- Peter Kivy, Sacred Music, and Affective Response.Julian Perlmutter - manuscriptdetails
- Musical Scaffolding and the Pleasure of Sad Music: Comment on “An Integrative Review of the Enjoyment of Sadness Associated with Music".Joel Krueger - forthcoming - Physics of Life Reviews.details
- Music as Affective Scaffolding.Joel Krueger - forthcoming - In David Clarke, Ruth Herbert & Eric Clarke (eds.), Music and Consciousness II. Oxford: Oxford University Press.details
- Where Does Music End and Nonmusic Begin? Fine-Tuning the “Naturalist Response” Problem for Nontonal Music’s Naturalistic Critics.Lantz Fleming Miller - 2022 - Journal of Comparative Literature and Aesthetics 45 (1):354-368.details
- Moved by Music Alone.Tom Cochrane - 2021 - British Journal of Aesthetics 61 (4):455-470.details
- Meaning and Scepticism.Paul Boghossian - 2020 - In Tomás McAuley, Nanette Nielsen, Jerrold Levinson & Ariana Phillips-Hutton (eds.), The Oxford Handbook of Western Music and Philosophy. OUP. pp. 785-804.details
- Philosophy of Western Music: A Contemporary Introduction.Andrew Kania - 2020 - New York, USA: Routledge.details
- Sacred Music, Religious Desire and Knowledge of God: The Music of Our Human Longing.Julian Perlmutter - 2020 - London, UK: Bloomsbury Academic.details
- Toward a Naturalized Aesthetics of Film Music: An Interdisciplinary Exploration of Intramusical and Extramusical Meaning.Timothy Justus - 2019 - Projections 13 (3):1–22.details
- Appearance Emotionalism in Music: Analysis and Criticism.Matteo Ravasio - 2019 - Journal of Aesthetic Education 53 (3):93.details
- An Aesthetic of Horror Film Music.Ka Chung Lorraine Yeung - 2019 - Film and Philosophy 23:159-178.details
- Form and Meaning in Music: Revisiting the Affective Character of the Major and Minor Modes.Timothy Justus, Laura Gabriel & Adela Pfaff - 2018 - Auditory Perception and Cognition 1 (3–4):229–247.details
- Musical Worlds and the Extended Mind.Joel Krueger - 2018 - Proceedings of A Body of Knowledge - Embodied Cognition and the Arts Conference CTSA UCI, 8-10 Dec 2016.details
- Group Flow.Tom Cochrane - 2017 - In Micheline Lesaffre, Pieter-Jan Maes & Marc Leman (eds.), The Routledge Companion of Embodied Music Interaction. London, UK: Routledge. pp. 133-140.details
- Stephen Davies on the Issue of Literalism.Matteo Ravasio - 2017 - Debates in Aesthetics 13 (1).details
- Emotions in the Listener: A Criterion of Artistic Relevance.Matteo Ravasio - 2017 - American Society for Aesthetics Graduate E-Journal 9 (1).details
- On the Divide: Analytic and Continental Philosophy of Music.Tiger Roholt - 2017 - Journal of Aesthetics and Art Criticism 75 (1):49-58.details
- The Who and Philosophy.Rocco J. Gennaro & Casey Harison (eds.) - 2016 - Lexington Books.details
- Wittgenstein Reimagines Musical Depth.Eran Guter - 2016 - In Stefan Majetschak Anja Weiberg (ed.), Aesthetics Today: Contemporary Approaches to the Aesthetics of Nature and of Art, Contributions to the 39th International Wittgenstein Symposium (Kirchberg am Wechsel: ALWS, 2016). pp. 87-89.details
- The Music Between Us: Is Music a Universal Language? By Kathleen Marie Higgins. [REVIEW]Tom Cochrane - 2015 - Mind 124 (496):1288-1292.details
- Ästhetik des Fado.Andreas Dorschel - 2015 - Merkur 69 (2):79-86.details
- Musicing, Materiality, and the Emotional Niche.Joel Krueger - 2015 - Action, Criticism, and Theory for Music Education 14 (3):43-62.details
- Empathy Beyond the Head: Comment on "Music, Empathy, and Cultural Understanding".Joel Krueger - 2015 - Physics of Life Reviews 15:92-93.details
- Music as Atmosphere. Lines of Becoming in Congregational Worship.Friedlind Riedel - 2015 - Lebenswelt. Aesthetics and Philosophy of Experience 6:80-111.details
- Muzička Ekspresivnost.Sanja Sreckovic - 2015 - Theoria: Beograd 58 (3):19-39.details
- Music Feels Like Moods Feel.Kris Goffin - 2014 - Frontiers in Psychology 5:327.details
- Music and the Continuous Nature of the Mind.Timothy Justus - 2014 - Music Perception 31 (4):387–391.details
- Musicality in Human Evolution, Archaeology and Ethnography: Iain Morley: The Prehistory of Music: Human Evolution, Archaeology, and the Origins of Musicality. Oxford University Press, Oxford, 2013.Anton Killin - 2014 - Biology and Philosophy 29 (4):597-609.details
- Emotions and Understanding in Music.Vojtěch Kolman - 2014 - Idealistic Studies 44 (1):83-100.details
- Musical Manipulations and the Emotionally Extended Mind.Joel Krueger - 2014 - Empirical Musicology Review 9 (3-4):208-212.details
- Eduard Hanslick's Formalism and His Most Influential Contemporary Critics.Sanja Sreckovic - 2014 - Belgrade Philosophical Annual 27:113-134.details
- Musical Meaning in Between: Ineffability, Atmosphere and Asubjectivity in Musical Experience.Tere Vadén & Juha Torvinen - 2014 - Journal of Aesthetics and Phenomenology 1 (2):209-230.details
- Critique of Pure Music.James O. Young - 2014 - Oxford University Press.details
- On the Resistance of the Instrument.Tom Cochrane - 2013 - In Tom Cochrane, Klaus Scherer & Bernardino Fantini (eds.), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford: pp. 75-83.details
- The Emotional Power of Music: Multidisciplinary Perspectives on Musical Arousal, Expression, and Social Control.Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.) - 2013 - Oxford University Press.details
- Affordances and the Musically Extended Mind.Joel Krueger - 2013 - Frontiers in Psychology 4:1-12.details
- Empathy, Enaction, and Shared Musical Experience.Joel Krueger - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus Scherer (eds.), The Emotional Power of Music: Multidisciplinary Perspectives on Musical Expression, Arousal and Social Control. Oxford University Press. pp. 177-196.details
- Art and Emotion.Hichem Naar - 2013 - Internet Encyclopedia of Philosophy.details
- The Ethics of Singing Along: The Case of “Mind of a Lunatic”.Aaron Smuts - 2013 - Journal of Aesthetics and Art Criticism 71 (1):121-129.details
- Aesthetic Concepts, Perceptual Learning, and Linguistic Enculturation: Considerations From Wittgenstein, Language, and Music.Adam M. Croom - 2012 - Integrative Psychological and Behavioral Science 46:90-117.details
- Einführung zu den Schriften [Richard Wagners].Andreas Dorschel - 2012 - In Laurenz Lütteken (ed.), Wagner Handbuch. Bärenreiter. pp. 110-117.details
- Why Music Moves Us. By Jeanette Bicknell.William A. Everett - 2012 - The European Legacy 17 (3):407 - 408.details
- Getting Emotional Over Contours: Response to Seeley.Christy Mag Uidhir - 2012 - Essays in Philosophy 13 (2):518-521.details
- Resemblance, Convention, and Musical Expressiveness.James O. Young - 2012 - The Monist 95 (4):587-605.details
- Narrative, Emotion, and Insight.Noël Carroll & John Gibson (eds.) - 2011 - Pennsylvania State University Press.details
- Infectious Music: Music-Listener Emotional Contagion.Stephen Davies - 2011 - In Amy Coplan & Peter Goldie (eds.), Empathy: Philosophical and Psychological Perspectives. Oxford University Press.details
- Emotions Expressed and Aroused by Music: Philosophical Perspectives.Stephen Davies - 2011 - In Patrik N. Juslin & John Sloboda (eds.), Handbook of Music and Emotion: Theory, Research, Applications. Oxford University Press.details
- Rubber Ring: Why Do We Listen to Sad Songs?Aaron Smuts - 2011 - In John Gibson & Noel Carroll (eds.), Narrative, Emotion, and Insight. Penn State UP. pp. 131.details
- Music to My Eyes: Cross-Modal Interactions in the Perception of Emotions in Musical Performance.Bradley W. Vines, Carol L. Krumhansl, Marcelo M. Wanderley, Ioana M. Dalca & Daniel J. Levitin - 2011 - Cognition 118 (2):157-170.details
- The Music Instinct: How Music Works and Why We Can't Do Without It.Philip Ball - 2010 - Oxford University Press.details
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