theory and practice. (shrink)

Elaboramos, a partir da obra de Merleau-Ponty, uma discussão que, baseada na expressividade do esquema corporal e em seu poder de constituir hábitos sensório-motores, problematiza a potência de transformação da percepção. Orientamo-nos pelo propósito de investigar o delineamento de um ethos dos sentidos fundado na transformação dos esquemas perceptivos. Ao longo do texto, analisamos as dimensões práxicas e intencionais atreladas ao esquema corporal; abordamos o desenvolvimento constante do esquema corporal mediante a aquisição de hábitos sensório-motores; sugerimos o conceito de nível, (...) adotado por Merleau-Ponty a partir da tradição gestaltista, como ferramenta para a compreensão do processo corpóreo de constituição de novos limiares de percepção e de ação no mundo; e, ao final, apresentamos apontamentos para a exploração dos desdobramentos críticos e sociais das investigações merleau-pontianas da percepção calcadas na plasticidade expressiva do esquema corporal. (shrink)

Merleau-Ponty’s relation to Husserl has been understood along a spectrum running from outright repudiation to deep appreciation. The aim of this paper is to clarify a significant and heretofore largely neglected unifying thread connecting Husserl and Merleau-Ponty, while also demonstrating its general philosophical import for phenomenological philosophy. On this account, the details of a programmatic philosophical continuity between these two phenomenologists can be structured around the concept of motivation. Merleau-Ponty sees in Husserl’s concept of motivation a necessary and innovative concept (...) that we must formulate in order to properly theorize the anonymous and passive functioning of “operative intentionality.” Motivation is the principle that bridges this domain with the egoic life of consciousness. Merleau-Ponty’s focus on anonymity, bodily habit, and other facets of operative intentionality are thus not a repudiation of Husserl’s analyses of intentionality, but rather a deepening of the notion of consciousness. I conclude by showing how Merleau-Ponty’s early work on motivation lays the conceptual groundwork for his later rethinking of intentionality in terms of institution, and thus mature ontology of the flesh. (shrink)

In "Motivation and the Primacy of Perception," I offer an interpretation and defense of Merleau-Ponty's thesis of the "primacy of perception," namely, that knowledge is ultimately founded in perceptual experience. I use Merleau-Ponty's phenomenological conception of "motivation" as an interpretative key. As I show, motivation in this sense amounts to a novel form of epistemic grounding, one which upends the classical dichotomy between reason and natural causality, justification and explanation. The purpose of my book is to show how this novel (...) conception of epistemic ground allows Merleau-Ponty to offer a radically new account of knowledge and its relation to perception. Over the course of seven chapters, I show that through the notion of motivation, Merleau-Ponty offers a compelling alternative to the empiricist and rationalist assumptions that underpin modern epistemology. Indeed, I argue that Merleau-Ponty's epistemological thinking is preferable to its major historical and contemporary competitors, including what I see as the other great alternative to rationalism and empiricism: Kant's transcendental idealism. Bridging phenomenology, philosophy of mind, and cognitive science, "Motivation and the Primacy of Perception" argues that epistemology has long been hampered by an inadequate phenomenology of knowledge. However, a careful description of the phenomenon of motivation can offer compelling new ways to think about knowledge and longstanding epistemological questions. (shrink)

The purpose of this article is to examine the close connection between the science of psychology, especially Gestalt psychology, and phenomenology in the thinking of twentieth-century French philosopher and phenomenologist Maurice Merleau-Ponty. This philosopher established his own philosophy under the influence of significant advances in psychology on the one hand, and also under the influence of Husserl's phenomenology. Understanding the philosophy of this philosopher without understanding the close relationship between psychology and phenomenology, especially in the matter of the living body, (...) will lead to a lot of misunderstanding in reading his views. In this article, we tried to show this close relationship in the thought of this thinker. We know, of course, that he criticized Husserl's phenomenology and Gestalt psychology, and argued that psychology fails to understand the nature of the human mind. (shrink)

A partir del análisis de la relación de Merleau-Ponty con la psicología de la forma, se intenta dar una lectura de su fenomenología como una lectura ontológica de la forma. De este modo, Merleau-Ponty no solo puede pensar una alternativa a la fenomenología de Husserl, sino que le permite elaborar su propia idea de Ser y dar una nueva interpretación de la diferencia ontológica de Heidegger. Desde una descripción fenomenológica de la experiencia perceptiva, a partir de las nociones de comportamiento, (...) forma y estructura, se mostrará enseguida el sentido de ser que moviliza una filosofía de la forma que implicará proyectar un pensamiento de una pertenencia radical de la fenomenalidad a la existencia, y además renovar el sentido de una fenomenología genética que considera toda conciencia trascendental en el marco de una facticidad originaria.On the basis of the relationship Merleau- Ponty establishes with Gestalt psychology, I seek to provide an interpretation his phenomenology as an ontological reading of the notion of form. Therefore, I claim that Merleau-Ponty is able, not only to develop an alternative to Husserl’s phenomenology, but also to elaborate his own idea of Being; in addition, he can offer a new understanding of the Heidegger's ontological difference. From a phenomenological description of perceptive experience, and starting with the notions of behavior, form and structure, I will then show the sense of being mobilized by a philosophy of form. This sense of being implies a projection of a thinking of phenomenality's radical belonging to the existence and, also, renewal of a genetic phenomenology that considers the whole of transcendental consciousness within the framework of an originary facticity. (shrink)

Merleau-Ponty’s essay about Cézanne’s doubt from 1945 is still de- bated. Merleau-Ponty tries to explain the peculiarities of Cézanne’s pictorial lan- guage, for instance his abandonment of the geometrical perspective, as the expression of, what he calls, the “primordial perception”, which is free from the distortions of metaphysical dualism and modern sciences. There are two main problems here. First, primordiality remains an obscure notion, which may be explained by Cézanne’s work, rather than reversely. Secondly, Merleau-Ponty tends to forget that Cézanne’s (...) perception is first of all a painter’s perception, inspired by the idea of what a painting should be and by a conception of the physical performances by which it comes into being. Cézanne tries to liberate painting from the Albertinian idea that a work is like a window, opening a view on a section of reality. Contrary to this, Cézanne stresses the autonomy of the work, its presence as painted – without giving up its contact to the reality depicted. (shrink)

The paper explores what it could mean to speak of love as involving a delight in ‘the simple actuality’ of another, or, as Buber does, of the ‘touchable’ human being as ‘unique and devoid of qualities’. Developing strands in Merleau-Ponty’s treatment of perception, it is argued that the relation between recognising this as a particular individual and recognising particular qualities in her may be close to the reverse of what might be supposed: a recognition of this distinctive smile being dependent (...) on a recognition of who this is. The fundamental place of particulars, as opposed to kinds, in our thought about those we know and care for is developed in part through a phenomenological treatment of our perception of faces. That treatment is set in a context of the justification of our judgements about who someone is, and is linked with a critique of treatments of proper names of individuals in the spirit of Frege. It is in our speaking to those we know that we find a relation to a particular that is direct—not mediated by a description of its properties—that Russell sought in ‘knowledge by acquaintance’. (shrink)

In this paper, I argue that Merleau-Ponty’s seminal book, Phenomenology of Perception, stands as a positive resource for articulating both trans experiences and trans identities within both a wrong-body model and a multiple worlds of sense model of trans philosophy. I begin my paper by highlighting the complex relation between Talia Bettcher’s proposed multiple worlds of sense model and the wrong-body model. As the dismissal of either model appears undesirable, I suggest that we attempt to combine the two models. To (...) do this, I turn to Georgia Warnke’s contextual understanding of identity as I ultimately juxtapose her work with Merleau-Ponty in order to give a positive account of trans identities that will function as a bridge between Merleau-Ponty and Bettcher. I then turn to discuss the basic ideas within Merleau-Ponty’s Phenomenology of Perception that are used to ground Rubin’s wrong-body model. As I contend that Merleau-Ponty has more to offer what Rubin attributes to him, I then turn to key passages concerning Merleau-Ponty’s understanding of the sexual schema and the intrinsic ambiguity of the body. By incorporating both concepts into a discussion of trans philosophy, I argue that Merleau-Ponty’s phenomenology offers a non-essentialist account of sexuality that both phenomenologically legitimates and grounds the wide spectrum of trans experiences and trans identities as well as Warnke’s contextual identity through, what I call, our ambiguous-being-in-the-world. Such an account, I conclude, makes possible a combined wrong-body model and multiple worlds of sense model of trans philosophy. (shrink)

Merleau-Ponty and Contemporary Philosophy is an ambitious collected volume of fourteen chapters, accompanied by an epilogue by Jean-Luc Nancy, in which current Merleau-Ponty scholars together aim to demonstrate the urgent relevance of Merleau-Ponty to contemporary philosophy across a range of fields including ontology, epistemology, anthropology, embodiment, animality, politics, language, aesthetics, and art. Divided into four thematic sections, namely, “Legacies”, “Mind and Nature”, “Politics, Power, and Institution” and “Art and Aesthetics”, this collected volume provides a rich resource for Merleau-Ponty scholars who (...) are interested in novel applications and understudied aspects of his thought. It also opens up Merleau-Ponty’s oeuvre to the general reader, presenting many possible entry-ways into the diversity of his work. In my review of Merleau-Ponty and Contemporary Philosophy, I suggest that each of its thematic sections could have been the subject of a separate volume themselves, and that the volume would then perhaps have not suffered from a number of poorly developed lines of argumentation. But I consider that the inclusion of all these thematically diverse sections in a single volume nonetheless presents a forceful display of the wide-ranging relevance of Merleau-Ponty’s work to contemporary philosophy. (shrink)

Can we describe certain sonic experiences as “homely,” even when they take place outside of a traditional home-space? While phenomenological accounts of home abound, with writers detailing a rich spectrum of the felt characteristics of the homely including safety, familiarity, and affective “warmth,” there is a scarcity of research into sonic experience that engages with such literatures. With specific interest in the experience of embodied space, I account here for what might be termed feelings of “sonic homeliness” as they emerge (...) during headphone listening. After forming a conceptual model of homeliness that draws from phenomenological philosophy, I investigate its applicability to experiences of headphone listening. Through analysis of primary interview data, I consider how headphones may be said to territorialize space for listeners, analyzing how sonic “boundaries” are experienced in relation to the body, as well as how some listeners describe their experiences as interiorized, comforting, and “wombic.”. (shrink)

La noción de carne, perteneciente a la última etapa del pensamiento de Merleau-Ponty, ocupa un lugar determinante en las investigaciones especializadas sobre el autor. Sin embargo, en escasas publicaciones se destaca la inmensa influencia de esta última en el pensamiento actual, especialmente en las corrientes posthumanistas y materialistas de la contemporaneidad filosófica. Nos proponemos, en las páginas que siguen, analizar dicha categoría desde el punto de vista de una filosofía de la relación, interpretándola desde la figura de la medialidad o (...) emparentándola a una noción de medio. Para esto, en la primera parte, se dilucidará la noción merleau-pontiana de medio en _Fenomenología de la percepción_ y la postulación de la experiencia como punto de partida. En la segunda, se explicitarán las múltiples dimensiones en las cuales se despliega la noción de carne en la filosofía tardía del autor. Una vez abordados los aspectos epistemológico, fenomenológico y ontológico de la ontología de la carne se analizará su potencial filosófico proyectando los tratamientos a la problemática de la naturaleza, cuestión que consideramos de vital importancia para las reflexiones filosóficas actuales. (shrink)

Entre la fin de la Seconde Guerre mondiale et le début des années 1960, certaines des figures majeures du courant phénoménologique en France, Jean-Paul Sartre, Maurice Merleau-Ponty et Trần Đức Thảo, considèrent que le projet d’articuler marxisme et phénoménologie constitue l’un des principaux enjeux de la philosophie dans le monde contemporain. L'objet de cet ouvrage est de comprendre la spécificité du travail philosophique effectué par chacun de ces penseurs sur ces deux courants de pensée apparemment incompatibles afin de rendre possible (...) leur synthèse. L'auteur retrace la manière dont le projet initial de 1944 a été progressivement mis en question et reconfiguré au contact des mutations politiques et historiques, des débats philosophiques et du développement des sciences humaines. Ce volume, qui s’adresse aux étudiants et chercheurs, met ainsi en lumière les enjeux et les innovations conceptuelles de ce qui reste l'un des moments les plus féconds et originaux de la philosophie française contemporaine. This text covers the period between the end of the Second World War and the beginning of the 1960s, when the phenomenological school in France was represented by Jean-Paul Sartre, Maurice Merleau-Ponty and Tran Duc Thao, who endeavored to combine Marxism with phenomenology as the major task of philosophy in the modern world. The object of this text is to understand the specificity of the philosophical work each performed on these two apparently incompatible schools of thought, in order to make their synthesis possible. The author traces the way in which the initial project of 1944 was progressively questioned and reworked in the wake of political and historical change, philosophical debates and the development of human sciences. This volume appeals to students and researchers while bringing to light the underlying stakes and conceptual innovations of what remains one of the most fertile and original moments in contemporary French philosophy. (shrink)