Modal Fictionalism

The paper attempts to conciliate the important distinction between what-is, or exists, and what-is-not _thereby supporting Russell’s existential analysis_ with some Meinongian insights. For this purpose, it surveys the varied inhabitants of the realm of ‘non-being’ and tries to clarify their diverse statuses. The position that results makes it possible to rescue them back in surprising but non-threatening form, leaving our ontology safe from contradiction.

This paper aspires to meet a philosophical challenge posed to the author to give treatment to what was seen as a particularly nice Meinongian case1; namely the case of Galician Meigas. However, through the playful footpaths of enchanted Galician Meigas, I rehabilitate some relevant discussion on the justification of belief formation and come to some poignant philosophical insights regarding the understanding of possibilities. I hope both the leading promoter of the challenge and, of course, other philosophical readers are satisfied with (...) the outcome. (shrink)

This paper discusses the nature of, problems for, and benefits delivered by fictionalist strategies in metaphysics.

Fictionalists maintain that possible worlds, numbers or composite objects exist only according to theories which are useful but false. Hale, Divers and Woodward have provided arguments which threaten to show that fictionalists must be prepared to regard the theories in question as contingently, rather than necessarily, false. If warranted, this conclusion would significantly limit the appeal of the fictionalist strategy rendering it unavailable to anyone antecedently convinced that mathematics and metaphysics concern non-contingent matters. I try to show that their arguments (...) can be resisted by developing and defending a strategy suggested by Rosen, Nolan and Dorr, according to which the fiction-operator is to be analysed in terms of a counterfactual that admits of non-trival truth-values even when the antecedent is impossible. (shrink)

In our everyday discourse, most of us use modal statements to express possibility, necessity, or contingency. Logicians, linguists, and philosophers of language tend to use the possible world discourse to analyse the semantics of this kind of sentences. There is a disadvantage of this method: in the usual Quinean meta-ontology it commits the users to the existence of possible worlds. Even though there are many theories on metaphysics of these possible worlds, I will focus on the fictionalist approach, which aims (...) to suspend the undesired ontological commitment. Therefore it is an anti-realist theory. The fictionalist strategy is based on the idea that according to our common-sense ontology, fictions and fictional entities do not exist, and one can treat the possible world discourse as a fiction, and the possible worlds as fictional entities. However, in the last two decades, realist theories about fictions and fictional entities have arisen, especially the abstract artefact theory. In this paper I try to revise the fictionalist approach to modality by keeping the main idea that possible worlds are fictional entities, while accepting that fictional entities are abstract artefacts. The result is a new realist theory of modal fictionalism. (shrink)

Modal fictionalists face a problem that arises due to their possible-world story being incomplete in the sense that certain relevant claims are neither true nor false according to it. It has recently been suggested that this incompleteness problem generalises to other brands of fictionalism, such as fictionalism about composite or mathematical objects. In this paper, I argue that these fictionalist positions are particularly threatened by a generalised incompleteness problem since they cannot emulate the modal fictionalists’ most attractive response. I then (...) defend mathematical and compositional fictionalism by showing that the reasons for which the incompleteness problem has been thought to affect them are mistaken. This leads to the question of whether there are other fictionalist positions to which the problem does in fact generalise. I give a general account of the features of a fictionalist position that generate the incompleteness problem and argue that whenever a fictionalist position does exemplify these features then the problem can be addressed in analogy to the modal fictionalists’ preferred response. (shrink)

This paper attacks the modal ontological argument, as advocated by Plantinga among others. Whereas other criticisms in the literature reject one of its premises, the present line is that the argument is invalid. This becomes apparent once we run the argument assuming fictionalism about possible worlds. Broadly speaking, the problem is that if one defines “x” as something that exists, it does not follow that there is anything satisfying the definition. Yet unlike non-modal ontological arguments, the modal argument commits this (...) “existential fallacy” not in relation to the definition of ‘God’. Rather, it occurs in relation to the modal facts quantified over within a Kripkean modal logic. In brief, we can describe the modal facts by whichever logic we prefer—yet it does not follow that there are genuine modal facts, as opposed to mere facts-according-to-the-fiction. A broader consequence of the discussion is that the existential fallacy is an issue for many projects in “armchair metaphysics.”. (shrink)

In this paper, after clarifying certain features of Gideon Rosen’s Modal Fictionalism, I raise two problems for that view and argue that these problems strongly suggest that advocates of a “Deflationist Strategy” ought not to endorse, or adopt Rosen-style Modal Fictionalism.

The paper examines the conditions under which we are responsible for actions performed under duress, focusing on a real case in which a soldier was compelled at gunpoint to participate in the massacre of civilian prisoners. The case stands for a class of cases in which the compelled act is neither clearly justified nor clearly excused on grounds of temporary incapacity, but in which it is nonetheless plausible that the agent is not morally blameworthy. The theoretical challenge is to identify (...) the excuse in such cases and to explain its basis. The paper argues that when mortal duress excuses in cases of this sort, it does so because the compelled act, though impermissible and freely chosen, nonetheless fails to manifest ‘an insufficiently good will’. The argument depends on a potentially controversial thesis in the ethics of concern, namely, that a thoroughly decent moral agent—someone who cares enough about morality and the values that underlie it—will not always be moved to do what he knows he ought to do. (shrink)

Here I explore the prospects for fictionalism about the mental, modeled after fictionalism about possible worlds. Mental fictionalism holds that the mental states posited by folk psychology do not exist, yet that some sentences of folk psychological discourse are true. This is accomplished by construing truths of folk psychology as “truths according to the mentalistic fiction.” After formulating the view, I identify five ways that the view appears self-refuting. Moreover, I argue that this cannot be fixed by semantic ascent or (...) by a kind of primitivism. Even so, I also show that the “self-refutation” charges are subtly question-begging. Nevertheless, the reply reveals that a mental fictionalist ought to be a kind of quietist. (shrink)

Accounts of modality in terms of fictional possible worlds face an objection based on the idea that when modal claims are analysed in terms of fictions, the connection between analysans and analysandum seems artificial. Strong modal fictionalism, the theory according to which modal claims are analysed in terms of a fiction, has been defended by, among others, Seahwa Kim, who has recently claimed that the philosophical objection that the connection between modality and fictions is artificial can be met. I propose (...) a new way of spelling out the intuition of artificiality and show that strong modal fictionalism should be rejected. (shrink)

This summarizes of some prominent views about the metaphysics of possible worlds.

The modal fictionalist faces a problem due to the fact that her chosen story seems to be incomplete—certain things are neither fictionally true nor fictionally false. The significance of this problem is not localized to modal fictionalism, however, since many fictionalists will face it too. By examining how the fictionalist should analyze the notion of truth according to her story, and, in particular, the role that conditionals play for the fictionalist, I develop a novel and elegant solution to the incompleteness (...) problem. (shrink)

This article examines a popular complaint against the fictionalist account of possible objects bruited by Gideon Rosen. This is the complaint that modal fictionalism is, in some sense or other, hopelessly artificial. I shall separate two different strands to this worry and examine each in turn. As we shall see, neither strand to the objection is intractable.

Il se trouve aujourd’hui des philosophes pour soutenir que la seule différence entre César franchissant le Rubicon et César ne le franchissant pas, c’est le monde dans lequel ces évènements se sont, en fait, l’un et l’autre produits. César a franchi le Rubicon dans ce monde, celui où nous sommes nous-mêmes, tandis que c’est dans un autre monde que César, ou l’une de ses répliques, ne l’a pas franchi. Nous appelons « réel » ce qui s’est passé dans ce monde (...) et « possible » ce qui s’est passé dans un autre.Comment échapper à ces extravagances? Comment maintenir la distance infranchissable qui sépare l’être du non-être?En subordonnant l’ontologie du possible à son épistémologie. On découvre alors qu’une possibilité est une fiction qui nous est indispensable pour découvrir certains aspects du réel. On découvre qu’il existe une connaissance par les possibles, comme il existe une connaissance par l’expérience. On découvre que la pensée du possible est comme un sixième sens qui nous donne une prise cognitive plus ferme sur le réel.Mais on découvre aussi qu’il y a des formes variées de cette connaissance du réel par le possible. Et que la philosophie pourrait bien être la plus radicale en même temps que la plus méthodique de ces formes. (shrink)

This article examines one way in which a fiction can carry ontological commitments. The ontological commitments that the article examines arise in cases where there are norms governing discourse about items in a fiction that cannot be accounted for by reference to the contents of the sentences that constitute a canonical telling of that fiction. In such cases, a fiction may depend for its contents on the real-world properties of real-world items, and the fiction may, in that sense, be ontologically (...) committed. Having outlined a way of gauging the ontological commitments of a fiction, the article concludes by illustrating the way in which these considerations can be put to work in assessing the prospects of using fictionalism as a tactic for understanding the metaphysics of modality without incurring a commitment to the real existence of merely possible worlds. (shrink)

Are fictional characters such as Sherlock Holmes real? What can fiction tell us about the nature of truth and reality? In this excellent introduction to the problem of fictionalism R. M. Sainsbury covers the following key topics: what is fiction? realism about fictional objects, including the arguments that fictional objects are real but non-existent; real but non-factual; real but non-concrete the relationship between fictional characters and non-actual worlds fictional entities as abstract artefacts fiction and intentionality and the problem of irrealism (...) fictionalism about possible worlds moral fictionalism. R. M. Sainsbury makes extensive use of examples from fiction, such as Sherlock Holmes, Anna Karenina and Madame Bovary and examines the work of philosophers who have made significant contributions to the topic, including Meinong, David Lewis, and Bas Van Fraassen. Additional features include chapter summaries, annotated further reading and a glossary of technical terms, making _Fiction and Fictionalism_ ideal for those coming to the issue for the first time. (shrink)

The main aim of the article is a comparison of two types of modal fictionalism (which is, to put it roughly, the antirealist view concerning the existence of possible worlds). The most popular version of modal fictionalism, proposed by Gideon Rosen, is compared with the modal fictionalism based on Stephen Yablo's ideas concerning object fictionalism. Both views aim to: (i) deliver an interpretation of existential quantifiers ranging over possible worlds, according to which quantifying over possible worlds does not imply ontological (...) commitments to possible worlds; (ii) give an analysis of modality. The distinctive feature of the former view is an account of all sentences with existential quantification ranging over possible worlds as elliptical versions of sentences of the form "According to fiction of plurality of worlds, there is a world, in which...". The modal fictionalist presupposes that the occurrence of the story prefix "According to such and such fiction" makes all quantifiers in its range uncommittal ones. The latter view consists in taking sentences quantifying over possible worlds as uttered in make-believe spirit, where the speaker pretends that there are possible worlds and hence does not commit herself to the existence of possible worlds. Important feature of this view is that its proponent presupposes that there is some kind of dependence between that what modal facts there are and what is pretended in the game of make-believe for possible worlds discourse. The first view lacks this feature. I argue that if one supposes that some of our ordinary modal statements, e.g. "This car could have had different colour than it actually has," provide information about features of objects they are about, then Rosen's version of modal fictionalism faces the problem of explaining how modal fictionalist's analysis of modality preserves this kind of information about objects. The proponent of the latter version has tools to explain how her analysis preserves those bits of information about objects. I conclude that this could be treated as a reason of preferring Yablo's version of modal fictionalism. (shrink)

Modal realism -- Time, space, world -- Existence -- Actuality -- Modal realism and modal tense -- Transworld individuals and their identity -- Existensionalism -- Impossibility -- Proposition and relief -- Fictional worlds -- Epistemology.

This paper examines the logic of fictions within fictions. I argue that consistently nested consistent fictions must have certain formal characteristics. The most important is that they form a tree structure. Depending on one’s theory of fictional objects, additional constraints may apply regarding the appearance of a fictional object in two or more fictional universes. The background motivation for the paper is to use iterated fiction operators as a tool for making sense of iterated modal operators; I conclude by noting (...) briefly where the results about nested fictions can, and where they cannot, be extended to nested possible worlds. (shrink)

The Brock-Rosen problem has been one of the most thoroughly discussed objections to the modal fictionalism bruited in Gideon Rosen’s ‘Modal Fictionalism’. But there is a more fundamental problem with modal fictionalism, at least as it is normally explained: the position does not resolve the tension that motivated it. I argue that if we pay attention to a neglected aspect of modal fictionalism, we will see how to resolve this tension—and we will also find a persuasive reply to the Brock-Rosen (...) objection. Finally, I discuss an alternative reading of Rosen, and argue that this position is also able to fend off the Brock-Rosen objection. (shrink)

Questions about necessity (or what has to be, or what cannot be otherwise) and possibility (or what can be, or what could be otherwise) are questions about modality. Fictionalism is an approach to theoretical matters in a given area which treats the claims in that area as being in some sense analogous to fictional claims: claims we do not literally accept at face value, but which we nevertheless think serve some useful function. However, despite its name, “Modal Fictionalism” in its (...) usual manifestations is not primarily fictionalism about claims of necessity and possibility, but rather a fictionalist approach to claims about possible worlds. (For instance, modal fictionalism is not normally fictionalist about the claim that “it is possible that there be a species of tail-less kangaroo”, but rather about the claim that “there is a possible world in which there is a species of tail-less kangaroo”.) The practice of taking possible worlds to be merely convenient fictions, or of treating talk about possible worlds as being useful without being literally correct, is quite common in philosophical circles. It is only recently, however, that philosophers have seriously examined the implications of taking possible worlds to be merely fictional objects, like Sherlock Holmes or a frictionless surface. (shrink)

Gideon Rosen’s [1990 Modal fictionalism. Mind, 99, 327–354] Modal Fictionalist aims to secure the benefits of realism about possible-worlds, whilst avoiding commitment to the existence of any world other than our own. Rosen [1993 A problem for fictionalism about possible worlds. Analysis, 53, 71–81] and Stuart Brock [1993 Modal fictionalism: A response to Rosen. Mind, 102, 147–150] both argue that fictionalism is self-defeating since the fictionalist is tacitly committed to the existence of a plurality of worlds. In this paper, I (...) develop a new strategy for the fictionalist to pursue in response to the Brock–Rosen objection. I begin by arguing that modal fictionalism is best understood as a paraphrase strategy that concerns the propositions that are expressed, in a given context, by modal sentences. I go on to argue that what is interesting about paraphrastic fictionalism is that it allows the fictionalist to accept that the sentence ‘there is a plurality of worlds’ is true without thereby committing her to the existence of a plurality of worlds. I then argue that the paraphrastic fictionalist can appeal to a form of semantic contextualism in order to communicate her status as an anti-realist. Finally, I generalise my conception of fictionalism and argue that Daniel Nolan and John O’Leary-Hawthorne [1996 Reflexive fictionalisms. Analysis, 56, 26–32] are wrong to suggest that the Brock-Rosen objection reveals a structural flaw with all species of fictionalism. (shrink)

I argue that fictionalism is an unpromising alternative to realism in two important respects. First, fictionalism offers a less satisfactory modal semantics because the incorporated fictive operator is itself modal and its results differ significantly from realism. Second, fictionalism struggles to provide us with a satisfactory account of the ontological grounding of modal truth and finds itself in opposition to several influential accounts of fictional objects which I discuss. I conclude by suggesting that, given the fictionalist’s motivation, a more promising (...) avenue of research would be the older and currently unfashionable fictionalism espoused by Vaihinger (1935). (shrink)

Gideon Rosen proposes a view called "modal fictionalism" which Rosen thinks has all the benefits of modal realism without its ontological costs. Whereas modal realists have a paraphrase r(0) of a modal claim "0", modal fictionalists claim that the correct translation of "0" is rather the result of prefixing "according to the hypothesis of a plurality of worlds" to r(0). Rosen takes the prefix to be primitive and defines other modal notions in terms of it. Bob Hale, however, thinks the (...) fictionalist's project suffers from a "simple" dilemma. The purpose of this paper is to show that Rosen is right in taking the prefix as primitive and Hale is wrong in thinking fictionalism as being threatened by the dilemma. (shrink)

It is sometimes said that no living philosopher is a genuine modal realist. This is no doubt an exaggeration. But at least this much is true: while we all partake of possible world talk when philosophizing, most of us regard this talk as incurring no commitment to a plurality of concrete worlds.

While preparing my suitcase for Padua, I took care to put my favorite cds in a secured spot since they could have broken along the way. Which (non-mental) fact, if any, could possibly justify my action – i.e. what, if anything, makes it the case that my cds could have broken? The paper explores the nature of possibility. The three theories most widely endorsed thus far – fictionism, actualism, and modal realism – are introduced, with a particular attention to their (...) unpalatable ontological consequences. In order to avoid such consequences, a fourth theory is put forward. The goal of the theory is to explain the nature of possibility on the basis of actual (vs possible) entities while, at the same time, providing a non-circular interpretation of the meaning of our modal talk on the basis of such actual entities. Dispositions are meant to be the ontological ground of the theory. They play the role of possibilia – i.e. the entities on the basis of which we interpret modal assertions. A characterization of the sort of dispositions needed for grounding the theory is given. Finally follow some remarks on the effects of the theory upon the extension of the domain of possibilia. (shrink)

The study of metaphysical possibility involves two central questions: What are possible worlds? Is there an empty possible world? In looking at the first question we consider the different accounts of possible worlds—Lewisian realism, ersatzism, etc. In looking at the second question we consider the discussions of metaphysical nihilism, the modal ontological arguments, etc. In this paper I am drawing these two questions together in order to show how the position we hold on one of these issues affects the position (...) we should hold on the other. (shrink)

The study of metaphysical possibility involves two central questions: (i) What are possible worlds? (ii) Is there an empty possible world? In looking at the first question we consider the different accounts of possible worlds-Lewisian realism, ersatzism, etc. In looking at the second question we consider the discussions of metaphysical nihilism, the modal ontological arguments, etc. In this paper I am drawing these two questions together in order to show how the position we hold on one of these issues affects (...) the position we should hold on the other. (shrink)

Modal fictionalists propose to defuse the unwanted ontological commitments of modal realism by treating modal realism as a fictional story, and modal assertions as assertions, prefixed by a fictionalist operator, that something is true in that story. However, consideration of conditionals with modal antecedents raises the problem ofembedding, which shows that the simple prefixing strategy cannotsucceed. A compositional version of the fictionalist strategy isdeveloped and critiqued, and some general semantic morals aredrawn from the failures of both strategies.

_Possible Worlds_ presents the first up-to-date and comprehensive examination of one of the most important topics in metaphysics. John Divers considers the prevalent philosophical positions, including realism, antirealism and the work of important writers on possible worlds such as David Lewis, evaluating them in detail.

In this paper, I will defend modalfictionalism. The paper has two parts. In thefirst part, I will suggest a revised version ofmodal fictionalism which can avoid certaintechnical problems. In the second part, I willpropose a nominalized version of modalfictionalism and a general scheme offictionalism for the nominalist.

This book discusses a range of important issues in current philosophical work on the nature of possible worlds. Areas investigated include the theories of the nature of possible worlds, general questions about metaphysical analysis and questions about the direction of dependence between what is necessary or possible and what could be.

Possible worlds present a formidable challenge for the lover of desert landscapes. One cannot ignore their usefulness; they provide, as David Lewis puts it, “a philosophers’ paradise”.1 But to enter paradise possibilia must be fit into a believable ontology. Some follow Lewis and accept worlds at face value, but most prefer some other choice from the current menu. Part of Chihara’s book is a critical discussion of some of these menu options: Lewis’s modal realism, Alvin Plantinga’s abstract modal realism, Graeme (...) Forbes’s anti-realism and Gideon Rosen’s modal fictionalism. These discussions are very detailed and conversant with the literature. The discussions of Forbes and of paradox within Plantinga’s system are particularly enlightening. The rest of the book is devoted to Chihara’s positive project: developing an account of the status of model theory for non-modal logic, and then applying it to the modal case. The prize is an understanding of possible worlds semantics that requires no commitment to possible worlds at all What does the relativized notion of truth in an interpretation studied in model theory have to do with plain old truth? Chihara’s answer involves “connecting theorems” that relate truth-in to truth. A “natural-language proto-interpretation of the sentential calculus” is a function that assigns meanings of declarative sentences of English to sentence letters. Where I is an NLPI of SC and φ is a sentence letter, Chihara uses ‘[φ/I ]’ to refer to “φ with the meaning it has been assigned by I ” ; where φ is not atomic, he says. (shrink)

Modal Fictionalism, the theory that possible worlds do not literally exist but that our talk about them should be understood in the same way that we understand talk about fictional entities, is an increasingly popular approach to possible worlds. This paper will distinguish three versions of Modal Fictionalism, and will show that the third, a version endorsed by some of the most prominent Modal Fictionalists, faces at least three serious objections: that it makes modality too artificial, the modal fiction does (...) not have the representative resources it needs, and the approach has trouble accounting for propositions. (shrink)

There is a class of fictionalist strategies (the reflexive fictionalisms) which appear to suffer from a common problem: the problem that the entities which are supposedly fictional turn out, by the lights of the fictionalist theory itself, to exist. The appropriate solution is to reject so-called strong fictionalism in each case: that is, to reject the variety of fictionalism which takes appeal to the domain of fictional entities to provide an explanation or analysis of the operators or predicates with which (...) the objects are systematically correlated. (shrink)