Nietzsche: Critique of Traditional Metaphysics

Review of Marco Brusotti & Herman Siemens (eds.), Nietzsche’s Engagements with Kant and the Kantian Legacy, Volume I: Nietzsche, Kant, and the Problem of Metaphysics. London: Bloomsbury, 2017. xix + 298 pp. ISBN: 978-1-4742-7477-7. Hardcover, $114.00 (volume); $256.00 (collection).

Perhaps the most fundamental disagreement concerning Nietzsche’s view of metaphysics is that some commentators believe Nietzsche has a positive, systematic metaphysical project, and others deny this. Those who deny it hold that Nietzsche believes metaphysics has a special problem, that is, a distinctively problematic feature which distinguishes metaphysics from other areas of philosophy. In this paper, I investigate important features of Nietzsche’s metametaphysics in order to argue that Nietzsche does not, in fact, think metaphysics has a special problem. The result (...) is that, against a longstanding view held in the literature, we should be reading Nietzsche as a metaphysician. (shrink)

-/- Nietzsche’nin doğruluk ve bilgi hakkındaki görüşleri onun felsefesinin en fazla karanlıkta kalmış bölümüdür. Bunun bir nedeni, onun bu görüşlerinin yayımlanmış eserleri ve yayımlanmamış notlarında dağınık bir şekilde bulunmasıdır. Aynı zamanda, Nietzsche’ye göre doğruluk ve bilginin ne anlama geldiğini anlamak için onun güç istenci ve perspektivizm teorilerine de nüfûz etmek gerekir. -/- Birbirine çok sıkı bir şekilde bağlı olan bu kavram ve teorilerden oluşan yapı anlaşıldığında Nietzsche felsefesinin bütününe ilişkin pek çok yanlış anlaşılma ve çarpıtma daha açık bir şekilde gün (...) yüzüne çıkar. Bu nedenle, bu kitap yalnızca felsefeciler için değil, Nietzsche’yi anlamak isteyen tüm okurlar için yararlı bir inceleme niteliğini taşımaktadır. (shrink)

Es ist bekannt, dass Jacques Derrida Hegel als einen der radikalsten Vertreter jener Metaphysik der Präsenz beschrieben hat, die es zu dekonstruieren gilt, und zugleich zugestanden hat, dass Hegel wie kein anderer eben jene Irreduzibilität der Differenz gedacht hat, die Derrida durch die Dekonstruktion der metaphysischen Tradition zur Geltung bringen will. Derridas Verhältnis zu Hegel kann also gar nicht anders als kompliziert sein. Es ist voller innerer Spannungen, die dringend nach näherer Klärung verlangen, die die Literatur zu Derrida bisher aber (...) meist nur punktuell geliefert hat. Auf eine grundlegende und umfassende Klärung zielt nun Johannes-Georg Schüleins Studie zu Metaphysik und ihrer Kritik bei Hegel und Derrida. (shrink)

In this paper, I first suggest that Nietzsche and James, two otherwise very different thinkers, both endorse the controversial constructivist view that human representational practices bring all material objects into existence. I then explore their views concerning why and how constructivism can play a vital role in helping us find reality and our lives valuable.

Eine Untersuchung zu Nietzsches Kritik am Deutschen Idealismus im Rahmen seiner allgemeinen Idealismuskritik und seiner Lehre vom Willen zur Macht.

It is common knowledge that Nietzsche is very critical of traditional philosophy and strongly opposes a number of philosophers, but Alain Badiou goes beyond this claim to interpret and classify Nietzsche as an “antiphilosopher.” As such, Badiou’s interpretation belongs to the vast literature focusing on Nietzsche’s critique of metaphysics and truth. However, Badiou goes a bit further and develops a notion of “antiphilosophy” that not only is critical but also has a positive impact: Nietzsche is not only a critic of (...) metaphysics, but he is also an antiphilosopher like Pascal or Rousseau. Nietzsche. L’antiphilosophie I is the transcript from a seminar Badiou gave in 1992–93 and, as the title suggests, is... (shrink)

Both for Kant and for Nietzsche, aesthetics must not be considered as a systematic science based merely on logical premises but rather as a set of intuitively attained artistic ideas that constitute or reconstitute the sensible perceptions and supersensible representations into a new whole. Kantian and Nietzschean aesthetics are both aiming to see beyond the forms of objects to provide explanations for the nobility and sublimity of human art and life. We can safely say that Kant and Nietzsche used the (...) dualities of the beautiful/sublime and Apollonian/Dionysian to advocate their general philosophical worldview, and that the initial formation (in Observations and The Birth of Tragedy) and final dissolution (in the Critique of Judgment and Zarathustra and other later works) of these dualities are determined by the gradually established telos of their philosophical endeavor. Therefore, by observing the evolution of these so-called dualities, Kaplama gathers important clues as to how Kant’s and Nietzsche’s aesthetics transformed into different ways to affirm human art and life. On the one hand, Kaplama argues, the Dionysian came to be the heart and soul of Nietzschean aesthetics and ethics, and the Apollonian (or the formal drive of individuation) was reduced into a mere aesthetic criterion. On the other, Kant treats the sublime (which is originally an idea-producing feeling and/or judgment) as a mere appendix to his Critique of Judgment and aesthetic theory teleologically reducing it into its possible moral consequences. This is why Schopenhauer calls the sublime “by far the most excellent thing in the Critique of Judgment” which touches on the real problem of aesthetics very closely but does not provide a real solution for it. Kant’s forced teleological move is to make his theory of aesthetic judgment stand as a ‘reaffirmation’ of the earlier ethical justification he believed to have accomplished in the first two Critiques and the Groundwork where he defends an affirmation of human life through a teleological morality centered on the principle of free-will. In contrast, Nietzsche’s aesthetics (particularly the Dionysian) guides his ethics and metaphysics again through defining an ideal human nature without which ethos would be static and meaningless, lacking the ability to move and change and represent the tragic pathos of human life. (shrink)

Maudemarie Clark is best known among Nietzsche scholars for two monographs, Nietzsche on Truth and Philosophy and The Soul of Nietzsche’s Beyond Good and Evil, the second coauthored with David Dudrick. The focus of these works was metaphysical-cum-epistemological, in the first instance distinguishing Nietzsche’s views on truth from the popular association with postmodernism, in the second providing an “esoteric” rereading of book 1 of BGE in an attempt to rebuff central aspects of naturalistic readings like that of Brian Leiter. The (...) present collection of... (shrink)

Following Robert C. Solomon’s Living with Nietzsche, I defend an interpretation of Nietzsche’s views about freedom that are in line with the existentialist notion of self-creation. Given Nietzsche’s emphasis on the limitations on human freedom, his critique of the notion of causa sui (self-creation out of nothing), and his critique of morality for relying on the assumption that we have free will, it may be surprising that he could be taken seriously as an existentialist—existentialism characteristically takes freedom and self-creation to (...) be central to the human condition. Nietzsche does not endorse a radical notion of freedom; he is rather emphatically critical of any such notion. However, I argue that he does have room for a certain kind of freedom and self-creation that supports Solomon’s characterization of him as an existentialist. (shrink)

Deleuze does not mention Schopenhauer very frequently. Certainly Schopenhauer does not appear to be in the counter-canon of life-affirming philosophers that Deleuze so values – indeed, far from it. Nor does he appear to be even a favoured ‘enemy’ as he describes Kant, or as he sometimes appears to view Hegel. Nevertheless, I think Schopenhauer’s break from Kant is crucial for understanding not only Deleuze’s account of Nietzsche, but also for a proper grasp of the core Deleuzian distinction between the (...) actual and the virtual, at least in its guise as the distinction between desiring-production and social production in Anti-Oedipus. (shrink)

Cataloguing: -/- Twilight of the Idols or How to Philosophize with a Hammer / By Friedrich Nietzsche (1844-1900). [Götzen-Dämmerung. English]. Translation of text, afterward, notes, letters, and appendixes by ©Daniel Fidel Ferrer, 2013. 1. Philosophy 2) Metaphysics 3) Philosophy, Germa 4) Philosophy, German -- 19th century 5) Philosophy, German – Greek influences I. Nietzsche, Friedrich Wilhelm, 1844-1900 II. Ferrer, Daniel Fidel, 1952- .

This paper is founded on a close reading of Kant’s Opus Postumum in order both to explore the essential motivation that drove Kant to write a last comprehensive magnum opus and, by doing so, to show the essential link between his aesthetics and the idea of Übergang, the title of this last work. For this work contains not only his dynamical theory of matter defining motion as preliminary to the notions of space and time, and the advanced version of his (...) philosophy of natural science, but also his arguments for the phenomenal validity of the metaphysical foundations, his teachings on the aesthetic human faculties of judgment and Anschauung, and the discernment of the transcendental philosophy from Platonic idealism carrying it to a cosmological level, i.e. Kant’s insertion of the concept of cosmotheoros. Since the process of transition is an aesthetic process based on human senses, intuitions and judgments, the argument will follow that in order to explicate Übergang, we need to reconcile cosmology, as the oldest branch of philosophy dealing with the interactions between the cosmic forces and the ways they affect human life, with aesthetics, as the youngest branch of philosophy dealing with how we sense, intuit and judge the form and motion of matter. Therefore, in the last analysis, Übergang becomes rather a cosmologic-aesthetic principle similar to the Heraclitean logos. Another building block of the paper is the fruitful comparison between the Kantian sublime and Nietzschean Dionysian, which are going to be construed as the aesthetic theories on human understanding representing the transition from nature to art. For they are not only conceptual – aesthetic but also dynamic – cosmological theories due to their reference both to nature and to human nature. (shrink)

Why are we still intrigued by Nietzsche? This chapter argues that sustained interest stems from Nietzsche’s challenge to what we might call the ‘staticism’ inherent in our ordinary experience. Staticism can be defined, roughly speaking, as the view that the world is a collection of enduring, re-identifiable objects that change only very gradually and according to determinate laws. The chapter discusses Nietzsche’s rejection of remnants of staticism in Hegel and Schopenhauer (1). It outlines why Nietzsche deems belief in any variant (...) of the staticist picture as problematic (2); and examines his adualistic-dialetheic stance towards, for example, first-person and third-person descriptions in the philosophy of mind (3). The chapter closes with a discussion of the contributions of "Nietzsche on Time and History". (shrink)

The article critically develops Nietzsche's presence in Heidegger's second great work, Contributions to Philosophy. Heidegger considers Nietzsche the last metaphysicist. However, being Western Metaphysics' zenith is the greatest thing that can be said of a thinker, since being the one who brings to completion a school of thought makes one, at the same time, the precursor of the ‘other’ begining and thus his concept of God's dead, nihilism and truth really can open the door to a kind of post-metaphysical thought, (...) as Heidegger would say, the thought of the history od being. Therefore, between Nietzsche's "God is dead" and Heidegger's "last God" there exists continuity and parallelism that needs future development. (shrink)

Nietzsche's perspectivism can be seen as a two-leveled cure for dogmatism. On the one hand, perspectivism amounts to the dismissal of the metaphysical world and the acknowledgement of the esential incompleteness of all knowledge insofar as knowledge is only and always perspectival. On the other hand, perspectivism is an affirmation of the central role the affects play in all interpretations of the world; consequently, it presents itself as a summary rejection of the notion of disinterested contemplation or knowledge. Nietzsche's theory (...) of interpretation results in a transcendental-experimental philosophy able to liberate humankind from the stagnating, destructive effects of dogmatism. A perspectival account of knowledge implies not only an aesthetic aspect, but also a therapeutic one. (shrink)