Michel de Montaigne

This essay argues that Montaigne and Emerson share not only a literary style and a form of skepticism, but also a moral project, namely—to borrow a concept from Charles Taylor—the affirmation of ordinary life. Moreover, Montaigne and Emerson approach this project in fundamentally the same way: rather than offering readers discursive arguments, they attempt to reform readers’ imaginations. Finally, recognizing the poetic nature of their respective affirmations of ordinary life allows us to appreciate how their seemingly dogmatic claims regarding human (...) equality and the human good are compatible with their shared form of skepticism. (shrink)

Michel de Montaigne famously argued in “Man is No Better Than the Animals” that humans and non-human animals cannot be dichotomized based on language or reasoning abilities, among other characteristics. This article examines a selection of writing features at play in the text and discusses how successfully they convey Montaigne’s claims. Throughout, I argue that Montaigne presents a superficially convincing case for doubting a categorical distinction between humans and animals on linguistic and rational grounds through the use of rhetorical questions, (...) listing, appeals to authority, point of view, imagery, and narrative anecdotes. However, Montaigne’s rejection of a human/animal distinction appears self-refuting since the form and content of his text both suggest that humans typically possess some degree of unique language and reasoning capacities. (shrink)

This study aims to highlight some major aspects of Emersonian skepticism while at the same time showing their deep links with the philosophy of Montaigne. In doing so, it does not rely solely on the well-known essay “Montaigne; or, the Skeptic” (1850), but it tries to articulate its content and other works of Emerson, in order to enrich and refine the moral and anthropological meanings of his skeptical attitude.

Robert Pippin has recently raised what he calls ‘the Montaigne problem’ for Nietzsche's philosophy: although Nietzsche advocates a ‘cheerful’ mode of philosophizing for which Montaigne is an exemplar, he signally fails to write with the obvious cheerfulness attained by Montaigne. We explore the moral psychological structure of the cheerfulness Nietzsche values, revealing unexpected complexity in his conception of the attitude. For him, the right kind of cheerfulness is radically non-naïve; it expresses the overcoming of justified revulsion at calamitous aspects of (...) life through a reflective, higher-order affirmative attitude. This complex notion of cheerfulness turns out to have roots in Montaigne himself, and it must be thought of as a kind of second nature cultivated through practice, as a kind of second nature. Understanding the meaning of cheerfulness thereby sheds light on the conception of philosophy as a way of life in both Nietzsche and Montaigne. (shrink)

Montaigne's thought and writings have been a subject of enduring interest across disciplines. This "Handbook brings together essays by prominent scholars that examine Montaigne's literary, philosophical, and political contributions, and assess his legacy and relevance today in a global perspective.

Literary theory and criticism over the last three decades have shown an increasing interest in studying the cognitive and critical relevance of the “essay” for modern history and culture . This paper aims to supply supporting evidence for this perspective, examining the function of essay writing for both Montaigne and Francis Bacon's conception of human thought and knowledge. In particular, I will focus on the epistemological implications of the essay and fragmentary prose, both considered forms of writing that express a (...) particular way of thinking. (shrink)

From Martha Nussbaum to Terence Cave, contemporary literary criticism and philosophy question the moral and cognitive value of literature. Founding their anthropological and moral investigation on a cognitive and pragmatic usage of fictional and non-fictional literature, Montaigne’s Essais offers a striking example of the productive and close relations between literature, philosophy and life.

Les études qui composent ce volume offrent au lecteur trois perspectives générales sur le scepticisme de Montaigne, dans son rapport respectif : 1) à la raison et à la foi ; 2) aux héritages philosophiques et rhétoriques humanistes ; 3) à la pensée moderne (anthropologie, morale, politique).

Against a background of civil, political and religious conflict, Montaigne and Hobbes redeveloped a form of anthropological and political thinking that ushered in modernity. This collective work is as much concerned with the points where the two authors converge as with the difference in the paths they follow.

Montaigne is widely appreciated as an important figure in the history of skepticism, but the precise nature of his skepticism remains unclear. While most treatments of Montaigne’s skepticism focus on the “Apology for Raymond Sebond,” there is reason to believe that the “Apology” does not contain his last word on the subject, and that—as many scholars have pointed out—whatever endorsement he gives there to ancient Pyrrhonism must be qualified in light of the fact that he does maintain beliefs, not only (...) about appearances, but also about reality itself. This essay argues that by the end of the Essais, Montaigne has developed a skepticism that is, as he would say, “all his own,” one that is best understood as a therapeutic practice meant to treat what Montaigne calls our “natural and original malady.”. (shrink)

In the essay “Of repentance,” Montaigne proclaims his moral autonomy, explaining to readers that he lives his life according to his own laws and that he judges himself in his own court. This essay attempts to give an account of the nature of Montaigne’s conception of autonomy, and ultimately argues that it deserves the attention of philosophers interested in alternatives to the conceptions of autonomy offered by figures from the history of philosophy such as Plato, Kant, and Rorty.

This is the first study dedicated to Montaigne's philosophy of the passions. It presents the wisdom of the Essays in a new light. Theoretically original, Montaigne’s anthropology of the passions has a great impact on modern philosophers as Descartes and Hobbes.

Shakespeare, Nietzsche wrote, was Montaigne’s best reader—a typically brilliant Nietzschean insight, capturing the intimate relationship between Montaigne’s ever-changing record of the self and Shakespeare’s kaleidoscopic register of human character. And there is no doubt that Shakespeare read Montaigne—though how extensively remains a matter of debate—and that the translation he read him in was that of John Florio, a fascinating polymath, man-about-town, and dazzlingly inventive writer himself. -/- Florio’s Montaigne is in fact one of the masterpieces of English prose, with a (...) stylistic range and felicity and passages of deep lingering music that make it comparable to Sir Robert Burton’s Anatomy of Melancholy and the works of Sir Thomas Browne. This new edition of this seminal work, edited by Stephen Greenblatt and Peter G. Platt, features an adroitly modernized text, an essay in which Greenblatt discusses both the resemblances and real tensions between Montaigne’s and Shakespeare’s visions of the world, and Platt’s introduction to the life and times of the extraordinary Florio. Altogether, this book provides a remarkable new experience of not just two but three great writers who ushered in the modern world. (shrink)

Montaigne's Essais (1580-1592) are one of the most remarkable works of the European Renaissance. The Essais' innovative open-mindedness is at odds with the dogmatism and intolerance of their times, the decades of civil and religious wars in Unsettling Montaigne reassesses Montaigne's scepticism. Informed by psychoanalytic and related theory, its close attention to Montaigne's complex uses of metaphor illuminates the psychic economy of his scepticism and tolerance and their poetics.

Montaigne’s _Essays_ are rightfully studied as giving birth to the literary form of that name. Ann Hartle’s _Montaigne and the Origins of Modern Philosophy_ argues that the essay is actually the perfect expression of Montaigne as what he called "a new figure: an unpremeditated and accidental philosopher." Unpremeditated philosophy is philosophy made sociable—brought down from the heavens to the street, where it might be engaged in by a wider audience. In the same philosophical act, Montaigne both transforms philosophy and invents (...) "society," a distinctly modern form of association. Through this transformation, a new, modern character emerges: the individual, who is neither master nor slave and who possesses the new virtues of integrity and generosity. In Montaigne’s radically new philosophical project, Hartle finds intimations of both modern epistemology and modern political philosophy. (shrink)

Cet article tente de montrer que la première partie du Discours de la méthode est le lieu d'expériences proprement montaniennes ordonnées sous deux types de pratique: la pratique des livres d'une part, la pratique des voyages d'autre part, autrement dit dans la lecture des auteurs et la fréquentation du monde. Rejouant ainsi un cliché de la littérature médiévale — la dichotomie entre le liber scripturae et le liber naturae, monde du livre et livre du monde —, Montaigne se trouve dépassé (...) par Descartes, pour qui la quête de la vérité ne peut finalement se passer de l'étude en soi-même. L'excès cartésien, qui consiste à récuser le liber naturae autant que le liber scripturae, non sans les avoir préalablement pratiqués, va alors de pair avec la promotion d'une subjectivité de type transcendantal opposée à la subjectivité montanienne. Our article attemps to show the First Part of the Discours on Method is the place of Montanian experiences ordered under two types of practice: practice of books on one hand, practice of travels on the other hand, in other words in reading of the authors and company of the world. So replaying a cliché of medieval literature — the dichotomy between liber scripturae and liber naturae, world of the book and book of the world —, Montaigne is exceeded by Descartes, for whom the quest of the truth cannot finally do without the study in the self. The Cartesian excess, which consists in rejecting the liber naturae as much as the liber scripturae, not without having practised them beforehand, then keeps pace with the promotion of a transcendental subjectivity opposed to Montanian subjectivity. (shrink)

In this paper I interpret Montaigne’s essay, “On Educating Children”, as a pedagogical text through its performance of a distinct epistolary function, one that addresses the letter-recipient for the purpose of shaping the ideas, actions, and beliefs of that individual. At the same time, I also read “On Educating Children” within the context of the wider project of Montaigne’s Essays, which, as I suggest, is an ethical-aesthetic project of self-fashioning and self-cultivation. The net result is an interpretation of teaching as (...) an ethical-aesthetic practice of the self, one that is in concert with the interpretation of Montaigne’s writing of the Essays as a similar practice of the self. In order to build this case, I employ Michel Foucault’s fourfold schema of ethical subjectivity, mapping that schema onto “On Educating Children”, so as to reveal a unique pedagogy of self-formation—a pedagogy that works as much upon the self of the teacher as it does the self of the student. (shrink)

De concert avec ses fonctions politiques - et cela sur vingt ans -, Montaigne rédigea ses Essais que l'on considère trop souvent comme séparés de ses responsabilités publiques aujourd'hui reléguées à l'arrière plan de sa carrière d'écrivain. Nous voudrions arguer que ses Essais sont indissociables de sa vie publique. Certes, les préoccupations littéraires et politiques de Montaigne changent avec son temps, mais ce qui fonde la forme de l'essai - à savoir un discours profondément inscrit dans le présent - ne (...) permet pas d'établir une différence théorique entre le privé et le public puisque les deux sont pratiquement inséparables quand ils sont réduits à leur unité la plus stricte qui se rapporte essentiellement au quotidien, car dans l'immédiat du vécu, le privé et le public sont pratiquement indissociables. Si une philosophie se dégage indubitablement des Essais, elle a peut-être plus à voir avec la manipulation constante effectuée par Montaigne entre le particulier (vie privée) et l'universel (vie publique) que sur le contenu de tel précepte moral ou dogme des écoles antiques. La temporalité de l'écriture et celle des événements ne sont pas en synchronie dans les Essais et Montaigne joue constamment sur cette image d'un livre privé (hors de toute temporalité historique) alors que les Essais sont conçus comme un objet lui permettant précisément l'accès à la vie publique. Cette philosophie du quotidien et du temps présent qui ressort des Essais ne saurait mettre à l'écart les considérations publiques et historiques qui rythment toujours l'écriture d'une vie bien particulière. Paralelamente a suas funções políticas - e isso em 20 anos - Montaigne escreveu seus Ensaios frequentemente considerados como separados de suas responsabilidades públicas, atualmente relegadas a um segundo plano em relação à sua carreira de escritor. Gostaríamos de argumentar que seus ensaios são inseparáveis ​​de sua vida pública. Certamente, as preocupações literárias e políticas de Montaigne mudam com o seu tempo, mas o que funda a forma do ensaio - a saber, um discurso profundamente inscrito no presente - não permite estabelecer uma diferença teórica entre público e privado, uma vez que os dois são praticamente inseparáveis ​​quando reduzidos à sua unidade mais estrita, a qual se relaciona principalmente com a vida cotidiana, porque no imediato do vivido, o privado e o público são praticamente indissociáveis. Se uma filosofia emerge, sem dúvida, dos Ensaios, ela talvez tenha mais a ver com a manipulação constante realizada por Montaigne entre o particular (vida privada) e o universal (vida pública) do que com o conteúdo de algum preceito moral ou dogma das escolas antigas. A temporalidade da escrita e a dos eventos não estão em sincronia nos Ensaios e Montaigne opera constantemente sobre a imagem de um livro privado (fora de toda temporalidade histórica), enquanto os Ensaios são concebidos como um objeto, permitindo-lhe precisamente o acesso à vida pública. Essa filosofia do cotidiano e do tempo presente que promana dos Ensaios não afasta as considerações públicas e históricas que sempre dão ritmo à escrita de uma vida muito particular. (shrink)

More than any other early modern text, Montaigne's Essais have come to be associated with the emergence of a distinctively modern subjectivity, defined in opposition to the artifices of language and social performance. Felicity Green challenges this interpretation with a compelling revisionist reading of Montaigne's text, centred on one of his deepest but hitherto most neglected preoccupations: the need to secure for himself a sphere of liberty and independence that he can properly call his own, or himself. Montaigne and the (...) Life of Freedom restores the Essais to its historical context by examining the sources, character and significance of Montaigne's project of self-study. That project, as Green shows, reactivates and reshapes ancient practices of self-awareness and self-regulation, in order to establish the self as a space of inner refuge, tranquillity and dominion, free from the inward compulsion of the passions and from subjection to external objects, forces and persons. (shrink)

"Each man calls barbarism whatever is not his own practice; for indeed it seems we have no other test of truth and reason than the example and pattern of the opinions and customs of the country we live in" (1.31.152, VS205).1 Remarks such as this from the essay "Of cannibals" have led commentators to argue that Montaigne subscribes to the theory of moral relativism, and that he takes "reason" to be a subjective, rather than an objective, standard for judgment.2 Yet (...) later in that same essay, Montaigne condemns the cannibals' brutal treatment of their enemies (1.31.155, VS209) and concludes that "we may call these people barbarians, in respect to the rules of reason, but not in respect to ourselves, who surpass them .. (shrink)

This essay argues that Montaigne draws on elements of both the Academic and Pyrrhonian skeptical traditions, but that the fundamental desire for self-knowledge that initially led him to appreciate the insights of the ancient skeptics ultimately leads him beyond them. What lies at the heart of Montaigne’s skepticism is neither an epistemological position nor the experience of doubt, but rather the determination to philosophize self-consciously.

Skepticism is a central aspect of our intellectual heritage, even if many of us do not recognize it. Only in recent decades has the intellectual archeology been done that enables to see this part of our heritage and its role in how we came to think the way we do. Gianni Paganini's Skepsis . Le debat des modernes sur le scepticisme (2008) is the most important recent work in this archeology, bringing out the role of early modern thinkers from Montaigne (...) to Bayle in the development of the contemporary world view. Some of these thinkers helped us accept and learn to live with skepticism, such as Montaigne and Bayle. Others, such as Campanella and Descartes, thought they could refute skepticism, but their encounters with it accomplished two things: one, bringing skeptical arguments to the attention of the philosophical world, and two, giving skepticism renewed life by their failures to refute it. All of this is great background to understanding what Barack Obama means when he calls himself a skeptic. (shrink)

According to the standard view, Montaigne’s Pyrrhonian doubts would be in the origin of Descartes’ radical Sceptical challenges and his cogito argument. Although this paper does not deny this influence, its aim is to reconsider it from a different perspective, by acknowledging that it was not Montaigne’s Scepticism, but his Stoicism, which played the decisive role in the birth of the modern internalist conception of subjectivity. Cartesian need for certitude is to be better understood as an effect of the Stoic (...) model of wisdom, which urges the sage to build an inner space for self-sufficiency and absolute freedom. (shrink)

While contemporary readers may find what appear to be appealing streaks of liberalism in Montaigne's 'Essays', I argue that a more careful analysis suggests that Montaigne's overall stance is quietistic and conservative. To help support this claim I offer a close reading of 'Essays' III.11 ("Of Cripples"), where Montaigne offers his famous critique of the witch trials of early modern Europe. Once Montaigne's objections to the witch trials are properly understood, we see that Montaigne did not seriously or consistently dispute (...) the church's authority in political matters, though certain undeveloped seeds of liberalism do leave an unresolved tension in his writings. (shrink)

The relation between scepticism and health is not considered in the same light by the sceptics and by their enemies. According to its enemies, scepticism is a disease of the soul that has no access to truth ; whereas for the sceptics, it is the only means to mental health. But in fact, things are more complex. Modern sceptics like Montaigne or Hume, see doubt as something that has to be overcome. They view scepticism as a critical moment leading to (...) health.RésuméEn ce qui concerne la santé et la maladie, le scepticisme est diversement apprécié par ses détracteurs ou ses adeptes. Pour les premiers, il est la figure même de la maladie de l’âme privée de vérité, pour les seconds il est le seul moyen d’atteindre la santé mentale. Mais les choses sont plus compliquées, car certains sceptiques modernes, comme Hume ou Montaigne, voient dans le doute un moment critique qu’il faut traverser. (shrink)

MONTAIGNE criou um novo gênero literário – o ensaio -, seus próprios Ensaios tiveram uma vasta influência sobre o pensamento e a literatura do Renascimento e dos séculos posteriores. Observador sereno e irônico da comédia humana, era notavelmente muito consciente do etnocentrismo de outros povos. Atraído pela diversidade humana, estava preparado para tomar a vida privada tão seriamente quanto a vida pública. MONTAIGNE tem sido muito freqüentemente tratado como um “moderno” nascido fora de sua época. Peter Burke apresenta-o como um (...) cavalheiro do campo, um homem do Renascimento e um membro da geração dos anos 1530 que floresceu numa sociedade dividida pela guerra civil, descreve as reações da posteridade aos Ensaios e pergunta se MONTAIGNE pode, em algum sentido, ser considerado nosso contemporâneo. (shrink)

Tradução para o português de "L'Entretien de Pascal avec M. de Saci" - Colóquio com o Senhor de Saci Sobre Epicteto e Montaigne". Tradução realizada com base na edição das Œuvres completes de Pascal, estabelecida e anotada por Jacques Chevalier, da Bibliothèque de la Plêiade, Paris, 1954, p. 560-574.

Available in English for the first time, Imperfect Garden is both an approachable intellectual history and a bracing treatise on how we should understand and experience our lives. In it, one of France's most prominent intellectuals explores the foundations, limits, and possibilities of humanist thinking. Through his critical but sympathetic excavation of humanism, Tzvetan Todorov seeks an answer to modernity's fundamental challenge: how to maintain our hard-won liberty without paying too dearly in social ties, common values, and a coherent and (...) responsible sense of self.Todorov reads afresh the works of major humanists--primarily Montaigne, Rousseau, and Constant, but also Descartes, Montesquieu, and Toqueville. Each chapter considers humanism's approach to one major theme of human existence: liberty, social life, love, self, morality, and expression. Discussing humanism in dialogue with other systems, Todorov finds a response to the predicament of modernity that is far more instructive than any offered by conservatism, scientific determinism, existential individualism, or humanism's other contemporary competitors. Humanism suggests that we are members of an intelligent and sociable species who can act according to our will while connecting the well-being of other members with our own. It is through this understanding of free will, Todorov argues, that we can use humanism to rescue universality and reconcile human liberty with solidarity and personal integrity.Placing the history of ideas at the service of a quest for moral and political wisdom, Todorov's compelling and no doubt controversial rethinking of humanist ideas testifies to the enduring capacity of those ideas to meditate on--and, if we are fortunate, cultivate--the imperfect garden in which we live. (shrink)

Review of Alexander Nehamas, "The Art of Living: Socratic Reflections from Plato to Foucault".

Almost since their publication, the writings of Michel de Montaigne have provided rich fodder for the work of scholars in myriad disciplines. Philosophers have considered Montaigne's views on skepticism; historians have examined his views on the Indians; deconstructionists and literary scholars have examined Montaigne's view of the self; and, political scientists have touched on his arguments for toleration. However, because each of these projects has been done largely in isolation, most scholars have failed to see the relationships between the various (...) aspects of Montaigne's thought. Alan Levine, in Sensual Philosophy, unites Montaigne's thought for the first time, ably and convincingly demonstrating the significant role Montaigne played in establishing the liberal ethos in the West. In exploring Montaigne's grounding for liberalism, Levine considers Montaigne's conceptualization of skepticism and its relationship to toleration. He argues that Montaigne's theories of self ground his idea of toleration without leaving it open to the corrosive charges of relativism and nihilism. Levine also articulates the importance of Montaigne's thought for contemporary conceptions of personal freedom, individuality, subjectivity, and self-creation by bringing him into dialogue with modern and postmodern political theorists such as Heidegger, Nietzsche, and Richard Rorty. This lively book persuades those who might be tempted by postmodernism that they should turn to Montaigne instead. (shrink)

In a fresh reading of Montaigne's Essais, David Quint portrays the great Renaissance writer as both a literary man and a deeply engaged political thinker concerned with the ethical basis of society and civil discourse. From the first essay, Montaigne places the reader in a world of violent political conflict reminiscent of the French Wars of Religion through which he lived and wrote. Quint shows how a group of interrelated essays, including the famous one on the cannibals of Brazil, explores (...) the confrontation between warring adversaries: a clement or vindictive victor and his suppliant or defiant captive. How can the two be reconciled? In a climate of hatred and obstinacy, Montaigne argues not only for the political necessity but also for the moral imperative of trusting and submitting to others and of extending mercy to them. For Quint, this ethical message informs other topics of the Essais: Montaigne's criticism of stoic models of virtue, his project to reform the cruel behavior of his noble class, his self-portrait that depicts his relaxed and unstudied nature, and his measuring of his own behavior against the classical virtue of Socrates. Quint's reading, attentive to Montaigne's verbal artistry and to his historical and cultural context, shows the essayist always aware of the other side of the issue. The moral thought of the Essais emerges as startlingly modern, both in the perennial urgency of Montaigne's concerns and in the self-questioning open-endedness of his doctrine. (shrink)

This volume contains five articles by prominent scholars of French literature and political philosophy that examine the relation between Montaigne's Essays, one ...