- Musical Agency and Collaboration in the Digital Age.Tom Roberts & Joel Krueger - 2022 - In Kath Bicknell & John Sutton (eds.), Collaborative Embodied Performance: Ecologies of Skill. New York: Bloomsbury. pp. 125-140.details
- Improvisation, Indeterminacy, and Ontology: Some Perspectives on Music and the Posthumanities.Iain Campbell - 2021 - Contemporary Music Review 40 (4):409-424.details
- Ready Player One? A Response to Ricksand.Andrew Kania - 2021 - Journal of Aesthetics and Art Criticism 79 (3):388-391.details
- Joint Improvisation, Minimalism and Pluralism About Joint Action.Pierre Saint Germier, Cedric Paternotte & Clement Canonne - 2021 - Journal of Social Ontology 7 (1):97-118.details
- Philosophy of Western Music: A Contemporary Introduction.Andrew Kania - 2020 - New York, USA: Routledge.details
- Competence, Counterpoint and Harmony: A Triad of Semiotic Concepts for the Scholarly Study of Dance.Juan Felipe Miranda Medina - 2020 - Signata. Annales des Sémiotiques/Annals of Semiotics 11.details
- Why Play the Notes? Indirect Aesthetic Normativity in Performance.Guy Rohrbaugh - 2020 - Australasian Journal of Philosophy 98 (1):78-91.details
- Historically Uninformed Views of Historically Informed Performance.Matteo Ravasio - 2019 - Journal of Aesthetics and Art Criticism 77 (2):193-205.details
- Musical “Covers” and the Culture Industry.Babette Babich - 2018 - Research in Phenomenology 48 (3):385-407.details
- Repeatable Artworks and the Relevant Similarity Relation.Sherri Irvin - 2018 - Journal of Aesthetic Education 52 (2):30.details
- Musical Perdurantism and the Problem of Intermittent Existence.Alexey Aliyev - 2017 - Grazer Philosophische Studien 94 (1-2):83-100.details
- Rock as a Three-Value Tradition.Christopher Bartel - 2017 - Journal of Aesthetics and Art Criticism 75 (2):143-154.details
- Digital Tradition: Arrangement and Labor in IstanbuL’s Recording Studio Culture.Eliot Bates - 2016 - New York, NY, USA: Oxford University Press.details
- Unperformable Works and the Ontology of Music.Wesley D. Cray - 2016 - British Journal of Aesthetics 56 (1):67-81.details
- The Who and Philosophy.Rocco J. Gennaro & Casey Harison (eds.) - 2016 - Lexington Books.details
- Eseguire l’inatteso. Ontologia della musica e improvvisazione. [REVIEW]Matteo Ravasio - 2016 - Aisthema 3 (1):119-125.details
- The Aesthetics of Electronic Dance Music, Part II: Dancers, DJs, Ontology and Aesthetics.Nick Wiltsher - 2016 - Philosophy Compass 11 (8):426-436.details
- Ästhetik des Fado.Andreas Dorschel - 2015 - Merkur 69 (2):79-86.details
- Impurely Musical Make-Believe.Eran Guter & Inbal Guter - 2015 - In Alexander Bareis & Lene Nordrum (eds.), How to Make-Believe: The Fictional Truths of the Representational Arts. De Gruyter. pp. 283-306.details
- Musical Ontology: Critical, Not Metaphysical.Jonathan A. Neufeld - 2014 - Contemporary Aesthetics 12.details
- Aesthetics of Conducting: Expression and Gesture.Andreas Dorschel - 2013 - In Jean Paul Olive & Susanne Kogler (eds.), Expression et geste musical. L'Harmattan. pp. 65-73.details
- Paganini Does Not Repeat. Musical Improvisation and the Type/Token Ontology.Alessandro Bertinetto - 2012 - Teorema: International Journal of Philosophy 31 (3):105-126.details
- Musical Twofoldness.Bence Nanay - 2012 - The Monist 95 (4):607-624.details
- Musical Twofoldness.Bence Nanay - 2012 - The Monist 95 (4):606-623.details
- Critical Performances.Jonathan A. Neufeld - 2012 - Teorema: International Journal of Philosophy (3):89-104.details
- Island Songs: A Global Repertoire.Godfrey Baldacchino (ed.) - 2011 - Scarecrow Press.details
- Performances and Recordings.Andrew Kania & Theodore Gracyk - 2011 - In Theodore Gracyk & Andrew Kania (eds.), Routledge Companion to Philosophy and Music. New York, USA: Routledge. pp. 80-90.details
- Music, Art, and Metaphysics.Jerrold Levinson - 2011 - Oxford University Press.details
- Living the Work: Meditations on a Lark.Jonathan A. Neufeld - 2011 - Journal of Aesthetic Education 45 (1):89.details
- Essays on Performativity and on Surveying the Field.Walter Bernhart & Michael Halliwell (eds.) - 2010 - Rodopi.details
- Sonicism and Jazz Improvisation.Gary Iseminger - 2010 - Journal of Aesthetics and Art Criticism 68 (3):297-299.details
- Hearing and Seeing Musical Expression.Vincent Bergeron & Dominic Mciver Lopes - 2009 - Philosophy and Phenomenological Research 78 (1):1-16.details
- Musical Recordings.Andrew Kania - 2009 - Philosophy Compass 4 (1):22-38.details
- “What Has Coltrane to Do With Mozart: The Dynamism and Built-in Flexibility of Music”.Cynthia R. Nielsen - 2009 - Expositions 3:57-71.details
- Democracy as Music, Music as Democracy.Clifton Sanders - 2009 - Radical Philosophy Review 12 (1-2):219-239.details
- Piece for the End of Time: In Defence of Musical Ontology: Articles.Andrew Kania - 2008 - British Journal of Aesthetics 48 (1):65-79.details
- Works of Music: An Essay in Ontology by Dodd, Julian. [REVIEW]Andrew Kania - 2008 - Journal of Aesthetics and Art Criticism 66 (2):201–203.details
- Piece for the End of Time: In Defence of Musical Ontology.Andrew Kania - 2008 - British Journal of Aesthetics 48 (1):65-79.details
- Mag Uidhir on Performance.P. D. Magnus - 2008 - British Journal of Aesthetics 48 (3):338-345.details
- Modality, Individuation, and the Ontology of Art.Carl Matheson & Ben Caplan - 2008 - Canadian Journal of Philosophy 38 (4):491-517.details
- Recordings as Performances.Christy Mag Uidhir - 2007 - British Journal of Aesthetics 47 (3):298-314.details
- Music: Drastic or Gnostic?Carolyn Abbate - 2004 - Critical Inquiry 30 (3):505-536.details
- Performing Live: Aesthetic Alternatives for the Ends of Art (Review).Gustavo D. Cardinal - 2004 - Philosophy of Music Education Review 12 (1):89-93.details
- The Improvisation of Musical Dialogue: A Phenomenology of Music.Bruce Ellis Benson - 2003 - Cambridge University Press.details
- Rettende Interpretation.Andreas Dorschel - 2003 - In Otto Kolleritsch (ed.), Musikalische Produktion und Interpretation. Zur historischen Unaufhebbarkeit einer ästhetischen Konstellation. Universal Edition. pp. 199-211.details
- Musical Works and Performances: A Philosophical Exploration.Andrew Kania - 2003 - Mind 112 (447):513-518.details
- On Representing Jazz: An Art Form in Need of Understanding.Garry Hagberg - 2002 - Philosophy and Literature 26 (1):188-198.details
- “Feeling My Way”: Jazz Improvisation and Its Vicissitudes—A Plea for Imperfection.Lee B. Brown - 2000 - Journal of Aesthetics and Art Criticism 58 (2):113-123.details
- When Composers Have to Be Performers.Phillip Alperson - 1991 - Journal of Aesthetics and Art Criticism 49 (4):369-373.details
- The Ontology of Musical Works and the Authenticity of Their Performances.Stephen Davies - 1991 - Noûs 25 (1):21-41.details
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