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  1. ONT Vol 5.Paul Bali - manuscript
    contents -/- i. for Shakespeare's Richard the Third -/- ii. the truth is i pass over so many words -/- iii. the boori nazar / nadhar -/- iv. i've awe for jihaad -/- v. short review: Hail, Caesar! -/- vi. a minute of Nothing, gone from YouTube -/- vii. we were rivalrous friends, again -/- viii. my bardo pdf -/- ix. within i'm a weak old mandarin .
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  2. How Much Writing is Enough? - Delivered at Derrida Today Conference, 2014 Fordham University, New York.James Brusseau - manuscript
    The difference between Derrida and Deleuze has been debated in terms of their understandings and uses of the historical distinction between Being and beings. Daniel W. Smith intersects with the question when discussing transcendence and immanence. Clair Colebrook intersects when discussing materialism. Paul Patton intersects when distinguishing the unconditioned and conditioned. This essay moves along with their ideas, and contributes to the discussion by re-inscribing the debate in terms of nouns and verbs. The conclusion suggests that the noun/verb prism yields (...)
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  3. The Novel as a Performing Art.Alexey Aliyev - forthcoming - Philosophia:1-15.
    The consensus is that the novel—along with painting, sculpture, and architecture—should be categorized as a non-performing art. In this essay, I argue that such categorization is misguided: In fact, there is good reason to categorize the novel as a performing art. I begin by showing that x is a performing art if the following conditions are satisfied: x is an art and to fully appreciate a work of x, it is necessary to experientially engage with a performance or a performance-like (...)
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  4. Work and Object, by Peter Lamarque. [REVIEW]Gemma Celestino - forthcoming - Disputatio.
  5. Flowing Along Endlessly: Banana Yoshimoto’s Female Protagonists as an Elemental Force.Carrie Giunta - forthcoming - In Emma Staniland & Elizabeth Jones (eds.), Women and Water in Global Fiction: Feminisms & Gender. Routledge.
  6. Erleben und Erkenntnis: Kognitive Funktionen der Literatur.Wolfgang Huemer - forthcoming - In Mathis Lessau & Nora Zügel (eds.), Die Rückkehr des Erlebnisses in den Geisteswissenschaften. Freiburg: Ergon Verlag.
    Literatur ist ein sehr vielschichtiges und lebendiges Phänomen, das beständig im Wandel ist. So wie sie im Laufe der Jahrhunderte und in den verschiedenen Kulturkreisen unter-schiedliche Formen angenommen und anderen Funktionen gedient hat, liegt es in ihrer Natur, immer wieder neue Ausdrucksformen zu entwickeln, die den sich ändernden Be-dürfnissen und Rahmenbedingungen gerecht werden können. Auch die theoretische Aus-einandersetzung mit der Literatur ist Veränderungen unterworfen, die manchmal wellen-förmige Bewegungen anzunehmen scheinen. Neue Fragestellungen geraten in den Mittel-punkt des Interesses, einzelne Aspekte werden (...)
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  7. Wittgenstein's Enigmatic Remarks on Shakespeare.Wolfgang Andreas Huemer - forthcoming - In Craig Bourne & Emily Caddick Bourne (eds.), The Routledge Companion to Shakespeare and Philosophy. London, New York: Routledge.
  8. Literature and Readers' Empathy: A Qualitative Text Manipulation Study.Anezka Kuzmicova, Anne Mangen, Hildegunn Støle & Anne Charlotte Begnum - forthcoming - Language and Literature 26.
    Several quantitative studies (e.g. Kidd & Castano, 2013a; Djikic et al., 2013) have shown a positive correlation between literary reading and empathy. However, the literary nature of the stimuli used in these studies has not been defined at a more detailed, stylistic level. In order to explore the stylistic underpinnings of the hypothesized link between literariness and empathy, we conducted a qualitative experiment in which the degree of stylistic foregrounding was manipulated. Subjects (N = 37) read versions of Katherine Mansfield's (...)
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  9. The Logic of Exemplarity.Jakub Mácha - forthcoming - Law and Literature (online first):1-15.
    The topic of exemplarity has attracted considerable interest in philosophy, legal theory, literary studies and art recently. There is broad consensus that exemplary cases mediate between singular instances and general concepts or norms. The aim of this article is to provide an additional perspective on the logic of exemplarity. First, inspired by Jacques Derrida’s discussion of exemplarity, I shall argue that there is a kind of différance between (singular) examples and (general) exemplars. What an example exemplifies, the exemplarity of the (...)
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  10. Sartre’s Nausea as Liar Paradox.Richard McDonough - forthcoming - Philosophy and Literature 43.
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  11. "The Meaning of the Liar Paradox in Randall Jarrell's 'Eighth Air Force'".Richard Michael McDonough - forthcoming - Philosophy and Literature 43.
    Do logical paradoxes, like Eubulides’s Liar Paradox (the claim that the sentence “I am now lying” is true if and only if it is false), have any “existential” significance or are they mere brain puzzles for the mathematically minded? The paper argues that Randall Jarrell’s poem, “Eighth Air Force”, contains a poetic use of Eubulides’ Liar Paradox, spoken by Pontius Pilate’s wife in her statements about the “murder” of Jesus, in order to capture, symbolically, the inherent universal duplicity (inauthenticity) of (...)
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  12. Narrative, Emotion, and Insight.John Gibson Noel Carroll (ed.) - forthcoming - PSUP.
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  13. Is There Such A Thing As Quixotic Virtue?Vicky Roupa - forthcoming - In Garry L. Hagberg (ed.), Fictional Worlds and the Moral Imagination. London:
    Quixote is a caricature of a knight errant; steeped into his fictional heroes, he undertakes to revive a tradition long dead, and in the process leaves behind some unforgettable images of knightly virtue turned sour. This caricature, however, is not simply a ploy meant to arouse laughter, but also an occasion to revisit the emphasis on knowledge and good sense with which virtue has been aligned in the Socratic/Platonic tradition. The challenge Quixote represents concerns the relation between reasoning and the (...)
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  14. "The Colour Out of Space": Lovecraft on Induction.Kieran Setiya - forthcoming - Philosophy and Literature.
    Argues for a reading of H. P. Lovecraft’s 1927 short story, "The Colour out of Space," as an affective response to the problem of induction. Lovecraft weighs the meaning of our epistemic frailty, drawing on George Santayana’s "Scepticism and Animal Faith." His writing elicits inductive vertigo, the fear that our concepts fail to carve nature at the joints.
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  15. Jealousy and the Sense of Self: Unamuno and the Contemporary Philosophy of Emotion.Íngrid Vendrell-Ferran - forthcoming - Philosophy and Literature.
    This paper explores jealousy in Unamuno’s drama El otro. Drawing on contemporary philosophy of emotion, I will argue that for the Spanish author jealousy gives the subject a sense of self. The paper begins by embedding Unamuno’s philosophical anthropology in the context of contemporary emotion theory. It then presents the drama as an investigation into the affective dimension of self-identity. The third section offers an analysis of jealousy as an emotion of self-assessment. The final section discusses how this drama can (...)
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  16. Exploding Stories and the Limits of Fiction.Michel-Antoine Xhignesse - 2021 - Philosophical Studies 178 (3):675-692.
    It is widely agreed that fiction is necessarily incomplete, but some recent work postulates the existence of universal fictions—stories according to which everything is true. Building such a story is supposedly straightforward: authors can either assert that everything is true in their story, define a complement function that does the assertoric work for them, or, most compellingly, write a story combining a contradiction with the principle of explosion. The case for universal fictions thus turns on the intuitive priority we assign (...)
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  17. James O. Young, "Radically Rethinking Copyright in the Arts: A Philosophical Approach.".Michel-Antoine Xhignesse - 2021 - Philosophy in Review 41 (1):49-51.
    A review of James Young's "Radically Rethinking Copyright in the Arts: A Philosophical Approach" (Routledge 2020).
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  18. Rawls' Ambiguous Utopia.Bernt Ivar Barkved - 2020 - Filosofisk Supplement 1 (2):26-35.
    Rawls’ realistic utopia has been subject to much criticism. The Realist claims Rawls’ realistic utopia to be too utopian. The Cosmopolitan, on the other hand, claims Rawls’ realistic utopia to be insufficiently utopian. In this essay, I argue that the criticism can be circumvented by means of clarifying an ambiguity in the concept of utopia. I argue that the Realist is not criticizing Rawls for being utopian, but unrealistic, impractical and idealistic (quixotic). The Cosmopolitan might be right in criticizing Rawls (...)
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  19. André Breton and Three Surrealist Poets.Willard Bohn - 2020 - Philosophy and Literature 44 (2):310-322.
  20. "Can't Move 'Em with a Cold Thing Like Economics": On Pound's Cantos 18 and 19.Dongho Cha - 2020 - Philosophy and Literature 44 (2):486-491.
    Ezra Pound's Canto 18 begins with Kublai Khan, the first emperor of the Yuan Dynasty, who undertook and indeed had the power to complete the coining of money, that is, the establishment of a new currency system.1 Despite the use of the word "coin," the reason that Pound pays attention to such a historical figure as Kublai is that he was among the first to issue "paper" money; "They take bast of the mulberry-tree, / That is a skin between the (...)
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  21. Review of Poetry and the Religious Imagination: The Power of the Word. [REVIEW]Subhasis Chattopadhyay - 2020 - Prabuddha Bharata or Awakened India 125 (7):571-2.
    This review shows how during COVID 19, poetry and theology both can soothe us. The collection of essays in this anthology is wide ranging engaging with Dante; right up to Wallace Stevens and Denise Levertov. The reviewer thanks the Ramakrishna Mission for providing him with a hard copy of this book. In passing; in the spirit of IndianLivesMatter, one notes that Prabuddha Bharata has never missed an issue from 1896 till date. In his long stint as reviewer for the Ramakrishna (...)
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  22. Provoking Things: Homer, Humpty, and Heidegger.Sally Cloke - 2020 - Philosophy and Literature 44 (1):176-183.
    "It is a—most—provoking—thing," [Humpty Dumpty] said at last,"when a person doesn't know a cravat from a belt!"—Lewis Carroll, Through the Looking-Glass, chap. 6, n.p.1Homer's Odysseus and Lewis Carroll's Humpty Dumpty. An unlikely pairing, perhaps, but should they ever meet at some wayside inn or afternoon tea table they may find they have plenty to talk about. Both inhabit tales that involve journeys into strange lands, alarming characters, and peculiar dinner companions, and both use their wits to compete in complex language (...)
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  23. Reading and Seeing: The Artistic Use of Visual Features in Contemporary Novels.Bradley Elicker - 2020 - Philosophy and Literature 44 (1):19-34.
    On reading Irvine Welsh's novel Filth for the first time, I quickly noticed that something was amiss. I followed the apparent food poisoning of amoral Detective Sergeant Bruce Robertson all the way down page twenty-three. Then, as I turned the page, something entirely unexpected happened. The text became obscured by what appeared to be the black outlines of intestines. What's more, though Robertson's first-person account of his own illness was obscured, a new narrative voice appeared within the intestines: "I am (...)
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  24. Naming the Lyric: Literature Versus Philosophy in Plato's Symposium.Katherine Elkins - 2020 - Philosophy and Literature 44 (2):402-417.
  25. Ted Cohen on Sharing the World.Michael Fischer - 2020 - Philosophy and Literature 44 (1):188-198.
    In "Stanley Cavell and the Limits of Appreciation," Ted Cohen restates his hatred of Richard Wagner's music. Cohen hears something "very nasty" in Wagner's music, "an element of Nazism," to borrow Thomas Mann's phrase for what Mann, too, found disturbing in Wagner.1 Whereas Mann was still able to value Wagner's music, Cohen despises listening to it. Cohen realizes that his revulsion sets him apart not only from Mann but also from W. H. Auden, who praised Wagner's "consummate skill" in creating (...)
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  26. Reason as the Death of Fathers: Plato's Sophist and the Ghost's Command in Hamlet.Erich Freiberger - 2020 - Philosophy and Literature 44 (2):272-297.
  27. Charlie Chaplin and Aristotle: The Mechanics of Ending City Lights.Roy Glassberg - 2020 - Philosophy and Literature 44 (2):492-494.
    In the words of film critic Roger Ebert, "The last scene of City Lights is justly famous as one of the great emotional moments in the movies."1 What accounts for its success? In the course of what follows I will suggest that a pair of structural elements—reversal and recognition, first described by Aristotle—underlie the scene, and account in large measure for its emotive power.The scene is available for viewing on the internet by searching on "City Lights last scene." For those (...)
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  28. The Many Sources of Meaning.Péter Hajdu - 2020 - Philosophy and Literature 44 (1):124-139.
    When we speak about the source of meaning, we are using a metaphor that is probably dead, but may still retain some of its heuristic force.1 There are several ways the human mind can understand a phenomenon. One of them is through understanding its cause. We can cope with something if we understand why it happens. Apart from the realm of cognition, the metaphor of the source also applies to legitimacy. If a piece of information has a source, it is (...)
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  29. Non parlare e non tacere. Thomas Bernhard su Ludwig Wittgenstein.Wolfgang Huemer - 2020 - In Filosofia e letteratura in età moderna e contemporanea. Firenze, Italia: pp. 371-384.
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  30. On Theory-Centrism: The "Literary Theory" Void of Literature.Zhang Jiang - 2020 - Philosophy and Literature 44 (1):88-104.
    From the end of the nineteenth century to the late twentieth century, the development of Western literary theory witnessed three important stages: from "author oriented," to "text oriented," and then to "reader oriented." Each of these three historical stages generated several important theories and schools, each with its own advantages, with infiltration and cross-thematic debates from time to time. However, we can now form the judgment that, after one hundred years of development and evolution, the overall pattern of Western literary (...)
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  31. Know Thyself: Emerson's Pedagogy of Recollection.Nathan A. Jung - 2020 - Philosophy and Literature 44 (2):350-365.
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  32. Estrangement, Epochē, and Performance: Bertolt Brecht’s Verfremdungseffek T and a Phenomenology of Spectatorship.Molly Kelly - 2020 - Continental Philosophy Review 53 (4):419-431.
    During his period of exile in Scandinavia, Bertolt Brecht wrote “I don’t think the traditional form of theatre means anything any longer. Its significance is purely historic; it can illuminate the way in which earlier ages regarded human relationships […] [but] a modern spectator can’t learn anything from them”. To create a modern theatre fit for a modern audience, Brecht holds that not only would the content of plays have to change, but the experience of theatrical spectatorship itself. To fully (...)
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  33. Temporal Succession in Samson Agonistes.Ayelet C. Langer - 2020 - Philosophy and Literature 44 (2):298-309.
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  34. Literary Self-Reference: Five Types of Liar's Paradox.David Lehner - 2020 - Philosophy and Literature 44 (2):476-485.
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  35. Odysseás Elytis's Conversation with Heraclitus: "Of Ephesus".J. H. Lesher - 2020 - Philosophy and Literature 44 (2):226-236.
  36. Literary Resistance to the Philosophy of Slavery: Al-Farabi and the Ikhwan Al-Safa'.Katharine Loevy - 2020 - Philosophy and Literature 44 (2):237-254.
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  37. The Tragedy and Comedy of Tyranny: Plato's Symposium and Aristophanes's Frogs.Marina Marren - 2020 - Philosophy and Literature 44 (2):207-225.
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  38. Flower, Fruit, Seed, Egg, Copy, Twin, or Snow?Elizabeth Mazzola - 2020 - Philosophy and Literature 44 (2):366-379.
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  39. Sartre's Nausea as Liar Paradox.Richard McDonough - 2020 - Philosophy and Literature 44 (2):461-475.
  40. Poetics of Resistance: Rankine's Don't Let Me Be Lonely as Phenomenological Lyric.Claire McQuerry - 2020 - Philosophy and Literature 44 (2):418-434.
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  41. The Rules and Politics of Storyworlds: Fictionalizing the Everyday in E. F. Benson's Mapp and Lucia Novels.James Phillips - 2020 - Philosophy and Literature 44 (1):52-65.
    Astory is an instruction manual of sorts, containing rules for the manufacture of fictional objects. Consider the opening sentence from E. F. Benson's Mapp and Lucia: "Though it was nearly a year since her husband's death, Emmeline Lucas still wore the deepest and most uncompromising mourning."1 As the sentence does not describe someone who exists, it does not press a truth claim that could be substantiated by observing the person in question. Instead, it is an invitation to construction: the reader (...)
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  42. Essays in Literary Aesthetics.Kalle Puolakka - 2020 - British Journal of Aesthetics 60 (2):229-231.
    Essays in Literary Aesthetics Ranjan K. Ghosh Springer. 2018. pp. XIII + 82. £49.99.
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  43. Ist JK Rowling böser als Ich? (überarbeitet 2019).Michael Richard Starks - 2020 - In Willkommen in der Hölle auf Erden: Babys, Klimawandel, Bitcoin, Kartelle, China, Demokratie, Vielfalt, Dysgenie, Gleichheit, Hacker, Menschenrechte, Islam, Liberalismus, Wohlstand, Internet, Chaos, Hunger, Krankheit, Gewalt, Künstliche Intelligenz, Krieg. Las Vegas, NV, USA: Reality Press. pp. 248-252.
    Wie wäre es mit einer anderen Ausg. der Reichen und Berühmten? Zuerst das Offensichtliche – die Harry-Potter-Romane sind primitiver Aberglaube, der Kinder dazu ermutigt, an Fantasie zu glauben, anstatt Verantwortung für die Welt zu übernehmen – natürlich die Norm. JKR ist genauso ahnungslos über sich und die Welt wie die meisten Menschen,aber etwa 200 Mal so destruktiv wie der durchschnittliche Amerikaner und etwa 800 Mal mehr als der durchschnittliche Chinese. Sie war verantwortlich für die Zerstörung von vielleicht 30.000 Hektar Wald, (...)
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  44. JK罗琳比我更邪恶吗 (Is JK Rowling more evil than me?) (修订2019).Michael Richard Starks - 2020 - In 欢迎来到地球上的地狱: 婴儿,气候变化,比特币,卡特尔,中国,民主,多样性,养成基因,平等,黑客,人权,伊斯兰教,自由主义,繁荣,网络,混乱。饥饿,疾病,暴力,人工智能,战争. Las Vegas, NV USA: Reality Press. pp. 85-88.
    对富人和名人有不同的看法怎么样?首先显而易见的——哈利·波特小说是原始的迷信,鼓励孩子们相信幻想,而不是对世界负责——当然,这是常态。JKR和大多数人一样对自己和世界一无所知,但破坏力是普通美国人的2 00倍,比一般中国人高出800倍。她一直负责破坏大约3万公顷的森林,以产生这些垃圾小说和所有的侵蚀(不是微不足道的,因为它至少是6,也许12吨/年的土壤进入海洋,地球上的每个人或100吨每个美国人,所 以约5000吨/年罗琳的书和莫夫和她的3个孩子)。地球每年至少损失1%的表土,因此,当它接近2100年时,大部分粮食的生长能力将消失。然后是大量的燃料燃烧和废物,使书籍和电影,塑料娃娃等。她通过生孩子 ,而不是用她数百万的人来鼓励计划生育或购买雨林,以及通过宣扬正在毁灭英国、美国、破坏英国、美国、、世界和她的后代的未来。当然,她和其他7个也没有什么不同。8十亿无头 - 只是嘈杂和更破坏性的. 这是没有免费的午餐问题写大。暴徒们就是看不上没有伤害别人就能帮助一个人。给予新进入拥挤世界的人的权利或特权只能使其他人的权利或特权黯然失色。尽管每天都在他们面前发生大规模的生态灾难,但他们无法把它们与 "多样化"的无拘无束的母性相统一,因为"多样化"占上个世纪人口增长的大部分时间。一个。他们缺乏智力、教育、经验和理智,因此需要将每天对社会资源和运作的攻击推断为 工业文明的最终崩溃。每顿饭,每次坐汽车或公共汽车旅行,每双鞋都是地球棺材里的另一颗钉子。她可能从未想过,从伦敦飞往旧金山的飞机上的一个座位会产生大约一吨的碳,融化了大约3平方米的海冰,而作为特权阶层之 一,她可能飞过数百次这样的航班。 不仅富人和名人,而且几乎任何公众人物,包括几乎所有的教师,都被迫在政治上正确,这在西方民主政体中,现在意味着社会民主(新马克思主义者——即被稀释的共产主义者)第三位。世界至高无上主义者为毁灭自己的社会 和自己的后代而工作。因此,那些缺乏教育、经验、智力(和基本常识)的人,应该禁止他们发表任何公开声明,完全主宰着所有媒体,给人留下一种印象,即聪明和文明必须有利于民主、多样性和平等,而事实是,这些是问题 而不是解决办法,它们本身就是文明的主要敌人。看到我的自杀民主2nd(2019).
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  45. J K Rowling зла, чем я? (пересмотрено 2019 ).Michael Richard Starks - 2020 - In ДОБРО ПОЖАЛОВАТЬ В АД НА НАШЕМ МИРЕ : Дети, Изменение климата, Биткойн, Картели, Китай, Демократия, Разнообразие, Диссигеника, Равенство, Хакеры, Права человека, Ислам, Либерализм, Процветание, Сеть, Хаос, Голод, Болезнь, Насилие, Искусственный интелле. Las Vegas, NV USA: Reality Press. pp. 252-256.
    Как насчет другого взять на богатых и знаменитых? Во-первых, очевидное - романы о Гарри Поттере - это примитивные суеверия, которые побуждают детей верить в фантазию, а не брать на себя ответственность за мир - норма, конечно. JKR как раз как clueless о себе и мире как большинств люди,но около 200 времен как разрушительно как средний американец и около 800 времен больше чем средний китаец. Она несет ответственность за уничтожение, может быть, 30000 гектаров леса для производства этих романов мусора и все (...)
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  46. J.K Rowling 私より悪い?.Michael Richard Starks - 2020 - In 地獄へようこそ 赤ちゃん、気候変動、ビットコイン、カルテル、中国、民主主義、多様性、ディスジェニックス、平等、ハッカー、人権、イスラム教、自由主義、繁栄、ウェブ、カオス、飢餓、病気、暴力、人工知能、戦争. Las Vegas, NV , USA: Reality Press. pp. 232-235.
    金持ちと有名人に別のテイクはどうですか?まず、ハリー・ポッターの小説は、子供たちが世界に責任を持つのではなく、ファンタジーを信じることを奨励する原始的な迷信です。JKRは、ほとんどの人と同じくらい自分 自身と世界について手がかりはありませんが、平均的なアメリカ人の約200倍、平均的な中国人の約800倍の破壊的です。彼女は、これらのゴミ小説とそれに続くすべての侵食を生み出すために、おそらく30,000 ヘクタールの森林の破壊を担当してきました(地球上のすべての人のために海に少なくとも6トンとおそらく12トン/年の土壌、またはアメリカ人1人あたり100トンなので、ローリングの本やmov iesと彼女の3人の子供たちのために約5000トン/年ですies and her)。地球は毎年表土の少なくとも1%を失うので、2100に近づくにつれて、その食糧栽培能力のほとんどはなくなりました。その後、本や映画、プラスチック人形などを作り、配布するために作られた燃料や廃棄 物の膨大な量があります。彼女は、何百万人もの人々を使って家族計画や熱帯雨林の購入を奨励するのではなく、子供たちを生み出し、イギリス、アメリカ、世界、そして彼女の子孫の将来を破壊している第3世界至上主義 の従来のリベラルな愚かさを促進することによって、社会的責任の欠如を示しています。もちろん、彼女は他の7とそれほど変わりません。80億の手がかりのない - ちょうど騒がしい、より破壊的な. それは無料の昼食の問題は大きいです。暴徒は、他の人に危害を加えずに一人の人を助けることのようなものがないことを見ることができません。過密な世界への新規参入者に与えられた権利や特権は、他の人の権利や特権 を暗くすることしかできません。毎日どこでも目の前で起こっている大規模な生態学的災害にもかかわらず、彼らは前世紀の人口増加の大部分を占める「多様」の拘束されていない母性にそれらを固定することはできません 。彼らは、産業文明の最終的な崩壊に社会の資源と機能に対する日々の攻撃を推定するために必要な知性、教育、経験と正気のいくつかの組み合わせを欠いています。各食事、車やバスでの各旅行、靴の各ペアは、地球の棺 の中の別の釘です。ロンドンからサンフランシスコへの飛行機の1つの座席が、約3平方メートルの海氷を溶かす約1トンの炭素を生産し、過剰な特権の一つとして、彼女はおそらく何百ものフライトを飛ばしたことは、彼 女の心を横切ったことはありません。 金持ちや有名人だけでなく、事実上すべての教師を含むほぼすべての公人は政治的に正しいと圧力を受けており、西洋民主主義では、現在、社会民主主義(ネオマルクス主義者、すなわち希薄な共産主義者)第三世界至上主 義者が自分たちの社会と子孫の破壊のために働くことを意味しています。だから、教育、経験、知性(そして基本的な常識)が欠けている人々は、彼らが公の声明を出すのを全く禁止すべきであるが、すべてのメディアを完 全に支配し、知的で文明的な人々が民主主義、多様性、平等を支持しなければならないという印象を作り出す一方で、真実はこれらが問題であり、解決策ではなく、彼ら自身が文明の主要な敵であるという印象を作り出す。 民主主義第2nd ed(2019年)などによる私の自殺を参照してください .
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  47. JK Rowling est-il plus diabolique que Me? (révisé en 2019).Michael Richard Starks - 2020 - In Bienvenue en Enfer sur Terre : Bébés, Changement climatique, Bitcoin, Cartels, Chine, Démocratie, Diversité, Dysgénique, Égalité, Pirates informatiques, Droits de l'homme, Islam, Libéralisme, Prospérité, Le Web, Chaos, Famine, Maladie, Violence, Intellige. Las Vegas, NV USA: Reality Press. pp. 247-250.
    Que diriez-vous d’une autre prise sur les riches et célèbres? Tout d’abord l’évidence - les romans de Harry Potter sont la superstition primitive qui encourage les enfants à croire en la fantaisie plutôt que d’assumer la responsabilité du monde - la norme bien sûr. JKR est tout aussi désemparé sur elle-même et le monde que la plupart des gens, mais environ200 fois plus destructeur que l’Américain moyen et environ 800 fois plus que le Chinois moyen. Elle a été responsable de (...)
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  48. La Estructura Lógica de la Filosofía Psicología, Sociología, Antropología Religión, Política, Economía, Literatura e Historia -- Artículos y reseñas 2006-2019 5ª Edicion.Michael Richard Starks - 2020 - Las Vegas, NV USA: Reality Press.
    Es mi afirmación que la tabla de intencionalidad (racionalidad, mente, pensamiento, lenguaje, personalidad, etc.) que presenta prominentemente aquí describe más o menos con precisión, o al menos sirve como heurística para, cómo pensamos y nos comportamos, y por lo tanto no abarca simplemente filosofía y psicología, sino todo lo demás (historia, literatura, matemáticas, política, etc.). Tenga en cuenta especialmente que la intencionalidad y racionalidad como yo (junto con Searle, Wittgenstein y otros) lo veo, incluye tanto el Sistema Linguístico deliberativo consciente (...)
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  49. Jeeves Resumes Charge.S. Subramanian - 2020 - Philosophy and Literature 44 (2):495-500.
    The following is a sequel to the narrative "Jeeves Takes Charge," first published in the Saturday Evening Post of November 1916, in which Lady Florence Craye is reported to have plans for getting Bertie Wooster to read Nietzsche. The threat, in the present account, is executed. While it is not clear if the provenance of this sequel can actually be traced back to P. G. Wodehouse, the submitter has expressed the strong belief that the piece stands an excellent chance of (...)
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  50. Incomplete Enlightenment: Edgar Reitz's The End of the Future and the Aesthetics of Suffering.Rudolphus Teeuwen - 2020 - Philosophy and Literature 44 (2):255-271.
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