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  1. added 2020-03-20
    Imagining Stories: Attitudes and Operators.Neil Van Leeuwen - forthcoming - Philosophical Studies:1-26.
    This essay argues that there are theoretical benefits to keeping distinct—more pervasively than the literature has done so far—the psychological states of imagining that p versus believing that in-the-story p, when it comes to cognition of fiction and other forms of narrative. Positing both in the minds of a story’s audience helps explain the full range of reactions characteristic of story consumption. This distinction also has interesting conceptual and explanatory dimensions that haven’t been carefully observed, and the two mental state (...)
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  2. added 2020-02-12
    Reading Across Borders: Storytelling and Knowledges of Resistance.Susan Babbitt - 2006 - Hypatia 21 (3):203-206.
  3. added 2020-01-11
    Narratives, Values, and Medicine.Dien Ho - 2019 - Chronicle of Narrative Medicine.
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  4. added 2019-12-10
    Narrative as Trauma and Resilience: Charles Scott's "Living with Indifference".David Farrell Krell - 2012 - Epoché: A Journal for the History of Philosophy 17 (1):75-88.
    After listing a series of topics in Scott’s Living with Indifference that I would have wanted to address but, if only for reasons of space, could not, I focus on the uses of narrative or fiction in Scott’s book. I am particularly interested in the relation of fiction to trauma. It is the resilience of fiction that perhaps enables it to speak—or to write—so eloquently about traumatic occurrences. As a writer of fiction, I am gripped by the proximity and even (...)
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  5. added 2019-10-17
    Commentary on" Pathological Autobiographies".Alan W. Norrie - 1997 - Philosophy, Psychiatry, and Psychology 4 (2):115-118.
  6. added 2019-10-01
    Ecological Understandings and Cultural Context.Roland Littlewood - 1999 - Philosophy, Psychiatry, and Psychology 6 (2):133-134.
  7. added 2019-08-02
    Advancing an Ontology Of Stories: Smuts' Dilemma.Geoff Stevenson - 2009 - Postgraduate Journal of Aesthetics 6 (1):24-33.
    Narratologists commonly draw a distinction between the story and those things that tell the story- the tellings, as I will call them here. Here is an example intended to highlight that distinction. The Parable of the Sower is a parable found in the New Testament books of Matthew, Mark and Luke, and in the non-canonical Gospel of Thomas. Though the relevant pieces of text in the Gospels are remarkably similar, no two of the four are identical. The verses in Matthew, (...)
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  8. added 2019-08-01
    Albert Camus, a Biography" "Camus: A Critical Study of His Life and Work. [REVIEW]Patrick Henry - 1984 - Philosophy and Literature 8 (1):104.
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  9. added 2019-07-05
    Оповідка: від ритуалу до метажанрових новацій.Mariya Shuvalova - 2018 - NaUKMA Researh Papers. Literary Studies 1:135-142.
  10. added 2019-06-06
    Herman, David, Editor. The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Lincoln: University of Nebraska Press, 2011. Pp. 315. [REVIEW]R. Ghosh & L. M. Porter - 2013 - Substance 42 (2):164-172.
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  11. added 2019-06-06
    Narratives and Narrators: A Philosophy of Stories: Book Reviews. [REVIEW]Peter Goldie - 2011 - British Journal of Aesthetics 51 (3):335-338.
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  12. added 2019-06-06
    Imagining De Re and the Symmetry Thesis of Narration.Nicholas Diehl - 2009 - Journal of Aesthetics and Art Criticism 67 (1):15-24.
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  13. added 2019-06-06
    A Semiotic Analysis of Moses and Pharaoh Narrative in the Qur’An.Hamada Hassanein - 2009 - American Journal of Semiotics 25 (1/2):25-52.
    This paper conducts a semiotic analysis of the Moses and Pharaoh narrative in the Qur’an by examining descriptive, narrative and argumentative propositions, enunciation, and discourse.1 The methodology tests the narrative against an analytical model based on theories of structural and cognitive semiotics and developed by Grambye and Sonne. A bit-by-bit application of the model to the narrative yields crucial results in the propositional analysis in which descriptive, narrative, and argumentative propositions are tested against the 3-D, transport, and thematic models; the (...)
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  14. added 2019-06-06
    Bridging Literary and Philosophical Genres: Judgement, Reflection and Education in Camus’The Fall.Peter Roberts - 2008 - Educational Philosophy and Theory 40 (7):873-887.
    Both literature and philosophy, as genres of writing, can enable us to address important ontological, epistemological and ethical questions. One author who makes it possible for readers to bridge these two genres is Albert Camus. Nowhere is this more evident than in Camus’ short novel, The Fall. The Fall, through the character and words of Jean‐Baptiste Clamence, prompts readers to reflect deeply on themselves, their motivations and commitments, and their relations with others. This paper discusses the origin and structure of (...)
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  15. added 2019-06-06
    Getting the Story Straight: Kierkegaard, MacIntyre and Some Problems with Narrative Getting the Story Straight: Kierkegaard, MacIntyre and Some Problems with Narrative.John Lippitt - 2007 - Inquiry: An Interdisciplinary Journal of Philosophy 50 (1):34-69.
    As part of the widespread turn to narrative in contemporary philosophy, several commentators have recently attempted to sign Kierkegaard up for the narrative cause, most notably in John Davenport and Anthony Rudd's recent collection Kierkegaard After MacIntyre: Essays on Freedom, Narrative and Virtue. I argue that the aesthetic and ethical existence‐spheres in Either/Or cannot adequately be distinguished in terms of the MacIntyre‐inspired notion of ‘narrative unity’. Judge William's argument for the ethical life contains far more in the way of substantive (...)
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  16. added 2019-06-06
    Self and Other: The Limits of Narrative Understanding.Dan Zahavi - 2007 - Royal Institute of Philosophy Supplement 60:179-202.
    If the self—as a popular view has it—is a narrative construction, if it arises out of discursive practices, it is reasonable to assume that the best possible avenue to self-understanding will be provided by those very narratives. If I want to know what it means to be a self, I should look closely at the stories that I and others tell about myself, since these stories constitute who I am. In the following I wish to question this train of thought. (...)
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  17. added 2019-06-06
    Camus: Portrait of a Moralist.Steven Hartlaub - 1999 - Substance 28 (3):167-170.
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  18. added 2019-06-06
    Medieval Narrative and Modern Narratology: Subjects and Objects of Desire.Evelyn Birge Vitz.Lynne Mayers - 1994 - Speculum 69 (3):910-912.
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  19. added 2019-06-06
    Literary Fiction as Philosophy: The Case of Nietzsche's Zarathustra.Robert Gooding-Williams - 1986 - Journal of Philosophy 83 (11):667-675.
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  20. added 2019-06-06
    The Price of Narrative Fiction: Genre, Myth, and Meaning in Moby-Dick and The Odyssey.John Miles Foley - 1984 - Thought: Fordham University Quarterly 59 (4):432-448.
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  21. added 2019-06-05
    Seeing Stories in the Windows of the Sainte-Chapelle.Alyce A. Jordan - 2002 - Mediaevalia 23:39-60.
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  22. added 2019-06-05
    The Art of Biblical NarrativeThe Great Code: The Bible and Literature.Laurent Stern, Robert Alter & Northrop Frye - 1983 - Journal of Aesthetics and Art Criticism 41 (3):340.
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  23. added 2019-06-05
    The Boundaries of NarrativeThe Nature of Narrative. [REVIEW]Albert Wachtel - 1968 - Journal of Aesthetic Education 2 (1):125.
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  24. added 2019-05-06
    Narrative in Law and Life: Some Frequently Asked Questions.Harold Anthony Lloyd - 2015 - Second Draft 28.
    This article briefly addresses the following questions: Why should we study narrative? Does narrative have a basic overarching form or forms? How does framing drive narrative? How do concepts drive narrative? What can we do when we lack the necessary concepts for the narrative we need to tell? Are there basic storylines that repeat? Are there basic character types that we reuse? Can narrative drive the results of a Supreme Court case? Can narrative drive transactional practice? How does narrative's importance (...)
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  25. added 2019-05-02
    Some Ideas About the Metaphysics of Stories.Wesley D. Cray - 2019 - British Journal of Aesthetics 59 (2):147-160.
    Aaron Smuts has argued that attempts to offer a plausible distinction between stories and tellings will likely face insurmountable difficulties. Here, I offer a distinction between stories and tellings that does not face these difficulties. In doing so, I propose an ontology of stories according to which such entities are ideas for narrative manifestation. In developing this ontology, I also consider parallels between stories and musical compositions.
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  26. added 2019-04-26
    MCGREGOR, RAFE. Narrative Justice. Rowman and Littlefield International, 2018, 196 Pp., $120 Cloth. [REVIEW]Sarah E. Worth - 2019 - Journal of Aesthetics and Art Criticism 77 (2):210-212.
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  27. added 2019-03-01
    Death on the Freeway: Imaginative Resistance as Narrator Accommodation.Daniel Altshuler & Emar Maier - forthcoming - In Ilaria Frana, Paula Menendez Benito & Rajesh Bhatt (eds.), Making Worlds Accessible: Festschrift for Angelika Kratzer. Amherst: UMass ScholarWorks.
    We propose to analyze well-known cases of "imaginative resistance" from the philosophical literature (Gendler, Walton, Weatherson) as involving the inference that particular content should be attributed to either: (i) a character rather than the narrator or, (ii) an unreliable, irrational, opinionated, and/or morally deviant "first person" narrator who was originally perceived to be a typical impersonal, omniscient, "effaced" narrator. We model the latter type of attribution in terms of two independently motivated linguistic mechanisms: accommodation of a discourse referent (Lewis, Stalnaker, (...)
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  28. added 2019-01-26
    Religion for Naturalists.Natalja Deng - 2015 - International Journal for Philosophy of Religion 78 (2):195-214.
    Some naturalists feel an affinity with some religions, or with a particular religion. They may have previously belonged to it, and/or been raised in it, and/or be close to people who belong to it, and/or simply feel attracted to its practices, texts and traditions. This raises the question of whether and to what extent a naturalist can lead the life of a religious believer. The sparse literature on this topic focuses on religious fictionalism. I also frame the debate in these (...)
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  29. added 2018-12-20
    Pienten kertomusten etiikkaa: ideologia ja narratiivinen hermeneutiikka.Jussi M. Backman - 2018 - Ajatus 75:361-381.
    Kirjasymposioartikkeli esittelee Hanna Meretojan teoksen The Ethics of Storytelling: Narrative Hermeneutics, History, and the Possible (Oxford University Press, 2018) keskeisimmät ajatukset ja kytkee ne laajempaan hermeneuttiseen ja jälkistrukturalistiseen ajatteluperinteeseen, etenkin Jean-François Lyotardin luonnehdintaan jälkimodernista aikakaudesta suurten modernien historiallisten metakertomusten horjumisen ja pienten paikallisten kertomusten moneuden aikakautena. Tässä valossa Meretojan hermeneuttista kertomusetiikkaa voidaan lukea ennen muuta pienten, ei-totalisoivien kertomusten etiikkana. Artikkeli esittää, että tällaiselle etiikalle löytyy hedelmällinen vertailukohta Hannah Arendtin totalitarismiteoriasta, joka sijoittaa ideologiset metakertomukset totalitaarisen hallinnan ja sen tuottaman ”banaalin pahuuden” (...)
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  30. added 2018-11-07
    Narrative and Becoming.Ridvan Askin - 2016 - Edinburgh, UK: Edinburgh University Press.
    What is narrative? Ridvan Askin brings together aesthetics, contemporary North American fiction, Gilles Deleuze, narrative theory, and the recent speculative turn to answer this question. Through this process, he develops a transcendental empiricist concept of narrative. Askin argues against the established consensus of narrative theory for an understanding of narrative as fundamentally nonhuman, unconscious, and expressive.
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  31. added 2018-11-07
    Mneme, Anamnesis and Mimesis: The Function of Narrative in Paul Ricœur’s Theory of Memory.Ridvan Askin - 2009 - FIAR: Forum for Inter-American Research 1 (2).
    Paul Ricœur develops his phenomenological-hermeneutical theory of memory in his seminal Memory, History, Forgetting, and several preliminary studies to his monumental book.[1] As its title indicates, the monograph treats memory in conjunction with forgetting and history, placed within a wider horizon of what could be termed an ethics of forgiving. For the purpose of this article I will focus on the problems of memory and forgetting, ignoring history for the most part. Similarly, I do not explicitly deal with the more (...)
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  32. added 2018-10-26
    The Threshold of The Invisible: Said, Conrad, and Imperialism.Russell Ford - 2006 - Philosophy Today 50 (4):463-476.
    Joseph Conrad’s Heart of Darkness is a frequent point of reference for Edward Said’s investigations into the various forces that structure and define the encounter of imperial societies with others. In Culture and Imperialism, Said explains the importance of Conrad’s novella by linking it to his concept of culture as the aesthetic acme of a society that simultaneously marks it and divides it from others. In Heart of Darkness, Said claims, we have a narrative that challenges its own imperial society (...)
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  33. added 2018-08-04
    Adam Bede’s Dutch Realism and the Novelist’s Point of View.Rebecca Gould - 2012 - Philosophy and Literature 36 (2):404-423.
    Hegel was ambivalent about Dutch genre painting’s uncanny ability to find beauty in daily life. The philosopher regarded the Dutch painterly aesthetic as Romanticism avant la lettre, and classifies it as such in his Lectures on Aesthetics, under the section entitled “Die romantischen Künste [The Romantic arts].”1 Dutch art, in Hegel’s reading, is marred by many shortcomings. The most prominent among these are the “subjective stubbornness [subjective Beschlossenheit]” that prevents this art from attaining to the “free and ideal forms of (...)
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  34. added 2018-07-06
    Face to Face with It: The Naive Reader's Moral Response to "Ivan Ilych".Comstock Gary - 1986 - Neophilologus 70 (3):321-333.
    This paper argues that a naive reader's moral response to a short story should be considered part of the story's meaning.
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  35. added 2018-06-13
    Silence of the Idols: Appropriating the Myth of Sisyphus for Posthumanist Discourses.Steven Umbrello & Jessica Lombard - 2018 - Postmodern Openings 9 (4):98-121.
    Both current and past analyses and critiques of transhumanist and posthumanist theories have had a propensity to cite the Greek myth of Prometheus as a paradigmatic figure. Although stark differences exist amongst the token forms of posthumanist theories and transhumanism, both theoretical domains claim promethean theory as their own. There are numerous definitions of those two concepts: therefore, this article focuses on posthumanism thought. By first analyzing the appropriation of the myth in posthumanism, we show how the myth fails to (...)
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  36. added 2018-06-08
    Towards a Structural Ownership Condition on Moral Responsibility.Benjamin Matheson - 2019 - Canadian Journal of Philosophy 49 (4):458-480.
    In this paper, I propose and defend a structural ownership condition on moral responsibility. According to the condition I propose, an agent owns a mental item if and only if it is part of or is partly grounded by a coherent set of psychological states. As I discuss, other theorists have proposed or alluded to conditions like psychological coherence, but each proposal is unsatisfactory in some way. My account appeals to narrative explanation to elucidate the relevant sense of psychological coherence.
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  37. added 2018-05-29
    The Medieval Haggadah: Art, Narrative, and Religious Imagination.Adam Cohen - 2015 - Common Knowledge 21 (2):334-335.
  38. added 2018-05-17
    II—Genre, Interpretation and Evaluation.Catharine Abell - 2015 - Proceedings of the Aristotelian Society 115 (1pt1):25-40.
    The genre to which an artwork belongs affects how it is to be interpreted and evaluated. An account of genre and of the criteria for genre membership should explain these interpretative and evaluative effects. Contrary to conceptions of genres as categories distinguished by the features of the works that belong to them, I argue that these effects are to be explained by conceiving of genres as categories distinguished by certain of the purposes that the works belonging to them are intended (...)
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  39. added 2018-02-17
    Art and Morality.José Luis Bermúdez & Sebastian Gardner (eds.) - 2003 - Routledge.
    _Art and Morality_ is a collection of groundbreaking new papers on the theme of aesthetics and ethics, and the link between the two subjects. A group of distinguished contributors tackle the important questions that arise when one thinks about the moral dimensions of art and the aesthetic dimension of moral life. The volume is a significant contribution to philosophical literature, opening up unexplored questions and shedding new light on more traditional debates in aesthetics. The topics explored include: the relation of (...)
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  40. added 2018-02-17
    On Paul Ricoeur: Narrative and Interpretation.David Wood (ed.) - 1991 - Routledge.
    This book examines the later work of Paul Ricoeur, particularly his major work, Time and Narrative. The essays, including three pieces by Ricoeur himself, consider this important study, extending and developing the debate it has inspired. Time and Narrative is the finest example of contemporary philosophical hermeneutics and is one of the most significant works of philosophy published in the late twentieth century. Paul Ricoeur's study of the intertwining of time and narrative proposes and examines the possibility that narrative could (...)
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  41. added 2018-02-16
    Philosophical Fiction and the Act of Fiction-Making.Jukka Mikkonen - 2008 - SATS 9 (2):116-132.
    In this paper, I shall sketch a preliminary ground for a cognitivist theory of fiction and argue that theories which align fiction-making with (aesthetically valuable) story-telling consider the act of fiction-making too narrowly. As a paradigmatic example of such anti-cognitivist theories, I shall examine Peter Lamarque and Stein Haugom Olsen’s influential theory of fiction, which suggests that recognizing the author’s fictive and literary intentions manifested in the text would lead to dismissing her aims to make genuine claims and suggestions. I (...)
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  42. added 2018-02-09
    Non-Fictional Narrators in Fictional Narratives.Christian Folde - 2017 - British Journal of Aesthetics 57 (4):389-405.
    This paper is about non-fictional objects in fictions and their role as narrators. Two central claims are advanced. In part 1 it is argued that non-fictional objects such as you and me can be part of fictions. This commonsensical idea is elaborated and defended against objections. Building on it, it is argued in part 2 that non-fictional objects can be characters and narrators in fictional narratives. As a consequence, three fundamental and popular claims concerning narrators are rejected. In particular, it (...)
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  43. added 2018-01-10
    Paul Gauguin y Mario Vargas Llosa, entre el arte y la literatura. Manao Tupapau-El espíritu del muerto la recuerda, 1892.Carlos Vanegas - 2015 - Poliantea:227-251.
    Entre el arte y la literatura se han generado múltiples reflexiones que han sido estudiadas por la historia del arte, la teoría literaria y la estética, entre otros. Igualmente, podemos considerar una larga tradición de artistas y escritores que se han empeñado, por medio de ensayos, críticas y manifiestos, en considerar los ámbitos y lugares de competencia de cada forma artística, así como sus lugares de similitud y diferencia en una larga tradición de préstamos interartísticos entre la palabra y la (...)
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  44. added 2017-12-29
    Analogy, Supposition, and Transcendentality in Narrative Argument.Gilbert Plumer - 2017 - In Paula Olmos (ed.), Narration as Argument. Cham: Springer. pp. 63-81.
    Rodden writes, “How do stories persuade us? How do they ‘move’—and move us? The short answer: by analogies.” Rodden’s claim is a natural first view, also held by others. This chapter considers the extent to which this view is true and helpful in understanding how fictional narratives, taken as wholes, may be argumentative, comparing it to the two principal (though not necessarily exclusive) alternatives that have been proposed: understanding fictional narratives as exhibiting the structure of suppositional argument, or the structure (...)
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  45. added 2017-10-17
    Life Is Strange and ‘‘Games Are Made’’: A Philosophical Interpretation of a Multiple-Choice Existential Simulator With Copilot Sartre.Luis de Miranda - 2016 - Games and Culture 1 (18).
    The multiple-choice video game Life is Strange was described by its French developers as a metaphor for the inner conflicts experienced by a teenager in trying to become an adult. In psychological work with adolescents, there is a stark similarity between what they experience and some concepts of existentialist philosophy. Sartre’s script for the movie Les Jeux Sont Faits (literally ‘‘games are made’’) uses the same narrative strategy as Life is Strange—the capacity for the main characters to travel back in (...)
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  46. added 2017-09-03
    Routledge Philosophy Guidebook to Aristotle and the Poetics.Angela Curran - 2015 - Routledge.
    Aristotle’s Poetics is the first philosophical account of an art form and is the foundational text in the history of aesthetics. The Routledge Philosophy Guidebook to Aristotle and the Poetics is an accessible guide to this often dense and cryptic work. Angela Curran introduces and assesses: Aristotle’s life and the background to the Poetics the ideas and text of the Poetics , including mimēsis ; poetic technē; the definition of tragedy; the elements of poetic composition; the Poetics’ recommendations for tragic (...)
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  47. added 2017-02-16
    Narrativity and the Continuity of Experience in 20c Literature and Painting.Evdokia Nikolaidou - 1997 - Dissertation, State University of New York at Stony Brook
    The highly experimental character and radical stylistic innovations informing twentieth century literature and art brought about extant speculations on and questioning of traditional definitions and delimitations of artforms, media and genres. Joseph Frank's essay "Spatial Form in Modern Literature" , as it introduces in a seminal form a debate that took many directions, throughout the century, on the possibility and viability of narrative within the parameters of new literature, provided the ground for this thesis. Frank, claims that, in defiance of (...)
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  48. added 2017-02-15
    Genevieve Lloyd., Being in Time: Selves and Narrators in Philosophy and Literature.L. B. Cebik - 1996 - International Studies in Philosophy 28 (2):145-146.
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  49. added 2017-02-15
    Renaud Camus's Roman Columns.Lawrence R. Schehr - 1992 - Substance 21 (1):111.
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  50. added 2017-02-15
    What is a Work ofLiterature.Arto Haapala - 1989 - Acta Philosophica Fennica 46.
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