Modal Fictionalism

In this paper, after clarifying certain features of Gideon Rosen’s Modal Fictionalism, I raise two problems for that view and argue that these problems strongly suggest that advocates of a “Deflationist Strategy” ought not to endorse, or adopt Rosen-style Modal Fictionalism.

While preparing my suitcase for Padua, I took care to put my favorite cds in a secured spot since they could have broken along the way. Which (non-mental) fact, if any, could possibly justify my action – i.e. what, if anything, makes it the case that my cds could have broken? The paper explores the nature of possibility. The three theories most widely endorsed thus far – fictionism, actualism, and modal realism – are introduced, with a particular attention to their (...) unpalatable ontological consequences. In order to avoid such consequences, a fourth theory is put forward. The goal of the theory is to explain the nature of possibility on the basis of actual (vs possible) entities while, at the same time, providing a non-circular interpretation of the meaning of our modal talk on the basis of such actual entities. Dispositions are meant to be the ontological ground of the theory. They play the role of possibilia – i.e. the entities on the basis of which we interpret modal assertions. A characterization of the sort of dispositions needed for grounding the theory is given. Finally follow some remarks on the effects of the theory upon the extension of the domain of possibilia. (shrink)

It is sometimes said that no living philosopher is a genuine modal realist. This is no doubt an exaggeration. But at least this much is true: while we all partake of possible world talk when philosophizing, most of us regard this talk as incurring no commitment to a plurality of concrete worlds.

Il se trouve aujourd’hui des philosophes pour soutenir que la seule différence entre César franchissant le Rubicon et César ne le franchissant pas, c’est le monde dans lequel ces évènements se sont, en fait, l’un et l’autre produits. César a franchi le Rubicon dans ce monde, celui où nous sommes nous-mêmes, tandis que c’est dans un autre monde que César, ou l’une de ses répliques, ne l’a pas franchi. Nous appelons « réel » ce qui s’est passé dans ce monde (...) et « possible » ce qui s’est passé dans un autre.Comment échapper à ces extravagances? Comment maintenir la distance infranchissable qui sépare l’être du non-être?En subordonnant l’ontologie du possible à son épistémologie. On découvre alors qu’une possibilité est une fiction qui nous est indispensable pour découvrir certains aspects du réel. On découvre qu’il existe une connaissance par les possibles, comme il existe une connaissance par l’expérience. On découvre que la pensée du possible est comme un sixième sens qui nous donne une prise cognitive plus ferme sur le réel.Mais on découvre aussi qu’il y a des formes variées de cette connaissance du réel par le possible. Et que la philosophie pourrait bien être la plus radicale en même temps que la plus méthodique de ces formes. (shrink)

The study of metaphysical possibility involves two central questions: What are possible worlds? Is there an empty possible world? In looking at the first question we consider the different accounts of possible worlds—Lewisian realism, ersatzism, etc. In looking at the second question we consider the discussions of metaphysical nihilism, the modal ontological arguments, etc. In this paper I am drawing these two questions together in order to show how the position we hold on one of these issues affects the position (...) we should hold on the other. (shrink)

The study of metaphysical possibility involves two central questions: (i) What are possible worlds? (ii) Is there an empty possible world? In looking at the first question we consider the different accounts of possible worlds-Lewisian realism, ersatzism, etc. In looking at the second question we consider the discussions of metaphysical nihilism, the modal ontological arguments, etc. In this paper I am drawing these two questions together in order to show how the position we hold on one of these issues affects (...) the position we should hold on the other. (shrink)

Modal fictionalists propose to defuse the unwanted ontological commitments of modal realism by treating modal realism as a fictional story, and modal assertions as assertions, prefixed by a fictionalist operator, that something is true in that story. However, consideration of conditionals with modal antecedents raises the problem ofembedding, which shows that the simple prefixing strategy cannotsucceed. A compositional version of the fictionalist strategy isdeveloped and critiqued, and some general semantic morals aredrawn from the failures of both strategies.

_Possible Worlds_ presents the first up-to-date and comprehensive examination of one of the most important topics in metaphysics. John Divers considers the prevalent philosophical positions, including realism, antirealism and the work of important writers on possible worlds such as David Lewis, evaluating them in detail.

and argue that (2) is similarly not true, but a convention: we use talk of pos• sibility to capture claims about consistency, or whatever. (This is merely an example; I don't suppose that (2) appeals to anyone particularly as a neces• sary truth about possibility or consistency.) Again, the kind of thing that is in..

This paper examines the logic of fictions within fictions. I argue that consistently nested consistent fictions must have certain formal characteristics. The most important is that they form a tree structure. Depending on one’s theory of fictional objects, additional constraints may apply regarding the appearance of a fictional object in two or more fictional universes. The background motivation for the paper is to use iterated fiction operators as a tool for making sense of iterated modal operators; I conclude by noting (...) briefly where the results about nested fictions can, and where they cannot, be extended to nested possible worlds. (shrink)

In this paper, I will defend modalfictionalism. The paper has two parts. In thefirst part, I will suggest a revised version ofmodal fictionalism which can avoid certaintechnical problems. In the second part, I willpropose a nominalized version of modalfictionalism and a general scheme offictionalism for the nominalist.

The Brock-Rosen problem has been one of the most thoroughly discussed objections to the modal fictionalism bruited in Gideon Rosen’s ‘Modal Fictionalism’. But there is a more fundamental problem with modal fictionalism, at least as it is normally explained: the position does not resolve the tension that motivated it. I argue that if we pay attention to a neglected aspect of modal fictionalism, we will see how to resolve this tension—and we will also find a persuasive reply to the Brock-Rosen (...) objection. Finally, I discuss an alternative reading of Rosen, and argue that this position is also able to fend off the Brock-Rosen objection. (shrink)

Modal functionalism is the view that talk about possible worlds should be construed as talk about fictional objects. The version of modal fictionalism originally presented by Gideon Rosen adopted a simple prefixing strategy for fictionalising possible worlds analyses of modal propositions. However, Stuart Brock and Rosen himself in a later article have independently advanced an objection that shows that the prefixing strategy cannot serve fictionalist purposes. In this paper we defend fictionalism about possible worlds by showing that there are other (...) strategies besides the prefixing strategy for fictionalising talk about possible worlds, and that these strategies are proof against the objection advanced by Brock and Rosen. (shrink)

This article examines one way in which a fiction can carry ontological commitments. The ontological commitments that the article examines arise in cases where there are norms governing discourse about items in a fiction that cannot be accounted for by reference to the contents of the sentences that constitute a canonical telling of that fiction. In such cases, a fiction may depend for its contents on the real-world properties of real-world items, and the fiction may, in that sense, be ontologically (...) committed. Having outlined a way of gauging the ontological commitments of a fiction, the article concludes by illustrating the way in which these considerations can be put to work in assessing the prospects of using fictionalism as a tactic for understanding the metaphysics of modality without incurring a commitment to the real existence of merely possible worlds. (shrink)

Bob Hale in Hale 1995b posed a dilemma for modal fictionalism (more specifically, Rosen's version of modal fictionalism). A modal fictionalist who maintains the version outlined in Rosen 1990 believes that the fiction of possible worlds (PW, to use Rosen and Hale's abbreviation) is not literally true. The question arises, however, about its modal status. Is it necessarily false, or contingently false? In either case, Hale argues, the modal fictionalist is in trouble. Should the modal fictionalist claim that the story (...) of possible worlds is necessarily false, then the modal fictionalist cannot gloss their "according to the fiction of possible worlds ... ." prefix as "were the fiction of possible worlds true, then ... would be true". This is because, according to Hale, conditional claims with antecedents which are necessarily false are automatically true, so it follows that if the fiction of possible worlds is taken to be necessarily false, all conditionals of the form "were the fiction of possible worlds true then ..." are true, and not merely the ones that the modal fictionalist wishes to endorse. If the modal fiction is to be useful, not everything should be true according to it: examples of claims that had better not be true according to it include the claim that 2+2=7, or the claim that there are no possible worlds. On the other hand, if the fiction of possible worlds (PW) is only contingently false, Hale claims this also lands the Rosen's fictionalism in unacceptable trouble, though it is not so clear why (see below). Let me discuss these horns in turn. (shrink)

Questions about necessity (or what has to be, or what cannot be otherwise) and possibility (or what can be, or what could be otherwise) are questions about modality. Fictionalism is an approach to theoretical matters in a given area which treats the claims in that area as being in some sense analogous to fictional claims: claims we do not literally accept at face value, but which we nevertheless think serve some useful function. However, despite its name, “Modal Fictionalism” in its (...) usual manifestations is not primarily fictionalism about claims of necessity and possibility, but rather a fictionalist approach to claims about possible worlds. (For instance, modal fictionalism is not normally fictionalist about the claim that “it is possible that there be a species of tail-less kangaroo”, but rather about the claim that “there is a possible world in which there is a species of tail-less kangaroo”.) The practice of taking possible worlds to be merely convenient fictions, or of treating talk about possible worlds as being useful without being literally correct, is quite common in philosophical circles. It is only recently, however, that philosophers have seriously examined the implications of taking possible worlds to be merely fictional objects, like Sherlock Holmes or a frictionless surface. (shrink)

This book discusses a range of important issues in current philosophical work on the nature of possible worlds. Areas investigated include the theories of the nature of possible worlds, general questions about metaphysical analysis and questions about the direction of dependence between what is necessary or possible and what could be.

This paper attacks the modal ontological argument, as advocated by Plantinga among others. Whereas other criticisms in the literature reject one of its premises, the present line is that the argument is invalid. This becomes apparent once we run the argument assuming fictionalism about possible worlds. Broadly speaking, the problem is that if one defines “x” as something that exists, it does not follow that there is anything satisfying the definition. Yet unlike non-modal ontological arguments, the modal argument commits this (...) “existential fallacy” not in relation to the definition of ‘God’. Rather, it occurs in relation to the modal facts quantified over within a Kripkean modal logic. In brief, we can describe the modal facts by whichever logic we prefer—yet it does not follow that there are genuine modal facts, as opposed to mere facts-according-to-the-fiction. A broader consequence of the discussion is that the existential fallacy is an issue for many projects in “armchair metaphysics.”. (shrink)

Here I explore the prospects for fictionalism about the mental, modeled after fictionalism about possible worlds. Mental fictionalism holds that the mental states posited by folk psychology do not exist, yet that some sentences of folk psychological discourse are true. This is accomplished by construing truths of folk psychology as “truths according to the mentalistic fiction.” After formulating the view, I identify five ways that the view appears self-refuting. Moreover, I argue that this cannot be fixed by semantic ascent or (...) by a kind of primitivism. Even so, I also show that the “self-refutation” charges are subtly question-begging. Nevertheless, the reply reveals that a mental fictionalist ought to be a kind of quietist. (shrink)

This summarizes of some prominent views about the metaphysics of possible worlds.

Fictionalism about possible worlds is the view that talk about worlds in the analysis of modality is to be construed as ontologically innocent discourse about the content of a fiction. Versions of the view have been defended by D M Armstrong (in "A Combinatorial Theory of Possibility") and by myself (in "Modal Fictionalism', "Mind" 99, July 1990). The present note argues that fictionalist accounts of modality (both Armstrong's version and my own) fail to serve the fictionalists ontological purposes because they (...) imply that as a matter of necessity there exist many worlds. (shrink)

A nonexistent possible is a particular concrete object which exists in some possible world but doesn't exist in the actual world. A definite description may be said to individuate a nonexistent possible if just one possible object satisfies the condition specified by that description, and this possible object doesn't exist in the actual world. Given a plausible form of mereological essentialism, certain mereological and causal descriptions which determine a thing's composition individuate nonexistent possible hunks of matter which are mereological or (...) causal products of actual objects. Other sorts of descriptions such as 'the possible fat man in that doorway' and ones associated with typical fictional, imaginary, and mythical things do not individuate a nonexistent possible, and it is problematical whether we can individuate a nonexistent possible which is disjoint, viz., one which is not a mereological or causal product of actual objects. (shrink)

Are fictional characters such as Sherlock Holmes real? What can fiction tell us about the nature of truth and reality? In this excellent introduction to the problem of fictionalism R. M. Sainsbury covers the following key topics: what is fiction? realism about fictional objects, including the arguments that fictional objects are real but non-existent; real but non-factual; real but non-concrete the relationship between fictional characters and non-actual worlds fictional entities as abstract artefacts fiction and intentionality and the problem of irrealism (...) fictionalism about possible worlds moral fictionalism. R. M. Sainsbury makes extensive use of examples from fiction, such as Sherlock Holmes, Anna Karenina and Madame Bovary and examines the work of philosophers who have made significant contributions to the topic, including Meinong, David Lewis, and Bas Van Fraassen. Additional features include chapter summaries, annotated further reading and a glossary of technical terms, making _Fiction and Fictionalism_ ideal for those coming to the issue for the first time. (shrink)

Accounts of modality in terms of fictional possible worlds face an objection based on the idea that when modal claims are analysed in terms of fictions, the connection between analysans and analysandum seems artificial. Strong modal fictionalism, the theory according to which modal claims are analysed in terms of a fiction, has been defended by, among others, Seahwa Kim, who has recently claimed that the philosophical objection that the connection between modality and fictions is artificial can be met. I propose (...) a new way of spelling out the intuition of artificiality and show that strong modal fictionalism should be rejected. (shrink)

Possible worlds present a formidable challenge for the lover of desert landscapes. One cannot ignore their usefulness; they provide, as David Lewis puts it, “a philosophers’ paradise”.1 But to enter paradise possibilia must be fit into a believable ontology. Some follow Lewis and accept worlds at face value, but most prefer some other choice from the current menu. Part of Chihara’s book is a critical discussion of some of these menu options: Lewis’s modal realism, Alvin Plantinga’s abstract modal realism, Graeme (...) Forbes’s anti-realism and Gideon Rosen’s modal fictionalism. These discussions are very detailed and conversant with the literature. The discussions of Forbes and of paradox within Plantinga’s system are particularly enlightening. The rest of the book is devoted to Chihara’s positive project: developing an account of the status of model theory for non-modal logic, and then applying it to the modal case. The prize is an understanding of possible worlds semantics that requires no commitment to possible worlds at all What does the relativized notion of truth in an interpretation studied in model theory have to do with plain old truth? Chihara’s answer involves “connecting theorems” that relate truth-in to truth. A “natural-language proto-interpretation of the sentential calculus” is a function that assigns meanings of declarative sentences of English to sentence letters. Where I is an NLPI of SC and φ is a sentence letter, Chihara uses ‘[φ/I ]’ to refer to “φ with the meaning it has been assigned by I ” ; where φ is not atomic, he says. (shrink)

Modal fictionalists face a problem that arises due to their possible-world story being incomplete in the sense that certain relevant claims are neither true nor false according to it. It has recently been suggested that this incompleteness problem generalises to other brands of fictionalism, such as fictionalism about composite or mathematical objects. In this paper, I argue that these fictionalist positions are particularly threatened by a generalised incompleteness problem since they cannot emulate the modal fictionalists’ most attractive response. I then (...) defend mathematical and compositional fictionalism by showing that the reasons for which the incompleteness problem has been thought to affect them are mistaken. This leads to the question of whether there are other fictionalist positions to which the problem does in fact generalise. I give a general account of the features of a fictionalist position that generate the incompleteness problem and argue that whenever a fictionalist position does exemplify these features then the problem can be addressed in analogy to the modal fictionalists’ preferred response. (shrink)

Gideon Rosen proposes a view called "modal fictionalism" which Rosen thinks has all the benefits of modal realism without its ontological costs. Whereas modal realists have a paraphrase r(0) of a modal claim "0", modal fictionalists claim that the correct translation of "0" is rather the result of prefixing "according to the hypothesis of a plurality of worlds" to r(0). Rosen takes the prefix to be primitive and defines other modal notions in terms of it. Bob Hale, however, thinks the (...) fictionalist's project suffers from a "simple" dilemma. The purpose of this paper is to show that Rosen is right in taking the prefix as primitive and Hale is wrong in thinking fictionalism as being threatened by the dilemma. (shrink)