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  1. Logic, Art, and Understanding in the Philosophy of Nelson Goodman.Günter Abel - 1991 - Inquiry 34 (3 & 4):311 – 321.
    This paper contains a reconstruction and discussion of some central subjects in Nelson Goodman's philosophical work. Goodman's creative symbol-constructional philosophy concerns fundamental aspects of human cognition and practice. It is argued that this provides us with the intellectual tools for constructing a genuine relationship between logic, knowledge, art, and understanding. This is shown by focusing on subjects ranging from the projectibility of predicates and nominalistic mereology to constructive relativity, ways of worldmaking and a general theory of symbols.
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  2. Reconceptions in Philosophy and Other Arts and Sciences by Nelson Goodman and Catherine Z. Elgin. [REVIEW]Jonathan Adler - 1990 - Journal of Philosophy 87 (12):711-716.
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  3. Making Something of Something.Virgil C. Aldrich - 1982 - Review of Metaphysics 36 (2):303 - 317.
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  4. A Note on Goodman's Paradox.J. E. J. Altham - 1968 - British Journal for the Philosophy of Science 19 (3):257.
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  5. Nelson Goodman in der Diskussion.Sabine Ammon - 2007 - Deutsche Zeitschrift für Philosophie 55 (1):158-161.
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  6. Nelson Goodman and Catherine Z. Elgin, Reconceptions in Philosophy and Other Arts and Sciences Reviewed By.Douglas Arrell - 1990 - Philosophy in Review 10 (8):313-316.
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  7. What Goodman Should Have Said About Representation.Douglas Arrell - 1987 - Journal of Aesthetics and Art Criticism 46 (1):41-49.
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  8. Kant and Goodman on Possible Individuals.Sidney Axinn - 1978 - The Monist 61 (3):476-482.
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  9. Autograph/Allograph-a Distinction Made by Goodman, Nelson.J. Baetens - 1988 - Revue Philosophique De Louvain 86 (70):192-199.
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  10. Autographe/allographe (À propos d'une distinction de Nelson Goodman).Jan Baetens - 1988 - Revue Philosophique De Louvain 86 (2):192-199.
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  11. Goodman's Paradox: A Simple-Minded Solution.W. W. Bartley - 1968 - Philosophical Studies 19 (6):85 - 88.
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  12. Gebaute Zeichen. Zu den Bedeutungsweisen von Bauwerken.Christoph Baumberger - 2014 - In Jörg H. Gleiter (ed.), Symptom Design. Vom Zeigen und Sich-Zeigen der Dinge. Transkript. pp. 93-113.
    Architekturkritiker und -historiker verwenden eine Vielzahl von Ausdrücken, um anzugeben, was Bauwerke bedeuten. Es ist beispielsweise die Rede davon, dass sie etwas ausdrücken, repräsentieren, zitieren, manifestieren, darstellen oder aussagen; man kann von Gebäuden lesen, die mehrdeutig sind, als Metaphern fungieren oder auf etwas anspielen. In diesem Aufsatz frage ich, wie Bauwerke bedeuten können, um die Grundzüge einer Theorie der Bedeutungsweisen von Bauwerken und ihren Teilen vorzustellen, die als Rahmen für Einzelanalysen und historische Untersuchungen verwendet werden kann. Anstatt die meist unklaren (...)
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  13. Identität, Charakter und Stil von Bauwerken.Christoph Baumberger & Georg Brun - 2013 - In Architekturphilosophie. Grundlagentexte. Mentis. pp. 141-166.
    In der Architekturtheorie ist häufig von der Identität von Bauwerken oder Städten die Rede. Der Ausdruck „Identität“ bezieht sich dabei auf etwas, was man „spezifischen Charakter“ nennen könnte. Wir schlagen eine symboltheoretische Explikation dieses Identitätsbegriffs vor und zeigen, in welchem Sinn ein Bauwerk verschiedene, sich verändernde oder gar konfligierende Identitäten haben kann. Identitäten von Bauwerken werden oft als mehr oder weniger klar, positiv, angemessen oder stark bewertet. Solche Attribute diskutieren wir, indem wir epistemische, materielle und strukturelle Bewertungen von Identitäten unterscheiden. (...)
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  14. Identities of Artefacts.Christoph Baumberger & Georg Brun - 2012 - Theoria 78 (1):47-74.
    In non-philosophical discourse, “identity” is often used when the specific character of artefacts is described or evaluated. We argue that this usage of “identity” can be explicated as referring to the symbol properties of artefacts as they are conceptualized in the symbol theory of Goodman and Elgin. This explication is backed by an analysis of various uses of “identity”. The explicandum clearly differs from the concepts of numerical identity, qualitative identity and essence, but it has a range of similarities with (...)
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  15. Book Review:Languages of Art: An Approach to a Theory of Symbols Nelson Goodman. [REVIEW]Monroe C. Beardsley - 1970 - Philosophy of Science 37 (3):458-.
  16. Antirrealismo y pluralismo en N. Goodman.Diego Bermejo - 1999 - Cuadernos Salmantinos de Filosofía 26:245-284.
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  17. Lenn E. Goodman and Robert B. Talisse, Eds., Aristotle's Politics Today.Carrie-Ann Biondi - 2010 - Journal of Value Inquiry 44 (1):93-98.
  18. Goodman's Paradox.Simon Blackburn - 1969 - In Peter Achinstein (ed.), Studies in the Philosophy of Science. Oxford, Published by Basil Blackwell with the Cooperation of the University of Pittsburg. pp. 128--42.
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  19. Depictive Structure?Ben Blumson - 2011 - Philosophical Papers 40 (1):1-25.
    This paper argues against definitions of depiction in terms of the syntactic and semantic properties of symbol systems. In particular, it is argued that John Kulvicki's definition of depictive symbol systems in terms of relative repleteness, semantic richness, syntactic sensitivity and transparency is susceptible to similar counterexamples as Nelson Goodman's in terms of syntactic density, semantic density and relative repleteness. The general moral drawn is that defining depiction requires attention not merely to descriptive questions about syntax and semantics, but also (...)
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  20. Depiction and Convention.Ben Blumson - 2008 - Dialectica 62 (3):335-348.
    By defining both depictive and linguistic representation as kinds of symbol system, Nelson Goodman attempts to undermine the platitude that, whereas linguistic representation is mediated by convention, depiction is mediated by resemblance. I argue that Goodman is right to draw a strong analogy between the two kinds of representation, but wrong to draw the counterintuitive conclusion that depiction is not mediated by resemblance.
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  21. Nelson Goodman's Languages of Art From a Musical Point of View.Benjamin Boretz - 1970 - Journal of Philosophy 67 (16):540-552.
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  22. Rescher on the Goodman Paradox.B. L. Bunch - 1980 - Philosophy of Science 47 (1):119-123.
  23. Ficciones en las artes, Los mitos, Los sueños: Un enfoque semántico.Samuel Cabanchik - 2006 - Ideas Y Valores 55 (131):73-95.
    El o los mundos en que vivimos -no haré profesión de fe pluralista en este trabajo- contienen tanto objetos reales como símbolos. A su vez, nos servimos de esos símbolos tanto para denotar y clasificar objetos reales, como para referirnos a ficciones, en las artes, los juegos, los mitos, las práctic..
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  24. El irrealismo es un humanismo: de Nelson Goodman a William James.Samuel Cabanchik - 2005 - Manuscrito 28 (1):37-75.
    Mis principales objetivos en este artículo consisten en exponer el pluralismo irrealista de Goodman y argumentar en favor del origen jamesiano de algunos de sus principales contenidos . El hilo conductor será la concepción del conocimiento en Goodman y James. Finalmente, concluiré que es posible integrar el irrealismo y el pragmatismo humanista en un punto de vista filosófico global.My main goals in this paper are, first, to explain Goodman's irrealist pluralism and, second, to show the jamesian sources of some of (...)
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  25. "The Structure of Appearance," by Nelson Goodman, 3rd Ed., with an Introduction by Geoffrey Hellman.William J. Callaghan - 1979 - Modern Schoolman 56 (3):288-289.
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  26. Nelson Goodman's Assimilation of Literary and Scientific Knowledge.Keith Campbell - 1994 - Literature & Aesthetics 4:7-16.
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  27. Nelson Goodman on Der Logische Aufbau der Welt.Rudolf Carnap - 1963 - In Paul Arthur Schilpp (ed.), The Philosophy of Rudolf Carnap. La Salle, Ill., Open Court. pp. 944--947.
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  28. Reply to Nelson Goodman.Rudolf Carnap - 1947 - Philosophy and Phenomenological Research 8 (3):461-462.
  29. A Reading of Goodman on Representation.David Carrier - 1974 - The Monist 58 (2):269-284.
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  30. Nelson Goodman Hockey Seen: A Philosopher and Performer.Curtis Carter - unknown
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  31. Nelson Goodman's Hockey Seen: A Philosopher's Approach to Performance.Curtis Carter - unknown
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  32. Nelson Goodman [Dictionary Entry].Curtis Carter - unknown
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  33. Nelson Goodman Remembered.Curtis Carter - unknown
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  34. A Tribute to Nelson Goodman.Curtis L. Carter - 2000 - Journal of Aesthetics and Art Criticism 58 (3):251-253.
    Presents a tribute to American philosopher Nelson Goodman who died on November 25, 1998 in Needham, Massachusetts. Contributions of Goodman to analytic philosophy; Career background; Range of interest from philosophy to art collecting; Major publications on the work of Goodman; Role of Goodman as a gallery director and private art collector.
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  35. Why the Pictorial Relation is Not Reference.Alon Chasid - 2004 - British Journal of Aesthetics 44 (3):226-247.
    Nelson Goodman argued that the pictorial relation is reducible to reference. After explaining why previous attempts to refute this thesis of reduction have failed, I argue that in order to show that the thesis is indeed wrong we must find an aspect of pictures that is incompatible with it. I proceed to argue that there is indeed such an element to pictures. Ordinarily, a picture depicts its subject as having aesthetic properties. I show that the depiction of these properties requires (...)
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  36. Nelson Goodman on Truth.Nader Chokr - 1985 - Indian Philosophical Quarterly 12 (2):163.
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  37. Durkheim, Goodman, Rorty, and Mild-Mannered Pragmatism French and American Style.Mark Sydney Cladis - 1991
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  38. Goodman On Quality Classes In The AUFBAU.Bowman L. Clarke - 1963 - Southern Journal of Philosophy 1 (3):15-19.
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  39. Quality Orders.W. C. Clement - 1956 - Mind 65 (April):184-199.
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  40. The Wars of Eduard Shevardnaze. By Carolyn McGiffert Ekedahl and Melvin A. Goodman.T. Cloudsley - 1998 - The European Legacy 3:98-99.
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  41. The Facts of Narrative: A Response to Nelson Goodman.Ted Cohen - 1981 - Synthese 46 (3):351 - 354.
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  42. The Unity of Goodman's Thought.Daniel Cohnitz - 2009 - In G. Ernst, J. Steinbrenner & O. Scholz (eds.), From Logic to Art: Themes from Nelson Goodman. Ontos. pp. 7--33.
    I argue that Goodman’s philosophy should not be characterised in opposition to the philosophy of the logical empiricists, but is more fruitfully interpreted as a continuation of their philosophical programme. In particular, understanding Goodman’s philosophy as a continuation of the ideal language tradition makes explicable how a radical ontological relativist could be such a staunch nominalist at the same time.
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  43. Nelson Goodman.Daniel Cohnitz & Marcus Rossberg - 2014 - Routledge.
    Nelson Goodman's acceptance and critique of certain methods and tenets of positivism, his defence of nominalism and phenomenalism, his formulation of a new riddle of induction, his work on notational systems, and his analysis of the arts place him at the forefront of the history and development of American philosophy in the twentieth-century. However, outside of America, Goodman has been a rather neglected figure. In this first book-length introduction to his work Cohnitz and Rossberg assess Goodman's lasting contribution to philosophy (...)
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  44. Nelson Goodman.Daniel Cohnitz & Marcus Rossberg - 2006 - Routledge.
    Nelson Goodman's acceptance and critique of certain methods and tenets of positivism, his defence of nominalism and phenomenalism, his formulation of a new riddle of induction, his work on notational systems, and his analysis of the arts place him at the forefront of the history and development of American philosophy in the twentieth-century. However, outside of America, Goodman has been a rather neglected figure. In this first book-length introduction to his work Cohnitz and Rossberg assess Goodman's lasting contribution to philosophy (...)
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  45. Languages of Art. By Nelson Goodman.James Collins - 1969 - Modern Schoolman 46 (4):350-352.
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  46. Conceptions and Revised Conceptions Taken the Wrong Way+ the Philosophy of Goodman, Nelson.Jp Cometti - 1993 - Revue Internationale de Philosophie 47 (185):213-227.
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  47. A Somewhat Adverse Reply to Professor Goodman.J. C. Cooley - 1958 - Journal of Philosophy 55 (4):159-166.
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  48. Professor Goodman's Fact, Fiction, & Forecast.John C. Cooley - 1957 - Journal of Philosophy 54 (10):293-311.
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  49. Lenn E. Goodman, In Defense of Truth Reviewed By.Wes Cooper - 2002 - Philosophy in Review 22 (5):323-325.
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  50. Lenn E. Goodman, In Defense of Truth. [REVIEW]Wes Cooper - 2002 - Philosophy in Review 22:323-325.
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1 — 50 / 362