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  1. Taxonomía e incorporación de la violencia en la novela policial peruana contemporánea.Jesús Miguel Delgado Del Aguila - 2020 - Cuadernos de Literatura Del Caribe E Hispanoamérica (32):92-118 (1-27).
    Este artículo periodiza y desarrolla los paradigmas concomitantes de la novela policial, para extrapolarlos en un contexto peruano incipiente con textos que cumplen con los requisitos indispensables denominarse de ese modo. La violencia resulta un elemento inexorable para la eficacia receptiva y su tratamiento creativo, además del conocimiento de tópicos afines, como Derecho, Política, Sociología, Fuerzas Policiales, etc. Para ello, se corroborará con la definición de este género (como lo fundamenta principalmente Tzvetan Todorov) y la taxonomía hegemónica de sus subgéneros: (...)
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  2. Reading (with) Others.Wolfgang Huemer - 2021 - In Sonia Sedivy (ed.), Art, Representation, and Make-Believe Essays on the Philosophy of Kendall L. Walton. Routledge.
    Kendall Walton’s account of make-believe takes the social dimension of imagination into account. In this paper I aim to extend this suggestion and argue that works of fiction allow for encounters with concrete (yet fictitious) persons with a distinct point of view and a discernible perspective. These encounters allow us to contrast the perspective(s) that emerge from the work with one’s own. I will then discuss two moments of the social dimension: imagining fictional scenarios is a social practice, a game (...)
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  3. Мислене и стихотворене.Vasil Penchev - 2000 - Philosophical Alternatives 9 (1):11-18.
    Подходът на Хайдегер за синтез на философия и поезия е артикулиран преди всичко чрез цикъла работи на Хайдегер за Хьолдерлин. Привлечени са също някои иъ изследванията му за предсократиците, както и за езика като онтология.
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  4. Howard Phillips Lovecraft: Romantic on the Nightside.Jan B. W. Pedersen - 2018 - Lovecraft Annual 12:165-173.
    Howard Phillips Lovecraft can be viewed as a Romantic based on his lifelong relationship with wonder. This short essay gathers further evidence of Lovecraft’s Romanticism, beginning with a brief exploration of what Romanticism is and then moving on to highlight elements of Romanticism in Lovecraft’s poem “Fact and Fancy” (1917). The essay concludes that, as much as Lovecraft can be labelled a Romantic based on his affinity with wonder, he can also be classified as such based on his aversion to (...)
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  5. Beauty.Jennifer A. McMahon - 2020 - Oxford Encyclopedia of Literature.
    Literary beauty was once understood as intertwining sensations and ideas, and thus as providing subjective and objective reasons for literary appreciation. However, as theory and philosophy developed, the inevitable claims and counterclaims led to the view that subjective experience was not a reliable guide to literary merit. Literary theory then replaced aesthetics as did philosophy’s focus on literary truth. Along with the demise of the relevance of sensations, literary form also took a back seat. This suggested to some that either (...)
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  6. Empathy in Appreciation: An Axiological Account.Íngrid Vendrell Ferran - forthcoming - Journal of Aesthetics and Art Criticism.
    This paper argues that certain literary works can only be fully appreciated if the reader is able to experience through empathy the character’s values. I call it "the axiological account" because it makes the grasping of aesthetic values dependent on the experience of other values embodied in the work. I develop my argument in three stages. First, I argue that in empathy we not only apprehend but also experience something similar to what the target is going through. Next, I show (...)
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  7. Opposite: Poems, Philosophy & Coffee.John Gibson - forthcoming - British Journal of Aesthetics.
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  8. Why Deconstruction Might Work in Theory but Not in Practice.Alan Daboin - forthcoming - Philosophy and Literature.
    In this article, I argue that even if one can justify the initial impetus to want to deconstruct a literary or philosophical text, this does not make it possible in practice. To this end, I engage with relevant aspects of Derrida’s thought and examine the motivations and purpose behind wanting to carry out a deconstruction, to then offer a pragmatic critique of the idea one might ever be able to do so. I base my argument on various factors, including deconstruction’s (...)
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  9. "Опит за летене": гравитация и възторженост.Vasil Penchev - 2004 - Philosophical Alternatives 13 (3):80-96.
    Thc articlе is devoted to onе of thе grеatest Bulgarian writers: Yordan Radichkov (1929-2004). Thc choice of Radichckov's work "Attеmpt of flying" is eligiЬie to an philosophical interpretation Ьccause of the following reasons. Radichkov has won public recognition in Bulgaria. Не is а classic of the Bulgarian literature and, to а great cxtent, its fасе abroad. Не has а considcraЬle effect on the Bulgarian culture: from theatre to linguistics and philosophy. His works themselves ring true and eminently philosophically; simultaneously, they (...)
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  10. Harlequin Resistance? Romance Novels as a Model for Resisting Objectification.Sara Kolmes & Matthew A. Hoffman - 2021 - Journal of Aesthetics and Art Criticism 79 (1):30-41.
    Romance novels are primarily aimed at, written about, and written for women. They have been accused of being fantasies which feature sexually objectified heroines who are passive recipients of overwhelming masculine sexual energy. After shoring up these critiques of romance novels with A.W. Eaton’s account of how art can objectify its subjects, we examine a challenge to romance novels: does the sexual content in romance novels objectify its heroines? There is strong reason to think so. However, we argue that careful (...)
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  11. Science Fiction as a Genre.Enrico Terrone - 2021 - Journal of Aesthetics and Art Criticism 79 (1):16-29.
    Regardless of whether one agrees or disagrees with Stacie Friend’s claim that fiction is a genre, her notion of genre can be fruitfully applied to a paradigmatic genre such as science fiction. This article deploys Friend’s notion of genre in order to improve the influential characterization of science fiction proposed by Darko Suvin and to defend it from a criticism recently raised by Simon Evnine. According to Suvin, a work of science fiction must concern “a fictional ‘novum’ validated by cognitive (...)
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  12. Form and Faith in Sheridan Hough's "Kierkegaard's Dancing Tax Collector". [REVIEW]Susanna Siegel - forthcoming - Syndicate Philosophy.
    I argue that in Sheridan Hough's book Kierkegaard's Dancing Tax Collector, the distinctive and novelistic literary form is not a playful, whimsical, or otherwise contingent feature, but a structure that's needed to convey the account of Kierkegaardian faith as practical in nature.
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  13. Empathie in der Kunst.Íngrid Vendrell-Ferran - forthcoming - In Siegmund Judith (ed.), Handbuch Kunstphilosophie.
    Dieses Kapitel handelt von der Empathie in der Kunst. Ich beginne mit einer Reflexion über die Ursprünge des Begriffes und seine Verwendung in der Ästhetik. Es folgt eine Analyse der Empathie im Vergleich zu anderen Formen der Anteilnahme an Kunstwerken. Im dritten Teil untersuche ich die Mechanismen der Empathie in der Kunst und die Funktion der Imagination. Der vierte Teil widmet sich der Bedeutung der Gefühle bei der Empathie für Kunstfiguren. Schließlich thematisiere ich den epistemischen, moralischen und ästhetischen Wert der (...)
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  14. ‘We Have Come to Be Destroyed’: The ‘Extraordinary’ Child in Science Fiction Cinema in Early Cold War Britain.Laura Tisdall - forthcoming - History of the Human Sciences:095269512097734.
    Depictions of children in British science fiction and horror films in the early 1960s introduced a new but dominant trope: the ‘extraordinary’ child. Extraordinary children, I suggest, are disturbing because they violate expected developmental norms, drawing on discourses from both the ‘psy’ sciences and early neuroscience. This post-war trope has been considered by film and literature scholars in the past five years, but this existing work tends to present the extraordinary child as an American phenomenon, and links these depictions to (...)
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  15. Externalization on Stage: The Exil Ensemble’s Hamletmaschine.Katrin Trüstedt - 2020 - In Martin Jörg Schäfer & Karin Nissen-Rizvani (eds.), TogetherText: Prozessual erzeugte Texte im Gegenwartstheater. Berlin, Germany: pp. 142–155.
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  16. Jane Austen's Emma: Philosophical Perspectives.Ira Newman - forthcoming - Journal of Aesthetics and Art Criticism.
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  17. David Foster Wallace's Balancing Books: Fictions of Value.Jeffrey Severs - 2017 - Columbia University Press.
    The writing of David Foster Wallace transformed the root and branch of contemporary fiction, introducing a formal inventiveness that moved authors away from an emotionless postmodern irony. Critics have pointed to Wallace’s exploration of morality and a return to sincerity as the central concerns of his work. However, as Jeffrey Severs argues in David Foster Wallace’s Balancing Books, the author was also deeply engaged with the social, political, and economic issues of the twentieth and twenty-first centuries. A rebellious economic thinker, (...)
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  18. Goethe's Critique of Newton: A Reconsideration.Neil M. Ribe - 1984 - Studies in History and Philosophy of Science Part A 16 (4):315.
    The masses may concede that someone has talent where he has displayed a certain industry and fortune has not been unkind to him; but if he tries to enter another field and diversify his abilities, he appears to damage the claim he once had on public opinion, and therefore his efforts in a new realm are seldom accepted with favor and good will.
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  19. The Rhetoric of Sexuality and the Literature of the French Renaissance.Gregory de Rocher & Lawrence D. Kritzman - 1993 - Substance 22 (1):108.
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  20. Writing Metafiction: Khatibi's "Le Livre du Sang".Reda Bensmaia - 1992 - Substance 21 (3):103.
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  21. The Discourse of Fashion: Mallarme, Barthes and Literary Criticism.Mary Lewis Shaw - 1992 - Substance 21 (2):46.
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  22. Lire Valery.Ursula Franklin & Shushi Kao - 1987 - Substance 16 (2):85.
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  23. Leopardi's Transgressive Calendar.Ernest Fontana - 2015 - Philosophy and Literature 39 (2):538-542.
    The editors of the recently published English translation of Giacomo Leopardi’s Zibaldone—the philosophical and philological commentary/notebook begun in the summer of 1817, when he was 19 years of age, and abandoned in the winter of 1832, four years before his death in Naples—note that for the first time, in his entry on April 20, 1821, Leopardi supplements the date of the secular calendar with a Roman Catholic festival, such as Good Friday.1 Leopardi’s references to the Catholic calendar increase in early (...)
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  24. Bookmarks.Denis Dutton - 1991 - Philosophy and Literature 15 (2):377-390.
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  25. Bookmarks.Denis Dutton - 1989 - Philosophy and Literature 13 (2):426-434.
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  26. Literature.Lars Albinus - 2016 - In Religion as a Philosophical Matter: Concerns About Truth, Name, and Habitation. De Gruyter Open. pp. 225-234.
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  27. Wittgenstein und die Literatur.John Gibson & Wolfgang Huemer (eds.) - 2006 - Frankfurt: Suhrkamp.
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  28. Ksenologia i ksenotopografia Bernharda Waldenfelsa wobec podstawowych założeń światotwórczych literatury fantastycznej (Orson Scott Card, Neil Gaiman, George R. R. Martin).Krzysztof M. Maj - 2014 - Hybris, Revista de Filosofí­A (27):072-095.
    XENOLOGY AND XENOTOPOGRAPHY OF BERNHARD WALDENFELS The paper strives to adapt Bernhard Waldenfels’ xenology and so called ‘xenotopography’ for the philosophico-literary studies in fantastic world-building with a special concern of the ‘portal-quest’ model of fantasy and SF. Following Waldenfel’s remarks on the nature of post- Husserlian diastasis of our world [Heimwelt] and otherworld [Fremdwelt] and acknowledging the consequences of allocating one’s attitude towards the otherness in the symbolical borderland [‘sphere of intermonde’] in between, it is examined whether such a model (...)
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  29. Wittgenstein's Language Plays.Martin Puchner - 2015 - Philosophy and Literature 39 (1):107-127.
    Early on in the Philosophical Investigations, Wittgenstein lists various examples of the term Sprachspiel. He begins with “commanding and following commands” and ends with “asking a favor, thanking, cursing, greeting, praying,” all familiar ingredients of what we would now call a speech act theory of language. In the middle of this list, however, is an example that has received little attention: “playing theater”.1 With this formulation, Wittgenstein moves away from a focus on games such as chess, which have unduly dominated (...)
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  30. De la matière de l’expérience dans les Recherches Logiques.Paula Lorelle - 2014 - Studia Phaenomenologica 14:307-328.
    This article presents itself as an attempt to explain Proust’s expression, “The matter of experience”, from Husserl’s concept of Materie in the Logical Investigations. This Husserlian concept will enable us to rethink the “matter” of experience, as being both intrinsically determined and intrinsically “relational”. Husserl uses this concept of Materie in two main senses. In the fifth Logical Investigation, it is used in order to define the “content” of the act and this concept will be explained in its own equivocation, (...)
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  31. Wittgenstein Il Filosofo Dei Poeti.Wolfgang Huemer - 2013 - In Ferruccio Andolfi (ed.), I messaggi dei grandi filosofi. Diabasis. pp. 139-160.
  32. Defending Compromise.Michael Fischer - 2014 - Philosophy and Literature 38 (2):587-601.
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  33. Denis Dutton: Universal Connoisseur.Joseph Carroll - 2014 - Philosophy and Literature 38 (1A):A22-A25.
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  34. Literarische Gerechtigkeit. [REVIEW]Tobias Keiling - 2014
    -/- Die genaue Verbindung von Literatur und Ethik allgemeingültig zu beschreiben, ist eine anspruchsvolle Aufgabe: Die klassischen und gegenwärtigen Diskurse über Ethik berühren sich nur an wenigen Punkten mit der Ästhetik, dann aber — wie etwa in Kants Kritik der Urteilskraft — in emphatischer und für die ethische und die ästhetische Fragestellung in jeweils keineswegs unproblematischer Weise. 1 Sich der Verbindung von Kunst und Ethik über die Grenzen der (praktischen) Vernunft und die Möglichkeit der Darstellung des sittlich Guten zu nähern, (...)
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  35. The Literature of Philosophy Size, Growth and Characteristics.Kenneth Bell & Polytechnic of North London - 1985
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  36. Czas I Historia W Poezji T.S. Eliota Konteksty Filozoficzne.Anna Budziak - 2002
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  37. The Philosopher on Dover Beach.Roger Scruton - 1991 - Philosophy and Literature 15 (2):377.
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  38. Sovremennaia Proza Sotsialisticheskogo Realizma Literaturnye Zhanry.Ivan Fedorovich Volkov, Raisa Romanovna Kuznetsova & Valentin Ivanovich Fatiushchenko - 1986 - Izd-Vo Moskovskogo Universiteta.
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  39. Boje o Zítrek Meditace a Rapsodie.Frantisek Xaver Salda - 1918 - Unie.
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  40. Musik, Metafor, Modernism Ein Linje I den Svenska Modernismens Poetologiska Reflexion.Magdalena Wasilewska-Chmura - 2000
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  41. What is Literature? Tr. From the French by Bernard Frechtman.Jean Paul Sartre - 1949 - Philosophical Library.
  42. Comedio.Cayo Claudio Espinal - 1993 - Ediciones Contextuales.
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  43. Stendhal the Promise of Happiness.David Wakefield - 1984
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  44. Un'idea di Realismo.Folco Portinari - 1976 - Guida.
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  45. From Philosophy to Poetry T.S. Eliot's Study of Knowledge and Experience.Donald J. Childs - 2001
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  46. T.S. Eliot Mystic, Son and Lover.Donald J. Childs - 1997
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  47. After the New Criticism.Frank Lentricchia - 1980
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  48. El Discurso Te'orico En Literatura En Am'erica Hisp'anica.Manuel Matos Moquete - 1992 - Universidad Nacional Pedro Henrâiquez Ureäna.
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  49. Permanent Things Toward the Recovery of a More Human Scale at the End of the Twentieth Century.Andrew A. Tadie & Michael H. Macdonald - 1995
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  50. The Restitution of Man C.S. Lewis and the Case Against Scientism.Michael D. Aeschliman - 1983
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