Perception

Felix reaches up to catch a high line drive to left field and fires the ball off to Benji at home plate, who then tags the runner trying to score. For Felix to catch the ball and transfer it from his glove to his throwing hand, he needs to have a sense of where his hands are relative to one another and the rest of his body. This sort of information is subconsciously tracked in the body schema (or postural schema), (...) a representation of the current bodily posture that is updated on the basis of proprioceptive inputs. While the existence of the body schema in not in dispute, its origin is. After reviewing the competing proposals, I introduce the conceptual tools needed to move the debate forward and apply them to the question of the extent to which the body schema could be learned from perceptual input in utero. I argue that it could give rise to something recognizable as the body schema, though not quite rising to the level of the mature body schema. After considering the implications for further research on the origins of the body schema, I show how these results apply to other body representations, helping clarify the vexing question of the number, nature, and interactions among body representations in the brain. This theoretical work also promises to advance our understanding and treatment protocols for disorders affecting such body representations (e.g., anorexia nervosa). (shrink)

Extensionalism is, roughly, the view that perception occurs in episodes that are temporally extended (and thus capable of accomodating in their entirety phenomena taking a nonzero lapse of time to occur). This view is widely acknowledged to be incompatible with thin presentism, the second most popular position in temporal ontology. In this paper, I argue that extensionalism is also incompatible with several other positions in temporal ontology, namely those positing the existence of non-present times that host sentience—positions I collectively refer (...) to as the sentient non-present view. Most notably, extensionalism proves to be incompatible with B-theoretical eternalism, which is the most popular position in temporal ontology. (shrink)

In this essay we focus on our vast web of beliefs that serves us as a rough and ready map of reality, generated more to give us comfort and confidence in an intimidating world than to be accurate. Maps of reality can never be accurate in any ultimate sense since reality itself is a convoluted entity that can only be accessed in never- ending layers. Our repertoire of beliefs, generated compulsively in the mind, span a huge spectrum in respect of (...) ties to affect and emotions on the one hand and of their credibility in depicting reality on the other. The interaction between our affect-based psychological needs, our need for having a sound comprehension of reality, and the infinitely tangled reality itself, leads to the generation of a large diversity of types of beliefs, where these get revised under the impact of reality by overcoming the restrain- ing effect of emotions in diverse ways and over diverse time scales—interestingly, the ‘reality’ includes the complex repertoire of affect and emotions itself that may, in cer- tain cases, generate the impact for our beliefs to change. Beliefs represented by small clusters in our belief network (see below) are commonly prone to frequent revision in a more or less random manner, though there are beliefs acquired in early life that are intransigent to change because of overriding ties to emotions. Beliefs represented by larger clusters are comparatively durable, and their revision has a systematic aspect to it because of a greater role of evidence-based factors—however,the evidence may, once again, be tied with emotions and beliefs oriented away from reason. Finally, there are prepotent beliefs that are resistant to change even over a lifetime. Often, these beliefs get revised only if we engage with our own selves, looking at conflicting forces within ourselves. In this context, we refer to narratives that are self-reinforcing and exercise almost a mesmerizing influence on us. In all this, there is a dual role of ‘rationality’ that needs being attended to in describing and explaining belief revision—rationality is not exclusively based on evidence and reason, but includes the implicit operation of affect and emotions too. (shrink)

In Human Nature, Hobbes argues for what I call the ‘Great Deception Thesis’: “whatsoever accidents or qualities our senses make us think there be in the world, they are not there, but are seemings and apparitions only.” I argue that both the thesis and Hobbes’ arguments for it have been misunderstood. Rather than arguing for indirect realism or a primary/secondary quality distinction, Hobbes claims that no sensory experience resembles its object. I conclude by showing how Hobbes can account for the (...) usefulness of images even in the absence of any resemblance between those images and the objects that cause them. If I am right, Hobbes presents a distinctive and intriguing theory of perception, one that emphasizes the dynamic nature of experience. (shrink)

Abstract: In The Imaginary Jean-Paul Sartre makes what will strike many as an implausibly strong claim, namely that perception and imagination are incompatible kinds of experience - I call this the exclusion claim. This paper offers a reconstruction of Sartre’s exclusion claim. First, it frames the claim in terms of cross-modal attention distribution, such that it is not possible to simultaneously attend to what one is imagining and what one is perceiving. However, this leaves it open that a subject can (...) simultaneously imagine and perceive on the condition that either the perceived or imagined objects are not attended to. While this is a philosophically plausible position it fails to do justice to Sartre’s intended position, which suggests a more radical exclusion between perception and imagination. In light of this section 3 develops a supplementary argument to remove one of the possible configurations of attention that the ban on divided attention leaves in place by arguing that the objects of imagining must be attended to, which follows from Sartre’s characterisation of imagination as spontaneous. The resulting exclusion is as follows: attentive perception excludes imagination (and vice versa), given that the latter is necessarily attentive, but attentive imagination can co-occur with non-attentive or background perception (in this sense the exclusion is asymmetric in a way that Sartre fails to recognise). In concluding I detail how from this exclusion we get an important consequence – which Sartre wants the exclusion claim to have – namely that it rules out an imagination-based solution to the problem of perceptual presence. (shrink)

It is commonly assumed that images, whether in the world or in the head, do not have a privileged analysis into constituent parts. They are thought to lack the sort of syntactic structure necessary for representing complex contents and entering into sophisticated patterns of inference. I reject this assumption. “Image grammars” are models in computer vision that articulate systematic principles governing the form and content of images. These models are empirically credible and can be construed as literal grammars for images. (...) Images can have rich syntactic structure, though of a markedly different form than sentences in language. (shrink)

In recent years, research on modeling the human mind has been progressing rapidly in Japan, which has provided a framework for programming the mind in the current development of artificial intelligence. Despite the skepticism about this subject, it is possible to model the mind according to the same pattern as long as people feel the same way when placed in the same situations and if they can understand the feelings of others when placed in specific situations. In addition, as people (...) tend to understand other’s emotions by applying some model of the mind, the existence of such a model for understanding people’s emotions is not surprising. Therefore, this book introduces the main ideas of the model of the mind, indicating that the human mind is inevitably equipped with various emotions. In other words, this model yields several qualitatively different impulses defined as human emotions. Currently, the field of research that analyzes this model of the mind is called the “economics of emotions,” which is expected to become a unified theory applied across the humanities and social sciences. There is no human mind left that cannot be modeled by the economics of emotions as this concept focuses on the human mind as a whole. In this regard, this book (published in 2022 in Japan) touches on the key points discussed in the economics of emotions. While this book aims to present an overall picture to readers intending to study the economics of emotions, it will also help them organize the overall contents, whose English translation will be published in 2024. (shrink)

In the paper, I argue that the notion of sensory representation that Pautz defines (via the Ramsey method) has incompatible features. The notion is defined in terms of its ability to explain both the phenomenal character of experience and its ability to give us cognitive access to perceptible properties, all while being existence-neutral. I argue that there is strong reason to conclude that no worldly relation could play all three roles simultaneously.

This paper defends the following principle: For any visually perceptible set of objects and any visual phenomenal character, there could be a veridical perception of exactly those objects with that character. This principle is rejected by almost all contemporary theories of perception, yet rarely addressed directly. Many have taken the apparent inconceivability of a certain sort of “shape inversion” — as compared to the more plausible, frequently discussed “color inversion” — as evidence that the spatial characters of our perceptions are (...) uniquely suited to and/or revelatory of the structure of their objects, such that alleged perceptions of those objects that differed radically in spatial character could not be veridical. I argue that these conclusions are unjustified: I claim that the difficulty involved in constructing coherent “shape inversion” scenarios is attributable to the complex relations among visual and tactile shape experiences, as opposed to relations between shape experiences and worldly shape properties. (shrink)

This paper reconciles an inconsistency between the benefits of mind wandering and a prominent conception of attention in philosophy and cognitive psychology, namely, the prioritization view. Since we prioritize the information in a task less if we are doing it while mind wandering compared to solely concentrating on it, why does our performance in the task sometimes improve when we are mind wandering? To explain this, we offer a conception of diffuse attention that generalizes from external to internal forms of (...) attention and captures deep commonalities between the two (Chun et al. 2011). We conceptualize mind wandering as an instance of internal diffuse attention that also induces diffuse attention in other concurrent tasks. Moreover, pace the prioritization view, certain tasks are in fact better performed with diffuse attention, which prioritizes information less than focused attention. Our account of mind wandering as an instance of the more general category of diffuse attention improves upon current leading philosophical views of mind wandering (such as Irving 2016) by better explaining the interaction between mind wandering and other tasks. (shrink)

While Nyaya texts seldom address the topic of concepts directly, it is my contention that Nyaya system can accommodate a sustained notion of concepts and clarifying its parameters can help us with a debate in Nyaya epistemology of perception that has been popular in contemporary discussion of Indian philosophy. This debate focuses on the exact nature of nirvikalpaka perception and its viability within Nyaya direct realism. One of the central questions in this regard is the role of concepts in our (...) perception. Using an account of concepts developed in contemporary Western philosophy by Millikan as a template I will articulate a few aspects of Nyaya theory of concepts. One of the outcomes of this undertaking will be that Nyaya theory of concept as developed here will not preclude nirvikalpaka perception. (shrink)

Although we encounter objects from a particular perspective, what we perceive and remember are typically whole objects. In ‘amodal completion’ our mind automatically fills in objects’ spatially occluded parts, and our memory then often discards information about the orientation from which the objects were perceived. An analogous phenomenon of ‘event completion’ has been demonstrated, which may be understood as the mind automatically filling in temporally occluded parts of events. Exemplifying typical experiments in this paradigm, Strickland and Keil (Strickland and Keil, (...) Cognition 121:409–415, 2011) showed participants videos depicting a causal event (e.g., someone kicking a ball), which was edited so that a crucial part was missing (e.g., the moment of contact between foot and ball). Subjects were more likely to falsely remember having seen the moment of contact if (and only if) it was strongly implied by subsequent footage. We use this phenomenon of event completion as a test case for comparing different theories of reference in memory. We argue that event completion puts pressure on both pure causal and pure descriptive theories of reference, and favors more nuanced hybrids of causal and descriptive theories, which integrate insights from cognitive and epistemic approaches. (shrink)

The inconsistent triad -- Anti-realism -- Indirect realism -- The content view -- The object view -- Epistemology -- Realism and explanation.

A growing body of literature about the phenomenological and epistemic role of structural features of experience, as well as on the topic of absence experience itself, point toward the view that absence experience is non-veridical. Here I challenge that result.

Consciousness still remains puzzling and controversial. This paper demonstrates that at general and objective level, for understanding consciousness it is necessary to understand such fundamental concepts as contrast, interaction, complexity and emergence. New definitions of these terms are provided as they are erroneous or incomplete in their current form. The result of these investigations is the explanation that consciousness is the sensation of energy interaction (like the sensation of touch or pain), but in a more complex form. This objective explanation (...) and the resulting conclusions have been applied to the study of artificial intelligence consciousness and creativity. Specific solutions have been proposed here. (shrink)

What I propose here is to dialogue and check the confluences and divergences between McDowell’s relaxed naturalism and Nishida’s historical naturalism, and their strategies to surmount modern philosophy everlasting questions that pivot on a series of dualisms, among which that of reason and nature stands out. In what follows, in the first section, I will clarify some of the reasons why the division between nature and culture, or reason and nature, or minds and world, represents one of the facets of (...) this modernist “great division”, or, as I rename it, the “dual track” between nature and humankind. The section includes a succinct exposition on how the “great division” is transferred to East Asian modern philosophy, and, in fact, how it remains in cultural projections of Japan’s native non-division between humans and nature. Later, I use the second section to describe and discuss John McDowell’s strategy to escape out of the dilemma between the Myth of the Given and the Myth of Coherentism, through the notion of “second nature”, recovered from Aristotle’s ethics, as a path to offer a different conception of what is natural, and of human being’s nature. Once we understand why McDowell’s second nature is his way to reconcile conceptual capacities and humankind animal-being maturation through upbringing -Bildung, formation-, I connect his conceptualization with Nishida’s own vision of what second nature is. In his late philosophical works, Nishida’s central notion is “action-intuition”, an epistemic hyphen that links subject and object, or perceiver and perceived, that opens the way for his discussion of “historical world” as a “media(c)tion” (settlement action); and “historical nature” considered as a telos-bearing motion that unfolds the “world of force”, the “world of life”, and the “world of living things”, and, lately, “second nature” as the world of custom. As I will show, Nishida’s “second nature” is not secondary in relation to a presupposed “first” nature. The world of custom has ontological priority. My final wish is to demonstrate that Nishida’s late statement of “historical-naturalness” -human beings coming into being from the historical world as the mediation of the continuity of discontinuity- offers a way to solve McDowell’s criticized fatal dualism -human life discontinuous with the rest of nature. And, at the same time, offers new possibilities to overcome the image of reason and nature as opposing spheres, or human estrangement from nature and from himself. At the end, I open the floor for a rethinking Aristotle and Marx, Nishida and McDowell orientation towards a symbiotic, relaxed or humanized naturalism as a tool to untie modern philosophy dualist conundrum. (shrink)

This is a survey of some of the dominant ideas about 'the body' in the phenomenological literature.

Since its first formulation in the 1980s, the disjunctivist theory has changed the way philosophers think about perception. Fundamentally, the disjunctivist view is a negative metaphysical thesis about the nature of perceptual experience: it is based on a refutation of the so-called “common kind claim,” that is to say, the claim that perceptions, illusions, and hallucinations are conscious experiences of the same fundamental kind. Given the importance granted to perceptual experience in the phenomenological tradition, a few commentators have, in recent (...) years, attempted to situate the phenomenological point of view vis-à-vis these two positions. While Romano (2012) and Bower (2020) have argued that Husserl’s conception of illusions and hallucinations entails a form of conjunctive analysis, Smith (2008), Hopp (2011), and Overgaard (2018) attempted to show that Husserl’s theory of perception amounts to a kind of disjunctivism avant la lettre. In this chapter, I side with Staiti (2015) and Zahavi (2017) and argue that the very opposition between conjunctivism and disjunctivism is hardly thinkable on Husserlian grounds. After brushing in very rough strokes Husserl’s normative theory of perception, I defend this claim with two arguments. The first – dubbed the metaphysical argument – targets one core metaphysical commitment of both conjunctivism and disjunctivism, namely their defense of metaphysical realism, which I deem incompatible with Husserl’s phenomenology, whether before or after the transcendental turn. The second argument – called the phenomenological argument – targets another presupposition shared by both parties, namely the idea that “perfect hallucinations” are possible. I lay out a series of reasons as to why this idea should be resisted, and then explain how this impacts the discussion between disjunctivism and conjunctivism. (shrink)

Despite all controversies that might otherwise divide them, most phenomenologists agree that consciousness entails some form of self-consciousness. In fact, they go even further, as they virtually all agree on the necessity of fleshing out this insight in bodily terms: from the phenomenological point of view, self-consciousness is primarily experienced as a form of bodily self-consciousness (or self-awareness). Following Edmund Husserl's insight that the lived body (Leib), i.e. the body as it is subjectively felt or experienced, must necessarily be presupposed (...) by all object consciousness, including the thematic consciousness of me as a body, there is a long-standing discussion within the phenomenological movement on how to conceive of this self-relation. This entry focuses on the French reception of Husserl and highlights the distinctive ways in which French phenomenologists such as Maurice Merleau-Ponty, Michel Henry, Jean-Paul Sartre and Jacques Derrida have elaborated on and disputed this key insight. It will be shown that discussions on this question have open onto two further debates: one revolves around the paradigmatic role Husserl grants to touch in the analysis of consciousness, while the other concerns the differences between the experience of one's own body and the experience of the body of others. Finally, we point to the fact that one's body can be experienced and evaluated as other, as is shown in the critical analyses of Frantz Fanon, Simone de Beauvoir, Michel Foucault, and recent critical phenomenology. Here, it becomes clear that the bodily self-awareness of concrete subjects is shaped by the material conditions, norms, and discourses of their respective situation. (shrink)

The universe is a metaverse. Proven by quantum entanglement on all levels. Meaning 'what you see is never what you get.' No such thing as 'reality.' It's all in your 'mind.' (Everybody's 'mind.') Why observation cannot provide the 'truth.'.

In recent publications, Jay Garfield and Anil Seth have both written about the you. Whereas Garfield is a Buddhist scholar who advocates a no-self view, Seth is a neuroscientist who defends a radical form of representationalism. But is it really possible to speak meaningfully of a you (and of a we) if one denies the existence of the self, and if one declares the world of experience a neuronal fantasy? In the following, I will criticize both accounts. I will argue (...) that they both, in different ways, are unable to deal with a real other, and, drawing on the work of Husserl, I will argue that a proper understanding of the you doesn't merely require accepting the reality of the self, but also the existence of a shared lifeworld. (shrink)

My aim in this paper is to discuss the imaginability of subjectless consciousness, and in particular the question of whether one can imagine de se being subjectlessly conscious. I will not engage here with the further issue as to whether imaginability entails possibility, and so with the possibility simpliciter of consciousness being subjectless. The question I am interested in is, in another formulation, whether I can imagine being no one. I shall begin by reviewing the literature on a related, if (...) distinct, question, namely that as to whether I can imagine being someone other than the one that I am. (shrink)

This paper defends the persistence of the subjective or self-intimating dimension of experience in non-ordinary and pathological states of consciousness such as non-dual awareness, full absorption, drug-induced ego dissolution, and the minimal conscious state. In considering whether non-ordinary and pathological conscious states display any subjective features, we confront a dilemma. Either they do, in which case there needs to be some way of accounting for these features in phenomenal terms, or they do not, in which case there is nothing it (...) is like to be in them. But the dilemma only arises if we assume that opacity rather than phenomenality is a pervasive feature of these non-ordinary states. However, non-ordinary conscious states are deemed phenomenally opaque only by overly restrictive standards of conceivability that: (i) fail to account for the variety of nonordinary and pathological experience in non-arbitrary ways; (ii) sidestep the problem of the attribution and location of mental content (given intelligibility requirements for experience) or relegate them to illusory constructs; (iii) assume an unproblematic appeal to testimonial evidence. I discuss some cases from contemplative traditions and psychopathology and offer some plausible alternative explanations. (shrink)

The recognition of a meaningful sensory foundation of perception is central to Maurice Merleau-Ponty’s philosophy. If some commentators do not hesitate to see in the notion of perceptual Gestalt a notion applicable to all domains of being, it is not a priori easy to see how it must be conceived in the more specific context of the perception of others (autrui). However, Merleau-Ponty is very clear on this point: all perception manifests itself in the form of a Gestalt, including the (...) perception of other people. The ambition of this short study is to spell out in rough strokes how this injunction should be heard and thus to explain how others manifest themselves as Gestalts to perceptual consciousness. (shrink)

Durante as últimas décadas, pesquisas empíricas em psicologia social têm mostrado uma influência significativa de vieses implícitos sobre o modo como pessoas negras são percebidas e categorizadas. Ainda não é claro, no entanto, que a mesma metodologia possa ser empregada para aferir a presença de vieses implícitos na percepção espacial. O objetivo deste artigo será argumentar que a percepção do espaço é também racialmente enviesada, embora não no mesmo sentido pressuposto por grande parte da psicologia empírica. De acordo com a (...) presente proposta, vieses implícitos serão entendidos como hábitos perceptuais corporificados. Tais hábitos são moldados por categorias raciais e podem tomar a forma do que chamaremos de “expansividade branca”, em que o espaço é percebido em termos de expansão e permissibilidade. Essa permissibilidade, no entanto, é uma marca de privilégio e não de competência, constituindo-se em uma percepção racialmente enviesada do espaço. Confrontar a racialidade implícita desses espaços demanda o que o filósofo George Yancy chama de “de-suturação”, uma abertura afetiva e epistêmica que expõe a ilusão de neutralidade do espaço e a reconceitualiza como opressora para os não-brancos que ocupam esses mesmos espaços. (shrink)

In our everyday interaction with the environment, we often perceive objects and spaces as opportunities to feel, maintain, enhance, and change our affective states and processes. The concept of affective affordance was coined to accommodate this aspect of ordinary perception and the many ways in which we rely on the material environment to regulate our emo- tions. One natural way to think of affective affordances in emotion regulation is to interpret them as tools for regulating felt affective states. We argue (...) that this way of conceiving of affective affordances is too restrictive. By analyzing the role of expressive properties of objects and spaces in emotion regulation, we show that our environment does not need to elicit felt affective states to regulate our emotions. Thus, we revise the concept of affective affordance to accommodate these cases. This revised concept explains more with less. Hence, it should be preferred in wide-reaching philosophical projects that aim to explain human affectivity as a situated phenomenon. (shrink)

What is it to see something in a picture? Most accounts of pictorial experience—or, to use Richard Wollheim’s term, ‘seeing-in’—seek, in various ways, to explain it in terms of how pictures somehow display the looks of things. However, some ‘things’ that we apparently see in pictures do not display any ‘look.’ In particular, most pictures depict empty space, but empty space does not seem to display any ‘look’—at least not in the way material objects do. How do we see it (...) in pictures, if we do? In this chapter, I offer an account of pictorial perception of empty space by elaborating on Wollheim’s claim that ‘seeing-in’ is permeable to thought. I end by pointing to the aesthetic relevance of seeing—or not seeing—empty space in pictures. (shrink)

This volume’s aim is to stimulate philosophical interest in the experience of noise. There are at least three important open questions about noise. First, how should the relationship between noise as a scientific phenomenon and as a type of experience be understood? Is the one to be understood in terms of the other, and what implications may be drawn from this? Second, are experiences of noise strictly limited to perceptual states or to one type of perceptual state – for instance, (...) to acoustic experiences? E.g. is there noise that is visual or tactile? Is there noise that is cognitive, affective, or evaluative? Third, how can philosophy make sense of noise in the first place? Should noise simply be relegated to the hither side of the explananda of philosophy, as the mere leftover of whatever philosophy sets out to account for; meaning, being, totality, etc.? Or may noise be understood as a positive phenomenon in its own right, which has its own distinctive features and content, difficult though they might be to pin down? This volume will contribute to the burgeoning philosophy of noise by highlighting how contemporary philosophical perspectives with a phenomenological or experiential bent – the latter under both broad and narrow construals – can make inroads to these questions about a fascinating yet little understood quarter of human experience. (shrink)

Clear and distinct perception is the centrepiece of Descartes’s philosophy — it is the source of all certainty — but what does he mean by ‘clear’ and ‘distinct’? According to the prevailing approach, what it means for a perception to be clear is that its content has a certain objective property, like truth. I argue instead that clarity is at least partly a subjective, phenomenal quality whereby a content is presented as true to the perceiving subject. Clarity comes in degrees. (...) Any weak degree of clarity, available to the senses, can be merely subjective, since what it presents as true may not actually be true. But complete clarity, available to intellectual perception, has an objective dimension, since what it presents as true is always some truth, some bit of reality. Further, I argue that the other perceptual qualities that Descartes identifies — obscurity, confusion, and distinctness — are all defined in terms of clarity. Of particular note is the fact that distinctness is not a positive feature to be added to clarity: a distinct perception is just a completely clear perception. (shrink)

Le sens du toucher s'étend au corps entier qui, en chacune de ses parties, éprouve la sensation de présence ou de résistance ; mais c'est évidemment la main, avec ses doigts flexibles, qui montre l'aptitude supérieure à lier le tact et la prise, à agir en puissance ou en délicatesse. 'Cette main est philosophe,' notait Valéry, 'ce qu'elle touche est réel.' La main vaque au plaisir, comme elle teste la réalité qui nous entoure, conjuguant sans les confondre les deux principes (...) de la vie psychique. Tantôt elle loue la positivité de l'existence des objets qu'elle perçoit, tantôt elle tire jouissance d'être touchée en touchant, de profiter d'une espèce d'alliance énigmatique, éprouvée en partenariat avec un autre être, entre altérité et intimité. Le présent livre propose une phénoménologie du toucher, prolongée par l'examen des destins de la touche, selon qu'elle agit dans le dessin, la peinture et l'écriture, dont sont ici retracées les évolutions matérielles et technologiques."--Page 4 of cover. (shrink)

Time Tells is a grand study of time, technology, performance, the attention economy, and comedy. Using the cinematic time-jump, "a numerical shorthand for a fated intermission," to weave a narrative of chronopolitics, memoir, and cultural study, Masha Tupitsyn constructs a unique literary and visual phenomenology on the loss of time, presence, and attention in the digital age. Structured into two interlocked inquiries--Time and Acting--Time Tells focuses on the internet to talk about the ethics of presence and attention, comedy to talk (...) about timing and the language of critique, and lying masculinity, the double, and acting to talk about performance and the reign of falsehood. Both volumes intersect to examine our inability to experience coherence and integration in the post-truth era. In the first volume, Time, Tupitsyn covers wide-ranging cultural touchstones such as the '90s TV show Felicity, Hitchcock's Vertigo, Luca Guadagnino's Call Me by Your Name, Joan Didion's The Year of Magical Thinking, Pretty Woman, Wong Kar-wai's 2046, David Fincher's Zodiac, Jean-Luc Godard, the Beastie Boys, Wim Wenders, the art of style, memory and music in the post-internet age, and the lost ontology of cinema. Using what Tupitsyn terms "screen-shot criticism," Time Tells makes innovative critical thinking accessible to anyone interested in American culture today. (shrink)

Written more than a hundred years ago, Stein’s On the Problem of Empathy is, today more than ever, essential reading material for anyone interested in social cognition. In this book – which still inspires current research – Stein provides a systematic account of the empathic experience. Stein’s view of empathy as a process, and her understanding of its main forms and functions in presenting the other as a spiritual being, provide valuable insights on the intersubjective nature of the human being. (...) Yet, it is not only from the perspective of social cognition that Stein’s book is relevant today. In fact, the book approaches a wide range of issues, from the idea of personhood to social ontology and ethics, and it exemplifies the power of phenomenology to shed light on the basic structure of human consciousness (for an overview: Calcagno 2007; Lebech 2004; MacIntyre 2006; Moran 2004). In this chapter, my aim is to explore the relevance of Stein’s book on empathy for contemporary research by focusing on three main issues which, in my view, can enrich current scholarship. The first issue concerns Stein’s understanding of empathy as a three-step process through which we become conscious of the other’s experience. The second relates to her views of the intentional structure of the emotions as revelatory of the realm of value. The third is her idea that not only emotions but also moods might have correlates, e.g., the fact that the world appears to be bathed in black for the depressive person. These three issues are not exhaustive of the ways in which Stein’s early work can be an inspiration for today’s researchers, but they are illustrative of how her insights can advance three central debates of contemporary philosophy: on social cognition, on the relation between emotion and value, and on the intentionality of moods. (shrink)

In this enquiry I establish Universal Desire Theory as the nominal designation of my active ethical framework, a system heavily influenced by the natural essentialists Philippa Foot and Jenny Teichman, wherein the comparative amalgamation of all subjectively experienced biological harm and benefit is the foundation of objective normativity. Highlights of this paper include the sections where I discuss the moral life of the cell, as well as the moral fallibility of hallucinating persons under this system which combines biological observation with (...) conscious awareness of action. I hope you enjoy. (shrink)

David Hume’s philosophical work presents the reader with a perplexing mix of constructive accounts of empirically guided belief and destructive sceptical arguments against all belief. This book reconciles this conflict by showing that Hume intended his scepticism to be remedial. It immunizes us against the influence of “unphilosophical” causes of belief, determining us to proportion our beliefs to the evidence. In making this case, this book develops Humean positions on topics Hume did not discuss in detail but that are of (...) interest to contemporary philosophers: consciousness and the unity of consciousness, temporal experience, visual spatial perception, the experience of colour and other qualia, objective experience, and spatially extended minds. It also challenges currently accepted interpretations of Hume’s views on the finite divisibility of space and time, vacuum, the duration of unchanging objects, and identity over time. It deals with criticisms of Hume that were raised by his contemporaries, notably by Thomas Reid, draws attention to earlier seventeenth‑ and eighteenth‑century work that has bearing on the interpretation of Hume’s thought, and compares Hume’s achievements with those of later nineteenth‑century psychologists and philosophers. (shrink)

I argue that beliefs based on irresponsibly formed experiences — whose causes were not appropriately regulated by the subject — are doxastically unjustified. Only this position, I claim, accounts for the higher epistemic standard required of perceptual experts. Section I defends this standard and applies it to a pair of cases in which either an expert umpire or a complete novice judge a force play in baseball. I argue that when the latter, but not the former, fails to follow rules (...) about perceiving force plays, their resulting belief is justified. Section II shows that this difference can be explained by the fact that the novice, but not the expert, formed her experience responsibly. Section III shows that alternative explanations of the expert’s unjustified belief — from defeat, reliability, and inference — fail. Section IV shows that the epistemic relevance of responsible experience formation has broad implications for the epistemology of perceptual beliefs. (shrink)