Nietzsche: Value Theory, Misc

Nietzsche's vision of the 'overman' continues to haunt the postmodern imagination. His call that 'man is something that must be overcome' can no longer be seen as simple rhetoric. Our experiences of the hybrid realities of artificial life have made the 'transhuman' a figure that looks over us all. Inspired by this vision, Keith Ansell Pearson sets out to examine if evolution is 'out of control' and machines are taking over. In a series of six fascinating perspectives, he links Nietzsche's (...) thought with the issues at stake in contemporary conceptions of evolution from the biological to the technological. _Viroid Life; Perspectives on Nietzsche and the Transhuman Condition_ considers the hybrid, 'inhuman' character of our future with the aid of Nietzsche's philosophy. Keith Ansell Pearson contrasts Nietzsche and Darwin before introducing the more recent figures such as Giles Deleuze and Guy Debord to sketch a new thinking of technics and machines and stress the ambiguous character of our 'machine enslavement'. (shrink)

The hermeneutic thicket surrounding the question of Nietzsche and the Greeks is both dense and forbidding. Every attempt to pose this question confronts a wide range of difficult issues. Who is “Nietzsche”? Which “Greeks”? What range of concerns? methods? disciplinary boundaries? How to think the relation between the early Nietzsche of the Basel years and the later Nietzsche post-Zarathustra? Where to turn for help in working through the palimpsest of interpretations that have formed the Nietzschebild in our time? To simply (...) raise such questions proves inadequate, of course, to the task of effecting a shift in the way Nietzsche scholars approach this topic. There is little consensus on what “the” Greeks mean for .. (shrink)

Dans son essai, Christine Daigle établit en quoi les philosophies de Nietzsche et Sartre convergent ou divergent en ce qui a trait à la problématique du nihilisme, à la quête de sens et à l'éthique.

In this paper, I take it to be uncontroversial that increasingly into his philosophical career, Nietzsche believed human greatness to be an appropriately valuable goal, at least for certain types of people. But while Nietzsche's repeated paradigms of greatness include figures as seemingly diverse as Beethoven, Goethe, Shakespeare, Cesare Borgia, Julius Caesar, it is unclear precisely what great-making property (or properties) Nietzsche considers these figures to share. I consider two possible approaches which have shaped the terrain of the secondary literature (...) on this controversial matter: greatness as a matter of internal properties (character traits); or external properties (achievements). I discuss the arguments for each view here, resulting with my own view being that both achievements and traits of character are at least necessary for what Nietzsche understands greatness to consist in. I then consider a distinction between actual and potential greatness in order to explore further necessary and perhaps sufficient conditions of Nietzsche's positive ideal. While my aim in this paper is primarily exegetical, I hope to draw upon contemporary issues in value theory surrounding the nature of achievement which are of interest to ethicists more broadly. (shrink)

Both for Kant and for Nietzsche, aesthetics must not be considered as a systematic science based merely on logical premises but rather as a set of intuitively attained artistic ideas that constitute or reconstitute the sensible perceptions and supersensible representations into a new whole. Kantian and Nietzschean aesthetics are both aiming to see beyond the forms of objects to provide explanations for the nobility and sublimity of human art and life. We can safely say that Kant and Nietzsche used the (...) dualities of the beautiful/sublime and Apollonian/Dionysian to advocate their general philosophical worldview, and that the initial formation (in Observations and The Birth of Tragedy) and final dissolution (in the Critique of Judgment and Zarathustra and other later works) of these dualities are determined by the gradually established telos of their philosophical endeavor. Therefore, by observing the evolution of these so-called dualities, Kaplama gathers important clues as to how Kant’s and Nietzsche’s aesthetics transformed into different ways to affirm human art and life. On the one hand, Kaplama argues, the Dionysian came to be the heart and soul of Nietzschean aesthetics and ethics, and the Apollonian (or the formal drive of individuation) was reduced into a mere aesthetic criterion. On the other, Kant treats the sublime (which is originally an idea-producing feeling and/or judgment) as a mere appendix to his Critique of Judgment and aesthetic theory teleologically reducing it into its possible moral consequences. This is why Schopenhauer calls the sublime “by far the most excellent thing in the Critique of Judgment” which touches on the real problem of aesthetics very closely but does not provide a real solution for it. Kant’s forced teleological move is to make his theory of aesthetic judgment stand as a ‘reaffirmation’ of the earlier ethical justification he believed to have accomplished in the first two Critiques and the Groundwork where he defends an affirmation of human life through a teleological morality centered on the principle of free-will. In contrast, Nietzsche’s aesthetics (particularly the Dionysian) guides his ethics and metaphysics again through defining an ideal human nature without which ethos would be static and meaningless, lacking the ability to move and change and represent the tragic pathos of human life. (shrink)

This book is founded on a close reading of Kant’s Opus Postumum in order both to explore the essential motivation that drove Kant to write a last comprehensive magnum opus and, by doing so, to show the essential link between his aesthetics and the idea of Übergang, the title of this last work. For this work contains not only his dynamical theory of matter defining motion as preliminary to the notions of space and time, and the advanced version of his (...) philosophy of natural science, but also his arguments for the phenomenal validity of the metaphysical foundations, his teachings on the aesthetic human faculties of judgment and Anschauung, and the discernment of the transcendental philosophy from Platonic idealism carrying it to a cosmological level, i.e. Kant’s insertion of the concept of cosmotheoros. Since the process of transition is an aesthetic process based on human senses, intuitions and judgments, the argument will follow that in order to explicate Übergang, we need to reconcile cosmology, as the oldest branch of philosophy dealing with the interactions between the cosmic forces and the ways they affect human life, with aesthetics, as the youngest branch of philosophy dealing with how we sense, intuit and judge the form and motion of matter. Therefore, in the last analysis, Übergang becomes rather a cosmologic-aesthetic principle similar to the Heraclitean logos. Another building block of the book is the fruitful comparison between the Kantian sublime and Nietzschean Dionysian, which are going to be construed as the aesthetic theories on human understanding representing the transition from nature to art. For they are not only conceptual – aesthetic but also dynamic – cosmological theories due to their reference both to nature and to human nature. Finally, Cosmological Aesthetics employs the principles of transition and motion to analyze Van Gogh’s Starry Night in an excursus. (shrink)

This paper is founded on a close reading of Kant’s Opus Postumum in order both to explore the essential motivation that drove Kant to write a last comprehensive magnum opus and, by doing so, to show the essential link between his aesthetics and the idea of Übergang, the title of this last work. For this work contains not only his dynamical theory of matter defining motion as preliminary to the notions of space and time, and the advanced version of his (...) philosophy of natural science, but also his arguments for the phenomenal validity of the metaphysical foundations, his teachings on the aesthetic human faculties of judgment and Anschauung, and the discernment of the transcendental philosophy from Platonic idealism carrying it to a cosmological level, i.e. Kant’s insertion of the concept of cosmotheoros. Since the process of transition is an aesthetic process based on human senses, intuitions and judgments, the argument will follow that in order to explicate Übergang, we need to reconcile cosmology, as the oldest branch of philosophy dealing with the interactions between the cosmic forces and the ways they affect human life, with aesthetics, as the youngest branch of philosophy dealing with how we sense, intuit and judge the form and motion of matter. Therefore, in the last analysis, Übergang becomes rather a cosmologic-aesthetic principle similar to the Heraclitean logos. Another building block of the paper is the fruitful comparison between the Kantian sublime and Nietzschean Dionysian, which are going to be construed as the aesthetic theories on human understanding representing the transition from nature to art. For they are not only conceptual – aesthetic but also dynamic – cosmological theories due to their reference both to nature and to human nature. (shrink)

-/- This paper offers a preliminary interpretation of Nietzsche’s doctrine of Eternal Recurrence, according to which the doctrine constitutes a parable that, speaking of what is permanent in life, praises and justifies all that is impermanent. What is permanent, what always recurs, is the will to power or to self-overcoming that is the fundamental engine of all life. The operating mechanism of such a will consists in prompting the living to undergo transformations or transitory deaths, after which this fundamental engine (...) resurrects again and is once more activated. The individual human being, in his capacity as creator, is only a conscious and finite surrogate of this fundamental will. In confronting his abysmal thought of Eternal Recurrence, Zarathustra comes to the realization that the individual human being will never cease to be a mere transit that, while remaining in existence, will have to always return to the moment of his own self-overcoming. This means that the small man in each of us, the man that can be overcome, will always recur, and that even the greatest man we could become will still be too small and human all too human. Although this thought generates disgust with existence, it can also become a source of life-affirmation, when we learn to love our tragic destiny: that of never being able to realize the ideal of superhumanity that is recommended by the book, and, yet, that of eternally striving to realize it. (shrink)

Name der Zeitschrift: Nietzsche-Studien Jahrgang: 44 Heft: 1 Seiten: 231-266. -/- Abstract: In this essay I defend my interpretation of the unheard words that Zarathustra whispers into Life’s ear in “The Other Dance Song” and that have long kept commentators puzzled. I argue that what Zarathustra whispers is that he knows that Life is pregnant with his child. Zarathustra’s ability to make Life pregnant depends on his overcoming of Eternal Recurrence which threatens to strangle him with disgust of human beings (...) and all of existence, thereby making him into a spiritual eunuch whose will has turned into not-willing. The insemination of Life is a transfiguring act that raises Life from her blind animality (or materiality) into the level of a spiritually fertile existence, which is the condition of human freedom. This act is performed with the help of our capacity for theoretical knowledge, which is why it requires love of Wisdom. However, love of Wisdom can make us infertile, and thus unfree, when pursued for its own sake (knowledge can choke). I conclude by considering who might be the child of Zarathustra and Life. -/- Zusammenfassung: In diesem Aufsatz verteidige ich meine Interpretation der unhörbaren Wörter, die Zarathustra in „Das andere Tanzlied“ in das Ohr des Lebens flüstert und seit langem Kommentatoren ratlos machen. Was Zarathustra flüstert, ist, so meine These, dass er weiß, dass das Leben mit seinem Kind schwanger ist. Zarathustras Fähigkeit, das Leben zu schwängern, hängt von seiner Überwindung des Gedankens der ewigen Wiederkehr ab, der ihn durch den Überdruss am Menschen und an allem Dasein zu erwürgen bedroht und ihn dabei zu einem spirituellen Eunuchen macht, dessen Wollen zum Nicht-Wollen geworden ist. Die Befruchtung des Lebens ist eine umgestaltende Tat, die das Leben von seiner blinden Tiernatur (oder Stofflichkeit) auf die Ebene eines spirituell fruchtbaren Daseins erhebt, was die Voraussetzung menschlicher Freiheit ist. Dieser Akt wird mit Hilfe unserer Fähigkeit zu theoretischem Wissen ausgeführt, weshalb er Liebe zur Weisheit erfordert. Liebe zur Weisheit kann uns jedoch unfruchtbar und damit unfrei machen, wenn sie um ihrer selbst willen verfolgt wird (Wissen kann ersticken). Ich schließe mit der Überlegung ab, wer Zarathustras und des Lebens Kind sein könnte. (shrink)

This article is a summation of work devoted to the main themes of Heidegger's and Nietzsche's philosophies. Heidegger's interpretation of Nietzscheanism and his evaluation of it prompt one make a more precise analysis of the relationship which hypothetically should exist between the "essential thought" of the two philosophers. A comparative analysis of the "essential" themes of the two philosophers shows, however, that questions which were undoubtedly most essential for Nietzsche are compeltely outside the area definied in Heidegger's philosophy as "essential (...) thought", while very many elements of Nietzsche's thought indicate that it is not "essential" philosophy in Heidegger's understanding. (shrink)

This is an important, curious book that is worth the effort it takes to get through it. It makes a distinctive case for the centrality of Nietzsche's grappling with nihilism, giving content to his notoriously thin notion of "affirming life," and it offers a nuanced account of "will to power," specifically in relation to Schopenhauer's "will to live." Among its curiosities are its method of extensive reliance on the collection of notes published as The Will to Power and its characterization (...) of a paradox at the core of Nietzsche's project: affirming life turns on embracing the idea that "will to power requires pain as one of the conditions of its satisfaction" . Only the second of these can be discussed here. And while the writing style tediously resembles a form of scholasticism that gets in the way of understanding what exactly Reginster is arguing, the book repays the reader's forbearance by offering some genuinely provocative ideas.Reginster's main project is to show how nihilism and its solution are central to Nietzsche's thinking about the "affirmation of life." This hinges on revaluing suffering as intrinsic to satisfying an ultimate desire to overcome resistance. In a nutshell, that is Nietzsche's "doctrine of the will to power," and it leads Reginster to claim that the. (shrink)

Nietzsche's vision of the 'overman' continues to haunt the postmodern imagination. His call that 'man is something that must be overcome' can no longer be seen as simple rhetoric. Our experiences of the hybrid realities of artificial life have made the 'transhuman' a figure that looks over us all. Inspired by this vision, Keith Ansell Pearson sets out to examine if evolution is 'out of control' and machines are taking over. In a series of six fascinating perspectives, he links Nietzsche's (...) thought with the issues at stake in contemporary conceptions of evolution from the biological to the technological. _Viroid Life; Perspectives on Nietzsche and the Transhuman Condition_ considers the hybrid, 'inhuman' character of our future with the aid of Nietzsche's philosophy. Keith Ansell Pearson contrasts Nietzsche and Darwin before introducing the more recent figures such as Giles Deleuze and Guy Debord to sketch a new thinking of technics and machines and stress the ambiguous character of our 'machine enslavement'. (shrink)

This is a lively and engaging introduction to the contentious topic of Nietzsche's political thought. It traces the development of Nietzsche's thinking on politics from his earliest writings to the mature work in which he advocates aristocratic radicalism as opposed to 'petty' European nationalism. The key ideas of the will to power, eternal return and the overman are discussed and all Nietzsche's major works analysed in detail, such as Beyond Good and Evil and The Genealogy of Morals, within the context (...) of the concerns of modern political theory. The book concludes with an assessment of Nietzsche's enduring relevance and of the insights afforded by contemporary liberal and feminist readings. This textbook will be essential for all students of Nietzsche and of the history of political ideas. It includes a chronology of Nietzsche's life and works and a guide to further reading. (shrink)

English title: Master Eckhart’s God Confronted with Nietzschean Critique of Christianity. Author tries to demonstrate that the way of thinking about Christian God developed in the late Middle Ages by Master Eckhart goes beyond the interpretation which underlies Nietzsche’s criticism of Christianity as a religion of the other world. In the paper, Author first presents the said criticism, followed by the vision of God outlined by Eckhart. He demonstrates that Christianity, criticized by Nietzsche, uses a commonsense vision of God’s transcendence (...) based on spatial images. The author also demonstrates that Eckhart defines this transcendence in such a way that it does not fall under Nietzsche’s criticism, in particular it cannot lead to the depreciation of worldliness in favour of an invented other world, which Nietzsche observes. Eckhart’s thought makes room for Christianity ‘after Nietzsche.’. (shrink)

The hermeneutic thicket surrounding the question of Nietzsche and the Greeks is both dense and forbidding. Every attempt to pose this question confronts a wide range of difficult issues. Who is “Nietzsche”? Which “Greeks”? What range of concerns? methods? disciplinary boundaries? How to think the relation between the early Nietzsche of the Basel years and the later Nietzsche post-Zarathustra? Where to turn for help in working through the palimpsest of interpretations that have formed the Nietzschebild in our time? To simply (...) raise such questions proves inadequate, of course, to the task of effecting a shift in the way Nietzsche scholars approach this topic. There is little consensus on what “the” Greeks mean for .. (shrink)

I live — if I choose to see things this way- — among a curious race that sees earth, its chance events and the vast interconnectedness of animals, mammals, ...

Introduction Undoubtedly it would be useful to interpret the "new Nietzsche," as he is often called, within the larger contexts of "Nietzsche and the ...

In The Gay Science (1882), Nietzsche heralded the problem of nihilism with his famous declaration “God is dead,” which signalled the collapse of a transcendent basis for the underpinning morality of European civilization. He associated this collapse with the rise of the natural sciences whose methods and pervasive outlook he was concerned would progressively shape “an essentially mechanistic [and hence meaningless] world.” The Russian novelist Turgenev had also associated a scientific outlook with nihilism through the scientism of Yevgeny Bazarov, a (...) character in Fathers and Sons. A century or so later, can we correlate relevant scientific results and the nihilistic consequences that worried these and other nineteenth-century authors? The aversion of empirical disciplines to such non-empirical concepts as personhood and agency, and their methodological exclusion of the very idea of value would make this a difficult task. Recent neuroscientific (MRI) investigations into free will might provide a useful starting point for anyone interested in this sociological question, as might the research results of experimental or evolutionary psychologists studying what they take human beings to be. In this paper, I turn instead to a more basic issue of science. I will question the universality of a principle of identity assumed by a scientific understanding of what it means for anything to exist. I will argue that the essential features of human existence present an exception to this principle of identity and thereby fall outside the grasp of scientific inquiry. The basis of this argument will be an explanation of why it is nonetheless rational for us to affirm personhood, agency, moral values, and many more concepts that disappear under the scrutiny of the sciences. (shrink)

Dans son essai, Christine Daigle établit en quoi les philosophies de Nietzsche et Sartre convergent ou divergent en ce qui a trait à la problématique du nihilisme, à la quête de sens et à l'éthique.

The article critically develops Nietzsche's presence in Heidegger's second great work, Contributions to Philosophy. Heidegger considers Nietzsche the last metaphysicist. However, being Western Metaphysics' zenith is the greatest thing that can be said of a thinker, since being the one who brings to completion a school of thought makes one, at the same time, the precursor of the ‘other’ begining and thus his concept of God's dead, nihilism and truth really can open the door to a kind of post-metaphysical thought, (...) as Heidegger would say, the thought of the history od being. Therefore, between Nietzsche's "God is dead" and Heidegger's "last God" there exists continuity and parallelism that needs future development. (shrink)

Play is typically associated with carefree or frivolous activity, yet Nietzsche makes surprising claims about the nature of play. He insists that playfulness is the appropriate attitude for addressing the challenges of human life, and he describes maturity as the ability to play seriously like children. To understand Nietzsche’s serious play, some have emphasized the affinity between play and fiction. Notably, Nadeem Hussain has offered a fictionalist interpretation, according to which nothing has value in itself and valuing resembles make-believe. I (...) hold that illusions and fictions misconstrue Nietzsche’s play and values. In this paper I argue that Nietzsche embraces play in the context of nihilism, which he considers the fundamental problem of modernity. Play ultimately proves central to Nietzsche’s strategy to avert nihilism. I explicate his comments on play, and I use the features of play to illuminate Nietzsche’s response to nihilism found in his enigmatic project of value creation. (shrink)

A landmark discussion between two great thinkers, vital to an understanding of twentieth-century philosophy and intellectual history.

Given that numerous critics have complained about Saw’s apparently confused sense of ethics, it is surprising that little attention has been paid to how morality operates in narrative itself. Coming from a Nietzschean perspective - specifically questioning whether the lead torturer Jigsaw is a passive or a radical nihilist - I seek to rectify that oversight. This philosophical reading of the series explores Jigsaw’s moral stance, which is complicated by his hypocrisy: I contend that this underpins critical complaints regarding the (...) films’ "muddled" morality. My narrative analysis reveals that Jigsaw’s values are not as confused as they may first appear to be. Despite explicitly proclaiming that his quest is to save others, his actions reveal another story. Following the loss of his unborn son and his failed suicide attempt, Jigsaw seeks to symbolically eradicate himself: the victims he selects reflect and reify his own obsessive personality traits. In keeping with the franchises’ narrative twists – which are designed to reverse initially "obvious" meanings – I argue that Jigsaw’s proclamations have misdirected critics. His nihilism may be manifested as coerced suffering and articulated as distaste with the world, yet the series’ symbolic target is Jigsaw himself. (shrink)

Nietzsche’s discussions of nihilism are meant to bring into view an intriguing pathology of modern culture: that it is unable to sustain "higher values". This paper attempts to make sense of the nature and import of higher values. Higher values are a subset of final values. They are distinguished by their demandingness, susceptibility toward creating tragic conflicts, recruitment of a characteristic set of powerful emotions, perceived import, exclusionary nature, and their tendency to instantiate a community. The paper considers Nietzsche’s arguments (...) for the claim that we are committed to instituting some set of higher values. The cost of not doing so is vitiating our deepest aim and precluding a central form of happiness. (shrink)

Friedrich Nietzsche delineates three stages of sacrificial behavior. The first stage consists of the sacrifice of particular human beings to a god. The second stage involves the sacrifice of one’s own instincts to a god, and the third stage culminates in the sacrifice of God himself. This last stage describes the death of God and signals the “final cruelty” of our present times. Our age is the age of nihilism, the point in history during which humans “sacrifice God for the (...) nothing,” fulfilling a kind of nihilistic sacrifice. -/- In this paper I examine three different cinematic depictions of sacrifice, two of which clearly illustrate Nietzsche’s first two stages and the last of which suggests the possibility of the third, nihilistic stage. The films I have selected all share a common thread insofar as they all take place in Scotland. The first two films, The Wicker Man (Robin Hardy, 1973) and Breaking the Waves (Lars Von Trier, 1996), take place in rural, northern Scotland, capitalizing on what scholars have called the myths of Tartantry and the Kailyard in order to depict sacrifice as something disengaged from the modern world. The third film, NEDs (Peter Mullan, 2010), takes place in modern Glasgow and draws on a myth that scholars call Clydesideism. This myth highlights the postindustrial, gritty, urban face of Scotland. In NEDs, the sacrifice made by the main character is of a sort thinkable only in modern times and in an urban setting, and it comes very close to what may be a kind of nihilistic sacrifice. (shrink)

Disputing the common misconception that nihilism is wholly negative and necessarily damaging to the human spirit, John Marmysz offers a clear and complete definition to argue that it is compatible, and indeed preferably responded to, with an attitude of good humor. He carefully scrutinizes the phenomenon of nihilism as it appears in the works, lives, and actions of key figures in the history of philosophy, literature, politics, and theology, including Nietzsche, Heidegger, Camus, and Mishima. While suggesting that there ultimately is (...) no solution to the problem of nihilism, Marmysz proposes a way of utilizing the anxiety and despair that is associated with the problem as a spur toward liveliness, activity, and the celebration of life. (shrink)

Upon its release in 1968, George Romero's Night of the Living Dead was attacked by many critics as an exploitative low budget film of questionable moral value. I argue in this paper that Night of the Living Dead is indeed nihilistic, but in a deeper philosophical sense than the critics had in mind.

The first time that Nietzsche crossed the path of Dostoevsky was in the winter of 1886–87. While in Nice, Nietzsche discovered in a bookshop the volume L’esprit souterrain. Two years later, he defined Dostoevsky as the only psychologist from whom he had anything to learn. The second, metaphorical encounter between Nietzsche and Dostoevsky happened on the verge of nihilism. Nietzsche announced the death of God, whereas Dostoevsky warned against the danger of atheism. This book describes the double encounter between Nietzsche (...) and Dostoevsky. Following the chronological thread offered by Nietzsche’s correspondence, the author provides a detailed analysis of Nietzsche’s engagement with Dostoevsky from the very beginning of his discovery to the last days before his mental breakdown. The second part of this book aims to dismiss the wide-spread and stereotypical reading according to which Dostoevsky foretold and criticized in his major novels some of Nietzsche’s most dangerous and nihilistic theories. In order to reject such reading, the author focuses on the following moral di-lemma: If God does not exist, is everything permitted? (shrink)

Ausgehend von zwei Aphorismen Nietzsches aus der Götzen-Dämmerung und einer Nachlass-Notiz zur "Bosheit" der Russen stellt die Abhandlung Nietzsches Moralkritik der russischen gegenüber, der Kritik Dostojewkis und Tolstojs and der 'westeuropäischen' "vernünfrigen' Moral, die wiederum aus Nietzsches Genealogie der Gegensätze der Werte, seiner Deutung der Moral, unter der Optik des Künstlers' und der Musik als 'Vorgeschichte' der Moral interpretiert wird. Aus Nietzsches Sicht auf Russland einerseits und der russischen Deutung Nietzsches als dem 'Russen' unter den 'westlichen' Philosophen andererseits erschließt sich (...) der 'gute' Sinn von Nietzsches Aphorismus - und werden die Berührungs- und Reibungspunkte der 'weslichen' und der russischen philosophischen Traditionen sichtbar.The article focuses on two of Nietzsche's aphorisms from Twilight of the Idols and an unpublished note where the "evil" of Russians is mentioned. Two critical points are juxtaposed: Nietzsche's critique of morals and Russian critique of the 'western' 'reasonable' morality by Dostoevsky and Tolstoy. The latter in its turn is to be interpreted in the context of Nietzsche's geneological analysis of the oppositions of values, his view on morals 'in the perspective of the artist' and on music as 'prehistory' of morals. The research aims at demonstrating the 'good' sense of Nietzsche's aphorisms about Russians, as well as the points of accordance and misunderstanding between Nietzsche's concept of Russia, on the one hand, and the Russian reception of Nietzsche as a 'Russian' among 'western' philosophers, on the other. (shrink)

There is a disagreement over how to understand Nietzsche’s view of science. According to what I call the Negative View, Nietzsche thinks science should be reconceived or superseded by another discourse, such as art, because it is nihilistic. By contrast, what I call the Positive View holds that Nietzsche does not think science is nihilistic, so he denies that it should be reinterpreted or overcome. Interestingly, defenders of each position can appeal to Nietzsche’s understanding of naturalism to support their interpretation. (...) I argue that Nietzsche embraces a social constructivist conception of causality that renders his naturalism incompatible with the views of naturalism attributed to him by the two dominant readings. (shrink)

Nietzsche was persistently concerned with what an object is and how different views of objects lead to different views of facts, causality, personhood, substance, truth, mathematics and logic, and even nihilism. Yet his treatment of objects is incredibly puzzling. In many passages he assumes that objects such as trees and leaves, tables and chairs, and dogs and cats are just ordinary entities of experience. In other places he reports that objects do not exist. Elsewhere he claims that objects exist, but (...) as mere bundles of forces. And sometimes he proposes that we bring all objects into existence. Nietzsche’s writings, then, appear to support various secondary readings, which are jointly inconsistent. My chief aim is to present and defend the reading that Nietzsche embraces constructivism about objects, the neo-Kantian view that all objects are socially constructed. I first explain this view and argue that all non-constructivist readings are not supported by Nietzsche’s texts. I then present Nietzsche’s object constructivism, reconstruct his argument for the position, and defend it from internal objections. I finish by suggesting that Nietzsche might have embraced such a radical conception of objects because it plays a crucial role in overcoming nihilism. (shrink)

In this paper I argue that Nietzsche should be understood as a “thorough-going nihilist”. Rather than broaching two general projects of destroying current values and constructing new ones, I argue that Nietzsche should be understood only as a destroyer of values. I do this by looking at Nietzsche’s views on nihilism and the role played by Nietzsche’s cyclical view of time, or his doctrine of the eternal recurrence of the same. I provide a typology of nihilisms, as they are found (...) in Nietzsche—negative, reactive and radical—through a close reading of an unpublished fragment in his later notebooks, remnants of which are scattered throughout his published work. I show how the progression between the different stages of nihilism are a “necessary consequence of the ideals entertained hitherto” , with the eternal recurrence of the same playing a vital role in this progression. The last stage of nihilism—radical nihilism—is ambiguous between a life-denying, or passive, nihilism and a life-affirming, or active, one; but, I argue, both kinds of nihilism preclude a construction of new values. But there is an inherent tension within Nietzsche’s account of nihilism insofar as it relies on the eternal recurrence of the same. This tension is brought out nicely by Löwith and partially resolved by Klossowski. There are at least two meanings of the eternal recurrence of the same. In one sense, the cosmological reading, it is intended to make sense of the idea that time is infinite and matter is finite by claiming that every possible combination of matter will recur infinite times. In the other sense, the anthropological reading, it is a kind of thought experiment, analogous to Kant’s categorical imperative: “live in every moment so that you could will that moment back again over and over” . There is a tension between these readings insofar as one must will to live in such a way that they will do it again, over and over , but also that what they do will make no difference, for what one decides to do has been done innumerable times. I argue that this tension can only be resolved by considering Nietzsche as aiming at “goal-lessness as such” and placing him as an active nihilist. (shrink)

Nihilism in Postmodernity is an exploration of the nature of the problem of meaninglessness in the contemporary world through the philosophical traditions of nihilism and postmodernism. The author traces the advent of modern nihilism in the works of Nietzsche, Sartre, and Heidegger, before detailing the postmodern transformation of nihilism in the works of three major postmodern thinkers: Lyotard, Baudrillard, and Vattimo. He presents a qualified defense of their positions, arguing that while there is much under-appreciated value in their responses to (...) nihilism, they fail to address adequately the problem of contingency in contemporary life. Drawing on the critical encounters with nihilism in both existentialist and postmodern traditions, the author concludes by staking out future directions for combating meaninglessness. (shrink)

RESUMEN -/- En este ensayo propongo una interpretación de la relación entre la ciencia y el Ideal Ascético en La Genealogía de la Moral, que busca explicar la enigmática alianza entre ambos que Nietzsche establece al final del tercer tratado de la mencionada obra. Según Nietzsche, contrario a lo que se cree, la ciencia moderna no es realmente un antagonista del Ideal Ascético sino más bien su forma más reciente y más noble. Argüiré que, para Nietzsche, el Ideal Ascético ha (...) sido hasta el momento la única respuesta que el ser humano ha dado a su forma especial de existencia, que consiste en encontrarse en la situación de ser el único animal capacitado para la independencia y la soberanía. El Ideal Ascético expresa una huida de la responsabilidad y la carga (el sufrimiento) que esa capacidad para la soberanía comporta. Así pues, la ciencia, como expresión última de dicho ideal, representa al igual que éste una evasión de la independencia y una declaración de guerra contra la libertad de la voluntad, es decir, contra la autonomía. (shrink)

-/- This paper offers a preliminary interpretation of Nietzsche’s doctrine of Eternal Recurrence, according to which the doctrine constitutes a parable that, speaking of what is permanent in life, praises and justifies all that is impermanent. What is permanent, what always recurs, is the will to power or to self-overcoming that is the fundamental engine of all life. The operating mechanism of such a will consists in prompting the living to undergo transformations or transitory deaths, after which this fundamental engine (...) resurrects again and is once more activated. The individual human being, in his capacity as creator, is only a conscious and finite surrogate of this fundamental will. In confronting his abysmal thought of Eternal Recurrence, Zarathustra comes to the realization that the individual human being will never cease to be a mere transit that, while remaining in existence, will have to always return to the moment of his own self-overcoming. This means that the small man in each of us, the man that can be overcome, will always recur, and that even the greatest man we could become will still be too small and human all too human. Although this thought generates disgust with existence, it can also become a source of life-affirmation, when we learn to love our tragic destiny: that of never being able to realize the ideal of superhumanity that is recommended by the book, and, yet, that of eternally striving to realize it. (shrink)

Name der Zeitschrift: Nietzsche-Studien Jahrgang: 44 Heft: 1 Seiten: 231-266. -/- Abstract: In this essay I defend my interpretation of the unheard words that Zarathustra whispers into Life’s ear in “The Other Dance Song” and that have long kept commentators puzzled. I argue that what Zarathustra whispers is that he knows that Life is pregnant with his child. Zarathustra’s ability to make Life pregnant depends on his overcoming of Eternal Recurrence which threatens to strangle him with disgust of human beings (...) and all of existence, thereby making him into a spiritual eunuch whose will has turned into not-willing. The insemination of Life is a transfiguring act that raises Life from her blind animality (or materiality) into the level of a spiritually fertile existence, which is the condition of human freedom. This act is performed with the help of our capacity for theoretical knowledge, which is why it requires love of Wisdom. However, love of Wisdom can make us infertile, and thus unfree, when pursued for its own sake (knowledge can choke). I conclude by considering who might be the child of Zarathustra and Life. -/- Zusammenfassung: In diesem Aufsatz verteidige ich meine Interpretation der unhörbaren Wörter, die Zarathustra in „Das andere Tanzlied“ in das Ohr des Lebens flüstert und seit langem Kommentatoren ratlos machen. Was Zarathustra flüstert, ist, so meine These, dass er weiß, dass das Leben mit seinem Kind schwanger ist. Zarathustras Fähigkeit, das Leben zu schwängern, hängt von seiner Überwindung des Gedankens der ewigen Wiederkehr ab, der ihn durch den Überdruss am Menschen und an allem Dasein zu erwürgen bedroht und ihn dabei zu einem spirituellen Eunuchen macht, dessen Wollen zum Nicht-Wollen geworden ist. Die Befruchtung des Lebens ist eine umgestaltende Tat, die das Leben von seiner blinden Tiernatur (oder Stofflichkeit) auf die Ebene eines spirituell fruchtbaren Daseins erhebt, was die Voraussetzung menschlicher Freiheit ist. Dieser Akt wird mit Hilfe unserer Fähigkeit zu theoretischem Wissen ausgeführt, weshalb er Liebe zur Weisheit erfordert. Liebe zur Weisheit kann uns jedoch unfruchtbar und damit unfrei machen, wenn sie um ihrer selbst willen verfolgt wird (Wissen kann ersticken). Ich schließe mit der Überlegung ab, wer Zarathustras und des Lebens Kind sein könnte. (shrink)

This article is a summation of work devoted to the main themes of Heidegger's and Nietzsche's philosophies. Heidegger's interpretation of Nietzscheanism and his evaluation of it prompt one make a more precise analysis of the relationship which hypothetically should exist between the "essential thought" of the two philosophers. A comparative analysis of the "essential" themes of the two philosophers shows, however, that questions which were undoubtedly most essential for Nietzsche are compeltely outside the area definied in Heidegger's philosophy as "essential (...) thought", while very many elements of Nietzsche's thought indicate that it is not "essential" philosophy in Heidegger's understanding. (shrink)