Perceptual Reports

Throughout the text, fundamental questions concerning the nature of visual perception are addressed.

Roderick Chisholm argued that ‘look’ can be used in three different ways: epistemically, comparatively and non-comparatively. Chisholm’s non-comparative sense of ‘look’ played an important role in Frank Jackson’s argument for the sense-datum theory. The question remains..

The article provides the state of the art on the debate about whether the logical form of ‘look’ statements commits us to any particular theory of perceptual experience. The debate began with Frank Jackson’s (1977) argument that ‘look’ statements commit us to a sense-datum theory of perception. Thinkers from different camps have since then offered various rejoinders to Jackson’s argument. Others have provided novel arguments from considerations of the semantics of ‘look’ to particular theories of perception. The article closes with (...) an argument of this sort for a representational theory of perceptual experience. (shrink)

Perceptual reports are utterances of sentences that contain a perceptual verb, such as ‘look’, ‘sound’, ‘feel’, ‘see’, and ‘perceive’. It is natural to suppose that at least in many cases, these types of reports reflect aspects of the phenomenal character and representational content of a subject’s perceptual experiences. For example, an utterance of ‘my chair looks red but it’s really white’ appears to reflect phenomenal properties of the speaker’s experience of a chair. Whether perceptual reports actually reflect these things is (...) a substantial question and one with which this entry will be partially concerned. This article begins with a linguistic analysis of perceptual verbs and then considers some potential implications of this analysis for the philosophy of perception, given the assumption that perceptual reports sometimes express truths. (shrink)

In Philosophy Without Intuitions Herman Cappelen argues that unlike what is commonly thought, contemporary analytic philosophers do not typically rely on intuitions as evidence. If they do indeed rely on intuitions, that should be evident from their written works, either explicitly in the form of ‘intuition’ talk or by means of other indicators. However, Cappelen argues, while philosophers do engage in ‘intuition’ talk, that is not a good indicator that they rely on intuitions, as ‘intuition’ and its cognates have many (...) meanings that are irrelevant to this particular question. He identifies three other indicators and argues by appeal to case studies that these indicators are not present. I argue here that an account of intuitions as intellectual seemings draws attention to intuition features that Cappelen does not consider. These intuition features appear to be regularly present in the works of contemporary analytic philosophers. (shrink)

I start out by reviewing the semantics of ?seem?. As ?seem? is a subject-raising verb, ?it seems? can be treated as a sentential operator. I look at the semantic and logical properties of ?it seems?. I argue that ?it seems? is a hyperintensional and contextually flexible operator. The operator distributes over conjunction but not over disjunction, conditionals or semantic entailments. I further argue that ?it seems? does not commute with negation and does not agglomerate with conjunction. I then show that (...) the mental states expressed by perceptual uses of ?seem? have non-conceptual, yet perspectival contents. In the final part of the paper I argue that while the content of the mental states expressed by perceptual uses of ?seem? are non-conceptual, having a mental state of this type requires possessing conceptual abilities corresponding to what the mental state represents. (shrink)

Transient Truths provides the first book-length exposition and defense of the opposing view, temporalism: these are contents that can change their truth-values along with changes in the world.

The paper argues that the English verb ‘to see’ can denote three different kinds of conscious states of seeing, involving visual experiences, visual seeming states and introspective seeming states, respectively. The case for the claim that there are three kinds of seeing comes from synesthesia and visual imagery. Synesthesia is a relatively rare neurological condition in which stimulation in one sensory or cognitive stream involuntarily leads to associated experiences in a second unstimulated stream. Visual synesthesia is often considered a case (...) of illusory visual experience. This, however, turns out to be a questionable characterization, as there is evidence suggesting that the brain must cognitively process the stimulus in order for the associated synesthetic experience to arise. Furthermore, some very vivid, visual forms of synesthesia do not involve additional processing in the visual cortex. Visual synesthetic experience is likely to be a non-veridical state of seeming rather than an illusory visual experience. Visual seeming states are cognitive states distinct from visual experiences in terms of their representational richness and their neural correlates. Visual seeming states that are non-deviantly causally related to the states of affair they represent constitute a type of non-experiental seeing. Introspective seeming states that are non-deviantly causally related to underlying visual images constitute a second type of non-experiental seeing. The English verb ‘to see’ can denote all three types of seeing, which is to say that ‘to see’ is polysemous. (shrink)

The general theory of perception proposed by Roderick Chisholm in his book Perceiving: A Philosophical Study1 has gained considerable acceptance among contemporary philosophers of perception. In this paper, I will review and evaluate one part of this theory and show where I believe an important modification is necessary. Chisholm distinguishes what he thinks are two importantly different senses of “perceive,” a propositional and a nonpropositional sense, and then proposes a definition of each. The propositional sense of “perceive” is expressed in (...) contexts in which what is perceived is referred to by a propositional clause, as in 1. George perceives that this is a door. The nonpropositional sense is expressed in contexts in which the perceptual object is referred to by a noun or noun phrase, as in 2. George perceives the door. The problem areas I will deal with are, first and foremost, the adequacy of the definitions Chisholm gives of these two senses, and second, the ways in which these senses are related to one another. In the first section, dealing with the propositional sense, I will not be concerned with propositional perceivings in their entirety. Specifically, I will not be concerned with them as instances of knowing that something is such and such, which is a central feature of Chisholm’s definition. Rather, I will be concerned mainly with the mental state, qua mental, which is involved in these perceptions, that is, the mental state considered apart from any relation it may have to the object it is about. I will assume that the mental state involved in a propositional perceiving is a conceptual state, i.e., one which involves the exercise of concepts or thoughts, together with an accompanying propositional attitude. The key locution Chisholm uses to describe this conceptual mental state is “S takes something to have some property.” I will argue that Chisholm’s definition of taking will not do the job it is intended to do in these perceptual contexts. In the second section, I will explore what Chisholm calls the “simplest” nonpropositional sense of “perceive,” which he defines wholly in terms of a causal relation existing between the object perceived and the subject’s sensory state. Significantly, this definition does not make any reference to a taking or to any propositional state on the part of the subject, but only to the subject’s sensory state. Consequently, if one accepts the idea, as I believe Chisholm would, that sensing is a nonconceptual state, then Chisholm’s nonpropositional sense of “perceive” would not refer to any conceptual fact at all. I will consider Chisholm’s definition, and raise the question of whether nonpropositional perceptual contexts should ever be construed as having a propositional meaning, that is, as including the idea that the subject exhibits some thought. As we shall see, Chisholm makes allowance for such a possibility. (shrink)

It is widely assumed that perception is a source of reasons (SR). There is a weak sense in which this claim is trivially true: even if one characterizes perception in purely causal terms, perceptual beliefs originate from the mind's interaction with the world. When philosophers argue for (SR), however, they have a stronger view in mind: they claim that perception provides pre- or non-doxastic reasons for belief. In this article I examine some ways of developing this view and criticize them. (...) I exploit these results to formulate a series of constraints that a satisfactory account of the epistemic role of perception should fulfil. I also make a positive suggestion: coherentists are right when they claim that only beliefs can be reasons for other beliefs. Nevertheless, I depart from traditional coherentism, for I do not buy its conception of perception as bare sensation, nor explicate the justificatory status of beliefs in terms of coherence. My point is rather that, when one invokes experience to justify a belief, the justifying state must have structural features of beliefs. (shrink)

In a 2010 article Turri puts forward some powerful considerations which suggest that Williamson's view of knowledge as the most general factive mental state is false. Turri claims that this view is false since it is false that if S sees that p, then S knows that p. Turri argues that there are cases in which (A) S sees that p but (B) S does not know that p. In response I offer linguistic evidence to suppose that in propositional contexts (...) “see” does not have the sort of meaning (a purely perceptual meaning) which would sustain Turri's claims about the cases he offers (specifically, the (A) verdicts). (shrink)

This paper examines the origins and legacy of Titchener’s notion of stimulus error in the experimental study of sensory experience. It places Titchener’s introspective methods into the intellectual world of early experimental psychology. It follows the subsequent development of perceptual experimentation primarily in the American literature, with notice to British and German studies as needed. Subsequent investigators transformed the specific notion of a “stimulus error” into experimental questions in which subjects’ attitudes toward their perceptual tasks became independent variables to be (...) manipulated experimentally. Ultimately, these manipulations support a distinction between accessing phenomenal as opposed to cognitive aspects of subjects’ responses to perceived objects. (shrink)

Some experiments in perceptual psychology measure perceivers’ phenomenal experiences of objects versus their cognitive assessments of object properties. Analyzing such experiments, this article responds to Pizlo’s claim that much work on shape constancy before 1985 confused problems of shape ambiguity with problems of shape constancy. Pizlo fails to grasp the logic of experimental designs directed toward phenomenal aspects of shape constancy. In the domain of size perception, Granrud’s studies of size constancy in children and adults distinguish phenomenal from cognitive factors.

This chapter reconsiders the notion of perceptual constancy from the ground up. It distinguishes the phenomenology of perceptual constancy and stability from a functional characterization of perception as aiming at full constancy. Drawing on this distinction, we can attend to the phenomenology of constancy itself, and ask to what extent human perceivers attain constancy, as usually defined. Within this phenomenology, I distinguish phenomenal presentations of spatial features and color properties from categorizations, conceptualizations, and judgments that underlie verbal or other responses (...) to those presentations. Although phenomenal presentation and categorization commonly co-occur, they are distinct aspects of experience. After reviewing several standard descriptions of constancy, I present laboratory findings and my own phenomenological descriptions by way of confirming that, although perception "tends toward" constancy, human perceivers do not usually attain full constancy for either spatial or chromatic properties (as many investigators acknowledge). For spatial perception, I find that the phenomenology has been systematically misdescribed, and I offer a more adequate description of the phenomenology of everyday spatial perception. However, my greatest quarrel with previous theory concerns the functional aim of the constancies. I argue not only that perception does not achieve full constancy but that we should not characterize it as aiming for full constancy. Rather, perception seeks a stability of representation suitable for guiding our actions and which can also, as needed, enable us to classify and re-identify objects by phenomenally presented properties such as shape, size, or color. Further, I argue that theorists should not confuse these classifications with the qualitative character of phenomenal experience. My arguments underscore the need to distinguish phenomenal representation (better, "presentation") from conceptual categorization, and to distinguish perceptual presentations from subsequent processes that are involved in responding to them. (shrink)

The term “perceptual constancy” was used by the Gestalt theorists in the early part of the twentieth century (e.g., Koffka 1935, 34, 90) to refer to the tendency of perception to remain invariant over changes of viewing distance, viewing angle, and conditions of illumination. This tendency toward constancy is remarkable: every change in the viewing distance, position, and illumination is necessarily accompanied by a change in the local proximal (retinal) stimulation, and yet perception remains relatively stable. The tendency toward perceptual (...) constancy encouraged the Gestalt theorists to look beyond local proximal stimulation in grounding their theories of perception. In the ensuing decades, much has been learned about the constancies. Evidence for this assertion may be found in the contributions to the current volume as well as in earlier volumes (e.g., Epstein 1977; Walsh and Kulikowsky 1998). These advances notwithstanding, significant questions remain open. Our aim here is to note some advances and specify some open questions. (shrink)

We begin with a theory of the structure of sensory consciousness; a target phenomenon of 'presentation' can be clearly located within this structure. We then defend the rational-psychological necessity of presentation. We conclude with discussion of these philosophical challenges to the possibility of presentation. One crucial aspect of the discussion is recognition of the <cite>nonobjectivity</cite> of consciousness (a technical appendix explains what I mean by that). The other is a full-faced stare at the limitations of rational psychology: much of the (...) dialectic in the philosophy of perception pertains to matters beyond the limits of coherence---a breakwater against which philosophy crashes, and rolls back. (shrink)

This paper discusses and criticizes Segal’s 1989 argument against singular object-dependent thoughts. His argument aims at showing that object-dependent thoughts are explanatorily redundant. My criticism of Segal’s argument has two parts. First, I appeal to common anti-individualist arguments to the effect that Segal’s type of argument only succeeds in establishing that object-dependent thoughts are explanatorily redundant for those aspects of subjects’ behaviour that do not require reference to external objects. Secondly, Segal’s view on singular thoughts is at odds with his (...) view on the semantics of proper names, which favours the singularity and object-dependency of the truth-conditions of sentences in which they occur. In particular, his views are at odds with a position he holds, that truth-conditional semantics can adequately account for all aspects of speakers’ linguistic competence in the use of proper names. (shrink)

This edited volume offers ten new essays on semantics, philosophy of language, and philosophy of linguistics by top scholars in the field. Covering a wide range of topics, the collection is sure to be of interest to scholars in those areas as well as some philosophers of mind. Because of the diversity of topics and perspectives inherent in the collection, readers will find both exposition and debate among the contributors.

The semantics of a sentence containing a perception verb such as see or hear depends to a high degree on the exact syntactic form of the perception verb’s complement. Let us compare sentence (1), where the complement is tenseless, with (2), where the complement is a tensed clause.

Narrative passages told from a character's perspective convey the character's thoughts and perceptions. We present a discourse process that recognizes characters'.