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  1. added 2020-05-01
    Wittgenstein's Enigmatic Remarks on Shakespeare.Wolfgang Andreas Huemer - forthcoming - In Craig Bourne & Emily Caddick Bourne (eds.), The Routledge Companion to Shakespeare and Philosophy. London, New York: Routledge.
  2. added 2020-05-01
    What George Eliot of Middlemarch Could Have Taught Spinoza.Brian Fay - 2017 - Philosophy and Literature 41 (1):119-135.
    That George Eliot was deeply interested in Spinoza is well known. She translated part of Benedict de Spinoza's Tractatus Theologico-Politicus as early as 1842, and completed a full translation of the Ethics by 1856. This might lead one to think that in her novels, Eliot applied the insights of Spinoza by showing them at work in the lives of her characters. Indeed, a number of commentators have made this assumption in depicting the relationship between Eliot and Spinoza.1 Other commentators have (...)
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  3. added 2020-05-01
    The First Trial of Socrates.George T. Hole - 2017 - Philosophy and Literature 41 (1):1-15.
    Before the Apology trial by five hundred of his fellow Athenians, Socrates is put on trial by a close associate, Alcibiades, in the Symposium. The first trial prefigures or echoes the second, famous one. The speeches on love that precede the entrance of Alcibiades, especially Socrates's speech—in which he discloses instructions on love given to him by Diotima—is the basis on which Socrates should be judged. Because the jury for this trial does not render a verdict, I assume the role (...)
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  4. added 2020-05-01
    Levels of Literary Meaning.Søren Harnow Klausen - 2017 - Philosophy and Literature 41 (1):70-90.
    Intentionalism, it has been remarked, just won't go away.1 The idea that the meaning of a literary work is determined by the intentions of its author remains appealing and deeply entrenched in most people's thinking,2 in spite of ever-new waves of resistance. I do not wish to resume the discussion of the overall plausibility of intentionalism. Nor will I take a stand in the discussion of its different varieties, like actual versus hypothetical intentionalism.3 My interest lies in exploring the different (...)
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  5. added 2020-05-01
    Fearless?: Peter Weir, The Sage, and the Fragility of Goodness.Matthew Sharpe - 2017 - Philosophy and Literature 41 (1):136-157.
    Who, if I cried out, would hear me among the Angelic Orders? And even if one were to suddenly take me to its heart, I would vanish into its stronger existence. For beauty is nothing but the beginning of terror, that we are still able to bear, and we revere it so, because it calmly disdains to destroy us...."So what are you telling me, there's no God, but there's you?"Peter Weir's film Fearless appeared in 1993 to critical acclaim and middling (...)
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  6. added 2020-05-01
    Sartre and Koestler: Bisociation, Nothingness, and the Creative Experience in Roth's The Anatomy Lesson.James Duban - 2017 - Philosophy and Literature 41 (1):55-69.
    For my son NathanielRecent studies suggest that Philip Roth's creative impulse is in some measure indebted to Arthur Koestler's Insight and Outlook and to Jean-Paul Sartre's Being and Nothingness.1 Koestler advances a theory of "bisociative" thinking—that is, the perception of consonance amidst the clash of seemingly dissonant planes of knowledge. The theme finds expression in the very title of Koestler's book, given the compatibility, despite opposite root prepositions, of such words as "in sight" and "out look." Insofar as Roth's narrator (...)
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  7. added 2020-05-01
    Derek Attridge, The Work of Literature.Iris Vidmar - 2017 - Estetika 54 (1):138-145.
    A review of Derek Attridge´s The Work of Literature.
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  8. added 2020-05-01
    The Lurking Class: From Parasocial Postal Clerks to Hypersocial Vloggers.Eric Bronson - 2017 - Philosophy and Literature 41 (1):16-30.
    Before becoming an internationally renowned sadhu espousing words of wisdom in an Indian forest, Sampath Chawla pulls down his pants. The wedding guests are horrified. His supervisor at the small-town post office fires him on the spot—it is, after all, his daughter's wedding.In Kiran Desai's novel Hullabaloo in the Guava Orchard, the oafish Sampath probably shouldn't have been invited to the wedding in the first place. At the post office he has been sulking for some time. "The post office. The (...)
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  9. added 2020-05-01
    Introduction: Not "Of," "As," or "And," but "In".Garry L. Hagberg - 2017 - Philosophy and Literature 41 (1A):v-v.
    The philosophy of literature, a topic on which we publish numerous articles, concerns what we at the journal take to be engaging and interestingly intricate issues; these include the ontology of fictional characters and the precise nature of our emotional responses to fiction. Philosophy as literature, although we perhaps publish fewer works of this kind, considers philosophical writing from a literary standpoint; issues here include the varying stylistics of philosophical writing over the ages and the role of figurative or metaphorical (...)
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  10. added 2020-05-01
    Levinas and the Plot Against Literature.Joseph G. Kronick - 2016 - Philosophy and Literature 40 (1):265-272.
    The remarkable interest in ethical theory shown over the last decade may simply be a return to the norms of literary scholarship. After all, ethics has dominated criticism of literature since Plato and Aristotle, and even with the emergence of formalism, in both its Russian and American varieties, ethical justifications of literature remained in place.However, the increasing influence of Emmanuel Levinas upon literary theory raises questions about the relation of ethical philosophy to literature.1 As his 1948 essay “Reality and Its (...)
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  11. added 2020-05-01
    Foucault and Kripke on the Proper Names of Authors.Christopher Mole - 2016 - Philosophy and Literature 40 (2):383-398.
    The semantic issues that Saul Kripke addressed in Naming and Necessity overlap substantially with those that were addressed by Michel Foucault in “What Is an Author?”. The present essay examines their area of overlap, with a view to showing that each of these works affords a perspective on the other, from which facets that are usually obscure can be brought into view. It shows that Foucault needs to take some assumptions from Kripke’s theory of naming in order to secure one (...)
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  12. added 2020-05-01
    The Conception of Umberto Eco’s Literary Art and Representation of Writer’s Model ‘Umberto Eco - M-Author‘.A. A. Fedorov - 2016 - Liberal Arts in Russia 5 (6):543-553.
    The development of the conception of U. Eco’s literary art is considered on examples of ‘Notes in the margins of the novel ’The Name of the Rose‘’, ‘The Role of the Reader‘, ‘From Internet to Gutenberg‘, and ‘Confessions of a young novelist‘. In the article, the non-classical character of literary creativity and theory of Eco is discussed that is realized through the transformation of some ideas and conclusions of semiotics, structuralism, post-structuralism, and postmodernism. In ‘Confessions‘ Eco talks about the relationship (...)
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  13. added 2020-05-01
    Trusting the Author: On Narrative Tension and the Puzzle of Audience Anxiety.W. Scott Clifton - 2016 - Philosophy and Literature 40 (2):325-346.
    In the opening episode of season four of the AMC network’s television show Breaking Bad, the attentive viewer reaches a point at which it’s difficult to see how the show’s heroes, Walter White and Jesse Pinkman, will escape death. The two are chemists and manufacturers of crystal methamphetamine for drug kingpin Gus Fring. At the end of the previous season they had picked up on Fring’s plans to kill them and replace them with another chemist, Gale Boetticher, who by then (...)
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  14. added 2020-05-01
    Wittgenstein's Remarks on William Shakespeare.Derek McDougall - 2016 - Philosophy and Literature 40 (1):297-308.
    Wittgenstein as Shakespearean critic. Because Wittgenstein’s commentators agree that Shakespeare is the world’s greatest ever playwright, they have to account for those few remarks of his that may suggest a negative evaluation of Shakespeare as a poet. But these remarks can also be used to reveal that Shakespeare is a poet of a kind uniquely different to the majority of those whom Wittgenstein admired. This view is central to John Middleton Murry’s interpretation of Shakespeare and Keats. In a more positive (...)
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  15. added 2020-05-01
    Genealogy of the Tragic: Greek Tragedy and German Philosophy.Joshua Billings - 2014 - Princeton University Press.
  16. added 2020-05-01
    Interpretation and Transformation: Explorations in Art and the Self.Andreea Deciu Ritivoi - 2009 - Journal of Aesthetics and Art Criticism 67 (2):252-254.
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  17. added 2020-05-01
    Thinking in Circles: An Essay in Ring Composition.Sister Lucia Treanor - 2009 - Journal of Aesthetics and Art Criticism 67 (2):254-256.
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  18. added 2020-05-01
    Metaphysical and Historical Claims in The Birth of Tragedy.Katherine Harloe - 2008 - In Manuel Dries (ed.), Nietzsche on Time and History. Walter de Gruyter. pp. 275.
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  19. added 2020-05-01
    Leon Wieseltier's Kaddish: Mourning as a "Delirium of Study".James Arthur Diamond - 2004 - Philosophy and Literature 28 (1):150.
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  20. added 2020-05-01
    Metonymy and Transition in Carrier's Writing.Arthur C. Danto - 1998 - Journal of Aesthetic Education 32 (4):35.
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  21. added 2020-05-01
    Internet Life, African Art.Joseph Sartorelli - 1994 - Philosophy and Literature 18 (2):423.
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  22. added 2020-05-01
    Author's Comments.Arthur Efland - 1991 - Journal of Aesthetic Education 25 (2):52.
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  23. added 2020-05-01
    Art and Desire: A Study of the Aesthetics of Fiction.Dabney Townsend - 1989 - Journal of Aesthetics and Art Criticism 47 (4):389-390.
  24. added 2020-04-28
    Writing: Some Thoughts on the Teachable and the Unteachable in Creative Writing.Trevor Pateman - 1998 - Journal of Aesthetic Education 32 (3):83.
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  25. added 2020-04-28
    : Law and Literature: Possibilities and Perspectives. Ian Ward. ; Law and Literature Perspectives. Bruce L. Rockwood. ; Law's Stories: Narrative and Rhetoric in the Law. Peter Brooks, Paul Gewirtz.Julie Stone Peters - 1997 - Cardozo Studies in Law and Literature 9 (2):259-274.
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  26. added 2020-04-28
    Vincent's Story: The Importance of Contextualism for Art Education.Anita Silvers - 1994 - Journal of Aesthetic Education 28 (3):47.
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  27. added 2020-04-28
    Student-Originated Questioning in the Teaching of Literature.Jeffrey H. Lovell - 1991 - Journal of Aesthetic Education 25 (2):119.
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  28. added 2020-04-28
    Puzzles About Art.Marilyn G. Stewart - 1991 - Journal of Aesthetic Education 25 (2):109.
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  29. added 2020-04-27
    Sartre’s Nausea as Liar Paradox.Richard McDonough - forthcoming - Philosophy and Literature 43.
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  30. added 2020-04-27
    New Directions in Philosophy and Literature.David Rudrum, Ridvan Askin & Frida Beckmann (eds.) - 2019 - Edinburgh: Edinburgh University Press.
    This forward-thinking, non-traditional reference work uniquely maps out how new developments in 21st century philosophy are entering into dialogue with the study of literature. Going beyond the familiar methods of analytic philosophy, and with a breadth greater than traditional literary theory, this collection looks at the profound consequences of the interaction between philosophy and literature for questions of ethics, politics, subjectivity, materiality, reality and the nature of the contemporary itself.
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  31. added 2020-04-27
    Commiserating with Devastated Things: Milan Kundera and the Entitlement of Thinking.David Pollard - 2018 - British Journal of Aesthetics 58 (3):330-332.
    Commiserating with Devastated Things: Milan Kundera and the Entitlement of ThinkingWIRTHJASON M.fordham university press. 2016. pp. 227227. £54.00..
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  32. added 2020-04-27
    The Value of Fidelity in Adaptation.James Harold - 2018 - British Journal of Aesthetics 58 (1):89-100.
    © British Society of Aesthetics 2018. Published by Oxford University Press on behalf of the British Society of Aesthetics. All rights reserved. For Permissions, please email: journals.permissions@oup.comThe adaptation of literary works into films has been almost completely neglected as a philosophical topic. I discuss two questions about this phenomenon:What do we mean when we say that a film is faithful to its source?Is being faithful to its source a merit in a film adaptation?In response to, I set out two distinct (...)
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  33. added 2020-04-27
    The Magical Life and Creative Works of Paulo Coelho: A Psychobiographical Investigation.Claude-Hélène Mayer & David Maree - 2018 - Indo-Pacific Journal of Phenomenology 18 (sup1):1-16.
    Based on a psychobiographical approach, this study addresses magical thinking across the life span of Paulo Coelho. Paulo Coelho, who was born in Brazil in the 1940s, has become one of the most sold and famous contemporary authors in the world. In his life, as well as in his books, which are mainly autobiographical accounts, magic and magical thinking, spirituality, meaningfulness, and the living of one’s dream, are key themes. The aim of this study was to explore magic and magical (...)
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  34. added 2020-04-27
    Wittgenstein and the Craft of Reading: On Reckoning with the Imagination: Wittgenstein and the Aesthetics of Literary Experience, By Charles Altieri.Fred Rush - 2018 - Philosophy and Literature 42 (1):236-243.
    Charles Altieri's Reckoning with the Imagination: Wittgenstein and the Aesthetics of Literary Experience addresses a perceived problem in literary theory.1 That problem is how to reintegrate practices of "close reading" in a field dominated by "grand theory": deconstruction, postcolonial studies, queer studies, New Historicism, and other regimens. Unlike the New Criticism that controlled the reading, writing, and teaching of serious literature in the United States through the 1940s and '50s, in which intricate analysis of text as text was all, Altieri (...)
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  35. added 2020-04-27
    Escape From Plataea: Political and Intellectual Liberation in Thucydides's History.Bernard J. Dobski - 2018 - Philosophy and Literature 42 (1):201-216.
    A testament to the richness of Thucydides's History of the Peloponnesian War is that it has been studied for centuries with great profit by scholars of various stripes. Since the nineteenth century students of historiography have found in his narrative and methodological statements the principles by which Greeks of the fifth century BCE collected, recorded, and arranged material for their accounts of the ancient world. During the twentieth century international relations scholars, focusing on some of the more famous speeches of (...)
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  36. added 2020-04-27
    Vivre la philosophie : les Mémoires comme œuvre philosophique.Manon Garcia - 2018 - Littérature 191:53-67.
    English Title “Living Philosophy: Beauvoir’s Memoirs as a philosophical ‘œuvre’”. This paper seeks to remedy the lack of philosophical analyses of the philosophical dimension of Beauvoir’s autobiographical work in using the existentialist link Beauvoir establishes between life and philosophy to make three points: first, her Memoirs constitute a crucial documentary resource to understand Beauvoir’s essays and the original philosophical stance she defends in them. Second, Memoirs show a two-way relationship between philosophy and life, on an epistemic and on a practical (...)
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  37. added 2020-04-27
    The Artist as Prophet: Emerson's Thoughts on Art.Jeff Wieand - 2018 - Philosophy and Literature 42 (1):30-48.
    Ralph Waldo Emerson's thinking about art has never been at the forefront of either the philosophy of art or discussions of Emerson's own thought, in part perhaps because of doubts about the depth of his understanding of art. Percy Brown, for example, described Emerson's aesthetic sense as "deficient" and his aesthetic background as "somewhat limited," and claimed that Emerson "dwelt on abstract ideas rather than on the forms of art and its methods of expression."1But although Emerson was no John Ruskin (...)
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  38. added 2020-04-27
    Wittgenstein and the Creativity of Language Ed. By Sebastian Sunday Grève and Jakub Mácha.Elinor Hållén - 2018 - Philosophy and Literature 42 (1):257-259.
    What is creativity? It is clearly something we know by seeing it manifested in a multitude of different ways and contexts. It could perhaps stand as an emblematic example of the limitations of a general explanative account. In this anthology the editors have orchestrated an exceptionally inspiring collection of essays that explore the vast examples of creative language used in Wittgenstein's philosophical practice and the creative potentiality of language overall. The anthology consists of eleven essays divided into introduction, overture, and (...)
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  39. added 2020-04-27
    The Value of Literature. [REVIEW]Britt Harrison - 2018 - British Journal of Aesthetics 58 (3):332-336.
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  40. added 2020-04-27
    Nietzsche Among the Novelists.Theodore Ziolkowski - 2018 - Philosophy and Literature 42 (2):323-343.
    The Weimar Nietzsche-Bibliographie, which is available online along with an exhaustive index, contains hundreds of entries, ranging from "absolute Musik" to "Zynismus." But despite references to his treatment in film and to the names of several novelists, it provides no rubric for Friedrich Nietzsche in novels or otherwise as a fictional figure.Yet the twenty-first century alone has already produced at least four such works, in addition to two others over the preceding eighty years—not to mention films in Italian and French. (...)
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  41. added 2020-04-27
    Communion, Not Consilience: Protecting the Future of Interdisciplinary Literary Study.Christina Bieber Lake - 2017 - Philosophy and Literature 41 (2):290-303.
    The dialectic of experience has its proper fulfillment not in definitive knowledge but in the openness to experience that is made possible by experience itself. Now is a great time to be a literary scholar interested in interdisciplinary work with the sciences. While in the early days, scientifically minded critics fought for the floor in a field dominated by constructivist accounts of the self, today their work has settled into its own legitimacy, aided substantially by the increasing power and relevance (...)
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  42. added 2020-04-27
    Philosophy and Literature: Problems of a Philosophical Subdiscipline.Melvin Chen - 2017 - Philosophy and Literature 41 (2):471-482.
    What is philosophy and literature? It is (or at least ought to be) a truth universally acknowledged that this is a question to which there are no easy answers. Does philosophy and literature constitute a subdiscipline of philosophy, as logic, epistemology, metaphysics, ethics, philosophy of science, and even philosophy of religion do? Alternatively: ought it constitute a subdiscipline of philosophy if it does not already do so? What is the nature of the relationship between philosophy and literature and literary and (...)
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  43. added 2020-04-27
    Evolution and Literary Studies: Time to Evolve.David Fishelov - 2017 - Philosophy and Literature 41 (2):272-289.
    During the past couple of decades the evolutionary approach to literary studies has gained momentum and produced a growing number of studies and thought-provoking debates.1 The time has come to reexamine core assumptions of the evolutionary approach to literary studies and to offer several conceptual and methodological clarifications. Without such clarifications this attractive and high-profile approach would have become an ephemeral mutation rather than an enduring and fruitful branch of literary studies. The use of biological terms in literary studies is (...)
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  44. added 2020-04-27
    The Most Overrated Article of All Time?Joshua Landy - 2017 - Philosophy and Literature 41 (2):465-470.
    This year marks the fiftieth anniversary of an essay you have almost certainly read, if you took any class on literary theory in the intervening half-century. The essay in question is “The Death of the Author,” by a brilliant French thinker named Roland Barthes. Barthes had wonderfully illuminating things to say about the structure of narrative, realism, Proust, Racine, photography, and billboards. When he turned his thoughts to authorship, however, his touch temporarily deserted him, and the essay that resulted is (...)
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  45. added 2020-04-27
    Husserl, Bakhtin, and the Other I. Or: Mikhail M. Bakhtin – a Husserlian?Carina Pape - 2016 - HORIZON. Studies in Phenomenology 5 (2):271-289.
    Mikhail Bakhtin aimed to invent a phenomenology of the self-experience and of the experience of the other in his early work. In order to realize such a phenomenology he combined different approaches he called idealism and materialism / naturalism. The first one he linked to Edmund Husserl, but did hardly name him directly concerning his phenomenology. Does this intersubjective phenomenology give a hint that Bakhtin used Husserlian ideas more than considered yet? Or did they both invent similar ideas independently from (...)
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  46. added 2020-04-27
    Neuroscience and Literature.William Seeley - 2016 - In John Gibson and Noel Carroll (ed.), The Routledge Companion to Philosophy of Literature. New York, NY, USA: pp. 267-278.
    The growing general interest in understanding how neuroscience can contribute to explanations of our understanding and appreciation of art has been slow to find its way to philosophy of literature. Of course this is not to say that neuroscience has not had any influence on current theories about our engagement, understanding, and appreciation of literary works. Colin Martindale developed a scientific approach to literature in his book The Clockwork Muse (1990). His prototype-preference theory drew heavily on early artificial neural network (...)
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  47. added 2020-04-27
    Gusto. Pensare la frattura. [REVIEW]Fabio Vergine - 2015 - Doppiozero 1.
  48. added 2020-04-27
    Dylan as a Rortian: Bob Dylan, Richard Rorty, Postmodernism, and Political Skepticism. Snaevarr - 2014 - Journal of Aesthetic Education 48 (4):38.
    Being a postmodernist means mixing the high brow and the low brow, cultivating multiple selves, rejecting the idea of personal authenticity, and maintaining that truth and knowledge are somehow human creations and relative to human purposes/different cultures. Further, it consists in incredulity toward the idea of progress and lack of belief in reason, plus taking generally a skeptical stance, not least toward political ideologies.1 Indeed, the arch-postmodernist Jean-François Lyotard famously defined postmodernism as “incredulity towards metanarratives”2 . The pragmatist philosopher Richard (...)
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  49. added 2020-04-27
    Olsen, Stein Haugom and Anders Pettersson, Eds. Why Literary Studies? Raisons D'être of a Discipline. Oslo: Novus Press, 2011, 219 Pp., NOK 245.00 Paper. [REVIEW]Robert Chodat - 2013 - Journal of Aesthetics and Art Criticism 71 (2):219-222.
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  50. added 2020-04-27
    The Philosophy of Art and Aesthetics, Psychology, and Neuroscience: Studies in Literature, Music, and Visual Arts.Noel Carroll, Margaret Moore & William Seeley - 2012 - In Arthur P. Shimamura & Stephen E. Palmer (eds.), Aesthetic Science: Connecting Minds, Brains, and Experience. New York, NY, USA: pp. 31-62.
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