Perceptual Qualities

Human skin detection is an essential phase in face detection and face recognition when using color images. Skin detection is very challenging because of the differences in illumination, differences in photos taken using an assortment of cameras with their own characteristics, range of skin colors due to different ethnicities, and other variations. Numerous methods have been used for human skin color detection, including the Gaussian model, rule-based methods, and artificial neural networks. In this article, we introduce a novel technique of (...) using the neural network to enhance the capabilities of skin detection. Several different entities were used as inputs of a neural network, and the pros and cons of different color spaces are discussed. Also, a vector was used as the input to the neural network that contains information from three different color spaces. The comparison of the proposed technique with existing methods in this domain illustrates the effectiveness and accuracy of the proposed approach. Tests were done on two databases, and the results show that the neural network has better precision and accuracy rate, as well as comparable recall and specificity, compared with other methods. (shrink)

This study contains a brief overview and comments on some basic texts on the semiotics and semantics of colour. It presents my view on the basic semiotic status of colour as a communication system and on the grammar features of colour language.

Nagel’s challenge is to devise an objective phenomenological vocabulary that can describe the objective structural similarities between aural and visual perception. My contention is that Charles Sanders Peirce’s little studied and less understood phenomenological vocabulary makes a significant contribution to meeting this challenge. I employ Peirce’s phenomenology to identify the structural isomorphism between seeing a scarlet red and hearing a trumpet’s blare. I begin by distinguishing between the vividness of an experience and the intensity of a quality. I proceed to (...) identify further points of structural isomorphism (a) between the experience of seeing a scarlet red and of hearing a trumpet blare and (b) between the qualities of those experiences. Lastly, I gesture towards how these distinctions can be an aid in describing what it is like to be a bat. (shrink)

This paper distinguishes two different uses of the analogy between colors and values, the projectivist and the objectivist. The projectivist use of the analogy has a long history, which goes back to Hume. The objectivist use of the analogy is a fairly recent addition. The core contention of this paper is that the projectivist’s use fails, and that only the objectivist offers a genuine use for the analogy between colors and values.

The analogy between colors and values is strongly interlinked with the idea that these properties are by nature dispositions or response-dependent properties. Indeed, that colors are essentially visible, and values are inherently motivational, cries out for a dispositional or a response-dependent account. Recently, Primitivism has challenged the viability of the dispositional account of colors, taking the apple, for instance, to be “gloriously, perfectly, and primitively red.” Unsurprisingly, the attack on the dispositional account of colors has found a moral analogue in (...) the view that values are sui generis irreducibly primitive properties. The question this article addresses is whether given Primitivism the analogy between colors and values is preserved; or in other words, whether Primitivism breaks the bond between the dispositional account and the analogy between colors and values. (shrink)

Ignoring consciousness, I apply Palmer 's ideas to a photometer, for which calibration is analogous to socialization of humans to agree in color. Some attributes of the photometer – such as its aperture – do not need to be known because their values are transparent to calibration. But a writing demon can wreak havoc if it permutes measured values before interpolation completes calibration – as happens in Palmer 's color rewirings.

Loosely put, colour constancy for example occurs when you experience a partly shadowed wall to be uniformly coloured, or experience your favourite shirt to be the same colour both with and without sunglasses on. Controversy ensues when one seeks to interpret ‘experience’ in these contexts, for evidence of a constant colour may be indicative a constant colour in the objective world, a judgement that a constant colour would be present were things thus and so, et cetera. My primary aim is (...) to articulate a viable conception of Present Constancy, of what occurs when a constant colour is present in experience, despite the additional presence of some experienced colour variation (e.g., correlating to a change in illumination). My proposed conception involves experienced colour layering – experiencing one opaque colour through another transparent one – and in particular requires one of those experienced layers to remain constant while the other changes. The aim is not to propose this layering conception of colour constancy as the correct interpretation of all constancy cases, but rather to develop the conception enough to demonstrate how it could and plausibly should be applied to various cases, and the virtues it has over rivals. Its virtues include a seamless application to constancy cases involving variations in filters (e.g., sunglasses) and illuminants; its ability to accommodate experiences of partial colours and error-free interpretations of difficult cases; and its broad theoretical-neutrality, allowing it to be incorporated into numerous perceptual epistemologies and ontologies. If layered constancy is prevalent, as I suspect it is, then our experiential access to colours is critically nuanced: we have been plunged into a world of colour without being told that we will rarely, if ever, look to a location and experience just one of them. (shrink)

"This admirable volume of readings is the first of a pair: the editors are to be applauded for placing the philosophy of color exactly where it should go, in ...

_Phenomenology of Perception: Theories and Experimental Evidence_ presents an interpretation of phenomenology as a set of commitments to discover the immanent grammar of perception by reviewing arguments and experimental results that are still important today for psychology and the cognitive sciences.

Whenever we read any philosophical work dealing with the nature of qualities, the status of universals, or similar problems, we find continual references to colour; redness and blueness meet us on every page. Even Whitehead, whose obscurity is, at least in part, due to his avoidance of particular instances, condescends to cite colours as examples of “eternal objects” and other cases will occur at once to every reader.

How, if at all, does the internal structure of human phenomenological color space map onto the internal structure of objective reflectance‐profile space, in such a fashion as to provide a useful and accurate representation of that objective feature space? A prominent argument (due to Hardin, among others) proposes to eliminate colors as real, objective properties of objects, on grounds that nothing in the external world (and especially not surface‐reflectance‐profiles) answers to the well‐known and quite determinate internal structure of human phenomenological (...) color space. The present paper proposes a novel way to construe the objective space of possible reflectance profiles so that (1) its internal structure becomes evident, and (2) that structure’s homomorphism with the internal structure of human phenomenological color space becomes obvious. The path is thus reopened to salvage the objective reality of colors, in the same way that we preserved the objective reality of such features as temperature, pitch, and sourness—by identifying them with some objective feature recognized in modern physical theory. (shrink)

This dissertation explores an analogy between moral properties and color. Some philosophers claim that moral properties and secondary qualities are similar: both kinds of property are essentially tied to human sensibility, and we seem confronted in our experiences of both kinds of property with something the existence of which is independent of those experiences. Such similarities suggest that the correct analysis of color concepts is a proper model for the correct analysis of moral properties. A particular understanding of this analogy (...) supports moral realism. ;First, we are justified in accepting Qualified Dispositionalism, or . According to , ascription of a color to an object is true in virtue of a disposition of that object to appear in an area of the visual field having a certain property. is a better match with the folk theory of color than is any other prominent philosophical theory of color. also accounts for certain scientific facts about color. Therefore, is true. ;Second, an analogous conception of moral properties is correct. According to the Dispositional Theory of Value or , an object possesses a certain moral property just in case it merits a certain motivational response in appropriately receptive beings. accounts for three essential features of ethical discourse and practice: values provide reasons for action, reasons for action motivate, and values motivate; the moral cannot be reduced to the non-moral; moral judgments have truth values. No other prominent metaethical theory accounts for all three features. Therefore, is true. ;Colors conceived as dispositions are objective since an object's possession of such a property is independent both of the existence of beings like us and of our knowledge of such properties. Realism regarding color is therefore correct. Because moral properties are also dispositional properties, moral properties are also objective. An object's possession of a moral property is independent both of our existence of beings like us and of our knowledge of such properties. Hence, realism regarding moral properties is also correct. (shrink)

We need to reconsider and reconceive the path that will take us from innate perceptual saliencies to basic colour language. There is a space between the perceptual and the linguistic levels that needs to be filled by an account of the rules that people use to generate relatively stable reference classes in a social context.

This paper proposes an experimental investigation of the use of vague predicates in dynamic sorites. We present the results of two studies in which subjects had to categorize colored squares at the borderline between two color categories (Green vs. Blue, Yellow vs. Orange). Our main aim was to probe for hysteresis in the ordered transitions between the respective colors, namely for the longer persistence of the initial category. Our main finding is a reverse phenomenon of enhanced contrast (i.e. negative hysteresis), (...) present in two different tasks, a comparative task involving two color names, and a yes/no task involving a single color name, but not found in a corresponding color matching task. We propose an optimality-theoretic explanation of this effect in terms of the strict-tolerant framework of Cobreros et al. (J Philos Log 1–39, 2012), in which borderline cases are characterized in a dual manner in terms of overlap between tolerant extensions, and underlap between strict extensions. (shrink)