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  1. Zamiatin y la ética kantiana: libertad y felicidad en Nosotros.Lucas Misseri - 2020 - Quaderns de Filosofia 7 (2):117-139.
    Zamyatin and Kantian Ethics: Freedom and Happiness in We Resumen: Nosotros cumple un siglo y, a diferencia de otras distopías, no existen muchos estudios en español sobre ella. En este trabajo se analiza la perspectiva de la ética retratada en la novela y en especial el conflicto entre libertad y felicidad como una dicotomía en la cual se privilegia a la felicidad sobre la libertad. Tras analizar las referencias a Kant en la obra, se concluye que es verosímil considerar que (...)
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  2. Príncipe Andrei Bolkónski: um herói schopenhaueriano.Pedro Carné - 2019 - Voluntas: Revista Internacional de Filosofia 10 (1):142.
    In this paper I intend to argue that Prince Andrei Bolkonsky, one of the lead characters of the novel War and Peace, by Leo Tolstoy, can be taken as a Schopenhauerian hero.
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  3. Lonny Harrison. Archetypes From Underground. Notes on the Dostoevskian Self. Waterloo: Wilfrid Laurier University Press, 2016. [REVIEW]Stanislav Panin - 2017 - Correspondences: Journal for the Study of Esotericism 5:117-120.
  4. The Dostoevsky Machine in Georgetown: Scientific Translation in the Cold War.Michael D. Gordin - 2016 - Annals of Science 73 (2):208-223.
    SUMMARYMachine Translation is now ubiquitous in discussions of translation. The roots of this phenomenon — first publicly unveiled in the so-called ‘Georgetown-IBM Experiment’ on 9 January 1954 — displayed not only the technological utopianism still associated with dreams of a universal computer translator, but was deeply enmeshed in the political pressures of the Cold War and a dominating conception of scientific writing as both the goal of machine translation as well as its method. Machine translation was created, in part, as (...)
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  5. The Influence of Vissarion Belinskiī on the Literary Criticism of Mikhail Naimy.M. L. Swanson - 2016 - Liberal Arts in Russia 5 (4):323-348.
    In the article the influence of Russian literary criticism on writings of Mikhail Naimy, the world renowned figure in modern Arabic literature, is studied. Together other Arab-American men of letters he founded the Pen Association, a literary league in New York that lifted Arabic literature from the quagmire of stagnation, imitation and old classicism. They also promoted the new generation of Arab writers and made it an active force in Arab nationalism. In this article the author touches upon the only (...)
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  6. V. Nabokov’s Play with a Reader in His Written in Russian Novels.G. F. Uzbekova - 2016 - Liberal Arts in Russiaроссийский Гуманитарный Журналrossijskij Gumanitarnyj Žurnalrossijskij Gumanitaryj Zhurnalrossiiskii Gumanitarnyi Zhurnal 5 (1):78.
    Playing with the reader is one of the main characteristics of V. Nabokov’s creativity. His books is a ‘literary crossword puzzle‘, charade, and mystification that demand parity, intellectually equal, and with the similar art preferences reader. Reader equally participates with author in an esthetic process. The reader follows the writer-‘wizard‘ in the text, and first, enters game process to take esthetic ‘pleasure from the text‘; second, he is getting involved in the ‘composite games by rules‘. The main means of the (...)
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  7. Being of intertextemes with omocomplex ‘it‘ in Russian discourse of the early twentieth century.A. N. Morgunova - 2015 - Liberal Arts in Russia 4 (6):422-430.
    The author focuses on the functioning of intertextemes with omocomplex ‘it‘ in the works of M. E. Saltykov-Shchedrin, Z. Gippius, A. Belyi. The various literary interpretation of the phrase ‘it came‘ from the novel ‘The Story of a City‘ that depend on the historical and cultural context reading of the work are given. The author contends that the nominalized pronoun it in the lyrics Z. Gippius transforms to diffuse the image of the crowd-element that helps lyrical works in 1905 to (...)
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  8. Russian Language and Literature in Bicultural Context: Results of the Survey of School Graduates of the Republic of Tatarstan.R. F. Mukhametshina - 2015 - Liberal Arts in Russiaроссийский Гуманитарный Журналrossijskij Gumanitarnyj Žurnalrossijskij Gumanitaryj Zhurnalrossiiskii Gumanitarnyi Zhurnal 4 (2):116.
    The problem of teaching and learning of Russian language and literature in schools with native language of teaching related to the implementation of the principle of dialogue between cultures. The article draws on the results of the survey of graduates of the two high schools of Kazan: School #2 with teaching in Tatar language and school #37 with teaching in Russian-language. The results of the survey are associated with the problems of bilingualism, multiculturalism and bimentality. Graduates from Tatar language gymnasium (...)
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  9. Reflexes of World Culture in the Language of Contemporary Russian Poetry.M. A. Steshenko - 2015 - Liberal Arts in Russiaроссийский Гуманитарный Журналrossijskij Gumanitarnyj Žurnalrossijskij Gumanitaryj Zhurnalrossiiskii Gumanitarnyi Zhurnal 4 (6):413.
    In this article, the author concentrates on the space of contemporary Russian poetry and through the means of allusive proper names specifically focuses upon reflections of international culture. In this regard, expressive possibilities, text-formation role, as well as typological, semantic and functional characteristics of allusive proper names are considered. Attempts are made to analyze, formulate basic mechanisms of intertextual connections and identify the readers’ role in the creation of meaning of precedent anthroponyms in accordance with the context of the world (...)
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  10. Mikhail Bulgakov: Heart Of A Dog – A Reading.Olga Vishnyakova - 2015 - Voyages: Rethinking Nature and its Expressions, Issue 4.
    "Mikhail Bulgakov: Heart Of A Dog – A Reading" is an allegory of a dog read trough the historical and political context of the Soviet reality.
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  11. Meetings with Russian Writers in 1945 and 1956.IsaiahHG Berlin - 2014 - In Personal Impressions: Third Edition. Princeton University Press. pp. 356-432.
  12. “The Silver Age”, the Crisis of Humanism, the Heritage of F. M. Dostoevsky's Art and Russian Symbolism.A. A. Fedorov - 2014 - Liberal Arts in Russiaроссийский Гуманитарный Журналrossijskij Gumanitarnyj Žurnalrossijskij Gumanitaryj Zhurnalrossiiskii Gumanitarnyi Zhurnal 3 (4):246.
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  13. Between Religion and Rationality: Essays in Russian Literature and Culture.Marina Ritzarev - 2014 - The European Legacy 19 (7):941-942.
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  14. The Structure of the Negative Reception of Fyodor Dostoevsky in Contemporary Culture.S. S. Shaulov - 2014 - Liberal Arts in Russiaроссийский Гуманитарный Журналrossijskij Gumanitarnyj Žurnalrossijskij Gumanitaryj Zhurnalrossiiskii Gumanitarnyi Zhurnal 3 (5):404.
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  15. E. Zamyatin’s Novel “We” in Russian Classics.G. A. Akhmetova - 2013 - Liberal Arts in Russiaроссийский Гуманитарный Журналrossijskij Gumanitarnyj Žurnalrossijskij Gumanitaryj Zhurnalrossiiskii Gumanitarnyi Zhurnal 2 (1):57.
  16. Dostoevsky's Political Thought.Ethan Alexander-Davey, Steven D. Ealy, Khalil M. Habib, Michael Kochin, John P. Moran, Ellis Sandoz, Ron Srigley, David Walsh & Jingcai Ying - 2013 - Lexington Books.
    This book explores Dostoevsky as a political thinker from his religious and philosophical foundation to nineteenth-century European politics and how themes that he had examined are still relevant for us today.
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  17. Pritchy” by A. P. Sumarokov : The Continuation of the Russian “Discussion About Anacreon.S. A. Salova - 2013 - Liberal Arts in Russiaроссийский Гуманитарный Журналrossijskij Gumanitarnyj Žurnalrossijskij Gumanitaryj Zhurnalrossiiskii Gumanitarnyi Zhurnal 2 (3):262.
  18. Steiner, Lina. For Humanity’s Sake: The Bildungsroman in Russian Culture. [REVIEW]Virgil Nemoianu - 2012 - Review of Metaphysics 65 (4):895-897.
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  19. Nation and Mission. Russian Literature and National Identity.Bożena Żejmo & Beata Przeździecka - 2011 - Dialogue and Universalism 21 (3):85-98.
    According to the Russian tradition literature is something more than only literature. In the special situation, the writers take over functions of scientific disciplines such as philosophy, ethics, the press or the political parties. These trends intensify during critical periods when Russia has to solve a problem of its national identity. The aim of the present text is an attempt to present how contemporary Russian “patriotical” literature is insistently fighting to keep monopoly on spiritual leadership in democratizing Russia. Petrifying specific (...)
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  20. XIII. Vladimir Nabokov.Christopher J. Knight - 2010 - In Omissions Are Not Accidents: Modern Apophaticism From Henry James to Jacques Derrida. University of Toronto Press. pp. 136-146.
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  21. Dostoevsky and Kant: Dialogues on Ethics.Evgenia Cherkasova (ed.) - 2009 - Rodopi.
    “In this book, Evgenia Cherkasova brings the philosopher Kant and the novelist Dostoevsky together in conversations that probe why duty is central to our moral life. She shows that just as Dostoevsky is indebted to Kant, so Kant would profit from the deeply philosophical narratives of Dostoevsky, which engage the problem of evil and the claims of human community. She not only produces a novel reading of Dostoevsky, but also guides us to later, often neglected Kantian texts. This study is (...)
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  22. The Case of Dostoevsky’s General: Some Ruminations on Forgiving the Unforgivable.Jeffrie G. Murphy - 2009 - The Monist 92 (4):556-582.
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  23. Translation as Sentimental Education: Zhukovskij’s Sel’Skoe Kladbishche.George Rückert - 2008 - Sign Systems Studies 36 (2):399-415.
    Vasilij Zhukovskij’s Sel’skoe kladbische, a translation of Thomas Gray’s Elegy Written in a Country Churchyard, occupies a special place in Russian literary history. First published in 1802, it was so widely imitated by later Russian poets that it came to be regarded as a “landmark of Russian literature”, not only at a boundary between two cultures but also at a boundary within Russian culture itself — the transition from Neoclassical to Romantic aesthetics. Zhukovskij’s translation of Gray can be read as (...)
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  24. La libertà in Russia: Mazzini, Tolstoj, Esenin.Rossano Pancaldi - 2005 - Il Pensiero Mazziniano 60 (3):169-195.
  25. Russian Literature in the Age of Realism.Alyssa W. Dinega - 2003
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  26. James P. Scanlan, Dostoevsky The Thinker.I. Gunes - 2003 - Philosophy in Review 23 (1):66-68.
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  27. James P. Scanlan, Dostoevsky The Thinker Reviewed By.Itir Günes - 2003 - Philosophy in Review 23 (1):66-68.
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  28. James P. Scanlan, Dostoevsky the Thinker.D. Raymond - 2003 - Journal of the History of Philosophy 41 (4):568-568.
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  29. Authenticity and Fiction in the Russian Literary Journey, 1790-1840. By Andreas Schonle.M. Ritzarev - 2003 - The European Legacy 8 (6):836-836.
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  30. 'Omens'(Original Russian and English Translation by Andrei Zavaliy).E. Baratynskij - 2002 - Philosophical Forum 33 (3):326-329.
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  31. 'We Studiously Observe the World'(Original Russian and English Translation by Boris Maizel).E. Baratynskij - 2002 - Philosophical Forum 33 (3):332-333.
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  32. 'Fyodor Dostoevsky' - with Sheila Grant.GeorgeHG Grant - 2002 - In Collected Works of George Grant: Volume 2. University of Toronto Press. pp. 408-419.
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  33. Dostoevsky the Thinker.Evert van der Zweerde - 2002
  34. On Dostoevsky.Susan Leigh Anderson - 2001 - Wadsworth Publishing Company.
    This brief text assists students in understanding Dostoevsky's philosophy and thinking so they can more fully engage in useful, intelligent class dialogue and improve their understanding of course content. Part of the Wadsworth Notes Series,, ON DOSTOEVSKY is written by a philosopher deeply versed in the philosophy of this key thinker. Like other books in the series, this concise book offers sufficient insight into the thinking of a notable philosopher, better enabling students to engage in reading and to discuss the (...)
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  35. English Literature and the Russian Aesthetic Renaissance. By Rachel Polonsky.N. Cornwell - 2001 - The European Legacy 6 (4):529-529.
  36. The Revival of the Russian Literary Avant-Garde the Thaw Generation and Beyond.Irene Kolchinsky & Irina Vinokurova - 2001 - Peter Lang Gmbh, Internationaler Verlag der Wissenschaften.
    This study is devoted to the authors who began the revival of the Russian avantgarde tradition, which was suppressed by the Soviet authorities in the 1930s. Most of them emerged from obscurity in the early 1990s. This book aims to fill in gaps in the scholarship on the Russian literary avantgarde during its least investigated period.
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  37. Dostoevsky and the Christian Tradition.George Pattison & Diane Oenning Thompson (eds.) - 2001 - Cambridge University Press.
    Dostoevsky is one of Russia's greatest novelists and a major influence in modern debates about religion, both in Russia and the West. This collection brings together Western and Russian perspectives on the issues raised by the religious element in his work. The aim of this collection is not to abstract Dostoevsky's religious 'teaching' from his literary works, but to explore the interaction between his Christian faith and his writing. The essays cover such topics as temptation, grace and law, Dostoevsky's use (...)
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  38. Endquote: Sots-Art Literature and Soviet Grand Style.Marina Balina, Nancy Condee & Evgeniĭ Aleksandrovich Dobrenko - 2000 - Northwestern University Press.
    Sots-art, the mock use of the Soviet ideological clichés of mass culture, originated in Soviet nonconformist art of the early 1970s. An original and provocative guide, Endquote: Sots-Art Literature and Soviet Grand Style examines the conceptual aspect of sots-art, sots-art poetry, and sots-art prose, and discusses where these still-vital intellectual currents may lead.
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  39. Why Read Dostoevsky?Janine Langan - 2000 - Logos: A Journal of Catholic Thought and Culture 3 (1):93-109.
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  40. Chelovek I Mir V Tvorchestve I.A. Goncharova Uchebnoe Posobie.S. A. Vasil§eva - 2000 - Tverskoæi Gos. Universitet.
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  41. Zwiazki Niekonwencjonalne Literatury I Filozofii = Netraditsionnye Sviazi Literatury I Filosofii.V. M. Belousova - 1999
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  42. The Theatre of Privacy: Vision, Self, and Narrative in Nabokov's Russian Language Novels.Gregory Khasin - 1999 - Dissertation, The University of Chicago
    This dissertation is an attempt to find a single framework for understanding two seemingly conflicting aspects of Nabokov's Russian novels---the metaphysical and the existential. The metaphysical aspect is analyzed according to Leibniz's "Monadology," with its key concepts of the monad, pre-established harmony, the optimization of the universe, and sufficient reason. The existential aspect is examined according to Sartre's theory of the gaze from "Being and Nothingness"; its main notions are being-for-another, radical individuation and intersubjective struggle. Concern with the level of (...)
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  43. Russian Postmodernist Fiction Dialogue with Chaos.M. N. Lipovetskii & Eliot Borenstein - 1999
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  44. Gurdjieff a Biography.James Moore - 1999 - Element Books.
    Charlatan, magician, heroic man of action, revolutionary... Gurdjieff's rich and vivid life conjures up conflicting images. But who was the real Gurdjieff? On the fiftieth anniversary of Gurdjieff's death, James Moore draws on a lifetime's contact with Gurdjieffian pupils to tell the compelling and extraordinary stow of this eclectic revolutionary: his studies with the Red Hat Tibetan Lamas at the turn of the century, his travels disguised as a dervish, and how he was shot and almost killed twice. This inveterate (...)
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  45. A.S. Pushkin Ob Iskusstve.Aleksandr Sergeevich Pushkin & A. A. Vishnevskii - 1999
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  46. Dostoevsky on the Existence of God.James P. Scanlan - 1999 - Archiwum Historii Filozofii I Myśli Społecznej 44:63-71.
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  47. Dostoevskiæi I Chernyshevskiæi Edinstvo Kraæinosteæi.Valeriæi Serdëiìuchenko - 1999
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  48. Diachrony and Synchrony in Writing Russian Literary History.Victor Terras - 1999 - Σημιοτκή-Sign Systems Studies 1:271-291.
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  49. Puteshestvie Na Chernuiu Rechku I Drugie Proizvedeniia.Abram Terts - 1999
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  50. Teoriia I Praktika Russkogo Poeticheskogo Avangarda.Sergei Biriukov, Ministerstvo Obshchego I. Professional Nogo Obrazovaniia Rossiiskoi Federatsii Tambovskii Gosudarstv & Tambovskii Gosudarstvennyi Universitet Imeni G. Derzhavina - 1998 - Izd-Vo Tgu.
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1 — 50 / 138