- Where Does Music End and Nonmusic Begin? Fine-Tuning the “Naturalist Response” Problem for Nontonal Music’s Naturalistic Critics.Lantz Fleming Miller - 2022 - Journal of Comparative Literature and Aesthetics 45 (1):354-368.details
- The Philosophical Significance of Wittgenstein’s Experiments on Rhythm, Cambridge 1912–13.Eran Guter - 2020 - Estetika 57 (1):28-43.details
- Philosophy of Western Music: A Contemporary Introduction.Andrew Kania - 2020 - New York, USA: Routledge.details
- Remembering Melodies From Another Culture: Turkish and American Listeners Demonstrate Implicit Knowledge of Musical Scales.Timothy Justus, Charles Yates, Nart Bedin Atalay, Nazike Mert & Meagan Curtis - 2019 - Analytical Approaches to World Music 7 (1).details
- Wittgenstein on Musical Depth and Our Knowledge of Humankind.Eran Guter - 2017 - In Garry L. Hagberg (ed.), Wittgenstein on Aesthetic Understanding. Palgrave-Macmillan. pp. 217-247.details
- Groove: A Phenomenology of Rhythmic Nuance by Tiger C. Roholt.Andrew Kania - 2017 - Journal of Aesthetic Education 51 (1):115-119.details
- Effects of Musical Training and Culture on Meter Perception.Charles Yates, Timothy Justus, Nart Bedin Atalay, Nazike Mert & Sandra Trehub - 2017 - Psychology of Music 45 (2):231–245.details
- Movement in Music. An Enactive Account of the Dynamic Qualities of Music.Francesca Forlè - 2016 - Humana Mente (16):169-185.details
- Wittgenstein Reimagines Musical Depth.Eran Guter - 2016 - In Stefan Majetschak Anja Weiberg (ed.), Aesthetics Today: Contemporary Approaches to the Aesthetics of Nature and of Art, Contributions to the 39th International Wittgenstein Symposium (Kirchberg am Wechsel: ALWS, 2016). pp. 87-89.details
- The Metaphysics of Mash‐Ups.Christopher Bartel - 2015 - Journal of Aesthetics and Art Criticism 73 (3):297-308.details
- The Music Between Us: Is Music a Universal Language? By Kathleen Marie Higgins. [REVIEW]Tom Cochrane - 2015 - Mind 124 (496):1288-1292.details
- Impurely Musical Make-Believe.Eran Guter & Inbal Guter - 2015 - In Alexander Bareis & Lene Nordrum (eds.), How to Make-Believe: The Fictional Truths of the Representational Arts. De Gruyter. pp. 283-306.details
- "Where Nature Will Speak to Them in Sacred Sounds" : Music and Transcendence in E.T.A. Hoffmann.Thomas J. Mulherin - 2015 - In Férdia Stone-Davis (ed.), Music and Transcendence. Ashgate. pp. 159-176.details
- Muzička Ekspresivnost.Sanja Sreckovic - 2015 - Theoria: Beograd 58 (3):19-39.details
- Historical Formalism in Music: Toward a Philosophical Theory of Musical Form.Andrea Baldini - 2014 - Contemporary Aesthetics 12:N/A.details
- Music and Cognitive Extension.Luke Kersten - 2014 - Empirical Musicology Review 9 (3-4):193-202.details
- Music.Kania Andrew - 2013 - In Berys Gaut & Dominic McIver Lopes (eds.), Routledge Companion to Aesthetics. New York, USA: Routledge. pp. 639-648.details
- Wittgenstein and the Limits of Musical Grammar.H. Appelqvist - 2013 - British Journal of Aesthetics 53 (3):299-319.details
- On the Resistance of the Instrument.Tom Cochrane - 2013 - In Tom Cochrane, Klaus Scherer & Bernardino Fantini (eds.), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford: pp. 75-83.details
- Empathy, Enaction, and Shared Musical Experience.Joel Krueger - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus Scherer (eds.), The Emotional Power of Music: Multidisciplinary Perspectives on Musical Expression, Arousal and Social Control. Oxford University Press. pp. 177-196.details
- Resemblance, Convention, and Musical Expressiveness.James O. Young - 2012 - The Monist 95 (4):587-605.details
- Dirección coral y técnica vocal, ¿Un diálogo posible? Reflexiones metodológicas para un trabajo vocal eficiente.Nicolás Alessandroni & Esteban Etcheverry - 2011 - European Review of Artistic Studies 3 (2):1-11.details
- From Formalism to Experience: A Jamesian Perspective on Music, Computing, and Consciousness.Meurig Beynon - 2011 - In David Clarke & Eric F. Clarke (eds.), Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives. Oxford University Press.details
- Doing Things with Music.Joel W. Krueger - 2011 - Phenomenology and the Cognitive Sciences 10 (1):1-22.details
- Using the Persona to Express Complex Emotions in Music.Tom Cochrane - 2010 - Music Analysis 29 (1-3):264-275.details
- The Musical Representation: Meaning, Ontology, and Emotion, by Charles O. Nussbaum.M. de Bellis - 2010 - Mind 119 (473):225-228.details
- A Correspondence Theory of Musical Representation.Brandon E. Polite - 2010 - Dissertation, University of Illinois Urbana-Champaigndetails
- Scruton's Musical Experiences.Nick Zangwill - 2010 - Philosophy 85 (1):91-104.details
- Stance: Ideas About Emotion, Style, and Meaning for the Study of Expressive Culture.Harris M. Berger - 2009 - Wesleyan University Press.details
- The Future of Tonality.A. E. Denham - 2009 - British Journal of Aesthetics 49 (4):427-450.details
- Experience and Consciousness: Enhancing the Notion of Musical Understanding.Adriana Renero - 2009 - Critica 41 (121):23-46.details
- Review of Charles O. Nussbaum, The Musical Representation: Meaning, Ontology, and Emotion. [REVIEW]Jenefer Robinson - 2009 - Notre Dame Philosophical Reviews 2009 (3).details
- Levels and Kinds of Listeners' Musical Understanding.Erkki Huovinen - 2008 - British Journal of Aesthetics 48 (3):315-337.details
- The Philosophy of Music.Andrew Kania - 2008 - Stanford Encyclopedia of Philosophy.details
- Expression as Success. The Psychological Reality of Musical Performance.Rob van Gerwen - 2008 - Estetika 45 (1):24-40.details
- Musikalischer Sinn: Beiträge Zu Einer Philosophie der Musik.Alexander Becker & Matthias Vogel (eds.) - 2007 - Suhrkamp.details
- Melody and Metaphorical Movement.Rafael De Clercq - 2007 - British Journal of Aesthetics 47 (2):156-168.details
- Rethinking Variations of Musical Meaningfulness.Anneli Arho - 2006 - Philosophy of Music Education Review 14 (1):55-64.details
- A Response to Estelle R. Jorgensen, "Four Philosophical Models of the Relationship Between Theory and Practice&Quot.Randall Everett Allsup - 2005 - Philosophy of Music Education Review 13 (1):104-108.details
- Hard Times: Philosophy and the Fundamentalist Imagination.Randall Everett Allsup - 2005 - Philosophy of Music Education Review 13 (2):139-142.details
- Music and the Aesthetics of Modernity: Essays.Karol Berger, Anthony Newcomb & Reinhold Brinkmann (eds.) - 2005 - Harvard University Press.details
- Response to Eva Alerby and Cecilia Ferm, "Learning Music: Embodied Experience in the Life-World&Quot.Christine Brown - 2005 - Philosophy of Music Education Review 13 (2):208-210.details
- What Do We Understand In Musical Experience?Guy Dammann - 2005 - Postgraduate Journal of Aesthetics 2 (2):70-75.details
- Musical Understanding, Musical Works, and Emotional Expression: Implications for Education.David J. Elliott - 2005 - Educational Philosophy and Theory 37 (1):93–103.details
- New Essays on Musical Understanding.A. Hamilton - 2005 - Mind 114 (453):169-173.details
- Fundamental Issues in the Evolutionary Psychology of Music: Assessing Innateness and Domain-Specificity.Timothy Justus & Jeffrey Hutsler - 2005 - Music Perception 23 (1):1–27.details
- Musical Feelings And Atonal Music.Elina Packalén - 2005 - Postgraduate Journal of Aesthetics 2 (2):97-104.details
- Music: Drastic or Gnostic?Carolyn Abbate - 2004 - Critical Inquiry 30 (3):505-536.details
- Dem Ohr voraus. Erwartung und Vorurteil in der Musik.Andreas Dorschel (ed.) - 2004 - Universal Edition.details
- Wittgenstein on Musical Experience and Knowledge.Eran Guter - 2004 - In J. C. Marek & E. M. Reicher (eds.), Experience and Analysis: Papers of the 27th International Wittgenstein Symposium. Austrian Ludwig Wittgenstein Society.details
|
Off-campus access
Using PhilPapers from home?
Create an account to enable off-campus access through your institution's proxy server.
Monitor this page
Be alerted of all new items appearing on this page. Choose how you want to monitor it:
Email
|
RSS feed
|
|